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SUMMARY:MY VERSION OF THE PHANTOM\, the ghost who walks\, an introdu
	ction
DTSTAMP:20260521T210140Z
SEQUENCE:0
UID:737-5-c3fe8195a3dde498d013e477e2142422@aalbc.com
ORGANIZER;CN="richardmurray":noreply@aalbc.com
DESCRIPTION:For me \, no character of fiction is locked into one way\, i
	magination gives any artist the chance to find a way to change any charact
	er\, because your imagination allows you to make yur own version of any ch
	aracter.  Will your version be financially successful... I don't know\, fi
	nancial success in the arts is not an exact science. When Toulouse LAutrec
	 made money with his art when alive but more came later in appreciation.  
	Jean Michel Basquiat made money but died giving his art away for free \, n
	ow decades later art he gave away for free near the time of this death tha
	t the art market suggested had little to no financial value is now worth m
	illions each. Fragonard was very successful with his adult themed painting
	s when alive but after his death was cast out only until late 1900s and be
	yond gave his work more appreciation. so... the ability to regale isn't se
	t ins tone\, it isn't a matter of work rate\, audiences\, viewers\, custom
	ers\, the public have the right to simply not like your work today and lov
	e it tomorrow or love your work today or hate it tomorrow. But I do think 
	artistic objectives can be achieved in manipulating any story to a particu
	lar theme or style. STeven Barnes made a post about John Carter of Mars by
	 Disney  and made the following comments \, the first the initial reply an
	d the others temporally in sequence to replies to mine.LINKthe shadow/the 
	phantom/john carter / tintin I think a long list of films exist that aren'
	t bad but the film going customer needed a preview. Marvel + DC + harry po
	tter+ Twilight + Dune+Lord of the rings all had tv shows or comics or mult
	iple media forms not movies in theaters that prepared the movie theater go
	ing audience for the films\, which is needed when a ticket isnt affordable
	. If ticket prices were affordable I think all of those film would had bet
	ter fiscal reception. .. My biggest issue was in preproduction the storybo
	ard artists or writers didn't realizeLINKKathy Lehman haha well the origin
	al radio program was cheesy\, but sincere and the movie is sincere too.LIN
	KSteven Barnes That is cool you figure a way for tarzan today\, i see a wa
	y to do phantom or shadow today. Though to your original post theme\, i do
	 think all three need marketing care\, wise production . Need quality dire
	ction from an efficient director . it isn't just a good screenplay from yo
	u or me:) that will do it. None of these properties are like a star wars o
	r marvel where they are present and strong in media before a movie comes o
	ut.LINKSteven Barnes to the phantom\, the inherited hero aspect of the pha
	ntom is the tool to break out of the negative biases\, white saviordom\, i
	n its creation and majority history. Yes \, the phantom was made with pure
	 white savior mythos\, but within the story it has a great way to fit beyo
	nd said limitation and not sideline the history of the character.LINKSteve
	n Barnes yes the cultural point of the original creator of the phantom \, 
	lee falk\, or the audience he created for\, would vanish with my version\,
	 but that is why it would be my work. Rich Murray's phantom\, based on fal
	k\, but not falk'sLINKSteven Barnes I will answer the questions in reverse
	 order. MY experience as an artist has taught me never to assume to know h
	ow to capture audiences for sure. But I always hope to capture them. 🙂 
	My Phantom's change is simple but influences the entire storyline. My chan
	ge is to make the phantom older than kit walker. In Falk's version the pha
	ntom  starts with Kit Walker. this lineage of white men of europe who save
	 colored folk and others. In my version the phantom is from an ancient lin
	eage from Africa itself\, started by a Black man in the ancient predecesso
	r to Bengali about the indian ocean coast  somewhere[thus afro asiatic] . 
	Now what has to be added because of this? The first phantom around the tim
	e of kemet passed it down to his first son\, but also had other children. 
	And over the thousands of years\, the bloodline of the original phantom is
	 now global \, and has members of every phenotypical race in all parts of 
	the world\, but all in the bloodline don't know it.  A group of descendent
	s were started by the second son of the first phantom from kemet to catalo
	g and keep the record of the lineage of the phantom and manage the phantom
	\, including killing the phantom if need be.  To kit walker\, a phantom di
	ed without an heir sometime before pirates killed his father and he crashl
	anded on the shores of bengali A member of the second son's descendents no
	tices kit and checking the records see's that he is a descendent of the fi
	rst phantom. After Kit\, who is negatively biased towards blacks makes the
	 vow. The descendent of the second son invites him to become the phantom. 
	What is the point? the phantom  has always been a hero\, the ghost who wal
	ks\, but has not always been culturally the same. In my version\, the phan
	tom before kit walker was a black man who had a huge negative bias to whit
	es. But still aided white people at times in a condensending way. Kit walk
	er \, albet condescending to blacks still saves lives including black peop
	le. To your first question\, my phantom is still a legacy hero like falk's
	 but unlike falk's my phantom is a greater legacy as complicated or comple
	x in membership as humanity itself\, while it has a more interesting stewa
	rdship in the descendents of the second son of the first phantom\, preserv
	ing this hero\, who can't stop all crimes or keep all safe\, and has never
	 tried to stop all crimes or keep all safe\, but consistently does good no
	 matter who bears the name.LINK
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