"Her style is deceptively simple and direct and the vale of tears in
which her characters reside is never so deep that a rich chuckle at a foolish
person's foolishness cannot be heard."
—Alice Walker
J. California Cooper first found acclaim as a playwright. The
author of seventeen plays, she was named Black Playwright of the Year in 1978. It was
through her work in the theater that she caught the attention of acclaimed poet and
novelist Alice Walker. Encouraged by Walker to turn her popular storytelling skills to
fiction, Cooper wrote her first collection of short stories, A Piece of Mine, in
1984. Called "rich in wisdom and insight" and "a book that's worth
reading," A Piece of Mine introduced Cooper's trademark style: her intimate
and energetic narration, sympathetic yet sometimes troubled characters, and the profound
moral messages that underlie seemingly simple stories. Two more story collections followed
on the heels of A Piece of Mine. In 1986 came Homemade Love, winner of an
American Book Award, and, in 1987, Some Soul to Keep.
J. California Cooper reads from a work in progress: God
Does Not Shoot Dice. The reading took place at the 2009
National Book Club Conference in Atlanta, GA on July 31,
2009.
Beloved writer J. California Cooper has won a legion of loyal
fans and much critical acclaim for her powerful storytelling
gifts. In language both spare and direct yet wondrously lyrical,
LIFE IS SHORT BUT WIDE is an irresistible story of family that
proves no matter who you are or what you do, you are
never too old to chase your dreams.
Like the small towns J. California Cooper has so vividly
portrayed in her previous novels and story collections, Wideland,
Oklahoma, is home to ordinary Americans struggling to raise
families, eke out a living, and fulfill their dreams. In the
early twentieth century, Irene and Val fall in love in Wideland.
While carving out a home for themselves, they also allow
neighbors Bertha and Joseph to build a house and live on their
land. The next generation brings two girls for Irene and Val,
and a daughter for Bertha and Joseph. As the families cope with
the hardships that come with changing times and fortunes, and
people are born and pass away, the characters learn the
importance of living one’s life boldly and squeezing out every
possible moment of joy.
Cooper brilliantly captures the cadences of the South and
draws a picture of American life at once down-to-earth and
heartwarming in this-as her wise narrator will tell
you-“strange, sad, kind’a beautiful, life story.” It is a story
about love that leads to the ultimate realization that whoever
you are, and whatever you do, life is short, but it is also
wide.
Wild Stars Seeking Midnight Suns:
Stories Click to order via Amazon
In stories that are simple yet elegant, hard-hitting yet poignant, J.
California Cooper writes about the search for fulfillment that propels people’s
dreams and desires. In “As Time Goes By” a young woman named Futila Ways grows
up focusing her dream of a better future on material wealth, only to discover
that having everything she ever wanted cannot compensate for the emptiness in
her heart. “The Eye of the Beholder” recounts the story of an unattractive young
girl, Lily Bea, whose search for love leads her to embrace her own brand of
freedom. And in “Catch a Falling Heart” a woman mildly crippled in a fall
endures loneliness and solitude until she finds a man and provides a resting
place for his love. Each story beautifully conveys the profound human need to
seek some sort of satisfaction, just as a wild star seeks a midnight sun.
J. California Cooper’s insights into the hearts and souls of ordinary people
and her irresistible storytelling voice have endeared her to fans and critics.
As Ms. magazine wrote, “Cooper’s stories beckon. It is as if she is patting the
seat next to us, enticing us to come sit and listen.”
Some
People, Some Other Place
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Amazon
J. California Cooper returns with a sweeping novel about love and
heartbreak, perseverance and luck, telling her tale with an insight and
grace that reaffirms Alice Walker's words of praise for her previous works:
"Her style is deceptively simple and direct and the vale of tears in which
her characters reside is never so deep that a rich chuckle at a person's
foolishness cannot be heard."
In her acclaimed novels and short stories, J. California Cooper has
created moving portraits of people striving to make their way in a hard,
often unjust world. Whether it explores the blatant racial and class biases
of nineteenth-century America or the more subtle forms of discrimination
that exist today, "It is the universality of her themes that has made Ms.
Cooper's work popular," as the Dallas Morning News has written.
Some People, Some Other Place is Cooper's biggest, most far-reaching
novel to date. A multigenerational tale, it is set in a town called "Place,"
on a street named "Dream Street." In the words of the novel's narrator, "the
block surely had about it a feeling of long accumulation of history, of
life, of many lives intertwined." As she chronicles the interlocking lives
of the residents of Dream Street, Cooper places the stories of the
individuals and their families within the wider context of America's social
and economic history. We meet the narrator's great grandparents, who left
the poverty of the Deep South in 1895 and made their way to a farm in
Oklahoma; her grandparents, who continued the northward journey with their
eyes on the promised jobs of the industrial Midwest but were forced to
settle without reaching their goal; and her mother, who finishes the journey
and discovers that life at 903 Dream Street carries new burdens as well as
rewards. The neighbors on the block are people of all colors, all striving
to overcome personal troubles and disappointments, and all holding fast to
their dreams of a better life.
"Maisha, the narrator of "A Shooting
Star," chronicles the much-gossiped-about affairs of her friend Lorene and
laments her inability to differentiate between sex and love. In "The Eagle
Flies," Vinnie, a single mother, devotes herself to her selfish children,
letting opportunities for her own happiness slip by until it is almost too late.
In "A Filet of Soul," Louella, raised to believe she is ugly and
undesirable, falls for a fast-talking con man and loses her small inheritance
and her dignity; but his betrayal turns out to mark the beginning of a love
affair - and a life - Louella had never imagined she would find. In the final
story of this collection, "The Lost and the Found," Lorene waits and
waits for the philanderer she loves to marry her, almost letting the love of a
good man pass her by."
From the beloved and highly successful author of "Family" and "In Search of
Satisfaction" comes a dramatic and thought-provoking new novel of one
African-American family's triumph in the face of the hardships and challenges of the
post-Civil War South.
From Booklist: Cooper has written her third novel and another
wonderfully rich tale. Two good friends in Africa, Kola and
Suwaibu, are taken from Africa and brought to America as slaves.
The story of their great-great-great-grandchildren, Mordecai (Mor)
and Lifee, reunites these friends' families through marriage.
Mor and Lifee's life together is chronicled through their
marriage, freedom from slavery, the birth of their children and
grandchildren, and their deaths. Cooper has once again written a
compelling story, reminiscent of The Children of Segu
(1989) by
Maryse Conde. All her fans will love this book. —Lillian
Lewis
Some
Love, Some Pain, Some Time: Stories
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Publisher: Doubleday & Company, Incorporated Date Published: September 1996
Format: Trade Paper
The author of In Search of Satisfaction employs her characteristic themes of romance,
heartbreak, struggle and faith in Some Love, Some Pain, Sometime. Her characters offer
inspiration, laughter, instruction and pure enjoyment.
From Reed Business Information, Inc.: Strongly, deliberately
reminiscent of conversations over backyard fences, Cooper's
genial, heartful new stories feature poor to middle-class black
women reflecting on friends and neighbors much like themselves.
The signature first-person monologs tell of women's perseverance
in the face of economic and emotional hardship, both usually
caused by fickle, selfish men, and of the recurrent?and
sometimes fruitful?search for real love. A consistently natural
vernacular enlivens these tales; readers familiar with black
talk or with Cooper's other works, e.g., In Search of
Satisfaction (LJ 9/1/94), will enjoy the engaging, comfortable
rhythms and speech patterns. That most of these stories are
little differentiated from one another in either form or content
may frustrate nonfans, but most public libraries should acquire
this winning if repetitive collection by a well-regarded author.
—Janet Ingraham, Worthington P.L., Ohio
Copyright 1995 Reed Business Information, Inc.
Publisher: Saint Martin's Press, Incorporated Date Published: April 1988 Format: Trade Paper
Awed, bedevilled, and bemused, all Cooper's characters are borne up by the sheer power of
life itself in these wise and exhilarating stories from Cooper's newest book.
From Reed Business Information, Inc.: The stories in this second
collection from the author of A Piece of Mine are all about love. About
sex and family too, and life when it is lived with wonder and relish.
Told in first-person, in a lively, unobtrusive black dialect, these
tales, set in both country and city, are lit with wisdom and
high-spirited humor. In "Happiness Does Not Come in Colors," a black
activist widowed in the '60s gradually allows herself to become attached
to a white man, while a younger black woman finds that activism has
expanded her life in surprising ways. In "The Magic Strength of Need,"
an ambitious girl of exceptional ugliness builds an empire of beauty
products and services, is finally wooed by the longed-for rich man and
learns to value the love of a constant friend. "Spooks" is a sexual
comedy in which two men enjoy the favors of a recent widow whose
"husband" returns to her each night. Cooper is overfond of aphoristic
commentary and exclamation marks, and her narrators may have
similar-sounding voices, but she tells stories that move and dance about
people who pop off the page to lodge themselves firmly in the reader's
affection. —Copyright 1986 Reed Business Information, Inc.
In
Search of Satisfaction
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Publisher: Doubleday & Company, Incorporated Date Published: September 1995 Format: Trade Paper
Cooper's second novel is an epic saga of three families whose paths intertwine with the
devil in their quests for wealth, power and love. The history of the town is inextricably
linked to Josephus, a freed slave, and his two daughters, Ruth and Yinyang. In seeking the
legacy left by their father, the sisters pull each other into the vortex of ever-powerful
emotion.
Publisher: Doubleday & Company, Incorporated Date Published: December 1991 Format: Trade Paper
From Publishers Weekly
In this beautifully textured first novel by the author of the
acclaimed short story collection Homemade Love , the history of
one slave family becomes symbolic for all slaves and
slaveholders. Clora, the granddaughter of a slave and a
slaveholder, refuses to accept her life as chattel and, as did
her mother, escapes slavery by committing suicide. She had tried
to poison her children first, but they survive and Clora's
spirit narrates their story, beginning with her daughter Always.
Although her siblings pass for white to escape, dark Always
endures the misery of slavery including frequent rape by the
slave owner. Stealing his gold to save for anticipated freedom,
she risks her life to learn how to read. When she and his wife
give birth to sons at the same time, Always switches the babies,
of like complexion. Her son grows up in freedom, while she
raises the other as a slave--a masterful metaphor for the
psychological bondage that slavery imposed on slave masters.
Both young men survive the Civil War, and Always lives to see
them prosper after emancipation. However, as Clora narrates,
racism replaces slavery and humankind continues to suffer from
its divisions. With power and grace, Cooper weaves the dialect,
style and myths of the South into a portrait of the hell that
was slavery. Literary Guild and Doubleday Book Club alternate;
author tour. —Copyright 1990 Reed Business Information, Inc.
Publisher: Doubleday & Company, Incorporated Date Published: September 1992 Format: Trade Paper
American Book Award-winner J. California Cooper spins insight and irony into modern-day
parables about simple people who love too little and too late, and about those who toil
and struggle against a difficult and often hostile environment. This fourth collection of
Cooper's unforgettable stories is alternately charming, disturbing, poignant, and
humorous.
From Reed Business Information, Inc.: The first of eight
stories in this collection focuses on a funeral but affirms
life. Almost every speech uttered by the 90-year-old narrator
contains the words, "I ain't ready." Luxuriating in the love of
her extensive family, she tells God and all the world that she
is not ready to die. Later stories deal with poverty, abusive
husbands, drug addiction, and prostitution, but even these grim
situations yield nurturing down-home wisdom. Most of Cooper's
first-person narrators are shrewd black women, and on occasion
the stories suffer from sameness in plots, themes, and
characters. Usually, however, they are touching without falling
into sentimentality and totally honest without becoming crude.
—Albert E. Wilhelm, Tennessee Technological Univ., Cookeville
Publisher: Saint Martin's Press, Incorporated Date Published: October 1988 Format: Trade Paper
J. California Cooper writes with a transparent clarity and such exuberant energy that her
characters leap off the page, bursting with stories they've got to tell--stories of simple
people, stories of families and fate, of love and marriage, of death and the triumph of
the human spirit.
"Her style is deceptively simple and direct, and the vale
of tears in which her characters reside is never so deep that a
rich chuckle at a foolish person's foolishness cannot be heard."
—Alice
Walker
"Cooper's stories beckon. It's as if she is patting the seat
next to her, enticing us to come sit and listen as she tells
complex tales about women, often poor women, chasing dreams of
love, a house, and a family." —Ms.
"Cooper is humorous, wise, self-deprecating, and always
expressive...her stories are about simple truths told with great
energy that makes them shine." —Kirkus Reviews
"Cooper knows how to 'talk' her stories to us, as though each of
them is told by a kindly and concerned friend. The sound of them
is lovely, memorable, haunting." —San Francisco Chronicle
Publisher: Doubleday & Company, Incorporated Date Published: December 1991 Format: Trade Paper
In 1984, an extraordinary first collection of short stories written by award-winning
playwright J. California Cooper was published to much acclaim. Now back in print, A Piece
of Mine remains one of her most loved books. "Cooper's characters are the folk heroes
of Black culture . . ." —Essence.
"J. California Cooper is indeed an extraordinary writer...She has
the rare quality of a natural storyteller, and her work must carry the
highest recommendation. Definitely a book that's worth reading." —African Concord (Zimbabwe)
Age Ain't Nothing but a Number: Black Women Explore
Midlife
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Carleen Brice Editor &
J. California Cooper Contributor
ISBN: 0807028231
Number Of Pages: 252
Publication Date: May 15, 2003
Publisher: Beacon Press
"Age Ain't Nothing but a Number is my roadmap."—Iyanla
Vanzant
Forty-five black women writers—known and new—discuss midlife in the
first anthology of its kind.
Finally, a collection that celebrates, considers, contemplates, even
criticizes "midlife" from a black woman's point of view. Age Ain't
Nothing but a Number ranges over every aspect of black women's lives:
personal growth, family and friendship, love and sexuality, health,
beauty, illness, spirituality, creativity, financial independence, work,
and scores of other topics.
Midlife today isn't your grandmother's "change of life." Today, black
women call hot flashes "power surges," and menopause, the "pause that
refreshes." These days, middle-aged women may be newlyweds or new
mothers, as well as grandmothers or widows. They may experience the
empty-nest syndrome and then the "return-to-the-nest syndrome" as adult
children move back home. They may navigate the field of Internet dating,
travel the world, teach homeless women, take up pottery, or study
international business.
This anthology captures all of these aspects of midlife as
experienced by some of the finest voices in African-American writing
today. Featuring
the work of Maya Angelou, J. California Cooper, Pearl Cleage, Nikki
Giovanni, Susan L. Taylor, Alice Walker, and dozens of others, Age Ain't
Nothing but a Number will make readers think, laugh, and cry and will be
the perfect gift
book for spring.