The History of White People
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Hardcover: 496 pages
Publisher: W. W. Norton & Company; 1St Edition edition (March 15, 2010)
Language: English
ISBN-10: 0393049345
ISBN-13: 978-0393049343
Product Dimensions: 9.3 x 6.3 x 1.6 inches
Book Review by Kam Williams
"Most Americans envision whiteness as racially
indivisible, though ethnically divided; this is the scheme anthropologists
laid out in the mid 20th Century. By this reckoning, there were only three
real races (Mongoloid, Negroid and Caucasoid) but countless ethnicities.
Today, however, biologists and geneticists no longer believe in the physical
existence of races—though they recognize the continuing power of racism (the
belief that races exist, and that some are better than others)...
A quarter century ago, comedian Martin Mull published "The History of
White People in America" a book which took a lighthearted look at the
contributions of Caucasians to this society. The droll humorist even served
as the host for a made-for-TV adaptation of the popular best-seller, a
tongue-in-cheek mockumentary starring Steve Martin, Harry Shearer and Fred
Willard.
As might be expected, Nell Irvin Painter's version of "The History of White
People" tackles the same subject-matter, only in the deadly-serious,
methodical and academic fashion expected of a Princeton University professor
who also happens to be African-American. Weighing-in at 500+ pages, her
informative, encyclopedic opus ponders whether white people even belong to a
separate race, which one might presume to be the case, judging by this
country's long legacy of a strictly-enforced color line.
But the author's examination of the history of Western Civilization from
ancient Greece and Rome to the present reveals the emergence of "whiteness"
to be a relatively-recent phenomenon, having only really caught hold as a
viable philosophy in the 1700s in the wake of a Germanic propagating the
notion of Caucasian features as the epitome of beauty. Professor Painter's
persuasive thesis that there is only one race, the human race, rests on
evidence unearthed in recent years by the Genome Project. Yet, in spite of
conclusive scientific proof, we see that the arbitrary, artificial construct
of race tends to persist, even if undergoing alterations in accordance with
dictates of ever-evolving cultural mores to a certain degree.
If there is any hope in finally making racism obsolete once and for all, it
rests in the widespread embrace of the sort of sensible conclusions upon
which Nell Painter's monumental research and scholarship were based.
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