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Sekou Sundiata is a poet who writes for print,
performance, music and theater. He has been a Sundance Institute
Screenwriting Fellow, a Columbia University Revson Fellow, a Master
Artist-in-Residence at the Atlantic Center for the Arts (Florida), the
first Writer-in-Residence at the New School University, and he is
currently a Lambent Fellowship in the Arts Fellow. He was featured in
the Bill Moyers' PBS series on poetry, The Language of Life, and
as part of Russell Simmons’ Def Poetry Jam on HBO. Sundiata is
currently a professor at Eugene Lang College in New York City.
Audio CD (February 8, 2000) Before there was Run-D.M.C., before Grandmaster Flash,
before Afrika Bambaataa, rap's true infancy existed with a few black
radicals like the Watts Prophets and
Gil Scott Heron. For
artists such as these, flow, beats, or danceability didn't matter as
much as the message did. They were political poets who were more
effective with a musical background. Sekou Sundiata picks up this torch
and carries it on, years after rap has gone the way of MTV, dance clubs,
and innocuous million sellers. The latest prodigy of Ani Dofasco's
Righteous Babe label, longstoryshort is "rhythm 'n' news." Tracks
like "Droppin' Revolution" expose the lack of political activism in pop
music: "People be droppin' 'revolution' like it was a pick up line/You
wouldn't use that word if you knew what it meant." And for all of the
naming names and biting liberal commentary, there is a hell of a musical
backdrop: Loungy organs, funkified guitars, agile bass, and impeccable
drumming create an aura worthy of any blaxploitation film. While the
mood is sweet enough to lose the lyricism, Sundiata's brilliantly urgent
message will make sure that you listen and think hard about his point of
view. No small feat. Jaime Vazquez (All Music Guide)
Audio CD (February 25, 1997) The sophomore album of poetry from Sekou Sundiata, English professor and New York aesthetic collector. The basic form is a collection of contemporary soul and jazz accompaniment to powerfully delivered spoken poems from Sundiata. The sound is more Afro-American-centric than Afro-centric, but there's a bit of a hearkening to more purely African sounds as the Senegalese drums are called out for "Philosophy of the Cool" at the end of the album. Sundiata shows off an outstanding range of vocal ability, working within the limited structure of the spoken word. He can give a sermon fit for an NAACP conference, or a string of stories somewhere between a stream of consciousness and a coherent story, all at a breakneck speed that makes Bobby McFerrin sound lazy. The atmosphere laid out by Sundiata's backing band and the occasional vocalists lend an ambience to the poetry that doesn't usually stand out so well on the majority of spoken word albums. There's some Malcolm X in here, some KRS-One, and some En Vogue, but at its core, there are only the original thoughts of an outstanding poet. This album doesn't ask to be listened to, it demands it. Adam Greenberg (All Music Guide)
Related Links Obituary: Gifted Poet Sekou Sundiata
Sekou Sundiata Biography at: MultiArts Projects & Productions
(MAPP) Sacred Circle/Spoken Word A Three-Day Festival of the Spoken Word
October 29-31 1999
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