On June 7, 2012, Librarian of Congress James H. Billington announced the appointment of Natasha Trethewey as the Library’s Poet Laureate Consultant in Poetry for 2012-2013. In 2012, she was also appointed the State Poet Laureate of Mississippi.

Natasha D. Trethewey (April 26, 1966), is an English professor at Emory
University in Atlanta, won the Pulitzer Prize in poetry in 2007. Her works
forge a rich intersection between the historical and autobiographical. In
poems that are polished, controlled, and often based on traditional forms,
Trethewey grapples with the dualities and oppositions that define her
personal history: black and white, native and outsider, rural and urban, the
memorialized and the forgotten. The daughter of a black mother and a white
father, Trethewey grew up in a South still segregated by custom, if not by
law, and her life astride the color line has inspired her recovery of lost
histories, public and private.
Thrall: Poems
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Hardcover: 96 pages
Publisher: Houghton Mifflin Harcourt (September 11, 2012)
Language: English
ISBN-10: 0547571607
ISBN-13: 978-0547571607
Nominated for a 2013 NAACP Image Award for Poetry
By unflinchingly charting the intersections of public and personal history,
Thrall explores the historical, cultural, and social forces--across time and
space--that determine the roles consigned to a mixed-race daughter and her
white father. In a vivid series of poems about interracial marriage depicted
in the Casta Paintings of Colonial Mexico, Trethewey investigates the
philosophical assumptions that underpin Enlightenment notions of taxonomy
and classification, exposing the way they encode ideas of race within our
collective imagination. While tropes about captivity, bondage, inheritance,
and enthrallment permeate the collection, Trethewey, by reflecting on a
series of small estrangements from her poet father, comes to an
understanding of how, as father and daughter, they are part of the ongoing
history of race in America.
Thrall not only confirms that Natasha Trethewey is one of our most gifted
and necessary poets but that she is also one of our most brilliant and
fearless.
Mano Prieta
The green drapery is like a sheet of water
behind us——a cascade in the backdrop
of the photograph, a rushing current
that would scatter us, carry us each
away. This is 1969 and I am three—
still light enough to be nearly the color
of my father. His armchair is a throne
and I am leaning into him, propped
against his knees—his hand draped
across my shoulder. On the chair’s arm
my mother looms above me,
perched at the edge as though
she would fall off. The camera records
her single gesture. Perhaps to still me,
she presses my arm with a forefinger,
makes visible a hypothesis of blood,
its empire of words: the imprint
on my body of her lovely dark hand.
Trethewey is daughter of interracial parents. Her Black mother was killed, at age 40, by a stepfather Tretheway had long feared. Her white father, Eric Trethewey, is a poet and college professor.
Beyond Katrina: A Meditation on the Mississippi Gulf Coast
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Hardcover: 144 pages
Publisher: University of Georgia Press (September 1, 2010)
Language: English
ISBN-10: 0820333816
ISBN-13: 978-0820333816
Product Dimensions: 8.6 x 5.8 x 0.7 inches
Beyond Katrina is poet Natasha Trethewey’s very personal profile of the
Mississippi Gulf Coast and of the people there whose lives were forever
changed by hurricane Katrina.
Trethewey spent her childhood in Gulfport, where much of her mother’s
extended family, including her younger brother, still lives. As she worked
to understand the devastation that followed the hurricane, Trethewey found
inspiration in Robert Penn Warren’s book Segregation: The Inner Conflict in
the South, in which he spoke with southerners about race in the wake of the
Brown decision, capturing an event of wide impact from multiple points of
view. Weaving her own memories with the experiences of family, friends, and
neighbors, Trethewey traces the erosion of local culture and the rising
economic dependence on tourism and casinos. She chronicles decades of
wetland development that exacerbated the destruction and portrays a Gulf
Coast whose citizens—particularly African Americans—were on the margins of
American life well before the storm hit. Most poignantly, Trethewey
illustrates the destruction of the hurricane through the story of her
brother’s efforts to recover what he lost and his subsequent incarceration.
Renowned for writing about the idea of home, Trethewey’s attempt to
understand and document the damage to Gulfport started as a series of
lectures at the University of Virginia that were subsequently published as
essays in the Virginia Quarterly Review. For Beyond Katrina, Trethewey has
expanded this work into a narrative that incorporates personal letters,
poems, and photographs, offering a moving meditation on the love she holds
for her childhood home.
Native Guard: Poems
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Hardcover: 64 pages
Publisher: Houghton Mifflin Harcourt; 2nd edition (March 6, 2006)
Language: English
ISBN-10: 0618604634
ISBN-13: 978-0618604630
Product Dimensions: 8.3 x 5.9 x 0.4 inches
Winner Pulitzer Prize for Poetry
Natasha Trethewey's muscular, luminous poems explore the complex memory of
the American South—history that belongs to all Americans. The sequence
forming the spine of the collection follows the Native Guards, one of the
first black regiments mustered into service in the Civil War. In Trethewey's
hometown of Gulfport, Mississippi, a plaque honors Confederate POWs, but
there is no memorial to these vanguard Union soldiers. Native Guard is both
a pilgrimage and an elegy, as Trethewey skillfully employs a variety of
poetic forms to create a lyrical monument to these forgotten voices.
Interwoven are poems honoring Trethewey's mother and recalling her fraught
childhood—her parents' interracial marriage was still illegal in 1966
Mississippi. Native Guard is a haunting, beguiling narrative, caught in the
intersections of public and personal testament. As Rita Dove proclaimed,
"Here is a young poet in full possession of her craft."
Bellocq's
Ophelia: Poems
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Paperback: 64 pages
Publisher: Graywolf Press (April 1, 2002)
Language: English
ISBN-10: 1555973590
ISBN-13: 978-1555973599
Product Dimensions: 9.1 x 6.1 x 0.3 inches
Selected as a "2003 Notable Book" by the American Library Association
In the early 1900s, E.J. Bellocq photographed prostitutes in the red-light
district of New Orleans. His remarkable, candid photos inspired Natasha
Trethewey to imagine the life of Ophelia, the subject of her stunning second
collection of poems. With elegant precision, Ophelia tells of her life on
display: her white father whose approval she earns by standing very still;
the brothel Madame who tells her to act like a statue while the gentlemen
callers choose; and finally the camera, which not only captures her body,
but also offers a glimpse into her soul.
Domestic Work
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Paperback: 64 pages
Publisher: Graywolf Press (September 1, 2000)
Language: English
ISBN-10: 1555973094
ISBN-13: 978-1555973094
Product Dimensions: 9 x 6 x 0.3 inches
Domestic Work (2000), was selected by Rita Dove as the winner of the inaugural Cave Canem Poetry Prize for the best first book by an African American poet.
"Trethewey eschews the Polaroid instant, choosing to render the unsuspecting yearnings and tremulous hopes that accompany our most private thoughts—reclaiming for us that interior life where the true self flourishes and to which we return, in solitary reverie, for strength." - Rita Dove
In this debut collection, Natasha Trethewey draws moving domestic portraits of families, past and present, caught in the act of earning a living and managing their households. Small moments taken from a labor-filled day reveal the equally hard emotional work of memory and forgetting, the extraordinary difficulty of trying to live with or without someone.
Excerpt.
DOMESTIC WORK, 1937
All week she's cleaned
someone else's house,
stared down her own face
in the shine of copper-
bottomed pots, polished
wood, toilets she'd pull
the lid to --that look saying
Let's make a change, girl.
But Sunday mornings are hers --
church clothes starched
and hanging, a record spinning
on the console, the whole house
dancing. She raises the shades,
washes the rooms in light,
buckets of water, Octagon soap.
Cleanliness is next to godliness...
Windows and doors flung wide,
curtains two-stepping
forward and back, neck bones
bumping in the pot, a choir
of clothes clapping on the line.
Nearer my God to Thee...
She beats time on the rugs,
blows dust from the broom
like dandelion spores, each one
a wish for something better.
© Reprinted by permission. All rights reserved.
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