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Tips for the Enjoyment of Poetry
by Robert G. Shubinski (obtained with permission) E-Mail: Bob's Byway 1. Read it aloud 2. Be receptive 3. Read carefully 4. Follow the leader 5. Read it over again 6. Forget the technical aspects 7. Consider it as a whole 1. Read it aloud Poetry is word-music, an art which paints pictures with words and sounds.
Since the sounds greatly increase the effect of the words, poems must be read aloud to
provide your fullest enjoyment. Silent reading just won't do poetry justice--it's like
trying to enjoy a concert by reading the score. Reading aloud enables the poem to
reproduce the music of rhythm, rhyme, alliteration, assonance, and harmony to enhance the
emotional colors of the words. Read poetry with an open mind. Try to match your mood to the tone of the
content. Be receptive to the word music of the poet--let him speak through you, as if the
words were your own. This positive approach will allow the poem an opportunity to awaken a
satisfying emotional response. Unless you're willing to have your feelings aroused the way
good poetry can stir them, wait until a better time. Relax, slow down; there's no rush. Read with understanding, rather than
speed. Speak the words crisply, with good diction, especially the beginning consonants.
Don't read with monotony or lack of inflection. Words and phrases can flow like a
sparkling stream or be jarring--let them do it their way. As you read the lines, feel
their excitement, their joy, their sadness; sense their look, smell and taste. Pretend you're dancing with the poem and following its lead. Slow down or stop where
the punctuation indicates. Hesitate ever so slightly at run-on line endings and pause
between stanzas. Very often we are unable to fully appreciate a poetic work on the first reading. Maybe
a distracted mood was interfering with our receptive antennae. Perhaps there are elusive
undertones or subtleties not initially perceived which could make a world of difference in
our response to subsequent readings. 6. Forget the technical aspects Don't be overly concerned with the technical aspects of poetic construction. It's not
vital to understand the metrical variations. The definitions of esoteric terminology are
no more necessary for pleasurable reading than to be a connoisseur of vintages in order to
enjoy a glass of wine. The only thing that matters is whether or not you like the poem;
you don't have to analyze it--let the English professors do that. There is truth in the saying that a poem is only as good as its weakest line. A
well-written piece of poetry--meaning one which is successful in imparting effective word
images and sounds to the reader--results from the unity of its segments with the whole,
whether it be a simple sonnet or a sweeping epic. |
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