BEGIN:VCALENDAR VERSION:2.0 PRODID:-//InvisionCommunity Events 4.7.23//EN METHOD:PUBLISH CALSCALE:GREGORIAN REFRESH-INTERVAL:PT15M X-PUBLISHED-TTL:PT15M X-WR-CALNAME:RMWorkCalendar NAME:RMWorkCalendar BEGIN:VTIMEZONE TZID:Europe/London TZURL:http://tzurl.org/zoneinfo/Europe/London X-LIC-LOCATION:Europe/London BEGIN:DAYLIGHT TZOFFSETFROM:+0000 TZOFFSETTO:+0100 TZNAME:BST DTSTART:20210328T020000Z RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=-1SU END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0100 TZOFFSETTO:+0000 TZNAME:GMT DTSTART:20211031T020000Z RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=-1SU END:STANDARD END:VTIMEZONE BEGIN:VEVENT SUMMARY:Dexterity Test/Story Challenge/Comic Book Superhero/Kloir DY IS/Monster Cutie/One Light Source/OC Pet 09/21/2021 DTSTAMP:20250526T215414Z SEQUENCE:0 UID:315-5-c3fe8195a3dde498d013e477e2142422@aalbc.com ORGANIZER;CN="richardmurray":troy@aalbc.com DESCRIPTION:\n  Dexterity Test/Story Challenge/Comic Book Superhero/Klo ir DYIS/Monster Cutie/One Light Source/OC Pet 09/21/2021\n\n\n\n  \n\n\n\ n Some art to enjoy \n\n\n\n Here is the Dexterity test:) \n\n\n\n  \n\ n\n\n The sleeping princess\, can you tell the story in the image? \n\n\n \n  \n\n\n\n I was working on my submission for the levar burton fiyah an d thus\, I was too late for the competitive aspect\, but not to late for t he invitational aspect.\n\n \n\n The prompt is\n\n Leaves sing atop ancien t trees - rustling\, whispering\, teasing the senses - telling a quiet tal e of one taller than\, gentler than\, the oldest oak.\n\n \n\n I figured I will tell a tale in an image.\n\n I will give you some questions to help you.\n\n What planet is this?\n\n What is the craft the female is working on?\n\n What does the text in chinese say?\n\n What is the robot telling h er to do?\n\n Who is the signal on the wall for and what does it say?\n\n What is the statue in the hallway behind the princess?\n\n https://www.dev iantart.com/hddeviant/art/DAStory-challenge-post-competitive-entry-8925432 24?ga_submit_new=10%3A1632227117\n\n\n\n  \n\n\n\n The Teleman- Issue #1 - gifcomic is linked in the description\n\n\n\n  was working on my submis sion for the levar burton fiyah and thus\, I was too late for the competit ive aspect\, but not to late for the invitational aspect.\n\n \n\n For a s uperhero\, I admittedly wanted something simpler or galactic. My imaginati on sprouted Teleman. I even made him a comic you can enjoy as pages or a g if in the following links.\n\n \n\n Teleman Issue 1 page 2\n\n https://www .deviantart.com/hddeviant/art/Teleman-issue1-page-2-892546119?ga_submit_ne w=10%3A1632228867\n\n Teleman Issue 1 page 3\n\n https://www.deviantart.co m/hddeviant/art/Teleman-issue1-page-3-892546229?ga_submit_new=10%3A1632229 088\n\n Teleman Issue 1 page 4\n\n https://www.deviantart.com/hddeviant/ar t/Teleman-issue1-page-4-892546546?ga_submit_new=10%3A1632229258\n\n Telema n Issue 1 gifcomic\n\n https://www.deviantart.com/hddeviant/art/Teleman-gi fcomic-892546728?ga_submit_new=10%3A1632231022\n\n\n\n \n\n \n\n https://w ww.deviantart.com/hddeviant/art/Teleman-cover-page-892545782?ga_submit_new =10%3A1632228657\n\n\n\n  \n\n\n\n The ancient town of Dalila- what is go ing on!?:) \n\n\n\n  \n\n\n\n I was working on my submission for the lev ar burton fiyah and thus\, I was too late for the competitive aspect\, but not to late for the invitational aspect.\n\n \n\n Dalila is an old robot\ , battered or bruised where it lay \, eons ago. But\, its mechanical heart remain a source of nourishment for life and its body\, like a pyramid or temple of earliest times from kemet\, has preserved to still be useful. \ n\n But all is not so easy in the town. The bug pit is not what it was\, a nd outsiders have brought a new level of violence. \n\n \n\n I will place the original source image in the comments\n\n \n\n\n\n Source image of Da lila... isn't she cute and the oscar goes too....\n\n\n\n https://www.dev iantart.com/hddeviant/art/The-Ancient-Town-of-Dalila-892549276?ga_submit_n ew=10%3A1632231916\n\n\n\n  \n\n\n\n Microcalligraphy based on Kloir\n\n\ n\n  \n\n\n\n I was working on my submission for the levar burton fiyah a nd thus\, I was too late for the competitive aspect\, but not to late for the invitational aspect.\n\n \n\n \n\n The poem I created based on the ima ge is the following:\n\n \n\n Title: The Trees before what you see\n\n \n\ n If a tree has no shadow\, it is the darkest breed\n\n Gatekeeper to secr ets\, doorway... to fantasees\n\n The magic need the trees\n\n Not to live \, to be seen\n\n The light need the leaves\n\n Not to live\, to careen\n\ n When one walk where magic\, the Elders say\n\n The trees are above the d oves soiree\n\n While you will see castle balconies\n\n The squirrel dare the oldest tree top\, where winds can catapult any to doom\n\n For the sig ht is a gift\, see nature in full bloom\n\n Beward the princess at the swe etest tree\n\n She see you coming\, she see you need\n\n But she know the forest\, better than you think\n\n Talk to an oak\, and you will get a jok e\n\n Talk to a kapok... and you will see free folk\n\n Talk to a boabab\, and a sweet to your gob\n\n Talk to a ginko\, and remember what you sow\n \n Talk to a yew\, and catch a brand new\n\n Talk to a mulberry and ripple s from your mind's ferry\n\n Talk to a tree and see... something\n\n The l ast of the tree guard\, has no leaves\n\n Performs the magic you will see. ..\n\n Look up! the purple cork floats or corral the leaves\n\n A bed in t he sky to cover the scene\n\n \n\n For this piece I continue the design st yle from the last calligraphic work of not using the entire poem in the ca lligraphy. This time I am particularly happy cause I used new colored inks . I like how the inks came out but I need to get smaller widths. The width s did not allow the finesse I achieved with my pencil. So\, this ink does not have the intricacy of the pencil.\n\n \n\n \n\n Calligraphy version1 T he Trees before what you see\n\n \n\n Gatekeeper to secrets\n\n The magic need the trees\n\n The light need the leaves\n\n When one walk where magic \n\n The squirrel dare the oldest tree\n\n Beware the princess\, at the sw eetest tree\n\n ... Talk too a tree and see...  something\n\n Performs th e magic you will see\n\n \n\n Calligraphy version 2 The Trees before what you see <\;what was used>\;\n\n \n\n Gatekeeper to secrets\n\n The mag ic need the trees\n\n The light need the leaves\n\n When one walk where ma gic\n\n The squirrel dare the oldest tree\n\n Beware the princess\n\n ... Talk too a tree and see\n\n The magic you will see\n\n \n\n the post compe titive invitational\n\n\n\n \n\n https://www.deviantart.com/hddeviant/art/ Microcalligraphy-based-on-Kloir-892550129?ga_submit_new=10%3A1632232969\n\ n  \n\n Dexterity Test - about 3 hours- I had to use my left hand\, the r ight hand\, it is over too quickly...:) \n\n\n\n I was working on my subm ission for the levar burton fiyah and thus\, I was too late for the compet itive aspect\, but not to late for the invitational aspect.\n\n \n\n I am fortunate that I know what I like to create as an artist. That is poems/sh ort stories/graphite drawings. I can do these three things forever\, no pa y needed. As it is\, for the dexterity test I decided to do something I ha dn't done in a while and that is draw with my left hand. As a kid I wrote or drew with either hand\, but environments do manipulate folks.\n\n I tim ed myself\, and I used only a graphite pencil/an eraser\, and my smudger p lus a white sheet of paper. My left hand had some serious issues smudging or erasing. The penciling was just about getting muscle memory back. I thi nk halfway through I got some of the memory back. I will have to remind my self to draw with the left hand exclusively to reject such rust in the fut ure.\n\n My times:\n\n 3:42 pm to 6:04 pm\n\n an Errands OR watermelon bre ak\n\n 6:15 to 6:45 pm\n\n I recall only one time near the end did I use t he right hand and it was for two eraser motions\, not large ones\, and I r ecovered the left hand.\n\n My desire to go faster is what pushed it so a lesson is in that folks. Slow down \, keep the pace slow and that will aid in going from hand to hand.\n\n https://www.deviantart.com/hddeviant/art/ Dexterity-Test-892551259?ga_submit_new=10%3A1632233707\n\n\n\n  \n\n\n\n Nurse Leechman - isn't she cute \n\n\n\n I was working on my submission f or the levar burton fiyah and thus\, I was too late for the competitive as pect\, but not to late for the invitational aspect.\n\n \n\n Nurse Leechma n\n\n Her probiscus is covered to not alarm anyone and to be sanitary. She walks upright and carries anticoagulent which is always important to thos e whose blood is acting irregular or unhealthy. And she makes it herself. As she is pregnant\, though you can't see it right now. She is carrying th e micromarsupial daily\, the must have magazine for any young Siamensis ne eding guidance or tips on caring for their upcoming child. Edited by legen dary Mrs. Roo. Isn't this nurse cute! \n\n \n\n This was quite interestin g for me research wise. That word monster meaning disgusting or not cute\, isn't in my mentality. Monsters can be cute... anyway. In my search to fi nd something not thought of as cute or pleasant or safe to be around. I th ought of a leech. But which leech?\n\n I learned of the leech Siamensis Pl acobdelloides of the glossiphoniidae. Now like all leehces her saliva has anticoagulents which stop blood from going to gel from liquid and so I aut omatically thought nurse. But\, this particular breed of Leech has another great attribute. They carry their young.  \n\n https://www.deviantart.co m/hddeviant/art/Ms-Leechman-PPPMonstercuties-892552269?ga_submit_new=10%3A 1632234592\n\n  \n\n The Night Table- can you guess some of the reference s in my film noir short:) \n\n\n\n  \n\n\n\n I was working on my submiss ion for the levar burton fiyah and thus\, I was too late for the competiti ve aspect\, but not to late for the invitational aspect.\n\n \n\n I had tw o ideas for the one light source originally\, the first one I finished all but the chiaroscuro. I was pondering between doing a single street lamp o r doing an inverted one light source. But I was undecided so I went on to the second idea. I haven't shared the first one\, it is merely cause I wan t rest. I will in the future. but I see this idea as the first scene and t he first idea as the second scene\, a little film noir couplet.\n\n Enjoy   \n\n \n\n https://www.deviantart.com/hddeviant/art/The-Night-Table-892 553358?ga_submit_new=10%3A1632235077\n\n\n\n  \n\n\n\n Original post\n\n\ n\n https://aalbc.com/tc/profile/6477-richardmurray/?status=1629&\;type =status\n\n\n\n  \n\n\n\n \n\n EMBED CODE\n\n \n\n\n \n\n\n  \n\n\n\n \ n\n EMBED CODE\n\n \n\n\n\n  \n\n\n\n \n\n EMBED CODE\n\n \n\n\n\n  \n\n \n\n \n\n EMBED CODE\n\n \n\n\n\n  \n\n\n\n \n\n EMBED CODE\n\n \n\n\n\n  \n\n\n\n \n\n EMBED CODE\n\n \n\n\n\n  \n\n\n\n \n\n EMBED CODE\n\n \n \n\n\n  \n\n\n\n  \n\n\n\n  \n\n DTSTART;VALUE=DATE:20210921 RRULE:FREQ=YEARLY;INTERVAL=1 END:VEVENT END:VCALENDAR