richardmurray

 

ARTICLE

https://marvelstudios.tumblr.com/post/698651825635737600/join-the-cast-of-black-panther-wakanda-forever
Join the cast of Black Panther: Wakanda Forever, and director Ryan Coogler, for an Answer Time on November 9th at 12pm PT / 3pm ET. Submit your questions here.
http://marvelstudios.tumblr.com/ask

 

This year's  Lena Baker Women's Health & Domestic Violence Summit will explore the mental health effects of continuous physical and psychological traumas that  plagues American of the slavocracy system (ADOSS) through the music of Curtis Mayfield (Jun 03, 1942 - Dec 26, 1999).   Mayfield was a prolific songwriter that wrote about  being Black in America and  black consciousness.   We will explore Mayfield's most iconic songs that  address internal colonization "We the People Are Darker Than Blue",    Identity production "This Is My Country", and "People Get Ready".   We will also explore the question,  "Is there a time to heal?" with Mayfield's  "Choice of Colors".

Min. Loretta Green-Williams
Summit Moderator
Postcolonial  Theorist  | Fd, CEO WOCPSCN

Special Guest Speaker

Denise Jackson

COVID: Mental Health of Domestic Violence 

Thursday, October, 27, 2022, 11 am est

Series One:  "We Are People  Darker Than Blue" When Colorism Destroys the Heart

Based on the lyrics of Curtis Mayfield,  this conversation will consider the difficulties of misogynoir, and colorism, among women of color. 

THURSDAY, OCTOBER 27, 2022 12-noon pm est 

Dr. Tamu Petra Browne
Growth & Innovation Coach for Women Entrepreneurs 
Thursday, October 27, 2022

Dr. LaTarsha Holden, MBA
  Leadership Consultant  | Author

 

 

Series Two:  "This Is My Country":  When They Share Their Care
This conversation will consider the physical and physiological trauma of racism and what it currently feels and looks like.

FRIDAY, OCTOBER 28, 2022 12-noon est

Vaneese Johnson
Global Speaker | Author
Friday, October 28, 2022

Desheen-in-the-chair-683x1024_edited.jpg

D'Sheene L. Evans
 Visionarypreneur| Trauma Recovery Coach
The Trauma of Community
Friday, October 28, 2022
 

 

Series Three: "People Get Ready":  When Being Sick Is When You Are Sick-n-Tired

"People Get Ready" was released the year of the voting rights act (1965), Americans that were descendants of the slavocratic system were given reason for optimism. However, with the reversal of recent American rights, and new traumatic occurrences, how do the people get ready when the train is derailed? 

SATURDAY, OCTOBER 29, 2022  4:30 PM EST
 

Special Guest Speaker
Lola Russell, Ph.D.
Health Communications at CDC and Prevention
The Intersectionality of Trauma:  Exploring the Patchwork of Being

Dr. Mustafa Ansari
Dean Afro-Descendant Institute of Human Rights  Chief Facilitator African Descendant Nation

 

 

 

Series Four:  "Choice of Colors":  When the Horrors of History Claim We Are Still Americans

The US big city hate crimes spiked by 39% in 2021*, and with one of the more horrific racial crimes, the Buffalo shooting, the conversation will center around healing processes.   Mayfield's "Choice of Colors" will be the foundation of discussion. We will consider the historic formations that has created the American construct of racism.  We will discuss what components towards racial healing can be considered. We will also consider how we can move forward, "...in order to form a more perfect union,..(Preamble of the United. States of America  Constitution, 1787)". 

Sunday, October 30, 2022 4:30 PM EST

Joan Babiak
Moderator
Attorney |Board of Trustees Member
Sunday, October 30, 2022
Dr. Camelia Straughn
Transformational Coach | Author | International Speaker 
Sunday, October 30, 2022

Lorlett Hudson FRSA
Leadership Coach | Working with African and Caribbean Leaders and Entrepreneurs 

A bust of Nefertiti on display at the Neues Museum in Berlin in December 2012, during an exhibition marking the 100-year anniversary of the item’s discovery.Credit...Michael Sohn/Agence France-Presse, via Pool/Afp Via Getty Images

King Tut Died Long Ago, but the Debate About His Tomb Rages On

By Franz Lidz
Published Oct. 30, 2022
Updated Oct. 31, 2022

More than three millenniums after Tutankhamun was buried in southern Egypt, and a century after his tomb was discovered, Egyptologists are still squabbling over whom the chamber was built for and what, if anything, lies beyond its walls. The debate has become a global pastime.

At the center of the rumpus is the confrontational enthusiast Nicholas Reeves, 66, who shares a home near Oxford, England, with a nameless house cat. In July 2015, Dr. Reeves, a former curator at the British Museum and the Metropolitan Museum of Art, posited the tantalizing theory that there were rooms hidden behind the northern and western walls in the treasure-packed burial vault of Tutankhamun, otherwise known as King Tut.

It was long presumed that the small burial chamber, constructed 3,300 years ago and known to specialists as KV62, was originally intended as a private tomb for Tutankhamun’s successor, Ay, until Tutankhamun died prematurely at 19. Dr. Reeves proposed that the tomb was, in fact, merely an antechamber to a grander sepulcher for Tutankhamun’s stepmother and predecessor, Nefertiti. What’s more, Dr. Reeves argued, behind the north wall was a corridor that might well lead to Nefertiti’s unexplored funerary apartments, and perhaps to Nefertiti herself.

The Egyptian government authorized radar surveys using ground-penetrating radar that could detect and scan cavities underground. At a news conference in Cairo in March 2016, Mamdouh Eldamaty, then Egypt’s antiquities minister, showed the preliminary results of radar scans that revealed anomalies beyond the decorated north and west walls of the tomb, suggesting the presence of two empty spaces and organic or metal objects.

To much fanfare, he announced that there was an “approximately 90 percent” chance that something — “another chamber, another tomb” — was waiting beyond KV62. (Dr. Reeves said: “There was constant pressure from the press for odds. My own response was 50-50 — radar will either reveal there’s more to Tutankhamun’s tomb than we currently see, or it won’t.”)

Yet, two years and two separate radar surveys later, a new antiquities minister declared that there were neither blocked doorways nor hidden rooms inside the tomb. Detailed results of the final scan were not released for independent scrutiny. Nonetheless, the announcement prompted National Geographic magazine to withdraw funding for Dr. Reeves’s project and a prominent Egyptologist to say, “We should not pursue hallucinations.”

Zahi Hawass, Egypt’s onetime chief antiquities official and author of “King Tutankhamun: The Treasures of the Tomb,” said: “I completely disagree with this theory. There is no way in ancient Egypt that any king would block the tomb of someone else. This would be completely against all their beliefs. It is impossible!” (Dr. Reeves countered by pointing out that every successor king was responsible for closing the tomb of his predecessor, as the mythical Horus buried his father, Osiris. “This is even demonstrated in what we currently see on the burial chamber’s north wall — as labeled, Ay burying Tutankhamun,” Dr. Reeves said.)

Kara Cooney, a professor of Egyptian art and architecture at the University of California, Los Angeles, noted the fraught scholarly terrain. “Nick’s work is evidence-based and carefully researched,” she said. “But few Egyptologists will say it on record because they are all afraid of losing their access to tombs and excavation concessions. Or they are just plain jerks.”

Despite the setback, Dr. Reeves soldiered on. In “The Complete Tutankhamun: 100 Years of Discovery,” a freshly revised edition of his 1990 book to be published in January, he draws on data provided by thermal imaging, laser-scanning, mold-growth mapping and inscriptional analysis to support his fiercely debated scholarship. The provocative new evidence has bolstered his belief that Tutankhamun was given a hasty burial in the front hallway of the tomb of Nefertiti.

“Much of what Tutankhamun took to the grave had nothing to do with him,” said Dr. Reeves, who spoke by video from his home office. He maintained that King Tut had inherited a suite of lavish burial equipment that had then been repurposed to accompany him into the afterlife, including his famous gold death mask.

The father of Tutankhamun was Akhenaten, the so-called heretic king whose reign was characterized by social, political and religious upheaval. The 18th-dynasty pharaoh rejected Amun, Osiris and Egypt’s traditional gods in favor of a single disembodied creator-essence, Aten, or the sun disk. In the space of a generation, Akhenaten had created a city from scratch at el-Amarna for his new god, and prepared royal tombs for himself, his children and his wives, including Nefertiti.

After Akhenaten came an obscure pharaoh named Smenkhkare, whom Tutankhamun succeeded directly. Dr. Reeves has long held that Smenkhkare and Nefertiti were the same person, and that Akhenaten’s queen simply changed her name, first to Neferneferuaten, during a period of co-rule with her husband, and then to Smenkhkare following his death, navigating a period of sole, independent rule. To the boy-king would fall the burial of this rare woman pharaoh.

During King Tut’s decade-long reign, he appeared to have been largely occupied with rectifying the chaos bequeathed to him by his old man. But it would not be enough: Shortly after his death in 1,323 B.C., a new dynasty chiseled his tarnished name into dust.

Pyramid scheme
Dr. Reeves has conducted research directly in the tomb on several occasions over the years. He came to his theory about Tutankhamun in 2014 after examining high-resolution color photographs of the tomb, which were published online by Factum Arte, a company based in Madrid and Bologna, Italy, that specializes in art recording and replication. The images showed lines beneath the plastered surfaces of painted walls, suggesting uncharted doorways. He speculated that one doorway — in the west — opened into a Tutankhamun-era storeroom, and that another, which aligns with both sides of the entrance chamber, opened to a hallway continuing along the same axis in form and orientation reminiscent of a more extensive queen’s corridor tomb.

“I saw early on, from the face of the north wall subject, that the larger tomb could only belong to Nefertiti,” Dr. Reeves said. “I also suggested, based on evidence from elsewhere, that the perceived storage chamber to the west of the burial chamber might have been adapted into a funerary suite for other missing members of the Amarna royal family.”

To support his radical reassessment, Dr. Reeves pointed to a pair of cartouches — ovals or oblongs enclosing a group of hieroglyphs — and a curious misspelling painted on the tomb’s north wall. The figure beneath the first cartouche is named as Tutankhamun’s Pharaonic successor, Ay, and is shown officiating at the young king’s burial carrying out the “opening the mouth” ceremony, a funerary ritual to restore the deceased’s senses — the ability to speak, touch, see, smell and hear. The key, Dr. Reeves said, is that both of the Ay cartouches show clear evidence of having been changed from their originals — the birth and throne names of Tutankhamun.

Dr. Reeves suggested that the cartouches had originally showed Tut burying his predecessor, and that the cartouches — and hence the tomb — were put to new use. “If you inspect the birth-name cartouche closely, you see clear, underlying traces of a reed leaf,” he said in an email. “Not by chance, this hieroglyph is the first character of the divine component of Tutankhamun’s name, ‘-amun,’ in all standard writings.”

Beneath Ay’s throne name may be discerned a rare, variant writing of Tutankhamun’s throne name, “Nebkheperure,” employing three scarab beetles. This is a variant whose lazy adaptation provides the only feasible explanation for the strangely misspelled three-scarab version of the Ay throne name “Kheperkheperure” that now stands there, Dr. Reeves said.

He deduced that the scene had originally depicted not Ay presiding over the interment of Tutankhamun, but Tutankhamun presiding over the burial of Nefertiti. There are two visual clinchers, he said. The first is the “rounded, childlike, double underchin” of the Ay figure, a feature not present in any image currently recognizable as him, implying that the original painting of the king must have been of the chubby, young Tutankhamun. The second is the facial contours of the mummified recipient — until now presumed to be Tutankhamun — whose lips, narrow neck and distinctive nasal bridge are a “perfect match” for the profile of the painted limestone bust of Nefertiti on display in the Neues Museum in Berlin.

“There would have been no reason to include a depiction of this predecessor’s burial in Tutankhamun’s own tomb,” Dr. Reeves said. “In fact, the presence of this scene identifies Tutankhamun’s tomb as the burial place of that predecessor, and that it was within her outer chambers that the young king had, in extremis, been buried.”

Rita Lucarelli, an Egyptologist at the University of California, Berkeley, said she had been following Dr. Reeves’s old and new claims with interest. “If he is right, it would be an amazing discovery because the tomb of Nefertiti would be intact, too,” she said. “But maybe even if there is a tomb there, it’s not that of Nefertiti, rather of another individual related to Tut. We simply cannot know it unless we dig through the bedrock.”

The problem, Dr. Lucarelli said, is finding a way to drill through the decorated north wall without destroying it. “This is also why other archaeologists do not sympathize with this theory,” she said.

Dr. Reeves’s unsympathetic colleagues are legion.

“Nick is flogging a dead horse in his theories,” Aidan Dodson, an Egyptologist at the University of Bristol, said. “He has provided no clear proof that the cartouches have been altered, and his iconographic arguments as to the faces on the wall have been rejected by pretty well every other Egyptologist I know of who is qualified to take a view.”

The politics of heritage
Dr. Cooney, whose book “When Women Ruled The World” argues that Nefertiti may have been Tut’s grandmother, is one of Dr. Reeves’s few champions. “I am not one of the many scholars laughing behind their hands,” she said. “Nick’s theory is brilliant but easily discounted in a very political and nationalistic Egypt that has refused to give permits to Western scholars who disagree with the party line. Maybe there’s nothing beyond the north wall of Tutankhamun’s tomb. Maybe it’s Al Capone’s safe. But if there is something there, this could potentially be the discovery of the millennium.”

At least part of the backlash against Dr. Reeves’s ideas can be traced to the politics of heritage. The narrative that Tutankhamun’s tomb was unearthed by the heroic English archaeologist Howard Carter has long been openly challenged by Egyptians, who took the discovery as a rallying cry to end 1920s British rule and establish a modern Egyptian identity. Among Egyptologists today, the hot topics include the decolonization of the field and more inclusive and equitable accounts of Egyptian team members involved in archaeological excavations.

“Sure, some in Egypt take a different view from me, which is easy enough to understand,” Dr. Reeves said. A weary expression spread over his face. “Archaeologists in the U.K. would, I am sure, look askance at some foreigner sounding off on who might be buried in Westminster Abbey. But my sole interest as an academic Egyptologist, my intellectual responsibility, is to seek out the evidence and report honestly and as objectively as possible on what I find.”

Nefertiti’s burial is what the raft of new facts points toward when considered altogether, he said, and inevitably Nefertiti plus Tutankhamun is a big ask. “I can understand the skepticism with which my proposals have been greeted in some quarters,” he said. “And I initially shared it; I would spend a year testing and retesting my conclusions before feeling comfortable enough to publish.”

That was back in 2015, and Dr. Reeves believes the evidence now is stronger than ever. “Indeed, with the discovery that both cartouches of Ay overlie original cartouches of Tutankhamun, we have the veritable smoking gun,” he said. “To simply deny the evidence is not going to make it go away.”

ARTICLE
https://www.nytimes.com/2022/10/30/science/tutankhamen-nefertiti-archaeology.html

 

MY THOUGHTS

I am a Nefertiti fan. Considering Akenaton is known as a radical leader of the nile, in that he went against the heritage and formed a new culture, i imagine his wife is radical in thinking as well. I can see her preparing for her son's time. The white man miscomprehends. He doesn't realize that the damage of his community, that being white scientist in africa is so vast that he is not trusted he is not wanted. He wants to be viewed as content of character but that is something anyone native in egypt must have a hard time doing based on an extensive negative past. It is that simple, the individualism some in the scholarly community want demands ignoring human history or specifically, interracial history, which is mostly or overwhelmingly negative in humanity.
 

 

Promptpot - a collage of prompts

The following is mine
https://www.deviantart.com/hddeviant/art/Promptpot-931555529
This is the Promptpot explanation
https://www.deviantart.com/hddeviant/art/PROMPTPOT-931556698

 

This year's  Lena Baker Women's Health & Domestic Violence Summit will explore the mental health effects of continuous physical and psychological traumas that  plagues American of the slavocracy system (ADOSS) through the music of Curtis Mayfield (Jun 03, 1942 - Dec 26, 1999).   Mayfield was a prolific songwriter that wrote about  being Black in America and  black consciousness.   We will explore Mayfield's most iconic songs that  address internal colonization "We the People Are Darker Than Blue",    Identity production "This Is My Country", and "People Get Ready".   We will also explore the question,  "Is there a time to heal?" with Mayfield's  "Choice of Colors".

Min. Loretta Green-Williams
Summit Moderator
Postcolonial  Theorist  | Fd, CEO WOCPSCN

Special Guest Speaker

Denise Jackson

COVID: Mental Health of Domestic Violence 

Thursday, October, 27, 2022, 11 am est

Series One:  "We Are People  Darker Than Blue" When Colorism Destroys the Heart

Based on the lyrics of Curtis Mayfield,  this conversation will consider the difficulties of misogynoir, and colorism, among women of color. 

THURSDAY, OCTOBER 27, 2022 12-noon pm est 

Dr. Tamu Petra Browne
Growth & Innovation Coach for Women Entrepreneurs 
Thursday, October 27, 2022

Dr. LaTarsha Holden, MBA
  Leadership Consultant  | Author

 

 

Series Two:  "This Is My Country":  When They Share Their Care
This conversation will consider the physical and physiological trauma of racism and what it currently feels and looks like.

FRIDAY, OCTOBER 28, 2022 12-noon est

Vaneese Johnson
Global Speaker | Author
Friday, October 28, 2022

Desheen-in-the-chair-683x1024_edited.jpg

D'Sheene L. Evans
 Visionarypreneur| Trauma Recovery Coach
The Trauma of Community
Friday, October 28, 2022
 

 

Series Three: "People Get Ready":  When Being Sick Is When You Are Sick-n-Tired

"People Get Ready" was released the year of the voting rights act (1965), Americans that were descendants of the slavocratic system were given reason for optimism. However, with the reversal of recent American rights, and new traumatic occurrences, how do the people get ready when the train is derailed? 

SATURDAY, OCTOBER 29, 2022  4:30 PM EST
 

Special Guest Speaker
Lola Russell, Ph.D.
Health Communications at CDC and Prevention
The Intersectionality of Trauma:  Exploring the Patchwork of Being

Dr. Mustafa Ansari
Dean Afro-Descendant Institute of Human Rights  Chief Facilitator African Descendant Nation

 

 

 

Series Four:  "Choice of Colors":  When the Horrors of History Claim We Are Still Americans

The US big city hate crimes spiked by 39% in 2021*, and with one of the more horrific racial crimes, the Buffalo shooting, the conversation will center around healing processes.   Mayfield's "Choice of Colors" will be the foundation of discussion. We will consider the historic formations that has created the American construct of racism.  We will discuss what components towards racial healing can be considered. We will also consider how we can move forward, "...in order to form a more perfect union,..(Preamble of the United. States of America  Constitution, 1787)". 

Sunday, October 30, 2022 4:30 PM EST

Joan Babiak
Moderator
Attorney |Board of Trustees Member
Sunday, October 30, 2022
Dr. Camelia Straughn
Transformational Coach | Author | International Speaker 
Sunday, October 30, 2022

Lorlett Hudson FRSA
Leadership Coach | Working with African and Caribbean Leaders and Entrepreneurs 

Celebrity DJ’s Wife Faked Orgasms for 10 Years of Marriage because of ‘Not Knowing Her Own Body’

(Photo by Paras Griffin/Getty Images for BET)
Popular daily radio and vlog show, The Breakfast Club co-host DJ Envy and his wife Gia Casey have been in the news lately, and not for their job. Gia has admitted she had faked orgasms for 10 years of her marriage. It was something she said she did repeatedly and consistently. The couple sat down with The Shade Room to have an intimate chat and discuss their new book Real Life, Real Love: Life Lessons on Joy, Pain & the Magic That Holds Us Together.

Casey started the conversation about her struggle to reach a climax with her husband because it is a part of the book, which is available now. The radio personality, as Casey shared, was her first and only because they met in high school.

“Most young girls and even many, many, many women, I’m sure so many women can relate, don’t know how to achieve an orgasm,” she said. “A lot of women have no idea what it feels like to have an orgasm through sexual intercourse.”

“We would be intimate and he would be putting his best foot forward…he lives to make me happy. So I would see him trying and really going to work,” she continued. “You want to reward that man for that work and the only reward that you have to offer is an orgasm. But even if I didn’t feel it, I would still be performative.”

In retrospect, Casey says she realized he couldn’t help her reach orgasm because she didn’t know what she needed to get there.

“He was doing everything a man could do to please a woman. The problem was, I didn’t know my own body,” she admitted.

This is more of a common problem for women than you think.

According to the published Journal of Sex and Marital Therapy, a whopping 81.6% of women don’t orgasm from intercourse alone (without additional clit stimulation). And nearly 15% of women have never orgasmed ever!
Not reaching an orgasm makes a great number of women feel inadequate, as if her sexual equipment is broken, leading her down a path of exploration to seek and find the BIG O.  After trying many positions, reading self-help books and buying dozens of toys, some women remain unaware of exactly what an orgasm is and why it is so difficult to reach one.  So the question is, why is it so difficult for women to reach orgasm when men seem to be able to reach sexual bliss so easily?

The answer actually consists of a few parts:

1. Women need more than entry to orgasm.
Inserting part A into slot B is the typical sexual situation that the average couple believes will enable both partners to reach a climax, but in actuality women need more than vaginal penetration in order to reach an orgasm.  About 70% of women need clitoral stimulation along with penetrative sex in order to reach an orgasm.  The clitoris is made up of 8000 nerve endings making it the most sensitive body part on a woman, so it needs love and attention as does the rest of the body during sex!

During penetration, the clitoris is stimulated from the inside because of its legs that extend deep into the vagina, but for most women that internal stimulation isn’t enough.  DIRECT contact is where it’s at!  Sex positions that position the pelvises close together, oral sex during foreplay or using a clitoral vibrator during sex are great ways to ensure clitorial stimulation is achieved during intercourse.

2. Women’s sexual energy starts in the brain.
Sexual energy is a vital source of energy that gives life to every living being on the Earth.  When it comes to men and women, sexual energy originates in different parts of the body.  In men, sexual energy originates in the pelvis, which explains why men are ready for sex in 20 seconds as opposed to the 10 minutes it typically takes a woman’s body to be ready for intercourse.  Women’s sexual energy originates in the head, so in order for the genitals to be in a state of welcoming and wanting, the energy has to travel down the spine into the pelvis, and that is some distance to travel!
This fact is one that many women are unaware of, and furthermore, many women have no idea how to move the energy from the brain into the pelvis.  Through meditation, concentrated breathing and focusing the mind on the pelvis, sexual energy can move from the brain into the genitals where it belongs during sex.  This technique has to be learned and it takes some time to master, but once a woman knows how to transfer that energy where it needs to be, orgasm during sex can be achieved with ease every time.

3. Women live in their heads
“What should I make for dinner tomorrow?” “I wonder what the kids are doing right now.” “OMG! I s he looking at my stretch marks?” “Ew, his breath smells like Doritos!”  These thoughts and more are things that can roll through the minds of women during sex.  Women tend to live in their heads and think about everything but sex during sexual experiences, which causes disconnect between the brain (where sexual energy originates for women) and the genitals that need to connect with the sexual energy.  When the mind is everywhere else besides the moment of sexual pleasure, the body will not respond to the typical triggers that should send it into an orgasmic frenzy.
In order to bring the body closer to a climax, the mind needs to be cleared and freed of anything that isn’t sex within that moment. Meditation, a pre-performance massage, stretching or even a hot bath or shower are all great ways to mellow out before the fun begins.  Leave all of the thoughts about work, children and body issues at the door.  Leave the mind open to register touch, smells, sounds and every other sensation associated with the sexual rendezvous taking place in the moment. Live in the moment!

Every woman has the parts necessary to orgasm and can learn how to achieve the greatest climax of her life; it just takes dedicated and focused intention and a little practice to get there.

April 27, 2022 by Tamara Gibson

ARTICLE
https://blackdoctor.org/dj-envy-wife-fake-orgasm/
 

MY THOUGHTS

I said the following a trillion times and I will say it a trillion and one, If you define virginity by first orgasm, most women are virgins into their 30s. ... I want to state other, most women in the usa are virgins based on the stated elemental into their 30s but outside the usa into their late 40s.

What is telling? Somehow this isn't common knowledge.

 

When a woman orgasm what happens?  The vaginal walls pulse rapidly. This is to coax the penis to ejaculate. Saying the vagina will aid in pushing the sperm to the egg. 

 

Why are vaginas tight? Lack of use. Girls, meaning any female who never was head of household, have no experience fornicating, thus tightness. Usually , women , meaning any female who lived or lives as head of household, has tightness if she has not fornicated in a long time, side another or with a tool.  Tightness of vagina has nothing to do with vixen qualities. Think of the vagina like your leg. Have you ever sat down to o long and your leg started to cramp. Well that is something like a vagina unused for months. If someone told you to start running as fast as you can after sitting down without moving for hours it will hurt right? that is what happens when a vagina has a penis rummaging in it. The better thing for your leg is a massage to prepare to run. The vagina needs the same patient care when unused.

 

In the article the woman in question states a simple truth. No matter how much a man is gentle or caring, a woman may not orgasm. It isn't about being loved it is about knowing oneself. This knowing requires experimentation with one self.An eventually side the partner. Being great in bed as a couple demands the two learn what will make them great in bed. It can not be assumed or forced. 

 

In terms of pleasure, everyone is unique in what gives them pleasure and how two people find pleasure is also unique, but in either case it takes time, trial and error to know.

 

Lupita Nyong'o On Why She Decided Not To Star In 'The Woman King'
Bre Williams
October 19, 2022

Lupita Nyong’o is talking about why she decided to not star in The Woman King.

The actress was set to star alongside Davis in the upcoming historical film The Woman King. But back in 2020, the actress walked away from the film in which she was to play an Agojie warrior.

In a new interview with The Hollywood Reporter, Nyong’o opened up about why she decided against starring in Gina Prince-Bythewood’s film.

Nyong'o didn't feel like the role was right for her.
According to IndieWire, Nyong’o was set to play an Agojie warrior in The Woman King starring Viola Davis, who also produces. The Agojie tribe inspired the fictional Dora Milaje female army in Black Panther.

After she was cast in the film, the actress made a short documentary about the Agojie tribe called “Warrior Women With Lupita Nyong’o.”
Per The Hollywood Reporter, the Academy Award winner “grapples uncomfortably with the tribe’s legacy of violence.” After the documentary, Nyong’o decision to exit The Woman King though she hasn’t specifically revealed why.

“It was very amicable, the departure from it,” Nyong’o said. “But I felt it wasn’t the role for me to play.”

Thuso Mbedu took over the role Nyong’o was slated to play.
After her departure, Lupita Nyong’o’s role was given to Thuso Mbedu.

In addition to The Woman King, Nyong’o also exited the upcoming Apple TV+ series Lady in the Lake, which stars Natalie Portman. Moses Ingram replaced her in that series.

“I’m desperate for small projects,” Nyong’o told THR. “They’re harder to get off the ground, they’re harder to stay on track. Bigger movies elbow them out of the way. The pandemic and the fiscal stress on the industry has made it even harder for those movies to get made.”

Nyong'o is currently balancing large projects with smaller independent roles.
“I think to be culturally prosperous, to be artistically prosperous as a people, is to have options. I personally love a good Marvel movie, but it doesn’t take me away from really wanting the little character-driven film,” the Us actress shared. “I believe in the fight for those things to be kept alive because the one thing we always want, the ultimate privilege, is choice.”

She concluded, “It becomes a philosophical question about what is art and what is its purpose. I believe that art plays a role in moving the people that experience it, and a lot of people are moved by Marvel. Is you being moved by this thing less important than me being moved by Picasso?”

Bre Williams
October 19, 2022

ARTICLE
https://shadowandact.com/lupita-nyongo-on-why-she-decided-not-to-star-in-the-woman-king

 

THE BLACK DRAGON'S REVENGE - RON VAN CLIEF - FULL HD MARTIAL ARTS MOVIE IN ENGLISH
imdb
https://www.imdb.com/title/tt0072858/?ref_=nm_flmg_act_16

film
 

LINK
https://www.youtube.com/watch?v=VeOoWRtASY4

 

Is Kanye Finally CANCELED? from Bad Faith
 

LINK
https://youtu.be/wxHAm-bgFyM
Referral
https://twitter.com/msolurin/status/1580952441839026179
 
Art Block and Burnout from chrissa bug
 

LINK
https://youtu.be/e_tYHhkjC4s
REFERRAL
https://www.deviantart.com/chrissabug/status-update/New-Video-about-Art-Block-933740572

 

28 Stories You Can Read Online for Black History Month

“Anything Could Disappear“
By Danielle Evans
Electric Literature
https://electricliterature.com/anything-could-disappear-danielle-evans/

 

“Drinking Coffee Elsewhere“
By Z.Z. Packer
The New Yorker
https://www.newyorker.com/magazine/2000/06/19/drinking-coffee-elsewhere

 

“The Era“
By Nana Kwame Adjei-Brenyah
Guernica
https://www.guernicamag.com/the-era/

 

“Suicide, Watch“
By Nafissa Thompson-Spires
Dissent Magazine
https://www.dissentmagazine.org/article/suicide-watch-heads-colored-people-social-media

 

“French Absolutism“
By Brandon Taylor
Joyland
https://joylandmagazine.com/fiction/french-absolutism/

 

“What’s For Sale“
By Nicole Dennis-Benn
Kweli Journal
http://www.kwelijournal.org/fiction/2014/5/14/whats-for-sale-by-nicole-y-dennis-benn?rq=What's

 

“Sunflowers“
By Bryan Washington
Boston Review
http://bostonreview.net/fiction/bryan-washington-sunflowers

 

“Dangerous Deliveries“
By Sidik Fofana
Epiphany
https://epiphanyzine.com/features/dangerous-deliveries-fofana

 

“Williamsburg Bridge“
By John Edgar Wideman
Harper’s Magazine
https://harpers.org/archive/2015/11/williamsburg-bridge/

 

“The Key“
By Nnedi Okorafor
Enkare Review
https://enkare.org/2016/11/14/key-nnedi-okorafor/

 

“Milk Blood Heat“
By Dantiel W. Moniz
Ploughshares
https://www.pshares.org/issues/spring-2018/milk-blood-heat

 

“Bear Bear Harvest“
By Venita Blackburn
Virginia Quarterly Review
https://www.vqronline.org/fiction/2018/12/bear-bear-harvest

 

“Beg Borrow Steal“
By Maurice Carlos Ruffin
Kenyon Review Online
https://kenyonreview.org/kr-online-issue/2015-summer/selections/maurice-carlos-ruffin-342846/

 

“How to Kill Gra’ Coleman and Live to Tell About It (Vauxhall, NJ, c. 1949)“
By Kim Coleman Foote
Missouri Review
https://www.missourireview.com/how-to-kill-gra-coleman-and-live-to-tell-about-it-vauxhall-nj-c-1949-by-kim-coleman-foote/

 

“Allentown, Saturday“
By Gabriel Bump
Brooklyn Rail
https://brooklynrail.org/2020/06/fiction/Allentown-Saturday

 

“Books and Roses“
By Helen Oyeyemi
Granta
https://granta.com/books-and-roses/

 

“God’s Gonna Trouble the Water“
By Randall Kenan
Oprah Magazine
https://www.oprahmag.com/entertainment/books/a33350187/randall-kenan-short-story-gods-gonna-trouble-the-water/

 

“What It Means When a Man Falls From the Sky“
By Lesley Nneka Arimah
Catapult
https://catapult.co/stories/some-mathematicians-remove-pain-some-of-us-deal-in-negative-emotions-we-all-fix-the-equation-of-a-person

 

“The City Born Great“
By N.K. Jemisin
Tor.com
https://www.tor.com/2016/09/28/the-city-born-great/

 

“202 Checkmates“
By Rion Amilcar Scott
Electric Literature
https://electricliterature.com/202-checkmates-by-rion-amilcar-scott/

 

“All This Want and I Can’t Get None“
By Tia Clark
Joyland
https://joylandmagazine.com/fiction/all-this-want-and-i-cant-get-none/

 

“Wet Paper Grass“
By Jasmon Drain
Terrain
https://www.terrain.org/fiction/26/drain.htm

 

“Emperor of the Universe“
By Kaitlyn Greenidge
Kweli Journal
http://www.kwelijournal.org/fiction/2014/10/10/emperor-of-the-universe-by-kaitlyn-greenidge

 

“Ark of Light“
By Victor LaValle
Lightspeed Magazine
https://www.lightspeedmagazine.com/fiction/ark-of-light/

 

“False Cognates“
By Ladee Hubbard
Guernica
https://www.guernicamag.com/false-cognates-1991/

 

“Whiskey & Ribbons“
By Leesa Cross-Smith
Carve Magazine
https://www.carvezine.com/story/2011-fall-cross-smith

 

“A Selfish Invention“
By Donald Quist
Storychord
http://www.storychord.com/2017/03/issue-140-donald-edem-quist-tracy.html

 

“Best Features“
By Roxane Gay
Barrelhouse
https://www.barrelhousemag.com/onlinelit/2010/11/1/best-features

 

ARTICLE
https://chireviewofbooks.com/2021/02/01/28-stories-you-can-read-online-for-black-history-month/

 

Promptpot - a collage of prompts

The following is mine
https://www.deviantart.com/hddeviant/art/Promptpot-931555529
This is the Promptpot explanation
https://www.deviantart.com/hddeviant/art/PROMPTPOT-931556698

 

Promptpot - a collage of prompts

The following is mine
https://www.deviantart.com/hddeviant/art/Promptpot-931555529
This is the Promptpot explanation
https://www.deviantart.com/hddeviant/art/PROMPTPOT-931556698

 

Title: Haitian Goddess 2
Artist: Chevelin Pierre
https://www.deviantart.com/chevelinpierre/art/Haitian-goddess-2-932906268

 

Watch the work made! magic!!

 

How to draw a fantasy merchant lady, in european terms a centaur, but I can see a woman with a fish tail

What say you to Chevelin? 

 

 

Read a South Carolinian mermaid tale

https://aalbc.com/tc/profile/6477-richardmurray/?status=1614&type=status

 

An example of some of Chevelin's full colored illustrations, lovely work

 

@chevelin_illustration

Drawing by @chevelin

♬ Stuck In The Middle - Tai Verdes

WARNING: If you have a problem with nudity, do not look or play the following video. Otherwise, enjoy Danto
 

P.S.

We don't Talk About Gabriella?
https://aalbc.com/tc/profile/6477-richardmurray/?status=2086&type=status

 

Promptpot - a collage of prompts

The following is mine
https://www.deviantart.com/hddeviant/art/Promptpot-931555529
This is the Promptpot explanation
https://www.deviantart.com/hddeviant/art/PROMPTPOT-931556698

 

Promptpot - a collage of prompts

The following is mine
https://www.deviantart.com/hddeviant/art/Promptpot-931555529
This is the Promptpot explanation
https://www.deviantart.com/hddeviant/art/PROMPTPOT-931556698

 

Create a beast

 

ok

The template 

 

 

Layout your lair, coming soon

 

 

 

Create a beast

 

ok

The template 

 

 

Layout your lair, coming soon

 

 

 

Promptpot - a collage of prompts

The following is mine
https://www.deviantart.com/hddeviant/art/Promptpot-931555529
This is the Promptpot explanation
https://www.deviantart.com/hddeviant/art/PROMPTPOT-931556698

 

My DTIYS for Chrissabug 10,000 followers on deviantart
https://www.deviantart.com/hddeviant/art/Chrissabugdtiys10k2022-Invitation-932158374

 

Poem: THe Truth To The Green Woman Legend
Author: Richard Murray
https://www.kobo.com/us/en/audiobook/the-truth-to-the-green-woman-legend

 

 

Colored version of Chrsisabugdtiys 10k invitational
https://www.deviantart.com/hddeviant/art/Chrissabugdtiys10k2022-colored-version-932273345

showcase

I am 1:38:13 to 1:39:06 

 

Promptpot - a collage of prompts

The following is mine
https://www.deviantart.com/hddeviant/art/Promptpot-931555529
This is the Promptpot explanation
https://www.deviantart.com/hddeviant/art/PROMPTPOT-931556698

 

Promptpot - a collage of prompts

The following is mine
https://www.deviantart.com/hddeviant/art/Promptpot-931555529
This is the Promptpot explanation
https://www.deviantart.com/hddeviant/art/PROMPTPOT-931556698

 

Promptpot - a collage of prompts

The following is mine
https://www.deviantart.com/hddeviant/art/Promptpot-931555529
This is the Promptpot explanation
https://www.deviantart.com/hddeviant/art/PROMPTPOT-931556698

 

Promptpot - a collage of prompts

The following is mine
https://www.deviantart.com/hddeviant/art/Promptpot-931555529
This is the Promptpot explanation
https://www.deviantart.com/hddeviant/art/PROMPTPOT-931556698

 

Black Lucy and The Bard
Premiere: 9/16/2022 | 01:24:17 | 
Explore Shakespeare’s love life through the perspective of the “Dark Lady” in this work from Nashville Ballet based on poetry by Caroline Randall Williams and featuring an original score by GRAMMY winner Rhiannon Giddens.

Transcript is on the page
https://www.pbs.org/wnet/gperf/black-lucy-and-the-bard-about/13909/#full_length1

 

I finished Witchtember , tell me which day you liked the most, an art work a day for the entire month of september
https://www.deviantart.com/hddeviant/gallery/84411925/witchtember-2022

 

 

I must admit the tools on Deviantart are good for all artists to monetize in various ways in one space, or e - ecosystem

 

Your thoughts?

 

https://www.deviantart.com/team/art/DeviantArt-Presents-I-ChrissaBug-931238577

Witchtember 2022 collection

Witchtember 2022 by simoneferriero on DeviantArt

 

My Witchtember gallery LINK

 

I will place my days for each prompt in the comments

 

forum post

https://aalbc.com/tc/topic/9724-witchtember-2022/

 

Witchtember 2022 collection

Witchtember 2022 by simoneferriero on DeviantArt

 

My Witchtember gallery LINK

 

I will place my days for each prompt in the comments

 

forum post

https://aalbc.com/tc/topic/9724-witchtember-2022/