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QUESTIONS what chips or snacks were you eating? what is the most financially successful black female produced film in the usa? You guys made me wonder about black male movie reviewers opinion toward films produced or directed by black women . I wonder do black female produced/directed films get mostly positive reviews from black male film reviewers? To the needle moving, Biden could had chose stacey abrams who is more functional like shirley chisholm but chose kamala harris who is less industrious while also like obama or adam clayton powell jr is phenotypically not the image of "pure blackness" like chisholms' color suggest. Was this film like the aretha franklin supported biopic, in that it didn't get steamy or telenovela-ish? Are you calling on a PBS vietnam war level documentary for shirley chisholm? i think that would be very revealing.

MY CREATIVE TABLE 2023 art summary , December 2023 secret santa, Richard Murray Centos 2023, Princess Candace New Year, Jiausiku 1-2-3 Shadow 1 , weird fashion, Dark Soul photomanipulation, Dark Academia, Valentine's Nostalgia, Jiausiku 4-5-6  Shadow 2-3 , Biden state of the union reply, Jiausiku shadow 4, sign on a signpost, Mandala Sphere, Jiausiku shadow 5 part 1 , march 2024 ai challenge, my 4 days at the National Black Writers Conference, valentine Nostalgia, Creative side Commercial , Haiku challenge , synthography sentiments, ? THE BLACK TABLE Black party of governance called on again, salvador bahia festival dates 2024, shirley chisholm biopic, ruffin and black cop relatives, movies that move we 2024 begins, viola plummer, Jeffrey wright nod, mlk jr said 02012024, Black reparations discussion on Black history month, black details in the populace, continental black american unity, The truth of voting, black cuteness, proof the war on crime was never honest, babel usa, elvert barnes, matawana first black female owned in brooklyn and settlements, kiratheartist coloring pages, Children of the Quicksands from Efua Traore , dorie ann ladner old, dorie ann ladner new, national black writers conference , marcia williams , soulsonsix roundtable shared , dsnp of project liberty , faith ringgold rest in peace , shirley chisholm in movies that move we, ? AALBC TABLE erotic couples classes fantasyfitnessmd , you want to know why you shouldn't feel sad for artist, black bookstore in florida, tim scott and the future black elephants, Google text to video, good books, carnaval ile aye, Learn screenwriting from Tananarive due + steven barnes, a comment on 16 books missing from the bible, Mace Windu movie - you want?, ayesha kazim, film festivals, sarah vaughan sammy davis jr + eartha kitt, Troy covers the internet- my thoughts , the obsolete site, ai modeling and pop up stamps, Movies That Move We: Rustin 2024, American Fiction 2023, The Color Purple 2023 , favorite black poetry, questions of supermen, google docs , questions to writing and things written, just so blacks know, tiktok unity, art of illegal tender from musashden, Posse from movies that move we, at the brownstone -a day in harlem, nicolas felicano and proof of the true nature of black law enforcers, Nicholas Feliciano, ? ARTISTS LIST GEMGFX , GDBEE , Deidre Smith Buck , Shawn Alleyne, RaySeb , Coco Michelle , chriss choreo, yeahbouyee , Collective poem side dee miller- in comments , clarence bateman , Ronald Reed, K-Hermann, El Carna , djdonttouchthetrim, Kiratheartist, briana lawrence , odie1049, Nettrice Gaskins, Dada Koita , Paul Lewin, Lisa Tillman Pritchard, Chevelin Pierre, , Zak Anderson, seye sanyaolu, ? Response and Article series : 1 , 2 , 3 , 4 , 5 , 6 , ? Richard Murray Creative Table 3 https://aalbc.com/tc/blogs/entry/345-richard-murray-creative-table-3/ Richard Murray Creative Table 2 https://aalbc.com/tc/blogs/entry/281-richard-murray-creative-table-2/ Richard Murray Creative Table 1 https://aalbc.com/tc/blogs/entry/194-richard-murray-creative-table/ My Newsletter https://rmnewsletter.over-blog.com/

Rustin 2024 American Fiction 2023 The Color Purple 2023

MY THOUGHTS 1:37 why did Zenobia hate it! I want to know the why. Did Zenobia like "the harder they fall" or "concrete cowboy" ? Does Zenobia like any cowboy films in general. 4:01 yes, the cowboys were originally the person near the cow who guides them. 5:06 hmm good point, a less talked about part of black history in the usa, that black people don't tend to talk about alot. I wonder why do you think? 6:15 no, he got in a fight with the whites at the town and was to be executed/imprisoned or he can conscript. He conscripted but tried to leave three times ,, attacked a superior officer and that brought him to cuba in the military. He was a lieutenant. 9:31 I love how you did the voice Nike of the short guy. 9:57 Bless you Nike, futuristic cowboy:) who would Zenobia like to see as the director? the same director? 10:53 this movie plays into the western myth style. ahhh Zenobia hasn't even seen it. 11:48 she wants Posse with an all female cast. Zenobia:) this is meant to be a western myth film. 12:39 Gang of roses is the film with lil kim 13:01 the movie is direct. In defense, Peebles has been in war for a long time. That is the truth. Soldiers don't come back from war, or are on the run, reminiscing , singing songs. yes, Nike. And he always told them to follow him if they want but no questions. He really is a pure man in black. 15:40 education is power is the message and your right Nike, the movie is stating its purpose 16:15 you did see a native american woman hanged. 18:10 Zenobia is funny, she said wakanda , kkk 18:50 I think they were performed well cause they are frustrated, but it is backlogged. It is a tentative. It is a frustrated scene. They love each other, but this is a love that had a beautiful beginning and has been delayed and waylayed for years. 21:22 Zenobia , your review isn't bad. it is honest, but it is about aesthetic. Peebles wanted the man in black to be truly that. Films tend to present the man in black historically as very talkative, very expressive. CLint eastwood in unforgiven is very quiet. eastwood is married to a native american woman and it seems loveless, he leaves her on the land and that is that. 21:46 good point to harlem nights. Posse was a collage film. yes, big daddy kane was a great father time. and like harlem nights they can't come back. 25:34 yeah, classic. for the black dos western genre, you will find it is preceded by Buck and the preacher and then follwoed by harder they fall IN AMENDMENT In John Wick 4 , Keanu Reeves went against an earlier script and cut out all the talking for John Wick's character, same as Jesse Lee in Posse. As a writer who believes in non verbal communication as well as an attentive challenge. I write characters that don't always fit the audiences expectation in how they speak or act non verbally. So Zenobia's point is a good thing to comprehend in the commercial desire of a film or story. As a reviewer said to a stageplay of mine. IF you go against the commonly accepted cues the audience wants, it will hinder/harm/have some negative aspect to the liking of your work. I think she was right and Zenobia proves it. IN AMENDMENT PART 2 a film outlaw posse has been made, i don't think it is a sequel to posse

based on the book by Sue Monk Kidd an alternative review from aalbc https://aalbc.com/reviews/film-reviews.php?id=1739

topics The forty-sixth of the Cento series. A cento is a poem made by an author from the lines of another author's work March challenge Dates IF YOU MADE IT THIS FAR : Introducing marcia williams , tiktok reality , Screenplays with thoughts from William Shatner aside , Cute library from writeddreams2reality , Posse from Movies that Move We , What is in your kitchen? , A day in Harlem through time URL https://rmnewsletter.over-blog.com/2023/10/04/07/2024-rmnewsletter.html

sort of shy , but the nicest guy, no complaining:) 3:04 i love it, we as black people do this for christmas:) 4:14 yes Zenobia, no blackity black, if she doesn't know, educate Nike 5:34 I missed the black santa media issue 10:49 good thoughts on the 2023 color purple 12:!2 for years:) poor danny glover:) 15:46 ghost town movie theater:) good fun, good fun:) 17:15 they can use a black classic films station,Buck and the preacher, paris blues , the longships some gems for me 19:10 regina jackson is her name 21:41 I saw that show advertised 24:00 great point, make family trees for now:) you call him skip gates too, yes i saw the levar burton , kunta got white in him yall, black DOSers, people like lupita nyonga can go far, not just school, in many black homes black adults preached lincoln love to black children

topics The forty-fourth of the Cento series. A cento is a poem made by an author from the lines of another author's work. The Precipice- stageplay, art, tutorial Center for Black Literature at Medgar Evers college Highlights, day 1 +2 Sign on a signpost dates : happy belated march equinox , happy belated st patrick's IF YOU MADE IT THIS FAR -> Movies that move we reviews: Rustin, American Fiction, Color Purple; If you could have a pet--and you had time to give it all the love and care it needs, had the space, and had the necessary funds--what would your dream pet be? ; Are you a Dune Fan? ; What grammar or punctuation rules do you struggle with? ; Questions of Supermen? ; Thoughts to the New Shadow that never was ; Black Poetry you are feeling now URL https://rmnewsletter.over-blog.com/2023/09/03/24/2024-rmnewsletter.html

MY THOUGHTS 0:10 Jill scott's character in this film is well known, I have only seen two tyler perry films. One is with a black woman who is with a wife beater, and the other is with a black woman who is using a black man's marriage as a cover for her mistresshood to a white man . But it seems he likes to have an abused black woman by a black man. reminds me of "for colored girls" 3:30 I don't think Zenobia shared why the relationship between jill scott's character and said character's husband bother's her so much. It is clearly negative but she wanted to say more i think 4:15 Nike, you found the relationship with the michael j white character side wife funny? 10:00 Zenobia, I don't exist in the circles where tyler perry films ar ebeing talked about alot, thanks for mentioning. 12:05 why have the tyler perry films become more debated now in the espace circles, in either of your opinions? 13:11 why did you show his image, the character that jill scott's character romances with? is he a hero or something?:) 14:49 do both movies explain why the guy who married jill scott 's character marry her in the first place? I don't comprehend based on what you guys said, why he married her, did she have the body of tyra banks or sade or kerry washington when they married? 21:17 red tomato:) rotten tomato:) Nike your hilarious, Zenobia, was the second film spinned off unrealistic? 23:36 Is the formulaic way of Perry why his alex cross failed so much? 28:10 all artist display their rearing or the reaction to their rearing in their work. it is inevitable. 30:32 Tyler Perry like SPike LEe like Robert Townsend, like the Wayans, like others before , all comprehend the industry and all have influenced it, But each have their own perspective based on their tribe in the village so to speak. the problem isn't that the black experience in the usa is complex, all black people or white people know this. but the black experience in media rarely reflects how complex it is. So black people who don't share another's experience call their ersion a falsehood or leser view, when it is merely a view from a different part of the black community. 33:35 yes in europe theater was a place for only male thespians, in japanese kubuki as well, 35:57 tyler perry comprehended that many of the older black thespians have followings in the black community or the white community of a certain age and supporting them provides a certain audience, especially of financially affluent blacks 37:37 great job covering all three films. Enjoy the Winter season! THE NEW COLOR PURPLE Usually when people talk about films they go into a what do they think . I will ask more blunt questions. After viewing the trailer for the new color purple, and after seeing the review of why did i get married from movies that move we... 1) Discarding who produced the film, Would you finance the 2023 color purple film as it is? 2) Discarding who produced the film, would you finance why did I get married/why did i get married 2? Both of my answers to said questions is no. If I owned a studio and I had to give money to make the 2023 color purple or tyler perry's why did i get married produced, I would say no to both. Now comprehend, I gamble the 2023 color purple film will like its predecessor make a ton of money. The original color purple film had a budget of fifteen million and make ninety eight million so black film goers loved the film and I expect them to love the musical with its cast. As for Why did I get married, the first movie i did not find the budget but it made fifty five million. While why did i get married too had a budget of twenty million and made sixty million. Now knowing the financial history, I ask if you owned a movie studio and were needed for the films 1) Discarding the financial profitability of the color purple films plus assuming you knew the profitability, Would you finance the 2023 color purple film as it is? 2) Discarding the financial profitability of the why did i get marrieds plus assuming you knew the profitability, would you finance why did I get married/why did i get married 2? Both of my answers to said questions is no. If I owned a studio and even if I knew these movies will be financially profitable and was needed to get these movies made, I still will not produce them. why this line of thinking? In discussing the preacher's wife I realized something is lacking in discourse in the arts. The owner. Too often people talk about liking a film in the mindset of the customer controls. but the customer doesn't control. The owner controls. No film studio produces all sorts of films, stories. That isn't wrong, that merely shows acceptable bias based on ownership taste. So in the same context, I feel for now the question is not whether I like a film but whether I will put money to a film if I was needed for it to be made. Answering that question reveals the truth about the customer more than the customer question which is foolhardy cause customers have varying tastes and if enough customers like a movie/theater production/book or some art, it will be financially a success, regardless to those that don't like it. MY REASONS... in a nutshell My top five movies answer explains my reasoning well but I will be explicit. The color purple is not the kind of story I want to see based on the time period. The why did I get married's black marital situations I don't want to finance. TOP FIVE MOVIES I WILL PRODUCE https://aalbc.com/tc/topic/10653-the-upside-from-movies-that-move-we/?do=findComment&comment=64110 some more film discussion https://aalbc.com/tc/topic/10681-the-preachers-wife-review-from-movies-that-move-we/

MORE MOVIES THAT MOVE WE ON AALBC https://aalbc.com/tc/search/?&q="movies that move we"&type=core_statuses_status&quick=1&search_and_or=or&sortby=relevancy

on facebook https://www.facebook.com/groups/162792258578547/permalink/717314409792993/?mibextid=oMANbw

3:06 i think more reality t.v. cause from my experience the money to make movies demands you talk to people who have money willing to lose, and said people want more surety. 5:53 independent films allow for the artistic acceptance even if it is financially against audience tastes. 7:52 the ability to gain experience in the arts differs on discipline. a painter can make a painting but a film maker needs to make and show a film which is more expensive. In conclusion that is the issue with projec greenlight, the process after a film is made matters

MY THOUGHTS AS I LISTENED 1:17 the third black disney princess 1:22 Hans Christian Anderson version was so different than this. 2:17 mmessages to children and adults, remember christianity was originally taught through moral tales, not the bible, cause most couldn't read 3:45 good memory research, I never knew Queen latifah played ursula 4:17 why did you like Melissa mccarthy's ursula 4:41 based on inflation , the animated made more 4:58 school time: Cinderella with brandy side whitney : noni rose as tiani in princess and frog; princess of wakanda in the Black Panther series; Halley Bailey as Ariel is fourth 6:26 yeah, the creature in the film lady in the water is more like what anderson or europan historical fiction described mermaids are 8:23 that's right Merida, I will fight for my own hand! 9:05 a lot of urban usa, most of rural usa isn't mixed 9:28 I can see the despisal of the female characters whose only goal is to get a man being slowly murdered off inpsires you:) 10:50 your nice to disney, Disney over the last thirty years, is trying to make more money by placating the modern audience which has non white males with money. Disney would go bak to fantasia's black centaurs if the dollars went that way 11:49 Great point, philosophically having the casting untied to how characters are described is supposed to lead all in the audience to be aracial but it doesn't really work out that way 13:01 and they probably felt they wanted sebastian to be less "caribbean" 14:17 I remember telling people, this movie will make a ton of money. Disney knows how to make money. They comprehend how to be effective commercialist using art, I don't see them as culturally caring as many suggest but... 15:32 meow!:) leo season, have fun IN AMENDMENT Again, I was very fortunate as a black child, not merely to be raised by two black parents of the opposite gender, but also cause both of my parents were knowledgeable of and exposed me to the cultures of the many black tribes in the black village. The one biggest problem, many communities have is their miscomprehension to their internal variance. It isn't that humans in any community don't comprehend the internal variance exist. But I find most people growing up tend to be raised by parents or guardians who criminalize, a negative bias, to be honest, those in their community by one racial standard who don't share something about them on another racial standard. I am of the same phenotypical race as clarence thomas. But we are not of the same philosophical race. But what is the point? The point I don't mind Clarence Thomas being of a different tribe in the village than me. Most black people do. That is the problem. Can you accept that other black tribes to thrive will hinder your own tribe? But what does this have to do with the little mermaid. Two things, each tribe in the black village in the usa has its own heritage<what is carried> or culture < what is grown> , that has similarities, but also variances to the other tribes in the village. Part of that heritage is its fantasy or mythology. Some tribes in the black village embrace white fantasy brewed of the usa, like huckleberry finn or disney products as their own. Some don't. I don't see disney products as black, but that doesn't mean I think all other black people do or most importantly, all other black people should. The problem is, again, too many black people think other black people should be changed. That is the simple truth in the black community. The second is, whenever Black people are present in media, no matter who is financing it, black people have to ask themselves the simple question. Does this represent us? And there lies a huge problem for the black village in the usa, cause the black village in the usa has so many tribes with unjoinable cultures or heritages that dysfunctional argument is all that can come from Black discourse on our identity in media. IT doesn't anyone is wrong or right in the discourse, but the tribes have differences that can not be bridged. And no tribe is strong enough to sway the others, unlike to be fair, the white village in the usa, who has tribes strong enough to move the entire village even if many tribes don't want it . ala the civil rights act. You can see this with the global Chinese community and the commonly called mainland. And this is where Disney's the little mermaid comes front and center. A village that has no central identity, because it doesn't have a dominant tribe in itself, can't make clear delineations to what is acceptable or not, which some tribes in the black village in the usa want as well. But, this means black discourse becomes an automatic negative whenever identity comes into play. So, a white film depicting a black mermaid based on a tale from a white european man to the modern global ticketbuyer who ars a hyper multiracial blend creates... an autonegative discourse in the black community, where no one is wrong, or right, but concurrence of thought between the members of the village is nearly dead. And this discussion by @Pioneer1 in this forum is a prime example White People Who Can Pass For Black, Brown, and Yellow. - Culture, Race & Economy - African American Literature Book Club (aalbc.com) The commentors are literally repeating their points because how one views race doesn't have a bridge to another when it simple doesn't. It becomes either someone just gives in and says they change their position or they say nothing. But everything else is repetition unless a deeper issue is discussed. The deeper issue is black identity in the usa, but as i said, the only way discourse can come to an all agree is if all have the same position. But which black tribe's position will be used? Again, Frederick Douglass was booed by a crowd of all black people speaking his composite nation speech. Douglass is a man that most blacks of wealth, the black one percent, in the modern usa tout as a hero, what does it say that most blacks booed him at the end of his days and most blacks in modernity, the black ninety nine percent, boo the blacks of wealth today? The cohesion in history comes from the same problem. A position on blacks relationship to the usa isn't accepted between the tribes so you get argument and no actions. @Pioneer1 also asked the following Help A Brother Out......My Thinking Patterns and Perspectives of the World - Culture, Race & Economy - African American Literature Book Club (aalbc.com) But it is another prime example of different tribes. The reality is, every black home should had taught what should had been common knowledge. That the black community, a phenotypical race, in the usa began its existence in the usa unlike the whites, with a lack of cohesion that has never gone away. It is that simple. When black militants say: my forebears wanted to kill whites, they are correct, but not all black forebears in the usa wanted to do that or did do that.. When black voters say: my forebears fought to get the vote side whites as equals, they are correct, but not all black forebears in the usa wanted to do that or did do that. So you get people in the Black community as adults wondering why the Black community has such negative discourse, why blacks don't do like they do, when the answer should had been told to them by their parents who knew. And , just in case you may think this is an isolated issue in the black community in the usa, it isn't. I argue it is the usa's great problem. The entire issue with the entertainment industry is the culture of slavery in fiscal capitalism in the usa, which is purer to the usa than unions or individual rights or anything else. Hollywood KAput The only thing that survived the english colonial form of the usa into its independent self from the british empire to modernity is slavery. Yes, slavery still exist in the penal system in the usa today. And yet, while all in the usa know this, the lack of this truth in the homes of people growing up, which all adults know, leads to people's shock that the fiscally wealthy desire or manage fiscal capitalsm in the usa to always be a slavery based way. From Ronald Reagan cutting government programs to give money to the rich , like the taking of native american land to grow plantations. From failed banks being given a welfare check by Bush jr + Obama like when the southern agrarian economy couldn't return to its former profitable self in reconstruction and the government embraced jim crow to get black people into the southern prison systems to revitalize the southern agrarian economy, which happened to gilded wealth accumulation. From the automotive or entertainment industries failures while being supported by the usa government reflects how the enslavers who lost everything were given it all back by the usa government , through the usa's power curtaling the essence of fiscal capitalistic that the usa advertises. But the key is all in the usa know this, but few say it. And some want slavery in a stronger form to make a comeback , ala the robot. The point being the usa's 300 million make up a village with a quite large number of tribes who don't fit together, heritage-wise or culturally or philosophically, but raise their children and suggest in themselves that a unity exist or will exist which of course is a simple lie, but which creates the discourse battles leading to no where. Finally, and away from things, thanks to @harry brown for announcing the anniversary of AALBC. I still have goals I want to see in this ecommunity and hopefully they will happen.

1:02 Thank you for saying the truth. I wonder what your thoughts are to non documentarian biopics influencing how people view identities in history? 1:53 The movie was written by Stefani Robinson < https://www.hollywoodreporter.com/news/general-news/atlanta-writer-stefani-robinson-talks-female-creator-label-1130971/ > I Quote her "Being a woman is not in the forefront of my mind every second of every day. I am a woman, I live as a woman, and my perspective is most definitely female, but there’s this implication that for me (or women) to create a piece of work ?or put myself into the shoes of others, I have to somehow filter it ?through this resolute female mental block. It’s a contradiction, because I’m proud to be a woman and want females to be celebrated. But on the other hand, the focus on that sometimes feels a little condescending and demeaning." The problem with all artists who suggest araciality is they forget no artist has the ability to create absent bias. Bias isn't always negative. In Chevalier, her desire to show this competitive mulatto artist in France is from her own view, but the film could had went another way that may have achieved greater reception. I quote her again "Representation absolutely matters. The fact that I didn’t have many female TV writers to look up to when I was young is a big reason why I felt compelled to pursue ?my career. But I reject the idea that you can only tell a story if you’ve lived it. How clinical and boring. Artists should have the freedom to explore anything that moves. But this also demands that everyone is allowed a seat at the table.?" The problem with many of my fellow artists is they confuse labels with restrictions. And they confuse the ability to tell a story with the ability to tell a story with a perspective that will reach out to all. I am black, male, hetero, anglo <the language i primarily speak is english>. Does this mean I can't write a story inspired by don quixote? of course not. Am I from spain? no. Do I speak spanish? no. But I can still write a story about don quixote. BUT, if I am free to wrtie what I want will my culture emit through my telling of don quixote? yes. And of course, what will the commercial quality of my work be? well, that is a complicated question but at the end of the day, do those who are interested in my work or variants of don quixote have a large enough quantity and, will my work be able to attract those who are not interested in my work or don quixote? I have been writing my entire life, I have no bounds, but just because I can create whatever I want doesn't mean commercially it is viable? And based on what she has written in the past, has she shown viability in the genre of biopics? And to the movie, after chevalier, would you pay for her to write another? This is the key between all artists creativity side commerciality. Edgar Allen Poe, a white man , died poor, and not financially grand. Mark Twain wasted fortunes made from books with various ventures, but earned a lot of money. But today, many more know more references of Poe over Twain. Does it make either artist bad creatively? no. Does it mean either artists has different qualities commercially ? yes Opportunity to make profit is rare for all artists but when given an opportunity if you fail to make money, you fail. And even if statistics are skewed or augmented to emphasize failures unfairly, it is up to the artists to keep creating. I paraphrase <I am typing one go , no checking> the preface of the play , The Escape by William Wells Brown "This play was written for my own amusement , and not with the remotest thought that it would ever be seen by the public eye. I read it privately, however to a circle of my friends, and through them was invited to read it to a Literary Society . Since then, the drama has been given in various parts of the country. By the earnest solicitation of some in whose judgement I have the greatest confidence, I now present it in a printed form to the public. As I never aspired to be a dramatist, I ask no favor for it, and have little or not solicitude for its fate. If it is not readable, no word of mine can make it so; if it is, to ask favor for it would be needless" And I paraphrase, same as before WEB Dubois, who isn't my favorite writer , but is true sometimes. "The Negro today fears any attempt of the artist to paint Negroes. He is not satisfied unless everything is perfect and proper and beautiful and joyful and hopeful. He is afraid to be painted as he is, lest his human foibles and shortcomings be seized by his enemies for the purposes of the ancient and hateful propoganda" My two points using the two paraphrases above < and I apologize for all this preaching, my own preaching does sicken me> is first, to emphasize an eternal truth, whether in the late 1800s or on MArs circa 2672, Black artists, like all other artists in humanity, are totally free to create whatever we want, but that doesn't mean we warrant or must be given opportunity to profit from it; and , second, that Black DOS artist, like all other artists in humanity, need to feel no shame in admitting thier culture , including all of its unique ways, like being the only people forced to immigrate to the american continent and enslaved in it. 3:33 That is a great artistic question from Nike. In films concerning characters in history, the film industry has common aspects. For example, anytime a white jewish character is in film at the time period commonly called world war II, significant time is always, always given to concentration camp life for jews,always. I have personally witnessed in many writing groups, black writers desire an end to the mentioning of enslavement to whites in the usa or the european colonies that preceded it. And I comprehend the source of this artistic movement. Black DOSers have a problem. We are the only group that was forced to immigrate and exist enslaved in the usa, the only one, so no oher group in the usa has our fiscal /governmental/cultural path in the usa, no other group. In the arts this is played out whenever slavery is displayed. So to be apart of the usa en large, if black people simply dismiss our enslavement in the arts, we are internally moving from it to join the other groups in the usa. Enslavement to whites will always be a historical fact, but the arts have the ability to create perceptions to the past, ala Bastille day in france or the october revolution in russia are prime examples. The french republic didn't start at bastille day , but those in power in france wanted to create a living myth that the french republic was started at the time marie antoinnette lost her head. But it isn't true, monarchism thrived long after the bastille was stormed ala Napolean and his descendents. And same to Russia, the February revolution is where the Czar really lost it, and he chose to step down willingly, the legislative body of russia , like in most governments with a highly multiracial populace was unable to finda center where non exist, which is perfectly human, and thus led to more chaos later that year in october. But, this is the power of modern myths, designed to make more complicated stories simple. It is easier to say, France rid itself of monarchy with the chopping of marie antoinette's head, it is easier to say the russian monarchy was blindsided by the power of the peasants, it is easier to say the usa is the land of the free and the home of the brave merely with the signing of a declaration of independence. Bullshit. 3:47 Joseph Bologne was lucky. The reality is, many Black artist like to use rare black examples and tout that as the story to emphasize in a time. Were all black people ensalved to whites in the european colonies that became the UA? no , but does that mean the story of land owning blacks needs to be emphasized over the over ninety percent of black people completely enslaved to whites? I say no. Robinson chose to do what I heard in black writing circles many black writers suggest, I quote :"why do we have to talk about slavery all the time". The majority in any community dictates most of their narrative, the black community in the usa his an anaomaly in that the minority in the black community in the usa tedns to try to dictate the larger narrative. Ala the talk about human equality , fighting for freedom, being statian <allegiance to the usa> , and many philosophies stem from the black minority in the black community in the usa, in opposition to the black majority in the usa which is historically or modernly, anti white, anti usa, pro segregation, yes seperate while equal. Note: Remember, the plantation is a form of integration. 6:10 yes, mullato is little mule. The Casta is something started by spain and this is where the terms, mestizo/mullatto/alvino/quadroon/octoroon come from. The problem with Casta is that it is a natural insulting system. Think of the Caste system in india. People like the Dalit are deemed less than by others in the more potent castes. It is an automatic insult. Saying Mulatto wasn't like saying Nigger. It is more like when someone is called black in the usa and they say, why do you have to call me black. It goes back to the writer and that philosophy or human equality. Don't call someone by a label, call someone by how they want to be referred to. So not the black dancer who made thriller but michael jackson who made thriller. The problem is not everyone is insulted when called mulatto. In South America, the simon bolivar side others were proud mestizoes, which is word kin to mulatto. For the record: mestizo is white parent side native american <regardless of native american phenotype> , Mulatto is white side black <regardless of geographic lineage, so native american or african or asian>, albino or quadroon is someone with morisco and white european <morisco parents are white and mulatto, mullatos paretns are white european and black> , octoroon is from a quadroon with another white european parent. Someone like rebecca hall, director of the film passing basedon the book by nella larson falls somewhere in that range of octorron and quadroon. ala https://en.wikipedia.org/wiki/File:Castas_07tornatras_max.jpg Is Casta or terms from it like Mulatto based on genetics , no. It is science, or knowledge, but it is based on lineage. And why does lineage matter historically? law plus inheritance. This is why the descendent of Gannibal <a statue of him is in russia today>, Alexander Pushkin <russians know this writer in russian literary circles> own descedents are all white. Gannibal < https://upload.wikimedia.org/wikipedia/commons/f/f3/Петровское._Бюст_А.П._Ганнибала.jpg > Ossip Abramovich Gannibal Nadezhda Ossipovna Gannibal < https://upload.wikimedia.org/wikipedia/commons/2/2b/N.O.Puskina.jpg > Alexander Pushkin < https://upload.wikimedia.org/wikipedia/commons/5/56/Kiprensky_Pushkin.jpg > Natalia Alexandrovna Pushkina < https://upload.wikimedia.org/wikipedia/commons/e/e7/Pushkinana.jpg > Sofia Merenburg < https://en.wikipedia.org/wiki/Countess_Sophie_of_Merenberg#/media/File:Countess_Sophie_of_Merenberg,_Countess_de_Torby_(LOC_ggbain.00604).jpg > from Sofia Anastasia de Torby < https://upload.wikimedia.org/wikipedia/commons/2/26/De_Torby_Anastasiya_Mikhailovna.jpg > Nadejda de Torby < https://upload.wikimedia.org/wikipedia/commons/a/a6/Nadejda_Mountbatten%2C_Marchioness_of_Milford_Haven_(LOC_ggbain.16855).jpg > You may scoff at my going through this but do the research on their lives and you will notice their background had influence on their rank or inheritance. It is that simple. What is the problem? In modernity in the USa, the aracial philosophy that many aspire to, suggest that any system that disallows individuals is by default an extremely negative system. The Casta/Lineages determining inheritances all are against individual rights, which is what the writer by her own words above champions and it appears in her screenplay. But it is misplaced in the context of France during Joseph Bologne's time. Said France isn't the USA 2023. White people in France duing said time did not freely intermarry with each other. The caste/rank/lineage mattered to those with money, rightyl or wrongly, so to suggest a modern sentiment is a falsehood historically. But, is artistically acceptable. But notice it is both and how that relates commercially. This movie didn't shake up the world. 7:43 yes, European countries in the 1700s , 1800s , had very small black populaces, so small the term negligible can be applied. And in Europe, the peasant, the descendant of the White statian was the lowest class. And to be blunt, while blacks could never be considered royals in europe at that time, i argue, from Gannibal to Thomas Alexandre, while they were never regals in europe, to suggest they lived liked white peasants in europe is a lie. And I argue, that modern Black people living in white countries: usa or in western europe, falsely attribute to them an equality goal when I think they merely did what all did in the regale system of europe which is social climb. 99% knew they will never be the crowned but the goal of all was to reach for it. And the playground in between the regale and the no name peasant is where the action was. 8:50 yes that was a funny modernity. BUt I will say this, if that conversation did happen, I would had loved to hear that back in the day. Pourquoi n'epouser pas un Africain ? 10:30 exactly or white peasants. 10:46 yes, the white father in marie antoinette's time gave the black father after ronald reagan in the usa time speech, very tropy:) of Robinson, I wish I knew if that was true. 12:46 To be fair, Europe had a long history of art destroying, ala bonfires, through religious movements or wars and the period commonly called the french revolution <remember bastille day is a lie> was chaotic to no end. 14:46 yes at the end of the day I see in chevalier, Robinson as a fellow artist who by her own admission is contained in a multiracial while unfair media environment <hollywood> or country <usa> stating how the strategy of non violent artistically endeavored growth is a tradition for black people in white countries and the friction that provides said black folk with their phenotypical peers <like his mother who questions his intents or desires> or the white people with whom he wants to be embrace <marie antoinette's court>. Now none of his life is easily confirmed. But, from what I comprehend from a distance, the real guimard, whom he spurned, had influence over the court and undermined him in getting the opera position. While, the real Marie Josephine was abandonned by her husband in real life. I wonder why Robinson chose the style of interpreting them. For someone so interested in universalism, why not admit the woman Chevalier snubbed, Guimard, the daughter of an out of wedlock relationship some call love child, was bitter and worked against him. Robinson makes her more of an after thought when I think a great lesson in their relationship of two people born into low classes where he rejects and in her bitterness as any woman may have, used her influence to go against him a little. While the woman he supposedly wanted, married to an Soldier engineer but a man whose financial fortunes went up and down, had a baby whose destiny is unknown. Robinson choses to caricature Marc Rene into a Simon Legree light. I could be totally wrong on the history of Bologne but if what I know from gossip is true, I think how she constructed the relationship between the Chevalier side Guimaud/Marie Josephine/MArie Antoinette is her free artistic choice but doesn't align to her publicized viewpoints. I do think the mugging of him side his friend which is actually on record, though the source is uncertain, would had been a great tool to the power of universalism. Bologne fenced more and had, to be blunt, more complicated affairs than Robinson lets on and denies Bologne's life, even in a fictional nondocumentarian interpretation, the seat at the table or the absence of a filter she says she warrants or can provide as an artist in her modern workplace.

From Movies That Move We Richard Murray's Corner Episode 1 The Blood of Jesus TRANSCRIPT 00:00:00 Good Morning, Good Afternoon, Good Evening, wherever you are listening. I am Richard Murray and this is the first episode in the series in Movies That Move We, I call Richard Murray's Corner. The goal of this series is to provide a talk on the oldest Black Cinema, cinema defined as film. I define , I define, you may concur or not, Black Cinema as films that have a majority of Black control or involvement in all aspects of creation. So , in this series, when I say Black Cinema I do not include things like video recordings of Porgy and Bess, a white written story. Or a film like the WIZ whose script was written by schumacher , based on a play whose stage script was written by William Brown , another white person, while both stage or film were primarily financed by twentieth century fox. And for the record I support the WIZ stageplay or film. The point is not to criminalize or oppose multiracial collaborations in film, but to focus on all or nearly all Black collaborations in film in the past. I have learned in my experience that White produced art involving Black people is usually different than Black produced art involving Black people. I use "Shuffle Along" in opposition to "Porgy and Bess". Here is the talk to the film, the WIZ ,on Movies That Move We < https://www.facebook.com/687782856/videos/10158170810782857/ > I end with, this irregular timed series will focus on said Black Cinema. Old as possible and as much Black involvement as possible. ... I begin, not with an Oscar Micheaux film but with a work entitled the "Blood Of Jesus" ; Written/Directed/Co Produced by Spencer Williams, the other producer was a white jew named Alfred N Sack who owned theaters and had distribution deals. Remember, all films outside of private made autodocumentarian films involving one subject made by produced or crafted by the same person are collaborative art projects, always. You need other people to work on the film or produce it / to get to theaters/ or to handle distribution , for ninety nine percent of films in all humanity, all the woods together, sequentially why you need so much money on average. Well, Now I will present the introduction to the film , The Blood Of Jesus . 00:02:55 Video segment 01 00:04:10 Ok, This movie I chose for various reasons, artistically. The theme of the presence of the Black Christian Community, which at one time was nearly synonomous to the entire Black community in the USA, in films involving Black people is clearly shown here. When you think about shows like Power from Fifty Cent or Sanford and Son or films like The Five Heartbeats or the Blues Brothers the film heritage of mentioning the Black Christian Community in the USA when a Black character is present is embedded in Black Cinema itself. It isn't a caraciture by White artist applied to Black people. If anything a telling thing is how lesser the quantity of Black Christian references are in modern film involving Black people. Alright, onto the next segment 00:05:01 Video segment 02 00:06:59 The link to the film in completion is at the bottom of the transcript, if you want to know why the Black man was running. All I will say is, jesting at the Black Christian culture isn't untold or unheard of in Black Cinema. So,whenever someone Black tells you what shouldn't be done, please refer to this film. Now, another thing, the showing of the shoulder, by Cathryn Caviness playing Sister Martha Ann Jackson, was deemed in 1941 risque. Yes in modern, 2023 , standards this is nothing. But, in 1941 for a woman to show shoulders was deemed by some indecent, or others tawdry. Alright, onto the next segment 00:07:44 Video segment 03 00:08:45 Yes, Juanita Riley playing Sister Jenkins knows Ras is lying. But what is most interesting is how muted the Black women treat the Black man who is a criminal. In the 2007 film Pride, the character played by Kimberly Elise reacts so vibrantly when she discovers the character portrayed by Terrence Howard was in an altercation with law enforcement and went to prison. Yes, Ras has stolen. He can't even keep the species of creature he killed the same in his storytelling. But the Black women don't act like the world has fallen, which is a very modern movie trope involving Black characters in cinema. Either we are not breaking the law to live better and overreact at the sight of the law being breaking or we are breaking the law to live better and we are unconcerned with anything... am I my brother's keeper. right? What movie is that from? Hint , Black Director, aided in financing by Clint Eastwood. Alright onto the next segment 00:09:52 Video segment 04 00:11:16 Remember in First Sunday when Tracy Morgan said, Jesus is looking at me. I couldn't resist. But love the honesty in the action. An old gun, not upkept well cause folk don't have even anything to eat can trigger like that. A pure accident but warranted. Alright , onto the next segment 00:11:54 Video segment 05 00:12:30 I have seen Christian Heaven depicted in many films, and I can not recall one that had spirits walking up to the gates of heaven from earth. If you pay attention, the spirits are not flying, they are walking... on the clouds, to the gates of christian heaven. I can not verify but this scene was supposedly made from scenes from the 1911 italian film L'iInferno. I watched the italian film, it was very augmented to create this scene. < https://en.wikipedia.org/wiki/L'Inferno > To the scene construction, don't take it negatively, if you are Black. I think the message is interesting. The message is, even if our spirits when dead do not have wings, we can walk on clouds to get to heaven, and that is alright. I think it is a message about what the afterlife means to many Black people then. The afterlife isn't a place of getting what you never had. The afterlife is a place of being free from enslavement, from restriction, from disability through human involvement. In parallel, the film L'inferno is about punishment. Alright, onto the next segment 00:13:49 Video segment 06 00:15:11 The acting by Cathryn Caviness slowly dying at peace is well done,take a look at the full film. But I hope you enjoyed the special effects. The angel is played by Rogenia Goldthwaite, thus she has wings. So, it wasn't that Black Angels didn't have wings, but when Black people go to christian heaven, it is interpreted differently. Alright onto the next segment 00:15:40 Video segment 07 00:17:23 I know the film is old but I will love if anyone can comprehend for sure the highway of light or life. It looks like a video of an urban city at night. I love how the angel left no nonsense. It is all up to you. Simple instructions. Right is good, Left is bad. Poor Judas. That name has been criminalized. Satan clearly. Judas Green, knowing both my parents mothers, he would had been in trouble the second he said that to them so they clearly evaded his machinations. Doesn't the angel sound like Phyliccia Rashad when she interviews people. Alright onto the next segment 00:18:07 Video segment 08 00:21:09 The funny thing about the bar scene, before this segment, outside the nice three individual acts: tap dance/acrobat/singing is not one criminal act is present. It is just Black people hanging out in a bar. Even Sister Jackson, who has been persuaded by Judas Green to join the character, Gambler, is wearing a cross. The second spot where the segment comes from, which is alluded to as farther down, is just that a spot. The heater in the center of the dance floor suggest this is almost a converted shack, not an a urban nightclub. Love the dancing. Notice no necklace with a cross on Sister Green now. On a musical note, it is clear Jazz side Blues were equally deemed temptation music unlike like Gospel in the black community. I think one of the unique cultural elements is how the road to temptation isn't an extremely cruel path. At the end of the day, she is in a spot where women get money to dance and give a little nooky to men. The funny thing is all of these people are spirits. Alright onto the next segment 00:22:44 Video segment 09 00:27:17 Interesting perspective how on the crossroads, you have spirits like the gambler, happily engaging in acts of theft and lying. The female thief spirit, just successfully suckered the male spirits. Again, if you think of High John the Conqueror or the Devil's Daughter, I argue, Black people, had created a secular mythology which treated tricking and the ability of devils to do good or be content , less sinful and more a part of life or acceptable. Against the religious fervor of Black Christianity. Alright onto the next segment 00:28:00 Video segment 10 00:30:09 Very much an interesting painting, the black woman lying at the base of the cross slightly on the right side. Look at the size of those stones used. Let he who is without sin cast the first boulder. We do not see hell in this film or heaven, it can argue purgatory is seen. Which meansthe spirits in the middle are in a limbo. Alright onto the next segment 00:31:01 Video segment 11 00:34:06 The Blood of Jesus has the ability to return someone from the crossroads of the spirit world, after proclaimed dead in the living world, but before a soul makes a choice at the crossroads. Like the film Body and Soul < https://archive.org/details/body-and-soul_202107 > , the first film for Paul Robeson, an Oscar Mischeux film, the theme of Black Women traversing between worlds is common. An interesting note, the body wasn't removed immediately after the sheet was put over the head. Which makes sense, people didn't move the proclaimed deceased immediately to the ground or the fire. Blood Of Jesus, free to view in completion < https://archive.org/details/blood_of_jesus > Happy Juneteenth 2023 A free screenplay for you to enjoy https://www.kobo.com/us/en/ebook/the-nyotenda If you are interested in a collection of Black fables https://www.kobo.com/us/en/ebook/sunset-children-stories #moviesthatmovewe #richardmurrayscorner #juneteenth #bloodofjesus #film #screenplay

Put a song of hers in the comments this one inspired a story

MY THOUGHTS 0:20 Zenobia your shirt 4:44 People forget that in the 1970s in the north east, some schools had the last of governmentally funded activities. 7:27 And the USA has continually asked Cuba to let them take Assata Shakur from in Cuba. And Assata Shakur still has a warrant for her. 8:29 yes, Billy Holiday 10:18 Tupac is a real life example of a child growing up in an environment like :Night Catches Us Black kids growing up in Black Panther homes in Black communities in the 1970s is a huge dichotomy. The Black Panthers had great successes but were hammered all the time by white organizations , governmentally or private. In the 1970s at their first phases end, the black community in the majority is being abused and attacked , from drugs being put in black communities bu law enforcement agencies which are proxies for white communal wealth. All this creates a complex environment. 16:12 nice musical point on the changes of Tupac's music 18:37 frustration not anger 20:45 stress created the bald headedness, yes , artist knows 23:36 Tupac/Biggie many black entertainers have complex lives. 25:15 Did they ever find out who killed Tupac? 27:13 Selena was pregnant, I didn't know that. 28:25 Interesting that Tupac's family did trust someone who had a relatively negative relationship or distant relationship with Tupac. 30:39 Nike, I thought about what you said about the Aretha Franklin biopic.

2:30 it's funny how being a single parent like any adult comes in all forms. Zenobia, the question is do you think using an uncommon form of single parenting is unwarranted or just not your artistic cup of tea? 4:34 Claudine is old enough to be before women had the 2023 levels of freedom from male domination , yes I am a man. But Nike, women globally are still commonly in Claudine's situation. It's funny how in the usa, the rules in the usa are nonchalantly applied to the global humanity, when you said something similar too, this was when women couldn't have a bank account. 7:20 The question is, did the kids too easily or quickly accept James Earl Jones new parental figure? Nike or Zenobia. 10:30 haha! Too many Black women have heard a black man or black men say publicly, or in the black man cave, women are too much:) in the usa. 13:52 did the story before the movie, when Claudine met the new interest, did she trick him or not tell him about the kids? 23:22 great scenes, with the young daughter and James Earl Jones shock at what he is getting into. 30:35 Good question Zenobia, did the characterizations in Claudine give examples to how certain negative behaviors develop from child to adult. 32:14 yes, Pauline wasn't in the category of "Whitey Bad" films. The funny thing about Shaft and Foxy Brown is how they were written by whites. Foxy Brown was written by Jack Hill. Shaft was written by Ernest Tidyman. As a writer my biggest issue with many films in the 1970s that had nearly all black cast or definitely all black major cast, are the writers of the stories are white , sequentially, the viewpoints or narratives are from whites interpreting black people, or referring to their black connections. 36:02 Great point, Sweetback plus other films in the 1970s involving black musicians or actors, is why in the late 1970s <star wars> + 80s <back to the future , die hard, et cetera> films with mostly white thespians put such a huge emphasis on soundtracks, that is one of the elements that the 1970s films in the USA with majority black thespians brought into the complete USA film industry. Closing thoughts: what are my thoughts to welfare or single parenting relevancy. To relevancy, you have to break issues up. First welfare itself + single parenting. Where do I begin. Claudine is in Harlem, a city that is legally a district of a borough in a city. Remember, each district in New York City has more people in it that the average city in the USA. Think on that, cities in the USA with a third the populace of harlem have full representation or powers over their geography while harlem has none. Why does this matter? Welfare is a leg up system, like the projects also a NYC concept spread throughout the USA, that can be easily insufficient but on existence always acceptable or rejectable. To rephrase, people can always say a person shouldn't be on welfare, using the taxpayers money, or they can say it is a public good to aid a person who needs financial assistance, but the quality of assistance the person gets tends to be insufficient, regardless of people's opinion of it. The best example is another film, also based in NYC. The film is Sabrina. Sabrina's father and Roop are similar men. The maids of the lauraughby household are no different than Claudine. But, Roop + Claudine are not getting a wage anywhere near what the workers in the Laraughby household are getting. So Claudine + Roop need welfare, they need assistance to equal what the servants in Sabrina are getting doing the same work. But the government of Harlem , wait it doesn't exist. NYC's government which doesn't cater to the whole city doesn't provide a welfare system or a labor law adequate. As for single parenting, the reality is Black people have been single parents or being raised absent parents in far harder circumstances. I argue that black people in the usa today complain more about other black people in difficult scenarios than warranted. It was worse in the past in the USA. But that leads to the next point. The next point is perception, cause perception in the Black community in the usa is rarely functional. Welfare or single parenting is a prime example. Black individuals who will make speeches, give rants on Black people using welfare or being a single parent, will be silent amidst the presence of a non black person on welfare or being a single parent. Which means what? the problem most black people have isn't welfare or single parenting cause they would rant at non black instances the way they rant at black instances. The problem is , they want zero percent black people on welfare or zero percent black people as a single parent. Many a non black is a single parent in NYC today, many. But you never hear in the news from white asians, white latinos, white muslims avbout their own people still on welfare being lazy, or their own women need to close their legs. And not because it isn't happening, it is because they give their own the freedom to be that way without condemnation. Even though more white people are on welfare in the usa than black people, some black people want black people to have no one on welfare, while white people say that is the governments role to help their own. Even though more single mothers are non black in the usa than black single mothers, some black people want no black woman to be a single parent, while non blacks go on begging sprees for their own single mothers who are doing the same job like Claudine. I will end this part with a little truth that sometimes black people don't include in comprehending how we got here. In the late 1900s a number of movements, like the club women in the usa, supported the idea of black improvement regardless, meaning even though the scenario is unfair or unjust or negative to black people or a black person they are obliged to overcome all of that, regardless. And that culture back then has become today a heritage many black people adhere to. A false one. A government is meant to govern. But a government should not be treated as something to be proud of or a member of absent an ability to be in your favor, and sadly, that concept is what many black leaders accepted in the past. The idea isn't born from stupidity, it is born from a question black people were forced to ask themselves when the war between the states ended. If I am supposed to love this place, the USA, instead of leave it, and how can I love it, when my people or community or self is mistreated yearly, monthly, daily. The answer is simple. You have to love and not leave it, regardless. That is the source of the absolutism in the black community in the usa. Now a heritage that many black people adhere to in the usa, in my view, a dysfunctional heritage but nothing is completely bad. I will speak of its merits another time:) I want to end with one of the most important points in the film. Fiscally poor people don't have easy relationships because they are fiscally poor. And yes, Claudine has six kids, begs for welfare even though she works for a living, Roop is a garbage man who has to pay for kids not Claudine's he isn't as socially connected to and barely has any money to help Claudine with her kids. Yes, and you know what, they do love each other and they can smile and walk down that street in northern Harlem:) with all those kids, still broke but loving. As a note, Claudine was a rare film in the 1970s organized by a black production company. Third world cinema of Ozzie Davis. And that is the point.

My extended thoughts https://aalbc.com/tc/profile/6477-richardmurray/?status=2323&type=status

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your thoughts?

after reading the article, sharon stone said six months ago after receiving an award in nyc that she wants pay equity. she said that black women need to get ay equal to white women and women need to get aid to men. She said it is the law in the usa but isn't adhered to. So, Taraji Henson isn't lying but, I must say, the issue is the community of workers a well as the willingness of people to produce films. I will give an example. The reality is, every single film taraji p henson has made recently, like hidden figures, if she would had said no, for the wage offered, another black female thespian would had said yes. That is the blunt truth. That is how labor works in the usa, ever since the war between the states ended, employers always find laborers who will work for less. And that is allowed as each laborer is free to do the one thing that people underrate, as I have done more times than not, say no. If you feel someone isn't paying you correct or the fiscal terms of the deal are incorrect, simply say no. And, it is also the production of films that has to change. Taraji isn't a no name thespian but does she roduce films? At the end of the day, you have to risk and invest your own. robert redford, clint eastwood risked what they earned as actors and made great careers producing and directing. But they took gambles, like films downhill racer, the outlaw josey whales. I learned of this from Movies That Move We https://www.facebook.com/groups/162792258578547/permalink/738804597643974/?mibextid=oMANbw Taraji P. Henson Breaks Down In Tears As She Confirms She's Considered Quitting Acting The "Color Purple" star became visibly emotional in a recent interview while sharing the reason behind the potential move. Curtis M. Wong By Curtis M. Wong Dec 20, 2023, 07:09 PM EST As she returns to the big screen in one of this year’s most anticipated films, Taraji P. Henson is getting candid about the pay inequity she faces as a Black woman in Hollywood. The actor became visibly emotional in footage that went viral Wednesday following her recent conversation with Gayle King on SiriusXM, alongside fellow “Color Purple” star Danielle Brooks and the film’s director, Blitz Bazawule. When King asked about a report that claimed Henson was considering quitting acting altogether, the Academy Award nominee began tearing up. “I’m just tired of working so hard, being gracious at what I do, being paid a fraction of the cost,” Henson said. “I’m tired of hearing my sisters say the same thing over and over. You get tired.” The actor also pointed out that her profession required her to have a team of people supporting her behind the scenes. “I hear people go, ‘You work a lot.’ I have to. The math ain’t mathing,” she said. “Big bills come with what we do. We don’t do this alone. The fact that we’re up here, there’s a whole entire team behind us. They have to get paid.” Henson endeared herself to a generation of television views as Cookie Lyon on “Empire,” for which she received a Golden Globe. She made her film acting debut in 1998’s “Streetwise,” and nabbed an Oscar nomination for her portrayal of Queenie in “The Curious Case of Benjamin Button,” starring Brad Pitt. In 2016, she starred with Janelle Monáe and Octavia Spencer in the smash film “Hidden Figures,” which received three Oscar nominations. In “The Color Purple,” Henson is part of all-star cast that also includes Fantasia Barrino. Early reviews of the film, a musical adaptation of Alice Walker’s 1982 novel, have called it an “exhilarating, larger-than-life journey” and “a joy to watch.” Yet despite the many accolades she’s received, Henson told King that she’s treated like a novice when it comes to negotiating contracts for film and TV roles. “It seems every time I do something and I break another glass ceiling, when it’s time to renegotiate, I’m at the bottom again, like I never did what I just did,” she said. “And I’m just tired. It wears on you, you know?” Henson has touched on her experiences with pay disparity in a number of previous interviews. In 2019, she told Variety that she’d asked for “half a million” before signing on for “The Curious Case of Benjamin Button,” only to ultimately receive $150,000 for the role. And in an interview published earlier this month, she told The Hollywood Reporter that she’d been “fighting tooth and nail every project” for adequate pay. “Listen, I’ve been doing this for two decades and sometimes I get tired of fighting because I know what I do is bigger than me. I know that the legacy I leave will affect somebody coming up behind me,” she told the outlet, before going on to reference other Black female actors. “My prayer is that I don’t want these Black girls to have the same fights that me and Viola [Davis], Octavia [Spencer], we out here thugging it out.” Among those to express support for Henson this week was her “Think Like a Man” co-star Gabrielle Union. URL https://www.huffpost.com/entry/taraji-p-henson-black-actors-pay-inequality_n_65835ba5e4b03e698a11e8ae This is something S Stone said recently about the pay gap, I tried to find the local news but i failed Sharon Stone Says She Just Turned Down Big-Budget Movie Over Gender Pay Gap, Talks Saudi Arabia’s Emerging Film Market – Red Sea Studio By Diana Lodderhose November 30, 2023 1:00pm The year’s highest-grossing film, Barbie, may have been the first billion-dollar movie directed solely by a woman, but Sharon Stone isn’t confident the gender parity issue has improved vastly in the last few decades. Speaking exclusively at Deadline’s Red Sea Studio in Jeddah, Saudi Arabia, the actress said the gender pay gap was still a huge issue in Hollywood today and she recently felt the brunt of it again last year when she was offered the lead role in a big-budget studio film. “Thirty years ago, when I did Basic Instinct, Michael Douglas made $14 million and I made $500,000,” she said. “Last year, there was a $100 million film being made by a studio and the actor, who was new, was going to be paid something like $8 million or $9 million – someone we don’t really know – and the studio offered me again $500,000 to be the female lead. And I thought, thirty years later this is still happening. So, I don’t think it has changed much. So, I turned it down and the studio head said, ‘Well, good luck to you Sharon.’ And I said, ‘Well, good luck to you.’ And two weeks later he was fired.” Stone is a returning guest at this week’s Red Sea Film Festival in Saudi Arabia this week, after having visited the festival last year for the first time and she said that the KSA “is so intriguing because it’s an emerging country.” “As our country [USA] is sort of divesting itself from being a first world country – now we’re considered a second world country on the global map – it’s really interesting to see as we, as women, lose our rights, here in Saudi women are gaining their rights and it’s so intriguing to watch how this is happening.” She continued, “When I did Basic Instinct, I wanted to direct a film and I got laughed out of the studio. And now you see that two out of the six women that had their films nominated in Cannes, were women that were funded out of Saudi Arabia. And so, people say, ‘Well how could you go to Saudi Arabia and look at all of those injustices in Saudi Arabia?’ And I said, ‘Well, I don’t know – I think it was pretty unjust that I couldn’t direct in America.” When pressed about stepping back into the acting world again, Stone admitted she would “love to do a television series” and hinted that “it’s quite possible that I will do one in the not-too-distant future.” URL https://deadline.com/video/sharon-stone-gender-pay-gap/