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  1. 3 points
    Never in my wildest dreams (and yes I have wild ones) would I think a short observation would spur such a nourishing conversation! Thank you @richardmurray, @Troy and @Kalexander2 for you evocative perspectives!
  2. 3 points
    I never heard this before, but it is a brilliant observation.
  3. 2 points
    Thank you, Mel. You have made my day. Yes, the text next to each picture gives ingredients, process, and an anecdote that includes a quote from my mother or a story that illustrates not only her philosophy about food, but, of course, about life. From the beginning, I make it clear that it is not a cookbook or a how to book, but a book that will inspire some to create their own culinary art, others to enjoy the art when they frame the perforated large format prints on their wall, and everyone to be touched by my mother's story. It is a companion book to the first book, An Extraordinary Life: Josephine E. Jones. The talented illustrator has created an elegant cover that is a work of art, just like the contents of the book. Now if I can get the emergency loan-grant to pay the publicist, I won't have to attempt to do it myself. Thanks again.
  4. 2 points
    Okay, WOW! I am going to make a notebook to keep up with this information. Thank you @Mel Hopkins I am going to break this down and digest this. OMGOSH! I can understand this.
  5. 2 points
    @Chevdove Thank you for asking!!! (I'm so excited)...ACCESS = LOCATION and refers to where people are most likely to get information about something that interest them. Example - If you are interested in creole cooking - you're are likely to show up to a location that either serves creole food or teaches creole cooking. You will most likely search for creole recipes and even find a creole history club to join locally or the internet. You may even show up here AALBC to look for books on the origins of creole culture or if experts post here. You might even start your own thread about creole culture. NOTE: business owners provide what customers need so the customer can get what they want. Your interest in creole cooking means either you or loved one wants to eat it. So business owners fills the need - by selling a cookbook, opening a restaurant or inviting you to take a trip to the source. So, someone who is promoting, lets say Louisiana travel tours, will make sure they share their information at all those access points where you are likely to show up. They will be at the places where you might look for information creole cooking. It may be advertisement or even information about authentic creole cooking spot on the tour - or even the best dish and include a recipe... Now they have your attention you may even jot down their information for future reference - and remember them when you plan your trip so you can get some good food. This is how the best marketers are getting noticed in today's marketplace. EDUCATION = A MOVEMENT A lot of independent authors think they don't know their audience. My suggestion is to start of movement of one. Ask yourself, "what do I believe needs changing?" I did something similar when starting this blog. I believe Marketing = Change. Marketing is a force that shakes up the status quo. I believe independent authors are unaware they use marketing in the course of their daily living. Therefore, my mission is to help authors realize they can create change through intentional use of the marketing techniques they unwittingly use daily. I was the first person in my "marketing is a four-letter word" movement. I was the first one in the audience. I'm so passionate about this topic, I just want to spread the word to anyone who will listen. I believe, "If you don't believe in your movement or are passionate about it - no one will be." Creating a movement of one is the first step. It will help you clarify what you intend to change. Then, you will be able to identify the people who are interested in your subject matter. You'll notice there are "followers" who will agree with your mission. (note: it might not happen immediately - that's why you have to be patient and passionate.) These people are your core audience. Don't waste your time trying convert anyone who is not interested. Focus on those who are interested. -These "followers" will become your ambassadors who will bring other like-minded people to the movement. How to start a movement: Now, the best thing about being a writer is ideas and words are our movement. We just have to educate others and lead them to the goal we he hope to accomplish. If we didn't believe in changing something we wouldn't write in the first place. And the best way to help others make a change is by sharing information (Education). So when you start your movement answer "Who, what,where, when, why and how." from there you will understand what information you need to share to build your audience.
  6. 2 points
    @Troy The action is here! Some of Independent authors here seem to echo the same thing "I didn't know how to market my book." Except, they do. -It appears they're not strategic in their marketing practices. I was the same way with my first novel - I knew what to do but I didn't work my plan. I like how you call it a (book marketing )"clinic" because it is! We, independent authors, already know what's wrong - we just aren't consistent with our "outpatient" care. I'm writing this out for me too. I believe this is one the best places for original content on the subject. By the way, I like that I don't even have to repost it to my profile - the software keeps track of all my postings as long as I'm signed in. Oh! I'll check out @dtpollard. @Troy OMG @hen81 is my writing "hero"! He didn't come here to play with us one-book every 20 year folks !!! 65 titles according to his last post! 😀
  7. 2 points
    You are giving a clinic now @Mel Hopkins. DT PollarUsed to posr here quiet regularly. He really was cranking the ebook several a year (or so it seemed).
  8. 2 points
    @richardmurray Thank you! Happy New Year! @Troy LOL! You don't miss a chance to give facebook the boot LOL GOOD JOB!!! Facebook and anything it touches is anti-life...
  9. 2 points
    Making money trumps (pardon the pun) serving the community everyday of the week. Johnson made it clear the "E" stood for "entertainment," not enlightenment or education. The reality is that it stood for enrichment, Johnson's personal enrichment, and that is the legacy of BET.
  10. 2 points
    true @Troy Just today @Mel Hopkins the mayor to new york city, blamed trumps election or racial biases publicity in the usa on rupert murdoch or fox news. He blames someone whose role is to make money through the media for placating how white people raise themselves in their community. It is not murdoch's fault that he saw a mob and played to it, to make money, in the usa, where making money is the way to anything. Again, merit does not matter. De blasio today suggest a certain philosophical merit must come before fiscal profiteering when the fiscal profiteering is the philosophical merit. One note, when chernobyl happened the soviet russian government had soldiers pick up the waste, all those soldiers died of radiation sickness. Over 10,000 have died from the world trade center wreckage, but if we all recall, mayor guiliani let those people ,fiscally poor people or municipal workers,pick up waste just like the soviet government did the military at chernobyl... ah welll
  11. 2 points
    The irony of this article dated May 7, 2018 appearing here as a post is that I believe it was inspired by awesomelyluvvie article - dated April 17, 2018 - 😐 Still, It drives home the point that unless a black woman's feelings are echoed by a woman of non-color - then those words are just another "fart in the blizzard." Further, tears of woman of non-color are assigned as the attributes of all women especially black women. And if we don't cry at the drop of a hat then we are labeled Angry black women. Or we're not women at all, or rather we're acting like "men"...because we don't act weak. When in reality women are not weak at all - but women of non-color just play men that way. Now, they've joined the me-too movement to kick men out of their offices all the while playing victim but getting the corner offices in the process. All I got to say is "well-played women of non-color; well-played. 😛
  12. 2 points
    @richardmurray: Doubt sister Hopkins meant where that's going, but i'll leave it up her to check it up!
  13. 2 points
    @Mel Hopkins true:) but, what separate a baby from a program is a baby while it is created at least physically through parents, its design is special. the parents can not determine what it will be, like all the rest created from humans. @Kalexander2 yes , the one key thing that black people must state or remember is that our vote would not had changed it. The presidential election in the u.s.a. is fifty elections. whomever get the majority vote in a state gain all their electoral votes, except for two states, where the votes are divided upon the percentage. Black people do not have a majority vote in any state in the usa, and the white vote this past election voted as a block for donald trump. The black vote voted against trump, all non white votes , voted against trump side carson, but none of them separately or together did and do have the quantity to win it alone, as the white vote proved.
  14. 2 points
    @richardmurray ... OMG!!! this is true of everything we create. Understanding the creator reveals the creator.. I knew this to be true of my writing ... to read me is to know my heart - (good bad or indifferent). BUT now looking from your perspective I'd say this is true of what we consume. @Kalexander2., "It's not that I have something to hide. It's that I have nothing I want you to see." ~ANON (Netflix) @Kalexander2 If I understand this premise correctly, if the state is receiving the money - then why aren't officials distributing the HUD funds based on needs - rather than using the cash to integrate communities. One challenge, however, is to make sure millionaires such as Fox News Sean Hannity don't get the HUD money and then fix up buildings in areas - and charge exorbitant amount of rent for each apartment. https://www.11alive.com/article/news/sean-hannity-under-fire-for-allegedly-using-hud-money-to-help-buy-housing-property-in-georgia/85-548596246
  15. 2 points
    Remember @Kalexander2 every machine purpose stem from its creator, not itself
  16. 2 points
    The esteem commentary here is encouraging and I'm especially happy to hear Black folk speak this way. All too often people tend to hide from themselves, who they are and how they feel. While I'm no great admirer of anyone putting all their cards on any table unnecessarily, I do believe anyone with something to hide exposes everything about her/his self. Machine learning, AI, data mining, analysis, etc., does indeed seek to learn in efforts to control and manipulate to gain some advantage over others; to little avail, because there is no 'human' touch (or intimacy). There may be an advantage, however, when people, government advance programs based on such intelligence; what they think they see or know, because a person's true feeling, beliefs, and principles get ignored in all the excitement of so-call innovative technics of 'social engineering,' (use of centralized planning in an attempt to manage social change and regulate the future development and behavior of a society). Thanks guys, for giving me an additional way of seeing things.
  17. 2 points
    @richardmurray , interesting perspective and one that makes a lot of sense - especially with the history of humans seeking to control each other.
  18. 2 points
    I see @Mel Hopkins yes, one member in the masses at a time:) Nice line Data analysts can collect all the information in the world; sift through it and concoct part of our stories but it will never be accurate. It will always lack intimacy. For me, artificial intelligence will never be truly intelligent. Merely an illusion alluding to intelligence that serve the vanity in humans to be masters to something.
  19. 2 points
    @richardmurray & @Troy I hadn't thought about involuntary ways we share our stories. I was thinking more about how we share moments, and events with each other. For example, I can tell a part of your story, Troy, that took place at Brooklyn Tech because it was my journey too. Or Richard, I can share a little of your writing journey as I know it from AALBC because both of us look for ways to get our words to the masses. But your responses allow my little observation to become so much more than I'd realized. Data analysts can collect all the information in the world; sift through it and concoct part of our stories but it will never be accurate. It will always lack intimacy. Humans are too fluid. We possess innate ability to connect with another human in a way that allows us to feel what the other person is feeling in that moment. This is one reason, Artificial Intelligence will never become the standard. It can never be intimate - because it doesn't understand vulnerability. Such as the intimacy of community. In a community, we allow ourselves to see others and " be seen" by them. Looking through our data and trying to figure out the human experience is as hard as looking through our excrement and understanding WHY we eat the things we do. To know WHY we eat, takes sharing a meal and feeling the nuances of the story we tell. Speaking of meal and stories, -Amistad author Michael W. Twitty, won the James Beard Foundation Award for his book - The Cooking Gene. But I digress. I happened to stumble on this early tedtalk yesterday and while the speaker rambles on, he expands on this concept when he said "emotional empathy, feeling with the other person" His talk reminded me of why it is a lot easier to turn humans into robots than it will be for Artificial Intelligence to reach the level of humanity. Humans will always have shared stories; AI, not so much.
  20. 2 points
    That would pretty much be anyone with a smart phone. Even tbe senior citizen with all those plastic rewards card attached to their keyring. It is hard not to freely share your information.
  21. 2 points
    I amend:) especially today:) I do not have the numbers but how many people had their informatios shared from others, given freely from others in the internet age.
  22. 2 points
    @TSegal, those are some views you got there, brother! However, this mess goes a lot deeper than most people realize. For the sake of this discussion let’s say that instead of 400+ years for European White folks to get it together; they had over 1000+ years of planning. I must use caution here as all I say must be accurate, though ever so unpopular. Allegations of ‘anti-semitism’ holds must greater penalties than violations of civil rights. Here we go! Since before the Roman empire was established, Jews who separated from other European Whites were prosecuted by virtually every society on earth, they got tired and got smart. Really evil smart. More than 1000+ years developing the theory of ‘double entry (modern-day accounting); 1000+ years studying (sizing-up their enemies) habits, likes and dislikes; 1000+ years stealing (plagiarizing) ideas, philosophies, science, ways of ruling a nation, and medicine from Black Africa (there were more than 2000 Black/Muslim universities in Africa) while infiltrating the very government they were subject to. Gaining trust, even marrying into families of their taskmasters. How astute would that group be after 1000+ years trial and error, and what would they do to the people who looked down upon them? Yes, it has always been White on White crime before the phrase was invented. Never forget for one moment, or underestimate the resolve of greed and power, and how even innocent children are fair game in the name of maintaining that power and feeding that greed. NO! No sir, White folks are not hypocrites, they not fools; they have always practiced what they preach. What they preach are all lies, contrary to the theologian riddled metaphor “mixing lies with the truth.” They always lie and cause us to think it’s the truth. I’ll prove it to you, right here and now! How often do we hear Blacks (you and me) asset that we are entitled to the same rights as White folks? What are those rights, I might ask? Freedom of life liberty and pursuit of happiness. Freedom for White folks is ethnocentric related (right to marginalize anyone different from them), kill whoever they want whenever they want and; freedom to follow the hegemony, their own. SORRY, but I am not entitled to, nor want that kind of freedom. Happiness for White is living perversely. I don’t to be a pervert. Just look at the most basic insignificant ways of living in modern society today, from the substance to subsistence, from what is acceptable to what is looked down upon. What rules and social values would you ordain right and wrong? All on the one hand. On the other hand, it does cause one to think (again), and reconsider principles of theology, all of them, excluding none. You’re on the right track, brother, keep up the question asking!!
  23. 2 points
    Yes Troy, afromerica is my site and we still around. We were on hiatus for awhile but came back last year. Google has filtered some sites but we started back in 2000 so the Internet has not spit us out yet.
  24. 2 points
    Fear is tool that provokes are real-life response. Fight or Flight... Prolonged fear leads to mental breakdown. It's not easy to just resist because most people are approaching psychotic breaks. Most people of EVERY color. We are not just humans; we are human animals and animals all react differently when they're afraid. Some animals play dead, faint and poop when they're afraid and there are animals that make themselves bigger when they're afraid and if pushed to their limit, they will attack. This is where we are today - you can't use a weapon without expecting a weapon to be used against you. Use of fear has pushed everyone to mental instability. Danger is real and it also provokes the same response as those experiencing fear... Fight or Flight. There is another way to combat danger and its through the use of CHAOS... Clear Head Assess Observe Situation then respond. Response requires training. Those who are in imminent danger are usually not of the mindset to survive the danger... especially those who have experienced duress due to prolonged fear. So first we must learn how to respond to a situation. However I suggest first locating the fire (the danger) because fighting smoke (fear) is a waste of resources.
  25. 2 points
    Happily ever after is the problem, in literary terms. I will reply to your personal query but after I speak on the problem with the entire modern relationship genre. The first problem is where happily ever after came from. It came from a change in european fairy tales. Originally fairy tales were meant to refer to tales concerning the magical. A fairy traditionally is not positive or negative, in literary terms fairies is a magical label, how the magic apply to humans or the human world depend on the fairies, the humans, the various natural aspects. Most of these fairy tales were variations on pre christian stories from various places in europe that were becoming or would become heavily christian, at the zealot level. The christian clergy to their part, maintained the original christian method, making non christian things negative. This is why the word villans means criminal or peasant is low class compared to urban, where the christian church started, in modernity.Originally fairy tales had many unhappy endings. Some meant to scare, some meant to educate, others cause the story was good. But, over time, as books were being created, some writers decided to omit the unhappily ending fairy tales and only include the happy ones, or convert the unhappy ending ones into happy ending ones. This was the way in the european literary world; that coincided to the european global colonial age. The funny thing is that many of the conquered peoples native to <using commonly used geographic nameplace, not appropriate ones>: Africa/Asia/America had their own fairy tales which reflected the same style that the original european fairy tales did; but, these non european or non white fairy tales were barely transcribed or remembered or recalled through enslaved or genocidal histories. This lead up to modernity, in the united states. The U.S.A. media traditionally likes an inhuman position. From davey croket <is that the correct spelling> to the founding fathers , whether referring to real or unreal history the u.s.a. puts a happily ever after spin on all tales. When, the world wars are ended, the USA through its relatively advanced media machine, spread the happily ever after style and embedded it in films or entertainment. Artists who tried to reject this had to be independent or their work was undermined in advertising. The original scarface black and white film/comedy shows on early television/tales from the crypt comic books are all examples of media in the u.s.a. where someone was telling a story that did not end happy ever after and in each genre rules were set up to enforce a happily ever after product. From the movie ratings to comic code to prewritten shows on television. The artistic goal was blocking unhappily ever after from being experienced. Now, in modernity, the film industries technological capability has allowed an audience to see some of the most fantastic written elements absent reading or use of their imagination. The non science fiction or high fantasy fiction genre's like relationships or biographies are where books are making the most money. And, with centuries of happily ever after saturating the media in anglo led ,u.k. then u.s.a. , humanity you get to the current scenario. Now to answer your query, I believe in being happy in the now and not expecting anything tomorrow. Time is a teacher, treasure each moment you live, hope for the better tomorrow, praise the best from yesterday. Expectation is the enemy to a happy life, cause humanity live in nature, not dominate it, nature will give sad days, unhappy days, and nature is no sinner for it.
  26. 2 points
    thanks @TroyImagine if we can get aalbc to grow more:) wouldn't that be great @Mel Hopkins as the online black community, this should be our goal, to make a black owned website more popular:) Ok Mel:) private message me on here, we will work something out. I will say this, the promote or social share is not present on blogs and i think is not needed. let us be honest. more and more online people, spend their time with photo viewing or tweeting but very few of them spend alot of time with in depth looking at any level. So, social promotion is good but in the end of the day, we have to come up with ways to engender them to us. many people today have filters to their social experience that grooms it.
  27. 2 points
    http://centerforblackliterature.org/call-for-submissions-springsummer-2016-killens-review-of-arts-letters-deadline-feb-1-2016/ Call for Submissions: Spring/Summer 2016 Killens Review of Arts & Letters. Deadline: Feb. 1, 2016 Call for Submissions Killens Review of Arts & Letters Spring 2016 Embracing Difference Please send your submissions no later than February 1, 2016, to “Spring 2016 Killens Review” (in the subject line) to writers@mec.cuny.edu. The theme of the Thirteenth National Black Writers Conference, “Writing Race, Embracing Difference,” is indeed an engaging and inviting one. Writers of the African diaspora have worked in earnest for decades to compose text that represents African-American experiences in its complex and various conditions. As stated with regard to the National Black Writers Conference: “If one is to write what one knows, then that writing will represent their perspectives and points of views of racial, cultural, and geographical space in the world.” More recently within genres such as sci-fi, mystery, historical fiction, and biography, writers of the African diaspora have connected the experiences of Black America with a broader appeal. Pulitzer Prize-winning writer James Alan McPherson, author of Elbow Room and Hue and Cry, once commented in an interview: “I’m going to be called a Black writer until I die. But the point is that when I write at my best I try to look for the human situation….” The programming for the 2016 Conference came about as the result of wanting to examine how and whether Black writers “write texts” knowing they are creating works out of spaces that are constructed by race i.e. is race at the core of the works of Black writers, no matter how candid or subtle. For the Spring 2016 issue of the Killens Review of Arts & Letters, we want to continue that exploration of “writing race, embracing difference” in the works of Black writers. Under the theme “Embracing Difference,” we seek submissions of fiction, essays, poetry, memoir, and artwork in which writers and artists create works that embrace race and differences with regard to the aesthetics, belief systems, politics, sexual identity, and cultural heritage that are reflected in the narratives and texts they compose. The Killens Review of Arts & Letters is a peer-reviewed journal that welcomes Black poets, novelists, short story writers, playwrights, journalists, essayists, scholars, yet-to-be discovered writers, and artists whose literature and artwork speak to the general public and to an intergenerational range of readers represented throughout the African Diaspora. Submission of Material The Killens Review of Arts & Letters is published once or twice a year by the Center for Black Literature at Medgar Evers College, CUNY. The Killens Review seeks book reviews, essays, short stories, creative nonfiction, art, poetry, and interviews related to the various cultural, sociopolitical, and historical experiences of writers and artists from the African diaspora. The aim is to provide well-known and lesser-known authors as well as educators and students opportunities to create and expand the canon of literature produced by people of color. While the Killens Review of Arts & Letters welcomes unsolicited material, we prefer to publish original material, i.e. first-ever publication. Unless otherwise selected by the editors, we cannot run a piece that has previously appeared elsewhere in print or on the Web. Please submit to only one category at a time: essay, fiction, interview, poetry, prose, and art. We aim to respond to your submission within two months. Essay, Fiction, and Prose Please send one piece at a time. We have no set maximum length or minimum length for prose submissions. (The average word count is about 1,500–2,000 words.) Most submissions, however, are between 2,000 – 4,000 words. Please set up your submission in letter-sized format, with ample margins, double-spaced, using a standard typeface (e.g., Times New Roman, Helvetica, Arial) and font size (12 point is best). Include your name, title of the work, and page numbers on your submission. Also include a one- to two-sentence bio about the author. If the submission is an academic essay with references, please include your bibliography at the end. Please do not submit book manuscripts. Poetry: Please send up to three poems. Art and Photography: We welcome all types of image submissions. Please include a short note about the context of the images and title and/or caption information. Please include no more than six hi-res jpegs (at 300 dpi). Electronic and Postal Submissions Kindly e-mail material to writers@mec.cuny.edu with “Fall 2015 Killens Review” in the subject heading. Please include a brief introduction of yourself and of the work being submitted. On the first page of your submission be sure to include: 1. Your name 2. Telephone number 3. E-mail address Please make sure the pages are numbered. Or mail material to: Center for Black Literature Medgar Evers College, CUNY 1650 Bedford Avenue Brooklyn, NY 11225 RE: Killens Review Material will only be returned if the sender includes a self-addressed, stamped envelope (SASE). ----------------------------------- Submission of Materials: The Killens Review of Arts & Letters is published once or twice a year by the Center for Black Literature at Medgar Evers College, CUNY. The Killens Review seeks book reviews, essays, short stories, creative nonfiction, art, poetry, and interviews related to the various cultural, sociopolitical, and historical experiences of writers and artists from the African diaspora. The aim is to provide well-known and lesser-known authors as well as educators and students opportunities to create and expand the canon of literature produced by people of color. Please submit to only one category at a time: essay, fiction, interview, poetry, prose, and art. We aim to respond to your submission within two months. Electronic and Postal Submissions Kindly e-mail material to writers@mec.cuny.edu and CReynolds@mec.cuny.edu with "Killens Review" in the subject heading. Please include a brief introduction of yourself and of the work being submitted. On the first page of your submission be sure to include: 1. Your name 2. Telephone number 3. E-mail address Please make sure the pages are numbered. Please visit our website detailed submission guidelines at: www.centerforblackliterature.org/KillensReview
  28. 1 point
    Sheets tremor as the phone left on the bed beckons attention.
  29. 1 point
    @Troy@Mel Hopkins@Cynique maybe AALBC community can do something together ? Wild idea throw, a panel on black owned websites? thoughts @Sarah Gordon Weathersby @sabine ziya@Maame Dede maybe shesolidarity panel on womens empowerment in comics? @rosa@Uniquelymade7 @Lauretha Ward@Neftali Rivera Jr@Jasonnicholson05@M'Bwebe@Tyr1Jax@zetkabawn FIYAHCON is a virtual convention centering the perspectives and celebrating the contributions of BIPOC in speculative fiction. Put in your email to get updates! Hop around the website and see all the features we have coming your way. Get involved! We're looking forward to bringing this to SFF BIPOC fam https://theconvention.fiyahlitmag.com/ ACTIVITIEs The Meloscriptorium- add a spotify song, good idea to get your name in the list- add a song Chef’s Tables- host recipes from your kitchen, discuss food as a vital element of world building- host a show The Tea House- a place for small gatherings Panels + Presentations - for panels to discuss topics- suggest one Office Hours- one on one meetings, suggest you be a host Workshops- 1 to 2 hosts doing an interactive learning session - host one https://theconvention.fiyahlitmag.com/features/ GET INVOLVES Volunteer Submit an idea to program OR place yourself for consideration Host an office hour Add to the MELOSCRIPTORIUM - https://theconvention.fiyahlitmag.com/get-involved/
  30. 1 point
    MLK jr day 1/20/2020 Many presented videos or text concerning M.L.K. junior today, the twentieth of January. As a point of note, Martin Luther King junior's birthday is on the fifteenth of January, not the third Monday of every January. I am not interested in trying to rewrite the legend of MLK junior. MLK junior like most other historical figures in the USA was made legend after doing legendary things by others, not themselves, by those with agenda. It is more important to change the message in current media than to try to change the influence of past media using current media. My issue is ownership. Martin Luther King junior, asked a simple thing to the black statian, the black community in the USA. Do not use the ways of whites on the path to ownership. It may sound simple but, it is not, historically the ways of whites have never been undone concerning ownership. Comprehend a simple historical fact. People of white European, white is a phenotypical label while European is a geographic, descent are not the majority owners in the united states of america based on positive merit, or decency, or any positive angle. Every inch of land in the u.s.a. today is owned or controlled by the u.s.a. government, itself ranked mostly with whites, or in private white ownership, through various transfers after it was originally taken by killing native americans. Absent land how many firms will exist in the USA? What will the banks or the agricultural firms be in the u.s.a absent slavery? For all the technological modifications by usa based agricultural firms or investments in Silicon Valley in the stock markets, where will any bank or agricultural firm be in the usa without their original fiscal activities involving slaveholders accounts or slave labor for growing produce. Notice I did not refer to an individual person. I am speaking to the white community. The white community in the usa used negative means to become owners and then become financially successful owners. Martin Luther King junior spoke to Black people, grow, be strong, become owners of your own community and beyond; but don't kill another for their land, don't take another person's land, don't enslave another, do not do for yourself, your bloodline, your community by harming others. This is the reality of ownership in the u.s.a. White people help themselves, their community, built on their forebears originally harming others or themselves continuing to harm others. Martin Luther King Junior did not want black people to develop a negative character, a negative legacy, to be unmerited while trying to help their own. He asked a very challenging thing. Martin Luther King junior once said, it is a crude jest to tell a bootless man to lift himself up by his bootstraps. But he also felt the bootless man should not lessen his character by stealing another man's boots. He felt the bootless man should be strong enough to merit his boots through craft, labor, or another's kindness. As a black kid growing up, in a black community, incorrectly labeled but widely labeled, the black mecca, I realized how little the black community in Harlem owned. And in parallel, I knew how much various white communities in New york city owned, more importantly how they owned them. What would the Irish or Italian or white Jewish communities be in new york city absent their mobs, correctly glorified in constant movies. It was the white jewish, italian or irish mobs, the gangsters, the rum runners, the extortionists, the thieves, that had a largest or initial role in the development of ownership in those communities in New York city. I end, with a simple truth, the Black community in Harlem, a cultural district in Manhattan in new york city in new york state, in the united states of america, owns little to nothing in Harlem, yesterday or today. The history of the u.s.a. proves all ownership in the u.s.a. comes from those who were willing to negatively, or through negative actions, earn it. MLK junior asked black people to reject that historical truth, even when we own so little. If the Black statian can keep that hope of MLK jr. alive and one day exist in a u.s.a. where Black people own more than all others, or at least enough to not need another community. It will be a testament to MLK junior’s faith. And make the Black community have a pride, worth more than all the years whites owned far more. https://youtu.be/RnKP__N7MNI Poetry or more audiobook series https://www.kobo.com/us/en/search?query=Poetry or More&fcsearchfield=Series&seriesId=06baba96-5af5-5d24-9b8a-f06360287dc9
  31. 1 point
    well done @Mel Hopkins and thanks for the information in the comments
  32. 1 point
    This was a made up example but Gladys (Brown) West is the "hidden figures" of the GPS. I don't think her biography is complete but I read her story recently
  33. 1 point
    Julia Wanjeri asked me to clarify what I meant using the following prose I say this is an opportunity to redesign womens world cup qual. as well as confed. title journey in #CAf agree? I say change to mirror the conmebol mens system. agree? https://twitter.com/jwanjeri/status/1200745066173812738 My Clarification- I admit beforehand I was purposefully vague In the beautiful game, flag play has many qualification systems to the world cup of confederation cup play. The cup of nations, the euros, the gold cup, the various world cup qualifiers. Of all the confederation cup tournaments or world cup qualifiers in the men's or women's game, which is the most fair or opportune? It is the conmebol men's world cup qualifiers. Currently, as of this writing, the CAF women's cup of nations has a problem finding a host to the tournament. As I alluded, this is an opportunity to overhaul the world cup qualification format as well as the CAF women's cup of nations format. How? The process I suggest is a repeat for the cup of nations as well as the world cup qualifiers. CAF has five sub confederations. Each sub confederation can become a round robin table like in the men's conmebol world cup qualifier. In two calendar years each table will have a champion, one for the south/east/west/central/north, and the champions will play in a five team round robin with each other, ending in a ranked table. The variance between the cup of nations and the world cup will be that for the cup of nations the team atop the champions table will be champions of CAF. While for the world cup qualifiers, currently the top three teams in the champions table will make it into the world cup. I know FIFA wants to advance the number of teams which may mean CAF may get five slots and possibly more slots in the future. If five slots, then all five champions make it into the world cup. If less than five slots, then the top "number currently three" get in, if more than five then the top slots determine the order of the remainders. So, for example, if the champions table ends, from first to fifth: west/central/south/east/north. Then slots six to ten are the second placed teams from the same sub confederation: 2nd place west/central/south/east/north this adds value to where the teams place. in the championship table in the world cup qualification. Now, what does my proposed system solve? First, it ends the need of a host. In my view, some countries not wanting to host demands a system where no one is asked to host. If hosting the caf women's cup of nations had value throughout CAF then a host would never be in doubt. Second, while more important, my system makes the caf womens cup of nations or world cup qualifiers harder flag team test than anything in the men's or women's game in FIFA. In four years', time each women's flag team in CAF has two long marathons, that will test their players/coaches/fans/organization. The best teams get two long marathons and at least one shorter marathon at most two shorter marathon that will be an undeniable proof that they are worthy champions OR the best preparation to enter the world cup. Third, this will reduce costs for all the lower ranked teams. Lower ranked teams may take many iterations before they ever reach a champions table. Thus, their matches will be regional, no long-distance travel. That saves money. No more worries about complicated traveling arrangements or fees, as every match is in a round robin setting. ... I do not have the power or influence to demand or implement my suggestion instantaneously. But this is a moment for all fans to women's soccer in CAF to consider a new system, one that not only deletes a hindrance no longer, but one that improves the opportunity aside the challenge in the caf region in the women's game beyond all other women's systems in other confederations. It's time for Africa.
  34. 1 point
    That is interesting. Deviant Art requires creating an account to comment. Too bS they stopped allowing embedding
  35. 1 point
    Part to the end of this article is what I would had written otherwise, you wrote: "The reason, however, is this; Apple is run by people whose goal is to make money by any means. So, if you find you're in a place far different than you'd envisioned for yourself. Stop doing what you've always done. Lose the fear and do whatever it takes to allow you to live your dreams." I would had rewrote the last line:"Lose the fear and do whatever it takes to allow you to live your dreams." as "Lose the fear and make money whatever it takes to allow you to live your dreams." I know just one simple part. But, when you talked about apple's fiscal profiteering, your point is true. The USA or the european colonies that preceded it,financially, is a place for money makers. From those early whites, to the white murderers to red folk or enslavers to black, to later yellow or black folk in the fiscal illegal world, money making is the way it happens in the u.s.a.. Labels and rank don't have a value that you may find in parts to europe/africa/asia. I think sometimes people in the usa, do not speak bluntly enough to that. That is how donald trump went bankrupt three times but and came back financially from each.
  36. 1 point
    yes @Mel Hopkins I have nothing against Justine or fiyah magazine but. a black writer, suggesting that a white writer is not warranting the fandom or the support cause the content in work from said white writer or perception to the value in said work is negative, is no other than what white media do to black artists all the time. I don't want white people to change. I want black people to be free from white physical assault. White people writing books or making movies or producing paintings where they depict their interpretation to black people as negative or positive is not a physical assault, it is emotional, pride based, but not physical. Some in the black community seem to want whites to speak well to blacks and I oppose that position. Donald Trump speaking ill to the central park five was negative, was ill, but the central park five suffered cause the assailed white woman who lied and the NYPD who interrogated, Trump is not the one who led to the pain the central park five went through. Birth of a nation, the original, is a vile movie to Black people, but that film was not hanging black people or incarcerating black people falsely, or financially entrapping black people through tricks, all supported through government initatives or actors, in 1915. That was city councils, mayors of cities, state legislators, state governors, federal representatives, federal senators, the president, white owned private enterprise. are the cause. The napir of american race relations, what I call the burning of southern black folk, was the fault of the us federal military leaving the south, which oddly enough they would had to return 100 year later, not the confederate flag, or statues or books written from whites.
  37. 1 point
    A link to The Shack from William P Young http://wmpaulyoung.com/the-shack/ That was part to why I asked @Mel Hopkins globally or highly well known strong mom characters are rare, as involved characters especially. Someone said, harry potters mom is an example but potters mom died before the books started. her action was strong, but everything about her is memory from other characters, thus, if not forgettable she is a de facto side note as a character.
  38. 1 point
    @Mel Hopkins: Distribution of HUD funds go the developers, builders, and the banks; planners and local housing commissioners who determine community needs decide who get those monies. It's the slop-sided policies and plutocrats who decide community integration; and richer friends in 'lower' places, the louder their voice. HUD, an offshoot from FHA still stand for White community advancement; helped by Black community leaders. Sean Hannity is just another 'bidder' whose RFP procurement application holds greater weight. A better solution would be for more Black developers and builders influencing the community to stand-up to local housing commissioners and demand fair bidding and selection practices. But with RFP contracts going to the most popular, wealthier developers and builders which Black business (usually) depend on as sub-contractors; good luck with that! Your valid concern is one which has been in debate for at least several decades now. @Richard Murray: AND THERE IT IS, in a nutshell. Everywhere we turn the cards are stacked againsgt the Black community. And if the 'popular majority vote' fail, then there's the 'electorial college' to put the slack in favor of White advancement. Though for selection of the president, the electorial college promote policies of the majority, which States recognize.
  39. 1 point
    Black owned creative outlets I apologize for posting these late cause creativity require time, but if any of you have work, please apply. I sadfully will not be able to apply to the fiyah in time so my work to that I will probably submit in the email listing once finished. https://www.fiyahlitmag.com/submissions/ Issue 7 Theme: Music | Accepting submissions April 1, 2018 – April 30, 2018 Black contributions to musical genres are unmatched. Music is the language of the soul, and for this issue we’re looking for stories where music plays a central role. Maybe the devil really does hand out talent at the crossroads, or maybe that lounge singer isn’t quite what she seems. Send us all of your stories featuring music as magic, music as catalyst, or whatever your devious little hearts come up with. Share your favorite stories on Twitter with #FiyahLit Nubianpoets.com is proud to have Latorial Faison who has been featured along with Iyanla Vanzant, Danny Glover, and Dr. Cornel West in the 2003 NAACP Image Award winning book Keeping the Faith: Stories of Love, Courage, Healing, and Hope from the Black Community as this year’s contest judge. https://madmimi.com/p/79b2db
  40. 1 point
    *What is the best fictionalized account referring the annihilation native american peoples suffered that led to the birth and modern united states of america?* Between 1776 and 1887, the United States seized over 1.5 billion acres from America's indigenous people by treaty and executive order. Explore how in this interactive map of every Native American land cession during that period. To watch the United States expand across the continent: click the icon in the top right, then See Video; Or use the tool at the bottom of the map to manipulate time and watch how things changed year to year. Click on any area of the map to see who ceded the land and when. Popup boxes contain links to treaty text. Find your home or a different address using the 'Find Places' search at the top of the map. Use the "Find Nations" tool at the bottom of the map to find all cessions by the Cherokee,the Sioux, or others.<br> Use the tool to switch the basemap to the source maps; nineteenth-century maps of land cessions. Use the tool to manipulate layer visibility Interactive map http://usg.maps.arcgis.com/apps/webappviewer/index.html?id=eb6ca76e008543a89349ff2517db47e6 The annual Shinnecock Pow-Wow, Long Island Alison Toon
  41. 1 point
    No the film is certainly not a "comedy," despite the comic relief that you described. I had no idea the Academy called it a comedy, I don't really follow the awards. I just ran a few queries, but i don't see any indication that it was described as a comedy. Can you share a link.
  42. 1 point
    my favorite trigger is "unmasking"
  43. 1 point
    @sabine ziya As always, the best thing to do is submit your work to any publisher when the time comes. You have to be pure to your story and then , resubmit it accordingly if need be. I checked fifty shades of grey, it is listed as contemporary or romance so... at least in kobo you can categorize your work as such. but you should check the publisher you will use for your book
  44. 1 point
    Hi Richard for those interested in a physical copy maybe I can help make this happen. Let me read through the information you have shared here what you have shared here.
  45. 1 point
    Me too! And I was also referring to the your response to the literary angle too. Many fairies in various parts of the motherland (Africa) had different powers too - some would bring happy endings especially to young girls... and there were other fairies that would act as shapeshifters and their outcomes would depend on if their spirit and the spirit of the story. My stories tend to be bittersweet. I've tried my hand at writing HEA romance but it tends to turn dark. I do like reading /watching HEA romance. As for my own HEA , I haven't had one but I have lasting friendships and wonderful experiences.
  46. 1 point
    I finally listened, your voice is so sexy, if i ever do a read for a female character, you will be one of the fertile ones:) @Mel Hopkins
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    East Coast Black Age of Comics Convention From Tuesday, May 17, 2016 there are 4 days left until ECBACC. http://ecbacc.com/wordpress3/ecbacc-2016/flyers/ KIDS’ LIBRARY ZONE {11AM – 3PM} Bring your young creators to this fun-zone, brimming with activity! Young participants will be challenged to think creatively as they are guided through fun projects and games that allow them to draw, color, write and imagine! THE BIG DRAW {11:15AM – 12Noon} This one-of-a-kind workshop shows young artists how make big, fun and impactful artwork that can be used for book covers or even splash pages in your very own comic book! Facilitated By: N. Steven Harris DIGITAL ARTISTRY 1 {12Noon – 1PM} ECBACC will hold an amazing and timely workshop that teaches participants how to create art using the latest technology and computer techniques. Facilitated By: Mshindo Kuumba I. WRITING CHALLENGES & HOW TO BREAK THEM {12Noon – 1:15PM} Professional creators invite you to join in or listen to a discussion that examines the most common writing challenges and how to conquer them in creating your very own work! Facilitated By: Alex Simmons CARTOONING 101 {12:15PM – 1:15PM} Interested in breathing life into your story characters? Come and join our youth workshop that will instruct you on how to create exciting, energetic and related character designs for comic books, strips, and animation. Facilitated By: Jerry Craft AFRICOZ 5 CONTEST {1:15PM – 1:45PM} Every winner represents the heroes we want to see. So who will it be at AfriCoz5!? Help the judges review the best in AfriCozplay today! Cheer for your favorites and support those who gave their all to make AfriCoz5 amazing! Remember “Many May Coz but only a few will AfriCoz!!” THE GRIOT ZONE! {1:45PM– 2:30PM} Educator and storyteller extraordinaire, Mrs. Carla Wiley delivers fun activities where participants, sing, dance, and tell stories! CREATIVELY ILLUSTRATED {1:45PM -2:45PM} Often illustrations are judged not only on the skill of the artist but also the creativity and imaginative concepts the artist brings to life. Professional illustrator Eric Battle will show participants how to make those important illustrations creative and imaginative! Facilitated By: Eric Battle CREATING INSPIRATION {2:45PM – 3:45PM} We all know that creating images and stories is no simple task. Participants in this panel will discuss their solutions for low creative days and what gives them the inspiration to create their masterpieces! Facilitated By: Jerry Craft AFRICOZ CONTEST RESULTS {3:45PM – 4:15PM} The votes are in! Having tabulated the judges’ votes, ECBACC will be announcing the winners of the 5th Annual AfriCoz contest! Come celebrate all 2016 participants! DIGITAL ARTISTRY 2 {4:30PM – 5:30PM} ECBACC will hold an amazing and timely workshop that teaches participants how to create art using the latest technology and computer techniques. Talented artist Sheeba Maya shares her experiences, new work and projects with fans. Facilitated By: Sheeba Maya IMAGINATIVE FORCE {5PM – 6PM} Join the talk as many of our headlining guests discuss how the creativity of our professionals are changing the landscape of comics, films, and storytelling! Facilitated By: Prof. William Foster III http://ecbacc.com/wordpress3/2016/ecbacc-2016-programming-schedule/
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    *Women's Voices & Caribbean Literature* When Saturday September 19, 2015 from 2:00 PM to 4:00 PM EDT Add to Calendar Where MoCADA 80 Hanson Place Brooklyn, NY 11217 _The Center for Black Literature at Medgar Evers College, CUNY, in Collaboration with Penguin Press and The Network Journal_ , Presents A Literary Salon "Women's Voices & Caribbean Literature" An Official Brooklyn Book Festival Bookend Event Saturday, September 19, 2015 MoCADA (Museum of Contemporary African Diasporan Arts) 80 Hanson Place, Brooklyn, NY 11217 Time 2 p.m. - 4 p.m. RSVP NOW! ( http://centerforblackliterature.org/cblbookendevent2015/ ) This event is a fundraiser for the Center for Black Literature. General Donation: $10. Students: $5 Find this event on Facebook. ( https://www.facebook.com/events/506099399552813/ ) The Center for Black Literature at Medgar Evers College, CUNY, presents a literary salon with Naomi Jackson, "The Star Side of Bird Hill," in conversation with Rosalind Kilkenny McLymont, "The Guyana Contract," on the voices of women and Caribbean literature. #CaribWomenSalon2015 #BKBookFest2015 The Center for Black Literature at Medgar Evers College, CUNY Phone: 718-804-8883 E-mail: writers@mec.cuny.edu Like us: Like us on Facebook Center for Black Literature ( https://www.facebook.com/CenterforBlackLiterature ) Follow us: Follow us on Twitter@Center4BlackLit ( https://twitter.com/Center4blacklit )
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