Ralph Waldo Ellison, born March 1, 1914, in Oklahoma City, OK; died of cancer, April 16, 1994, in New York, NY; son of Lewis Alfred (a construction worker and tradesman) and Ida (Millsap) Ellison; married Fanny McConnell, July, 1946.

Ralph Waldo Ellison, named after the preacher-philosopher Emerson, was born in Oklahoma in 1914.  His father [Lewis Alfred (a construction worker and tradesman)] died when he was three years old, and he was brought up by his mother, who worked as domestic help in white households in order to support herself and her two sons.

At the age of nineteen, he won a scholarship to study music at the Booker T. Washington Tuskegee Institute. In 1936, he went to New York and there met the black writers Langston Hughes and Richard Wright. He started contributing to the Federal Writers' Project, set up as part of Roosevelt's New Deal, and soon his short stories and articles began to appear in magazines and journals. In 1943 he joined the United States Merchant Marines returning to New York after the war. Awarded a Rosenwald fellowship he was able to concentrate on his writing and, seven years after starting it, his masterpiece Invisible Man (1952) was published. Immediately recognized as a classic in its own time, and described as a "touchstone of the 1950s", it won the American National Book Award and established Ellison as one of the major figures of twentieth-century fiction. He also published two collections of essays, Shadow and Act (1964) and Going to the Territory (1986), but his second novel, which he worked on for over four decades and repeatedly declared to be 'virtually finished', never appeared. Flying Home and Other Stories (Penguin 1996) is a collection of both published and previously unpublished short stories.

Ellison was highly regarded by both the literary and academic worlds. He was Fellow of the American Academy in Rome from 1955 to 1957 and on his return held several visiting professorships; latterly being Albert Schweitzer Professor in the Humanities at New York University. He received the United States Medal of Freedom in 1969, became Chevalier de l'ordre des Arts et Lettres in 1970, and received the National Medal of Arts in 1985. Ralph Ellison died in 1994 [of cancer, April 16, 1994], survived by his wife of forty-eight years [married Fanny McConnell, July, 1946]. In his obituary, The Independent declared him "a great gentleman, indeed a noble man, and the remarkable mythologising author of ... the great American Negro novel."

Author biography courtesy of Penguin Books LTD. 

No, I am not a spook like those who haunted Edgar Allan Poe;
nor am i one of your Hollywood-movie ectoplasms.
I am a man of substance, of flesh and bone, fiber and liquids-and I might even be said to posses a mind. 
I am invisible, understand, simply because people refuse to see me.
Like the bodiless heads you see sometimes in circus sideshows, it is as though I have been surrounded by mirrors of hard, distorting glass.
When they approach me they see only my surroundings, themselves, or figments of   their imagination-indeed, everything and anything except me.      - Ralph Ellison

 

Three Days Before the Shooting
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Hardcover: 1136 pages
Publisher: Modern Library (January 26, 2010)
Language: English
ISBN-10: 0375759530
ISBN-13: 978-0375759536
Product Dimensions: 9.3 x 6.2 x 2.2 inches

Read an AALBC.com Book Review

At his death in 1994, Ralph Ellison left behind roughly two thousand pages of his unfinished second novel, which he had spent nearly four decades writing. Long awaited, it was to have been the work Ellison intended to follow his masterpiece, Invisible Man. Five years later, Random House published Juneteenth, drawn from the central narrative of Ellison's unfinished epic.

Three Days Before the Shooting . . . gathers together in one volume, for the first time, all the parts of that planned opus, including three major sequences never before published. Set in the frame of a deathbed vigil, the story is a gripping multigenerational saga centered on the assassination of the controversial, race-baiting U.S. senator Adam Sunraider, who's being tended to by "Daddy" Hickman, the elderly black jazz musician turned preacher who raised the orphan Sunraider as a light-skinned black in rural Georgia. Presented in their unexpurgated, provisional state, the narrative sequences form a deeply poetic, moving, and profoundly entertaining book, brimming with humor and tension, composed in Ellison's magical jazz-inspired prose style and marked by his incomparable ear for vernacular speech.

Beyond its richly compelling narratives, Three Days Before the Shooting . . . is perhaps most notable for its extraordinary insight into the creative process of one of this country's greatest writers. In various stages of composition and revision, its typescripts and computer files testify to Ellison's achievement and struggle with his material from the mid-1950s until his death forty years later. Three Days Before the Shooting . . . is an essential, fascinating piece of Ralph Ellison's legacy, and its publication is to be welcomed as a major event for American arts and letters.

 

Ralph Ellison: A Biography
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by Arnold Rampersad

ISBN: 0375408274
Pub. Date: April 2007
Format: Hardcover, 672pp
Publisher: Knopf Publishing Group

"As Arnold Rampersad astutely observes in this fascinating, revelatory biography, Ellison's writings took careful note of his fellow blacks' creation of "certain bulwarks against chaos, including religion, folklore, stable families, and a canny knowledge of Jim Crow."
'Jabari Asim - The Washington Post
 

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The definitive biography of one of the most important American writers and cultural intellectuals of the twentieth century'Ralph Ellison, author of the masterpiece Invisible Man.

In 1953, Ellison's explosive story of an innocent young black man's often surreal search for truth and his identity won him the National Book Award for fiction and catapulted him to national prominence. Ellison went on to earn many other honors, including two presidential medals and election to the American Academy of Arts and Letters, but his failure to publish a second novel, despite years of striving, haunted him for the rest of his life. Now, as the first scholar given complete access to Ellison's papers, Arnold Rampersad has written not only a reliable account of the main events of Ellison's life but also a complex, authoritative portrait of an unusual artist and human being.

Born poor and soon fatherless in 1913, Ralph struggled both to belong to and to escape from the world of his childhood. We learn here about his sometimes happy, sometimes harrowing years growing up in Oklahoma City and attending Tuskegee Institute in Alabama. Arriving in New York in 1936, he became a political radical before finally embracing the cosmopolitan intellectualism that would characterize his dazzling cultural essays, his eloquent interviews, and his historic novel. The second half of his long life brought both widespread critical acclaim and bitter disputes with many opponents, including black cultural nationalists outraged by what they saw as his elitism and misguided pride in his American citizenship.

This biography describes a man of magnetic personality who counted Saul Bellow, Langston Hughes, Robert Penn Warren, Richard Wright, Richard Wilbur, Albert Murray, and John Cheever among his closest friends; a man both admired and reviled, whose life and art were shaped mainly by his unyielding desire to produce magnificent art and by his resilient faith in the moral and cultural strength of America.

A magisterial biography of Ralph Waldo Ellison'a revelation of the man, the writer, and his times.

 

Juneteenth
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Publisher:  Random House, Incorporated
Date Published:  May 1999
Format:  Trade Cloth

The long-awaited literary landmark ' Ralph Ellison's second novel.

Read more about this book including a sample chapter

In Washington, D.C., in the 1950s, Adam Sunraider, a race-baiting senator from a New England state, is mortally wounded by an assassin's bullet while making a speech on the Senate floor. To the shock of all who think they know him, Sunraider calls out from his deathbed for Hickman, an old black minister, to be brought to his side. The Reverend summoned; the two are left alone. Out of their conversation, and the inner rhythms of memories whose weight has been borne in silence for many long years, a story emerges. For this United States senator, once known as Bliss, was raised by Reverend Hickman in a religion- and music-steeped black community not unlike Ralph Ellison's own childhood home. He was brought up to be a preaching prodigy in a joyful black Baptist ministry that traveled throughout the South and the Southwest. Together one last time, the two men retrace the course of their shared life in "an anguished attempt," Ellison once put it, "to arrive at the true shape and substance of a sundered past and its meaning." In the end the two men arrive at their most painful memories, memories that hold the key to understanding the mysteries of kinship and race that bind them, and to the senator's confronting how deeply estranged he has become from his true identity.

 

Invisible Man
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Publisher:  Random House, Incorporated
Date Published:  March 1995
Format:  Trade Paper and Trade Cloth
Publisher:  Random House, Incorporated
Date Published:  May 1994

From The Publisher: 
Invisible Man is a milestone in American literature, a book that has continued to engage readers since its appearance in 1952. A first novel by an unknown writer, it remained on the bestseller list for sixteen weeks, won the National Book Award for fiction, and established Ralph Ellison as one of the key writers of the century. The nameless narrator of the novel describes growing up in a black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of "the Brotherhood", and retreating amid violence and confusion to the basement lair of the Invisible Man he imagines himself to be. The book is a passionate and witty tour de force of style, strongly influenced by T.S. Eliot's The Waste Land, Joyce, and Dostoevsky.

Shadow and Act Click to order via Amazon Paperback: 352 pages Publisher: Vintage (March 14, 1995) Language: English ISBN-10: 0679760008 ISBN-13: 978-0679760009 Product Dimensions: 7.9 x 5.1 x 0.8 inches

Flying Home: and Other Stories Click to order via Amazon Paperback: 224 pages Publisher: Vintage; 1st Vintage International Ed edition (January 12, 1998) Language: English ISBN-10: 0679776613 ISBN-13: 978-0679776611 Product Dimensions: 8 x 5.2 x 0.7 inches Review from Publishers Weekly To read Ellison's early short stories after having read Invisible Man is like looking at the first sketches and blueprints of parts of the Taj Mahal after having stood in the complete palace itself. Most of these 12 early stories (written between 1937 and 1954) are clearly apprentice work in which Ellison is struggling for control of voice, timing and structure. In the earliest work (including "Hymie's Bull," his very first story), Ellison tries to shoehorn his own experience, including hoboing freight trains in the 1930s, into some boxed-in notion of literary form. But Ellison was a fast learner. While the four stories featuring the antics of Buster and Riley, two smart-mouthed African American boys, owe more than a bit to Mark Twain's Huck and Tom, they also show Ellison developing more supple language and a comic touch. "A Party Down at the Square" (discovered by Callahan, his literary executor, shortly after the writer's death in 1994), is an account of a lynching breathlessly narrated by a white Cincinnati boy visiting his uncle in Alabama. In the dramatic title story, Todd, a black pilot, a northerner trained at Tuskegee, crash-lands in rural Alabama and is rescued from redneck medics by Jefferson, an old black man exuding rustic ways and folksy tall tales. Though Jefferson represents everything Todd is trying to escape, the old man's wisdom and quick thinking ultimately lead the pilot to a reaffirmation of his roots. In these later stories, the moral core of Ellison's great novel is apparent: the passion for simultaneously exploring black identity and American identity, the determination to write deeply about race without writing only about race. His stories display, individually, the commitment to craft and, collectively, the acquired range that later enabled him to assemble, block by block, one of the great monuments of American literature.  Copyright 1996 Reed Business Information, Inc.