BEGIN:VCALENDAR VERSION:2.0 PRODID:-//InvisionCommunity Events 5.0.18//EN METHOD:PUBLISH CALSCALE:GREGORIAN REFRESH-INTERVAL:PT15M X-PUBLISHED-TTL:PT15M X-WR-CALNAME:RMWorkCalendar NAME:RMWorkCalendar BEGIN:VTIMEZONE TZID:Europe/London TZURL:https://tzurl.org/zoneinfo/Europe/London X-LIC-LOCATION:Europe/London BEGIN:DAYLIGHT TZOFFSETFROM:+0000 TZOFFSETTO:+0100 TZNAME:BST DTSTART:20260329T020000Z RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=-1SU END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0100 TZOFFSETTO:+0000 TZNAME:GMT DTSTART:20261025T020000Z RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=-1SU END:STANDARD END:VTIMEZONE BEGIN:VEVENT SUMMARY:CUMYA CHILDREN 10012026 DTSTAMP:20261002T014542Z SEQUENCE:0 UID:894-5-c3fe8195a3dde498d013e477e2142422@aalbc.com ORGANIZER;CN="richardmurray":noreply@aalbc.com DESCRIPTION:URLhttps://www.deviantart.com/hddeviant/art/CUMYA-CHILDREN-1 387183230CONTENTTITLE: CUMYA CHILDRENsubtitle: A Black Fable Pageant1.CHIL DREN ARE BORNA. DancersNut- female \, embodiment of galactic night which e xtends beyond any light. Black soft fabric covers all but head. Black afro hairstyle head covering with black tulle veil to cover rest of head.Geb- male\, embodiment of Earth. Blue and green stripped. Soft suit cover all b ut head. Blue and green striped afro hairstyle head covering with blue and green stripe tulle veil to cover rest of head.Ra- female\, embodiment of the Sun\, the slosest star\, yellow soft reflective fabric suit covers al but head\, yellow afro hair style head coverings with yellow tulle veil to cover rest of head.Konsu- male\, embodiment of the Moon\, the eventual pa rtner to Earth\, grey soft suit cover all but heady great afro hairstyle h ead covering with grey tulle veil to cover rest of the head.B. Dance Descr iptDarkness\, primordial \, silent\, Nut dances unseen in the eternal nigh t\, only heard through steps \, falls\, strong enough movements. Nut dance s in a circular pattern\, as one star is born [ in the background] and ano ther star and more and more stars until they cover everywhere [ all sides of the stage] Nut performs high jumps\, spins\, rolls\, in a circular patt ern\, continues to the dance ends.Ra is in a black cloth and jumps up in t he circle of Nut. [ leave black cloth] . Ra dances in a circle within Nuts circle adding many flailing motions of rays [ arms and legs] while twirli ng.Geb plus Konsu are in block cloth and jump up in the circle of Ra. Geb plus Konsu dance in a circle together \, going farther and closer variably about a center. The center always on the path in Ra. They twirl and twirl about each other faster\, never touching.Nut \, Ra\, Geb\, plus Konsu ali gn about the center of the stage and Geb curls as if something is in the b elly.The stage becomes the blue horizon of earth between sky and sea. The sounds of the earth from various creatures is emitted.2. THE DAMELEGANT\, BABELEGUA. DancersBebelegu\, the Damelgante\, the Devil's Daughter\, LA Di ablo Fille\, a sparkling burgundy chemise gown\, cute quaint elegant golde n keys\, embroidered about\, afro\, red lipstick\, sparkling eye shadow.Es hu- man with Black Jackel's head crown looking behind him\, with red beade d veil covering his face. HE hold a key and scales. On each scale is a fig ure of Eshu\, but one scale has a feather. The father of Babelegu\, he has a red and black striped suit.Little Babelegu- Babelegu as a female child. Mother of Babelegu- Candace\, in a bright golden dress [ allows legs to mo ve] hair is afro with golden twirls[ snake like] in her hair.B. Dance Desc riptIn a lush green forest the tip of a pyramid is visible just above the highest trees. The sound of a large calm river is audible. Candace jumps i n and dances in a path that if written on the floor represents the eye of Ra. [ the path can go over itself] Her dance includes flips\, twirls\, lea ps\, crouches\, various lifts from the floor. It begins with the most cour teous bow. The light of the green area turns dark to complete black and th en rapidly switches between white and black continuously. Eshu enters and where the jackal head looks is opposite in color to where the jackal's hea d does not. [ opposite of white is black and black is white] Candace is in shock wit the changes and looks down. Eshu walk toward and stops in front of Candace. Candace look up quick\, frightened\, but becomes enamored wit h Eshu \, unable to look away. She repeats the dance she did before in the jungle except that where she faces the split between in front of behind E shu is like a wall\, while she is always focused on Eshu. After finishing one dance variant\, she approaches Eshu with a sultry walk and touches his front\, trying to embrace him\, but she is unable to. And she kisses him\ , for a long time. Then she is pulled away[ to off stage] Her feet sliding on the ground. The variable black to white slows down to black and then b lack brightens back to jungle.Candace and little Babelegu enter jungle\, d ancing simultaneously. The same dance as when Candace was alone in the jun gle. At end of dance\, the mother and child sit. 'C. Drama DescriptCandace sit on the floot\, little Babelegu sit on Candace's lap.Little Babelegu(L .B.): I'm scared Mana.Candace(C.): Why?L.B.: The other kids say I will liv e longer than anybody\, I don't want to outlive you.C.: My favorite light. .. a loving parent wants their children to live healthy eons after the par ent die. I am hopefully\, a lucky parent whose child will live eons after. L.B.: But I don't want to be alone.C.: ... I can't see the future but when you find others to love\, who love you\, don't let them go.L.B.: How will I know who to love?C.: You will teach yourself through experience.L.B.: D id you love Papa?C.: As much as a mortal woman can love a manifestation of a natural forceL.B.:... (uncertain)C.: Knowing who to love or how to love requires experience. Right now\, all you love is yourself\, me\, and your papa.L.B.: and \, snuggles.C.: OF course\, Mr. Snuggles. well why don't y ou go play with the frogs.L.B.: Ok mamaLittle Babelegu exit skipping. The lights go dark3. THE EYES OF TIMEA. Dancers.BabeleguB. Dance DescriptEshu statue is to a side. Babelegu dance about as if going backward and then sh e switches between backwards and forwards while doing jumps\, splits\, lif ts\, flips. The background is a landscape the color of a dull red light\, with valleys and mountains and more topographical intricacy.C. Drama Descr iptBabelegu (B.) sit aside the statue of Eshu\, (E.)B.: Thank you father\, I now can handle my life.E. : Remember \, to have patience with the chang esB.: As my experiences grow \, I will grow.4. HIGH JOHN ARRIVESA. Dancers Mama High- woman in west African common clothing before European conquest \, pregnant with High John as a fetus.Papa High- Man in central African co mmon clothing\, husband to Mama High.The Enslaved aside the Highs- in seri es in the slave boat\, aside the Highs.B. Dance DescriptIn the bottom of a white European slave boat crossing the Atlantic ocean \, the wet bloody h ull is the boundary to the entire world of the enslaved. Mama High while p regnant and having pains is comforted by her husband who offers his blood for her to drink . They sit separated but not that distance from each othe r among the lines of rocking enslaved\, of all ages\, going with the flow. A little light from the deck shines bright. It moves faster and faster sh owing the cycle of days\, while the enslaved keep rocking\, their miserabl e howls grow as some stop moving on their own\, but the living maintain th e rocking.A bright light shine on the day the slave ship land. The light g rows until it shines all in the hull\, a bright light.The illumination les sens and Papa High is on the beach leading the enslaved to attempt freedom \, as the white European enslavers have a line of rifleman\, who fire \, k illing many including Papa High. The light becomes that of the night\, as the water spread and a swamp arrive into the space. Mama High walks into t he swamp carrying High John.C. Drama DescriptMama High carry her baby and say: \"High John\, how are you? Your blood knows the seas tongue. Inspire\ , our folk\, to freedom from chains\, me and your father are always alread y proud of you\"5. HIGH JOHN AND OLMASSAA. DancersHigh John- upbeat\, smil ing\, Black Man\, barefoot\, in overalls\, short afro\, athleticOlMassa- w hite man in white hat with an all white dress suit\, all white shoes\, a w hite cane\, not healthy.Enslaved- various Black folk some clothed in brigh t colors in or about the house\, others outside the house in roughspun.B. Dance DescriptIt is a bright morning in a Caribbean estate\, english\, Fre nch\, Portuguese are heard. The front porch of OlMassa house is present. O lMassa stands banging his cane pointing to enslaved blacks\; his pointing causes pain alongside a whipping sound. The enslaved Black people working in the field about the porch. OlMassa is served by some enslaved. Olmassa grab a little black enslaved girl's breast. Suddenly\, High John enter\, s anding or dancing by shuffling on a sandy surface creating sounds through the sand while being acrobatic. High John makes a figure in the sand while spinning\, leaping\, twirling in the air. OlMassa points to him but it do esn't work and High John laughs every time the OlMassa fails. OlMassa gets so angry he hobbles over to High John who taunts OlMassa. And High John e scorts OlMassa away by taunting him. Once OlMassa is away\, the enslaved l ook about and each slowly leave one after the other while High John's laug hter grows and grows and can be heard as the porch and the land about has only the sounds of birds or rustling greens while high john laughs.6. BABE LEGU SIDE HIGH JOHNA. DancersBabeleguaHigh JohnRaNutB. Dance DescriptA sta rlit black space Nut dances variably within. Ra s circling about Nut const antly. First dancing in a circular path second a path of smaller diameter with the same spins\, leaps\, twirk\, acrobatic aerial forms as in the fir st\, third a path of smaller diameter than the second. Nut stops in the ce nter and does a pulling motion and Babelegua runs to Nut with a sliding ru n and spins aside Nut and dances acrobatically around Nut plus Ra. Babeleg ua get close to Nut and whispers. Nut stops in the center and does a pulli ng nothing\, and High John runs to Nut. He has things to say to Nut. High John and Babelegu kiss and dance about Ra or Nut. And then all four danc e away .More by HDdeviantPLiteraturePalimpingereTitle: Palimpingere from R ichard Murray @HDdeviant January\, in a year\, inside a gentle home\, a re al estate agent is inside a hall aside a customer. \"Mrs. Sussy\, wasn't t his painting different last week\" Mrs. Sussy look at the painting of the house in the house and reply:\" No Mrs. Yam. You know this is a work by Sa fed Samael\, remember\, legally attached to this house and why it is a gre at bargain\" A man sneak on and cuddles Mrs. Yam\, while Mrs. Sussy step a side: \"I saw the attic C\, it can fit my work room...what\" \"The paintin g was different last week Ras\, you see that...\" \"It seems a pentimento\ , a figure covered over\" Mrs. Sussy impatiently ask: \"Well Yams\, will y ou?...\" The female Yam has worry but nod positive and the male Yam agree. ... Late June\, the same year\, two women are inside a gentle home\, carr ying heavy bags. \"Sug\, thanks for helping\" \"No problem Kim...this hous e looks big enough for all the afterschool activities\" \"Yes...but I wish we could get rid... of that\" \"The townRecommended LiteratureFLiterature First Chakra: The Root EnergyRoot Chakra - The Symbol in stoneMan on the f loor of a very dark cave in front of the stone face of the cave wall.He is sitting alone in a meditative posture in solid perfect peace breathing in \, and out.Much like the wall he sits in front of\, he is not going to mov e. Not for you\, and not for the next person in this minute\, or the next. The man is meant to be there. And he is there.The wall behind him has on it carved\, in stone\, an insignia. A sort’ve symbol completely unique t o any other symbol on earth. The insignia is not a symbol of all men every where. It is a symbol of this man.To anybody that had not seen the insigni a before and learn...bLiteratureburst instinctsold gods not shot in the da rk are taught to stay out of the sun and to only mate with mirrors that ca n still recognize them for what they were be- fore mental disorders caused people to refer to them as nothing but freak shows put on by enshadowed p romoters of un- due and most deviant discourseBLiteratureBasic instinctBas ic instinct + human shape and form + recognized symbol / sign + space terr itory land + simple interest idea Ontology + syntax + repetition + cogniti ve pattern you have to follow your own syntax to own your own repetition T he virtue of this sickness opinion of individual prayer sooner or later .. . the name of Christ authority will cease to exist AMON RA Nietzsche + soc ial teacher consider + the great Nietzsche + personal tastes / talents + b enefits of reason mind and nature + traditional values + moral atmosphere + provoked by the name of Christ + incomplete and weak + drop from the sky + jump to conclusions + record the irrelevance Basic instinct #Marquis XX More by HDdeviantCelebrating DeviousnessCongratulate sa-dui and read about their many contributions!Learn Morehistorykobostageplaycrliteraturerichar dmurrayhddeviantrichardmurrayhumblrblack337For the Black337 #8 Stageplays in @Crliterature#BlackHistory337 - 8: Stageplays2 hours ago#BlackHistory33 7 is about the time outside the 28If you like my craft\, I have a tip jarh ttps://www.deviantart.com/hddeviant/tier/Tip-Jar-to-HDdeviant-902770076CRL iterature Examples galleryhttps://www.deviantart.com/hddeviant/gallery/975 52463/crliterature-contentLiterature Galleryhttps://www.deviantart.com/hdd eviant/gallery/81311721/my-tales-or-poetryLiterary OC'shttps://www.deviant art.com/hddeviant/gallery/85935477/literaryNote:Primordial- first to begin The feather of Thoth - to balance souls \, determining where they will goL arge calm river- the NileThe earliest recorded mentioning of overalls was as ware for enslaved black people#black337 #stageplay #history #crliteratu re #hddeviant #richardmurray #richardmurrayhumblr #kobo DTSTART;VALUE=DATE:20261001 RRULE:FREQ=YEARLY;INTERVAL=1 END:VEVENT END:VCALENDAR