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Dear Mama from Movies That Move We
richardmurray posted a topic in Culture, Race & EconomyMY THOUGHTS 0:20 Zenobia your shirt 4:44 People forget that in the 1970s in the north east, some schools had the last of governmentally funded activities. 7:27 And the USA has continually asked Cuba to let them take Assata Shakur from in Cuba. And Assata Shakur still has a warrant for her. 8:29 yes, Billy Holiday 10:18 Tupac is a real life example of a child growing up in an environment like :Night Catches Us Black kids growing up in Black Panther homes in Black communities in the 1970s is a huge dichotomy. The Black Panthers had great successes but were hammered all the time by white organizations , governmentally or private. In the 1970s at their first phases end, the black community in the majority is being abused and attacked , from drugs being put in black communities bu law enforcement agencies which are proxies for white communal wealth. All this creates a complex environment. 16:12 nice musical point on the changes of Tupac's music 18:37 frustration not anger 20:45 stress created the bald headedness, yes , artist knows 23:36 Tupac/Biggie many black entertainers have complex lives. 25:15 Did they ever find out who killed Tupac? 27:13 Selena was pregnant, I didn't know that. 28:25 Interesting that Tupac's family did trust someone who had a relatively negative relationship or distant relationship with Tupac. 30:39 Nike, I thought about what you said about the Aretha Franklin biopic.
Richard Murray Creative Table 3
richardmurray posted a blog entry in Richard Murray HearthMY CREATIVE TABLE Moments In a Day of Mumu : first rohonamo story, Art Summary 2022 , Sudowoodo plushie, Promoting positivity, Valentines day 2023 question and answer, Black history month 2023 q&a, my first stageplay , Messages at the end of a rainbow letter 1 , Joys of one north or somewhere -wabi sabi, , Fun Ninjago, Pubg submission <The Spacescraper>, Death by Example storyboardfilm, Shani and the shadow, phillipe my imaginary spirit animal , Commission Aevemor, I.S.D. Cup ,Faefarm , ? THE BLACK TABLE Benin bronze return , Omeleto+marvn gaye+kindred octavia tried , Shelby and the lesson Black elected officials need to learn, the directors of wakanda forever side kindred the tv show , vanessa guillen-rape in military- metrofocus , minority business development capital readiness grant competition, district judge candice alcaraz, Norwell roberts first black law enforcer of london, Dreadriver whiskey or spirits from Eboni MAjor, Bruce family of california, India and the beginning of post european , Tunisia and the reality of democracy, The Wishing Pool by Tananarive Due, A Black Woman leading in real estate or financial access to health or sickle cell hair care, San francisco and reparations for reconstruction and post reconstruction , Fiyah Magazine Carnival edition 2023, The woman king- movies that move we , Thistle and Verse 2022 review and more, Crooklyn movies that move we, 133 publishing , Odoya Iemanja 2023, Black people attacked by the internal revenue service or the new york police department or white european descent plans , Flickr celebrate black photographers 2023 , saint Bob MArley 2023 birthday ,post birthday 2023 bob marley, Civilian complaint review board to NYPD 2020, minorities in the black community, Star Chasers of Senegal , The woman in the iron coffin + dogs in the wild , al jarreau bday , celebrating black speculative fiction, carnaval 2023 day 3 4 6 , carmen jones on moviesthatmovewe , Miishe Addy jetstream black investment, Courtney wade and the black pages index, Blacklit bookstore of dallas , black millenial debt, Black Girl Ventures Shelly Bell art of the pitch and why you need to own , Creative Soul Photography side Disney make pan black dolls, scholarship opportunity early 2023, TSU Marching Band, grammy winners, south side home movie project february webinar , off time jive by az louise book reveal by chloe of thistle and verse, rihanna on vogue, romance writers advice, Celebrating black joy, afro cuban artist with others , the magic of negro spirituals , coloring pages from gdbee for black history month 2023 , Stephanie Mills interview, chris rock slap response, the truth of tulsa, immigration nonviolence, is slavery over, lance reddick, jasmine marie black girls breathing, al harrington nba player turned financially successful pharmaceutical business owner , black farmers in the usa march 2023, preserving memories s.s.h.m.p. south side home movie project , Till from Movies That Move We, Thistle and Verse 2023 goals, Cleopatra and modern media, The reality of NYC, has the Black DOS choices been worth it for Black DOS in the USA, What style of black leadership is dominant, the Nigerwife, thistle and verse 05212023, Juneteenth uniqueness 2023, Medgar Evers Center for Black Literature Reading List, Juneteenth 2023 uniqueness, ? AALBC TABLE A False Claim , AALBC content after death, biggest mistake writers make , reparations a question from troy, Booker T Washington and self reliance and the failure of the late 1800s black movements in the USA, 31 trillion in debt, the great fornication industry, Tyre Nichols, , 2023Booktag with thistle and verse and reviewing Mindy Kaling's Scooby Doo with Kat Blaque, NYC funding for law enforcement as opposed to community centers, spike lee film rankings, Joyce Williams question to africans about africa , polygamy openpulpit, Bill Russell, valentine's day 2023, how celebrate black history month, madison calley harp- lauryn hill , nina simone- malcolm x- dwayne mcduffie , the value of being followed , is slavery abolished, walter russell III, new cold war , womens history month 2023 , wayne shorter spirit flew, the woman king multilog of 2023, what is luck, silicon valley bank , age of easy money, michelle yeoh, silicon valley bank, tiktok, maternity deaths, londonium, the streaming official, san francisco reparations part 2, s.f. reparations part 3, fuzzy haskins , why did racism change, negative self bias by a black individual, haitian independence all year round from Chevelin pierre , 191st street invitational, Styles black women like and punditry , skettel by moon ferguson, China 2023, jasmine marie of black girls breathing answer questions and salem, vietnam war late truth, talk like a white girl, trump jail, privilege in the usa, ebony mag 1963, leo sullivan, who doesn't want advantage, Robert Twonsend on Sidney Poitier, schomburg comic book festival, lil nas x, ugly, what should black people in louisiana do, Creed3 from movies that move we , Black leadership in NYC want crime in the Black community to be eradicated only, the kissed feet of the black hebrew israelites, Tituba of Salem, Cooley high from movies that move we, Polaroid week 2023 , Simone Biles is married, Five Heartbeats on Movies That Move we, Claudine from movies that move we, sudan of africa, actiona jackson, homelessness, black people treat the black community as the usa, how black people define themselves, black crypto, news media, a black world one day, banana republic, italy and ethiopia, schomburg book festival, the war between whites and blacks in the south, ? ARTISTS LIST GEMGFX , GDBEE , Deidre Smith Buck , Shawn Alleyne, RaySeb , Coco Michelle , chriss choreo, yeahbouyee , Collective poem side dee miller- in comments , clarence bateman , Ronald Reed, K-Hermann, El Carna , djdonttouchthetrim, Kiratheartist, briana lawrence , odie1049, ? Richard Murray Creative Table 2 https://aalbc.com/tc/blogs/entry/281-richard-murray-creative-table-2/ Richard Murray Creative Table 1 https://aalbc.com/tc/blogs/entry/194-richard-murray-creative-table/ My Newsletter https://rmnewsletter.over-blog.com/
Claudine from Movies that Move We
richardmurray posted a topic in Culture, Race & Economy2:30 it's funny how being a single parent like any adult comes in all forms. Zenobia, the question is do you think using an uncommon form of single parenting is unwarranted or just not your artistic cup of tea? 4:34 Claudine is old enough to be before women had the 2023 levels of freedom from male domination , yes I am a man. But Nike, women globally are still commonly in Claudine's situation. It's funny how in the usa, the rules in the usa are nonchalantly applied to the global humanity, when you said something similar too, this was when women couldn't have a bank account. 7:20 The question is, did the kids too easily or quickly accept James Earl Jones new parental figure? Nike or Zenobia. 10:30 haha! Too many Black women have heard a black man or black men say publicly, or in the black man cave, women are too much:) in the usa. 13:52 did the story before the movie, when Claudine met the new interest, did she trick him or not tell him about the kids? 23:22 great scenes, with the young daughter and James Earl Jones shock at what he is getting into. 30:35 Good question Zenobia, did the characterizations in Claudine give examples to how certain negative behaviors develop from child to adult. 32:14 yes, Pauline wasn't in the category of "Whitey Bad" films. The funny thing about Shaft and Foxy Brown is how they were written by whites. Foxy Brown was written by Jack Hill. Shaft was written by Ernest Tidyman. As a writer my biggest issue with many films in the 1970s that had nearly all black cast or definitely all black major cast, are the writers of the stories are white , sequentially, the viewpoints or narratives are from whites interpreting black people, or referring to their black connections. 36:02 Great point, Sweetback plus other films in the 1970s involving black musicians or actors, is why in the late 1970s <star wars> + 80s <back to the future , die hard, et cetera> films with mostly white thespians put such a huge emphasis on soundtracks, that is one of the elements that the 1970s films in the USA with majority black thespians brought into the complete USA film industry. Closing thoughts: what are my thoughts to welfare or single parenting relevancy. To relevancy, you have to break issues up. First welfare itself + single parenting. Where do I begin. Claudine is in Harlem, a city that is legally a district of a borough in a city. Remember, each district in New York City has more people in it that the average city in the USA. Think on that, cities in the USA with a third the populace of harlem have full representation or powers over their geography while harlem has none. Why does this matter? Welfare is a leg up system, like the projects also a NYC concept spread throughout the USA, that can be easily insufficient but on existence always acceptable or rejectable. To rephrase, people can always say a person shouldn't be on welfare, using the taxpayers money, or they can say it is a public good to aid a person who needs financial assistance, but the quality of assistance the person gets tends to be insufficient, regardless of people's opinion of it. The best example is another film, also based in NYC. The film is Sabrina. Sabrina's father and Roop are similar men. The maids of the lauraughby household are no different than Claudine. But, Roop + Claudine are not getting a wage anywhere near what the workers in the Laraughby household are getting. So Claudine + Roop need welfare, they need assistance to equal what the servants in Sabrina are getting doing the same work. But the government of Harlem , wait it doesn't exist. NYC's government which doesn't cater to the whole city doesn't provide a welfare system or a labor law adequate. As for single parenting, the reality is Black people have been single parents or being raised absent parents in far harder circumstances. I argue that black people in the usa today complain more about other black people in difficult scenarios than warranted. It was worse in the past in the USA. But that leads to the next point. The next point is perception, cause perception in the Black community in the usa is rarely functional. Welfare or single parenting is a prime example. Black individuals who will make speeches, give rants on Black people using welfare or being a single parent, will be silent amidst the presence of a non black person on welfare or being a single parent. Which means what? the problem most black people have isn't welfare or single parenting cause they would rant at non black instances the way they rant at black instances. The problem is , they want zero percent black people on welfare or zero percent black people as a single parent. Many a non black is a single parent in NYC today, many. But you never hear in the news from white asians, white latinos, white muslims avbout their own people still on welfare being lazy, or their own women need to close their legs. And not because it isn't happening, it is because they give their own the freedom to be that way without condemnation. Even though more white people are on welfare in the usa than black people, some black people want black people to have no one on welfare, while white people say that is the governments role to help their own. Even though more single mothers are non black in the usa than black single mothers, some black people want no black woman to be a single parent, while non blacks go on begging sprees for their own single mothers who are doing the same job like Claudine. I will end this part with a little truth that sometimes black people don't include in comprehending how we got here. In the late 1900s a number of movements, like the club women in the usa, supported the idea of black improvement regardless, meaning even though the scenario is unfair or unjust or negative to black people or a black person they are obliged to overcome all of that, regardless. And that culture back then has become today a heritage many black people adhere to. A false one. A government is meant to govern. But a government should not be treated as something to be proud of or a member of absent an ability to be in your favor, and sadly, that concept is what many black leaders accepted in the past. The idea isn't born from stupidity, it is born from a question black people were forced to ask themselves when the war between the states ended. If I am supposed to love this place, the USA, instead of leave it, and how can I love it, when my people or community or self is mistreated yearly, monthly, daily. The answer is simple. You have to love and not leave it, regardless. That is the source of the absolutism in the black community in the usa. Now a heritage that many black people adhere to in the usa, in my view, a dysfunctional heritage but nothing is completely bad. I will speak of its merits another time:) I want to end with one of the most important points in the film. Fiscally poor people don't have easy relationships because they are fiscally poor. And yes, Claudine has six kids, begs for welfare even though she works for a living, Roop is a garbage man who has to pay for kids not Claudine's he isn't as socially connected to and barely has any money to help Claudine with her kids. Yes, and you know what, they do love each other and they can smile and walk down that street in northern Harlem:) with all those kids, still broke but loving. As a note, Claudine was a rare film in the 1970s organized by a black production company. Third world cinema of Ozzie Davis. And that is the point.
Five Heartbeats on movies that move we
richardmurray posted a topic in Culture, Race & EconomyMy extended thoughts https://aalbc.com/tc/profile/6477-richardmurray/?status=2323&type=status
Creed 3 review from Movies That Move We
richardmurray posted a topic in Culture, Race & Economyyour thoughts?
Till from Movies That Move We
richardmurray posted a topic in Culture, Race & EconomyWhat do you think of the film?
Crooklyn film review from movies that move we
richardmurray posted a topic in Black Literaturehttps://aalbc.com/tc/profile/6477-richardmurray/?status=2221&type=status
Beloved (1998) reviewed by Movies That Move We
MY THOUGHTS WHILE I VIEWED
3:44 ahh it came out a bad week. Ants/Rush Hour/Bride of Chucky/Practical Magic all were hits. Ants is animated. Rush Hour is funny and with jackie chan a global hit and rush hour was his finest usa based film. Chucky for the horror addicts, chucky is a superstar. PRactical magic had nicole kidman and sandra bullock in a women's empowerment film about new england witches... beloved
12:35 good point, I want to add, the multitude of stories is the problem. I argue the problem is, the truth is complex right. Some people were violent, some suffered, some had good fortune. it is a blend of stories. Blend of stories make the end of the civil war /13th amendment/end of slavery complicated
15:16 yes, this is a poltergeist. But i concur, the message is, what is more frightening is the human activity, the enslavement of whites onto blacks.
I think it is an important story change from morrison that is carried in the film is that the real life garner was mulatto. she had a white parent. and all her children were from her owner.
I find it also interesting that most of the people they fled, with, the historical garner made it to canada. they didn't stay in the usa but most made it. supposedly seventeen in total with nine making it to canada. And i find it historically compelling that the Garner's owner/former owner/owner in moving the garner's around kentucky to escape an extradition order for murder from ohio which was going to lead to a pardon, he had to leave kentucky and on a boat to take the garner's to new orleans the baby child was thrown into the water by margaret and died. And then in the end, margaret lived, telling her husband never to marry and bring forth life into the world of slavery. I argue, margaret never let her black enslaved husband bed her or at least bed her in good time for pregnancy. I think margaret hated the idea of being pregnant. Only know have I did any research concerning the true story, thank you Nike, I have more thoughts for a story I am composing myself now.
20:30 great point, i agree, from the beginning I saw this film as the poltergeist while present, while dangerous is not as dangerous as the white slave owners, not really. The poltergeist is easier to handle and is handled easier than white folks.
21:53 yes, we don't talk about the truth in the black community. because black parents can not guarantee black chidren will react positively to whites or the usa with knowing it. I have always felt most black parents in the usa, are frightened of the truth because all black parents know, 100% of black children will not reach positive conclusions to whites or the usa with the truth. And I think black parents in majority just don't want that risk so they lie.
22:44 how can the movie be better in your view Nike?
24:09 I can tell you I know black people were not dancing about based on knowing about my mother's father's mother's life. I do not go into my personal.
24:38 yes, trauma
25:02 i think the black community in the usa made an effort to kill the life of that past in the black community in the usa, even while white people keep it alive with their actions. and i think, those black people succeeded in killing it. The modern black community in the usa, to be blunt, does not reflect a community that used its most historically relevant or elemental era in the usa, that being when enslaved to whites, as a root element of a heritage to empowerment. The Black community in the usa , is a community that reflect a discarding of its most historically relevant or elemental era in the usa. Which has been beneficial. The USA today would not be the country it is if the Black community or the Indigenous community didn't at some point do what both did and that was, start at day one when at day 99. Black people talk about fighting in world war II and owning homes in the antebellum south. Enslavement was Black folk in the usa 300 year old epoch in the usa, that predated the usa itself. Our forebears who wanted that reboot, got what they wanted. at the price of it was the gullah language or culture like other unique cultures in the black community in the usa that predate the end of slavery, high john the conqueror and a horde of fiction fantasy that black people had created during slavery/the black free towns no one recalls today. Black people like henry louis gates jr and others like to emphasize the time after slavery cause , like frederick douglass, they want the black community in the usa to be statian, of the usa. The problem with black enslavement to whites being alive is the question of the usa itself. it has to live as well and when you question the country you live in, again the resulting answer may not be positive or convenient or majority. And I think many black people in the past have always feared and some today still fear that possibility in the black community in the usa. thus why said black people adore modern black immigrants who have more in common with whites when it comes to their initial relationship to the usa than DOSers.
QUESTIONS AND ANSWERS
What did you think of this film the first time you saw it?
I didn't like the whites, which says little to nothing. but, I enjoyed the end. Maybe cause I was raised in a home with two loving parents. I enjoyed the resolution at the end, between d and sethe.
Did you know at the time, about Margaret Garner?
No, I did not. I never thought to research this until now. I think the true story is very compelling, about many issues of mulattoes, of black children in the usa,of the end of slavery or as I like to call one of the mutations of slavery. cause the truth is, slavery simply changed, it did not die. But I always remind people, new orleans was the las vegas of the usa in the 1800s and all the top female prostitutes of new orleans claimed black ancestry. why? white men had created a media myth, like modern day Black women behinds or white women breast. that mulatto women was the sexual best. And I even see the lustful logic. You have a white woman/a light black woman/a luscious black woman all in one white man's house. he is married to one, the white one. her role is to make heirs, she owns nothing. he uses one for general labor and mating for more produce<meaning aside black men>, the luscious black woman. but who is the best of both worlds. it is the light black woman, the mulatto. She is publicly owned by the white man. he has no worry of legal problems with anything he does to her, like the luscious black woman but she may in appearance look no different or more similar to a white woman. So, it is to a white man in a position of total power, the best of both worlds. Most mulattoes look like a thandie newton or halle berry where it is clear, they are a mix, but some look like Christina Cox <she was in chronicles of riddick> or rebecca hall <the director of passing>who in my view can attempt to pass in the old environment in the usa way better than ruth negga or tessa thompson. And I use myself as the proof. I never doubted ruth negga or tessa thompson or halle berry have black ancestry but christina cox or rebecca hall i did not know. and this is powerful. Remember twelve years a slave. paul giamatti's character pointed to the mulatto daughter of the luscious black woman, whose tears and constant crying in light of margaret garner is well balanced, and said, i paraphrase, that little girl is worth all of the rest.. to cumberbatch. In latin america, they are called Alvino's meaning. this is someone with known black ancestry but who does not look black. That is priceless to a white man with money back in slave times.
Thanks again Nike, In cheap retrospect, I Would had went another way than Morrison story wise, plot wise. But morrison being a woman, i think she wanted to redeem the black mother more than anything. I think beloved, as a poltergeist, was betrayed a little bit. I daresay, beloved is more a wraith than a poltergeist. A poltergiest for me acts wildly as a spirit but doesn't necessarily have agenda. a wraith has agenda. the woman in black is a wraith. I think beloved is a wraith. She wants her mother to give take her own life through a slow pain of neglect. that is purpose. Beloved goes away as a poltergiest not a wraith.
Did you feel differently about the meaning of the film between your first watch and the last time you viewed the movie?
Meaning, no , the meaning didn't change. I only add the comparison to the real event know. I remember relatives not liking that she didn't kill herself. The funny thing in the historical record it seems she was literally stopped by the whites coming to take her back to slavery. but I like how in the historical record she tried to kill herself with the youngest, but simply failed.
Do you think of this as a horror movie?
Yes, but I want to say, this film is a visual representation of what I will call Black Statian Slave Ghost Stories. Growing up as a kid, I was told and then later read many of these kinds of stories, usually shorter in length but the same idea. Being enslaved while dealing with a negative spirit is uncommon theme or shall i say a specific theme to the Black DOS community in the USA. this isn't for willing immigrants or whites or native americans mostly, this is a very specific genre culturally. You have a character dealing with a scenario where they are born disempowered with problems stemming from a past before they were born they can not control while now a negative spirit. I think in these stories the problem is, the horror of the ghost is less important than the horror between humans and that goes against the horror movie genre as a whole in the usa. yes, the ghost is bothering me, but I had my foot cut off and my testicles branded last month. I can't afford any more from this white man so spirit, pick a number.
yeah, good one:)
THIS IS THE END (of October): Episode 10 ft Tristan Roach of Xion NEtwork
Welcome to the tenth episode of "This is the End" with the Horsemen of the Apocalypse.
In this special halloween edition, tune-in to Mohz, Jess, Ian, Cam and Roun as we interview one of the most scarily talented comic book artists on the island, before doing a quick recap of major pop-culture events that resonated with us this month.
Dune was a serial in a magazine, turned into a book. but star wars was based on John Carter of Mars over Dune. The multiversity of characters in star wars reflects John carter more than Dune.
SARCASM Fans enjoy
@charityekezie Replying to @musubifamily No but we also apply some honey on stones and lick it. #sacarsm #charityekezie #Africa ♬ original sound - Charityekezie
straight to the forest:) ok the spirit of the black panther:) Anyone who loves sarcasm will love this... the community giraffe
Preserving Our Memories
for the Future
A Webinar with the South Side Home Movie Project
+ Orientation to New Online Tagging Tools
Hosted by the Chicago Public Library
6:30pm, Wednesday, March 29, 2023
Register here before 3pm for the Zoom linkHome movies capture a range of details about everyday neighborhood life in Chicago, from fashion to food to how people walk down the street. During moments of social change, they also show historic events from a unique perspective, revealing what it was like to watch Myrlie Evers receive a posthumous award for her husband Medgar in Grant Park in 1963, or to visit the Wall of Respect in Grand Boulevard in 1968.
The South Side Home Movie Project has been collecting and preserving home movies from Chicago’s South Side neighborhoods since 2005, and now holds over 700 of these rare glimpses of South Side life in their local film archive. For Women’s History Month, join the SSHMP team in partnership with Chicago Public Library for a virtual guided tour of the project, featuring home movies with women both behind and in front of the camera, from the 1920s-1980s.
SPECIAL NOTE: This session will also debut SSHMP’s new Community Tagging Tools, which let you add your own memories to the home movie database and identify the people, places and events you recognize. For the first time, Chicagoans from across the city are invited to try out this custom crowd-sourcing interface so that your stories become part of SSHMP’s virtual archive. Join us for a live demonstration and hands-on orientation to this new way to contribute your memories to Chicago’s history.
How to Attend
This event takes place on Zoom; click here to register by 3:00 pm Weds, 3/29/23. Only one registration per household is needed. You’ll receive an email link to the secure Zoom link before the event. Automatic transcription is included in all CPL events using Zoom.
Image: Dr. Helen Nash filming at Niagara Falls, 1959, from the Dr. Helen Nash Collection.BLACKWOOD POST
- My first thoughts on BlackWood, my label for the black statian, of the u.s.a., film industry.
- Alien VS Predator review from Movies That Move We and the existence of the BlackWood before modernity, 2023
- What is the definition of a Race Film, and the supposed last Race Film
- South Side Home Movie Project being awarded
- How Maya Glick's independent film based on Storm exposes the flaw in Black Thespians approach to fantasy or science fiction in Hollywood and why they ignore Blackwood
- The problem in wanting Hollywood to be aracial while knowing it is white, and wanting hollywood to be aracial while knowing blackwood will be limited in outreach beyond black people
- Most fiscally wealthy blacks are extreme anti-segregationists and why that curtails black development in fiscal capitalism. If you only want images that cater to all audience and no images that cater to one then you don't want to see birth of a nation which caters to a white audience, but you also don't want the mirror to birth of a nation that no one black financed.
- the importance of the film industry on the self esteem of Blacks in the U.S.A.
Movies That Move We review US 2019
like the montage of reviews
2:10 so many black female writers enjoy PEele's style. I do to but many black female writers tend to start off saying that.
5:40 exactly, I wonder if a 1960s hippie's old plan written on home made paper somewhere wasn't what hands across america stemmed from
7:50 spider grandmother https://en.wikipedia.org/wiki/Spider_Grandmother
11:36 yes, anansi, the story teller, remember anansi has a caribbean version , same name, different stories
13:09 random thought, was the homeless guy taken to a hospital carrying the sign some sort of guard for the doppels/tethers?
Questions how we respond to those who have less than us? What would you do if you came face to face with your darker side?
Your questions are strong. Collective reply as opposed to individual reply. In the film US, the tether abigail answers the question to individual reply by exchanging places. but the originally untethered abigail, replied to her individual revenge with a collective reply, leading all the tethers. and oddly enough, in the end, both abigails got what they wanted, in the end, the collective reply of the originally untethered abigal with hands across america happened with her side her household all killed while the tethered got her replacement life with only her male son, the "mulatto" knowing the truth about her. and her whole household lives. The power of nature here is underrated. I even argue an element of "The man who fell to earth" is used very well in this film's premise. In a man who fell to earth, the government keeps the "alien" man in a base but over time the base is forgotten. How isn't fully explained but whatever happened, the people in government who knew about this or kept it organized died or forgot or moved on, so the installation ran on autopilot, and became decrepit. like the tether's world, its sitting there. Whomever in government was supposed to manage them, stopped or moved on or died or something, where they still get electricity, but their existence is uncared for. And I like that theme of whatever the government was planning couldn't survive nature. But to your first question, to whether people have more or less, whether we want freedom or revenge, we can respond as part of a group or individually. But nature does have influence over things, At the end the tricked abigail was still naive when she was originally tricked and the tethered abigal is still dangerous when she originally forced a switch. Their varying sense of individualism or community didn't change. The tricked abigal, felt the tethered abigail in the first place, she was always communal. the tethered abigail was always an individual, never once interested in helping another tethered escape. So no matter how you respond to another, you will always be yourself eventually.
Well, I will answer, what will I do if I come into contact with one of my infinite other sides? There is a version of me that is more positive than me. and thus, I am the more negative to that version. to answer the question. I don't know. Good question. the engineer in me wants to ask, how did we even meet in the first place. Nature has rules. how are we meeting is my first question, not necessarily how we will get along. But I will say this. The key to coexisting side another interpretation of you, is to be anti christian. I will explain. If you look at zoarasters-ancient kemet-aztec mythology-taoism, most spiritual belief systems accept that nature is not good or bad but all things. But the christian belief system is starkly variant. the christian tradition says god is good, thus that which is not good is not of the essence of life. If you see a version of you doing negative things that you wouldn't do, if you have in your mind the idea that to do negative things is against nature, then you will imply that the other you is unnatural and thus communication problems, coexistence problems.
Thistle and Verse
Logan Paul is WRONG about NOPE
Thistle and Verse
Recommendations Gender Bender
Recommendations Author You've Never Read Before
Recommendations Rocks and Gems
Post-Ignyte Award Thoughts- Doesn't she look pretty
Review of NOPE from Movies That Move We
richardmurray posted a topic in Culture, Race & EconomyWhat are your thoughts before the review linked below? https://aalbc.com/tc/profile/6477-richardmurray/?status=2010&type=status
REVIEW OF NOPE FROM MOVIES THAT MOVE WE
Some points without spoiling the review
8:04 or 23:44 Nike - the role of Perception in the film
25:40 Nicole - description of the films place in genres
33:35 Both- the nonchalance against common sense:) very funny
37:54 Nike- Lovely real life example of how people judge a film strictly, advertise their judgement to influence others, but don't even fully assess a film, by their own admission. But how can one recant in real time
40:16 Nicole- yes, I concur to the relationship to both Peele and the director you mention who in their time in the sun:) had the ability to make films that be thought provoking or artful WHILE also commercial. I don't think it is unimportant to say that Nope covered its cost of production.
49:44 Both - Keith David is a very fortunate thespian. Not merely being a thespian having less opportunty, cause he is black and media in the USA is owned by whites, who do favor giving opportunity to whites. But, Keith David has been able to be part of many thoughtful films in the film itself or its role in genre setting in various genres: The THing;The Live;Pitch Black;Nope<science fiction>[Keith David has successfully been a black character in a science fiction film that has lived at the end more than once, died before the 15 minute mark and died just before the end:) ] / Platoon<war film>/ Bird<documentary> [where he played a criminalized version of buster smith] /Roadhouse<action>People don't realize how some films hollywood has been heavily inspired by and never been able to repeat /The Quick and the Dead<western> [a female led western back when it wasn't so easy to see being financed]/PRincess Mononoke <anime>[the studio ghibli collection itself is something else... his voice is everywhere, ever since, and shout to tv show gargoyles]/Crash <social commentary vignettes>[hollywood has tried to find the next crash since crash]/The Inheritance<My personal favorite film with him in it, the story is a rare thing in its message>
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Title: Black YEar Round
THE HISTORIC MICHIGAN STREET BAPTIST CHURCH
Yesterday, along with many other people across the city, I partook in Doors Open Buffalo where many buildings and businesses across the city--as the name suggests--opened their doors to the public. Planning on stopping at and photographing 4 or 5 churches I ended up at just this one; the Michigan Street Baptist Church.
This church is important and historic for many reasons. One is its age. The congregation was first formed in 1836 and the building itself completed in 1849. But it is the congregation itself that is important as well..this was the first black church of any denomination in the city of Buffalo. This, and also the fact that they were instrumental in the success of the Underground Railroad. Not only did they hide freed slaves, they helped get them safely across the border to Canada.
After visiting their humble sanctuary I was about to leave and move on the the next church when I heard someone say, "Don't forget to visit the basement, Bishop Henderson is giving tours."
Upon entering the small basement I saw an elderly man who looked more like a Rabbi talking with a handful of people. This was Bishop Henderson. Affiliated with the church for more than 50 years, he was a wealth of knowledge and more than eager to talk about what he knew. When I asked if he still preached he turned to me and said simply, "Why yes, I still do." He also seemed a bit surprised and shy when I asked if I could take his photo but he obliged. His first name is William and he was originally refereed to as Brother Billy because he began preaching on Buffalo's East Side street corners at the ripe age of 14 [source].
Among the many things he told us ("Should I go on?" he would ask, "because I can talk about this all day") two of the most moving things to me were the poster directly below and also the small passageway where they hid escaped slaves.
The poster is a replica of an actual one that was common of the time. There were a few deeply disturbing things the Bishop pointed out. Out of the 18 women for sale, 8 of them came with "future insurance," meaning they could still bear children. So in essence, pay for the price of one human and you have the potential of receiving more. Even more chilling is on of the descriptions for the 6 girls, "bud'n out." This meant two things. Because the girls were in puberty ("bud'n out") they were available for the slave owners personal pleasure and also had the possibility of having children; more "future insurance." He also pointed to the bottom of the poster where these humans for sale were lumped into the same category as horses, cows, hogs, bulls, goats, and even wagons.
The cramped passage in the building where they hid escaped slaves--between the foundation and a wall--was at one time covered over, the Bishop told us, but at some point years ago they uncovered it as not to forget. How could anyone possibly forget this, I thought to myself.
After spending some time listening to Bishop Henderson I left and felt sad and weak. I also felt inspired. While slavery was, as Bishop Henderson put it, "A very dark period in our country's history," and without doubt racism is alive and well in America, there is also a new awareness which to me is a new hope. Nearly all of the visitors in the church yesterday were white, which I found interesting.
As I left the church and turned and looked back the front door was open; it looked so welcoming. I felt a slight chill in the air, and I thanked our creator for the work this church has done.
SISTER ACT review on Movies that move we
3:29 I do have a question of the legitimacy of the ignorant spouse/girlfriend/boyfriend character in films? Can a mob man that brazzen really keep his activities secret? hmmm 4:35 haha bette midler was cast first, of course throw away role 5:10 Dolores , has whoopie ever explained the source of this 5:50 didn't know about Carrie Fisher 6:50 whoopie sang all her parts, wow! didn't know about the other 7:47 that is a great story, I will love to have seen them, dancing on the tables when they won:) *:23 yes, your right I will:) even though you told me before:) haha 8:25 25 years that show been on , wow! 9:20 that is a great question, with audio copying, I guess it fell like the rest of audio recording industry 10:47 didn't know they came out back to back , love lauryn hill 11:23 sister act 2 may challenge parents with teenage kids:) 12:02 it was relatives who introduced me to both films.
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richardmurray posted a topic in Culture, Race & EconomyINFO the review, from movies that move we, they welcome follows or shares on facebook
MOVIES THAT MOVE WE with Nike Ma and Nicole Decandas , discuss Alien vs Predator They discuss Sanaa Lathan as a Black female lead in said film and the film itself , enjoy To view the video discussion use the link below https://aalbc.com/tc/profile/6477-richardmurray/?status=1855&type=status
MOVIES THAT MOVE WE with Nike Ma and Nicole Decandas , discuss Alien vs Predaotr
My thoughts with time indexes as I listened
Its funny, Black people in terms of film have an interesting relationship with the room in the house of fantasy called science fiction.
When I think of Body and Soul, Sankofa, Daughters of the Dust, black people are more interested in dream fiction, which is in fantasy, more than science fiction.
As I ponder Nichelle Nichols I realize in cheap retrospect what many Black people see, what MArtin Luther King jr. saw, and what I don't like.
Nichelle Nichols in star trek, the original series, is interesting cause she is so lauded by Black people, including me, yet the production is in many ways something between anti-black or not pro black.
To be blunt, Black people in the USA love Nichelle Nichols as Uhura because as a thespian or the character itself, she represents what they want. The Black Individual in the USA doesn't need or exclusively want a star ship designed by black people, populaced by black officers, in Black interstellar law enforcement agency or governmental union.
The Black people in the USA are content with Black people living happy, or respected aside non Blacks in a ship not designed by blacks, in a ship mostly populated by non blacks, in a non black interstellar organization or law enforcment organization.
It is not that Black people in the USA do not want the black designed ship, with the black crew , with the black interstellar organization, but they are content to live as individuals without it, hoping or knowing it will happen one day.
I don't like that, but that is the potency of Nichelle Nichols as Uhura
The terms science fiction or fantasy have commonly accepted definitions but are in no way bounded to the common definitions.
I define for this section fantasy as any film that involves the unreal, so aliens/monsters/psycopaths any unreal character, including faux biographcal characters is fantasy.
Musicals I define as films where exhibitions of songs are inacted by thespians in the film on more than one occasion, thus seven brides for seven brothers <which I never saw, but I recall the title>, Purple Rain, west side story are musicals. The fifth element, footloose, the color purple, ray are not musicals based on my definition.
I will not speak for Nike, but when I say major production in USA cinema, I refer to volume of money spent on the film. Blackwood, Black financed cinema in the usa, is historically in comparison to Hollywood,white financed cinema in the USA, lower budget. But I do not concur with comparing Black cinema to white cinema financially in the usa. The distinction of Black cinema in the usa is it is historically with the leanest finances, thus expensive fantastic productions are not possible. Thus why Dream Fiction is so popular in Black Cinema: Body and Soul, Sankofa, Daughters of the Dust, Ceddo , Emitai
In the USA no high budget Hollywood film involving what is commonly called science fiction had a black female lead before sanaa lathan. Dionna Ross was in a high budget film , but the WIZ is commonly considered a musical or fantasy film, not science fiction, in the USA.
Oddly enough, the journey of Dorothy is a dream journey which is historically interesting with the prevalence of dream fiction in Black cinema.
Nicole asked a historical question. She asked, I paraphrase her, Black people are usually cast in Hollywood, note I define hollywood as white financed cinema in the USA, in dramatic or comedy roles but to what extent are Black thespians comfortable or the Black audience comfortable with Science fiction?
I recall Eddie Murphy saying he turned down who framed roger rabbit based on the screenplay he received or pitch he got, and he didn't buy it. The white actor, bob hoskins, who played the role Murphy let go ,oddly enough to my themes, was in a movie in 1986 called Mona Lisa, which is a dream fiction film.
So Eddie Murphy's admitted career choices show Black thespians have doubts. I add, Denzel Washington turned down Seven, which Morgan Freeman did. Sequentially, "the nutty professor" or "doctor dolittle" from Murphy or "the little things" from Washington.
In defense to Murphy or Denzel, I read screenplays. And if you ever read the original screenplay of 1986 legend, by Hjortsberg , you will realize how what thespians are originally pitched can be far away from what is finally produced.
Now, why does that matter? To Nicole's point, Black Thespians based on the two examples I gave maintain the Black labor mentality in the USA. The Black labor mentality is based on the fact that Black people rarely are the owners, thus our employment is never secure and must be merited. Sequentially, as a thespian, mistakes are costly in a career. Sequentially, Black Thespians don't take the risks that early scripts present themselves to be.
As for the Black audience, the Black audience was always ready, but only recently had the money.
Nike spoke on Black Panther and how a question existed in media. The question was: if people, I will define people as ticket buyers to films, was ready for an all black cast superhero film, I define ready as willing to buy tickets?
The reality is , consumers are always artistically ready, but not always financially able. I restate, Black people always wanted to see Black people in everything. But Black people didn't have the money, nor did the non black ticket buyers show the willingness to buy a ticket for an all black high budget film in the past.
But past the year 2020 when Blacks in: Africa,Europe, the Americas, Asia are all financially potent, let alone capable, they have the money to buy the tickets.
And, non Black ticket buyers past the year 2020 are willing to buy an all Black cast.
Nike states Hollywood, I defined it earlier, does not feel non blacks are willing to pay a ticket to see Black leads today. I concur. But I will say in the fantasy film realm, especially, that some Black creators haven't helped.
From Poitier in the film "The Longships" <oh the Black Moor:) forgive me> to Sayles, a white director, "Brother from another planet" starring Jellyroll Morton to Wesley SNipes as Blade, Black thespians have taken fantasy roles seriously.
But from "Cleopatra Jones" to "The Adventures of Pluto Nash" to "Fat Albert" to "MEtero Man" Black creators or thespians have played fantasy roles in a comedic way that hurts the role.
To be blunt, fantasy can easily become comedy, as it is easy to laugh at the unreal. To many examples of Black thespians making a fantasy role comedic exists.
And that is why Sanaa LAthan's heroine in Alien vs PRedator is a great role. She is Black, she is a woman, the film is a hollywood high budget, but she isn't comedic. While she still offers the full range of emotions through the character's scenes, from funny, to sexy, to brave, to afraid, to legendary.
Nicole makes the point, I restate her, Black money has finally reached a point where it can influence larger fields in the film universe.
The 1970s Hollywood films involving or starring Black thespians, commonly called Blaxploitation, was reflected on greater Black revenue in theaters as well as white ticket buyers willingness to buy said hollywood films with black thespians. How many white women know the Shaft song?
They , Nike side Nicole, speak on Sanaa Lathan's preparation, and how they felt she forced some of her lines. Sanaa was inexperienced in the genre. When you look at Sigourney Weaver in Aliens as compared to Alien you see what having one of these in the belt means. But they do make a great comparison between LAthan in "Alien vs PRedator" in comparison to Angela Bassett in "What's love got to do with it".
My only issue is I would had compared Sanaa LAthan in "Alien Vs PRedator" to Angela BAssett in "Strange Days" . Yes, Ralph Fiennes was the lead thespian but Angela Bassett was totally convincing as the single mom black security driver who has a unrequited love to a man who earned her respect and is going through his own internal chaos while los angeles is going through a potential phenotypical war, and the man in question happens to be white.
I argue it will be nice to see if Angela BAssett was called for Alien vs PRedator and did any casting tests.
Nicole side Nike go over Sanaa Lathan in films like "Disappearing Acts" or "Brown Sugar"
Everyone wish Nicole Decandis a happy BESOONED BIRTHDAY!!! seven days from the time of this post
They talked about the Alien or PRedator franchise and whether the story for Alien vs PRedator helped Sanna LAthan.
I saw all the Predator films or the ALien films 1 to 3 before this film.
It is a standalone, it refers to either film franchises but doesn't own either. It is standalone and even alludes, in location, to the legendary story "who goes there" more commonly known in the film world as the "the thing from another world" or "the thing"
I want to merely repeat what Nike stated about a film I will not type out in name, but say it is the supposed sequel to Alien vs PRedator.
It didn't need to happen.
Those who know about an annihilation, that is a clue , know what I am talking about. How can all that is good be killed in a sequel? It makes wrath of khan look magical.
I don't rate or star films, enjoy Nike or Nicole's rating.
My review is, if you are looking for a fun action film ride, Alien vs Predator is a fun ride. If you are a hardcore
Alien or PRedator fan that wants the details followed, this movie isn't for you.
MOVIES THAT MOVE WE- aalbc search
After Reading your reply, my first thought was, what does it take to have a film environment.
you said Black people were not on many screens in sci fi films or films in general. That is true, but it means you need a place to show films.
you said Black people didn't run film studioes or have financing to make equal budget films. That is true, but how cheap can one make a film.
You said you don't comprehend expecting a blackwood. But was a Blackwood impossible before modernity, meaning the last forty years.
Now you say, the internet provides possibilities. And I concur, but does that mean a Blackwood was impossible in the past.
Now you say you want to enjoy a science fiction film first and be happy for who participates in it second. I am 100% certain most black people, over 90%, in the usa and definitely in the white countries in humanity, USA/UK/France/Brasil et cetera, concur to you.
And yes, Nollywood exists today, though they don't make blunt science fiction films. Many people in the usa consider Daughters of the dust a science fiction film so the artistic debate I will leave alone.
But, was it possible to have black financed/directed/produced/acted, ala a Black Wood?
Now, body and SOul by Micheaux to Meteor Man from townsend prove, Black people did make movies from the silent to today, with financial or quality standards that are on par to what audiences may have expected.
But, if the BlackWood was created, how could it be?
The questions are:
Where to show the films?
Who to make the films?
Who to finance the films?
How to distribute the films?
My quickest answers,
Where to show the films?
From the 1970s to the end of the war between the states, the most prolific places in the black community, that black people had control over was black churches. Black churches are the theaters. Take a wall, color it white, project on it. If someone has a white curtain use that. Now the white law will definitely find the act of a church theater fiscally improper, so show the films for free, people need popcorn, water, vending is the roots of retail. A person with a little cart is as ancient as the pyramids. Nothing bars the church from having a small set of vendors outside. The vendors are free to donate to the church some of their revenue.
Who to make the films?
I think many Black people made films, but it was common Black folk, not the OScar Micheaux's or Robert Townsends of the world. And, if you have a video recorder, then you have all it takes to make a film, starting with yourself. animation is not new, I know for certain black people near 100 years old recall seeing animation as a child in NYC alone so I know it isn't fantastical. Common Black folk made films. Maybe not close encounters of the third kind in production level, but artistic display isn't about competition it is about creation. if you don't create it doesn't exists.
Who to finance the films?
Black businesses are not new. The Black people who financed MLK jr, the Nation of Islam, Madame CJ Walker has her old house upstate new york. Somebody black had enough money to make a small production film, every year since circa 1865. Now again, do they have hollywood money? no. But is the goal a blackwood or the goal competition with hollywood.
How to distribute the films?
Oscar Michaeux's films were all found in Europe , not the usa. so somebody copied them and I think oscar micheaux knew who. so, I can't believe later, the ability to copy a film and send to the churches was beyond the means for the Black community in the USA.
Thus, in my view, a Blackwood should had existed already in the USA from the Black community in it. Now some caveats. yes, the Black community in the USA from the Negro leagues to my potential Blackwood are more interested in Black people aside whites than Black people alone. But, I think Black churches, showing films by Black people, spending money to make copies based on word of mouth, with small revenues was sustainable. I didn't even add historical Black colleges for the southern Black populace, which is historically or modernly the largest in the USA per a region. I can't deny many Black people wouldn't care, or would snub. But I think the model was sustainable... if attempted.
South side home movies project
Comment about making a Black Wood source
Supporting the point , above,below shows a section of a screenshot at the website linked below. the south side of chicago has 215 surviving films. I can't imagine other Black communities were less involved. Thus, from new york city to los angeles, i say thousands of home movies.
Now utilizing the system I spoke of above, a Black Wood , with Black production/direction/action is clearly feasible in the past, but it was attempted, and that lack of attempt is the lesson.
Movies That Move We
All were asked to the following article in the group Movies That Move We < https://www.youtube.com/channel/UCqYM90UgloorX_NbqqZRCfw >
Is there a film you would add to this list? Is there a film that you think shouldn’t be on this list? Name them and tell us why!
Five films that could never come out in 2022
OPINION: These movies aged like cottage cheese left out in the sun.
Dustin Seibert Jan 21, 2022
Being a Gen X-er/elder millennial all but demands that we scrutinize the media from our formative years.
Unlike our Baby Boomer parents, who don’t really care as much about evolving social propriety, we tend to have an almost visceral response to the stuff we enjoyed in the 1980s and 1990s that didn’t age well. Presumably, it’s happened to us all: We watch the digital version of a film we used to wear out on VHS, or we stream a jam we used to own on cassette, only to clutch our teeth and let out an “Eeeeeeee.”
Below are several of those films that elicit such a response. In some cases, it’s one scene or plotline; in one case, you can just throw the entire film away. Note that this list is far from exhaustive and doesn’t include films in which the offensiveness is intended. (see: Blazing Saddles)
Purple Rain (1984)
My favorite terrible movie of all time. I’ve seen Purple Rain more times than I can count over the last 38 years since my mama’s massive Prince fandom circumvented any concerns about her kid watching R-rated content.
But it was as an adult that I realized no one involved in the making of this film gave even a tincture of a damn about women. From The Kid’s interminable petulance (and ultimate violence) toward Apollonia (Apollonia Kotero) to tricking her into jumping topless in “Lake Minnetonka” to the marginalization of Wendy (Wendy Melvoin) and Lisa (Lisa Coleman) until it benefited The Kid, Albert Magnoli’s musical drama is steeped in Olympic-level misogyny.
The worst scene, however, is when Morris (Morris Day) is confronted with one of his “sexies,” whom Jerome (Jerome Benton) picks up and tosses in a dumpster. Twitter would be on fire if, say, Bruno Mars made a movie pulling this s— in 2022.
The Best Man (1999)
Perhaps not as egregious as the other films on this list, but The Best Man delves into the Madonna-whore complex and what constitutes a “good” man, and, I think, inadvertently hoists up outmoded ideas.
The core conflict lies in a semi-fictional book that Harper (Taye Diggs) wrote based on his quartet of homies. Professional athlete and recovering man-whore Lance (Morris Chestnut) learns just before the wedding that fiancé Mia (Monica Calhoun) smashed Harper back in college while he was cheating on her left, right and sideways and is ready to blow the whole wedding to pieces over it. Because God forbid a woman demonstrates some sexual agency before she hangs it up.
Shelby (Melissa De Sousa) is a one-note shrew of a girlfriend, and while the first film did well with Candy, the stripper with a heart of gold (Regina Hall) linking with the pusillanimous “good guy” Murch (Harold Perrineau), they throw the goodwill of that plotline out the window in the sequel, The Best Man Holiday, when Murch jeopardizes their marriage after receiving a video of Candy living her best sexual life before they met. Meanwhile, the capricious “bad guy” Quentin (Terrence Howard) is the only character living out their truth in either film.
The Best Man isn’t exactly unrealistic in its core depictions, but the original would light up social media if it were released in 2022.
Love Jones (1997)
Perhaps the most divisive film on this list (read: you might get cut amid debates), the entirety of Love Jones isn’t terribly problematic, and I appreciate the way it handles the complicated nuances of marriage via Isaiah Washington’s character.
But one sequence is a no-go: Larenz Tate’s Darius Lovehall shows up at the house of Nina Mosley (Nia Long) only because he jacked Nina’s address from a check she writes at the record store. And Darius’ girl, Sheila (Bernadette L. Clarke), who works at the record store, allows it.
The film presents it as a noble whatever-it-takes romantic gesture. But it screams “stalker,” and the 2022 version of Nina would’ve likely tased Darius in the nuts and called the cops.
Ace Ventura: When Nature Calls (1995)
Both of Jim Carrey’s star-making Ace Ventura films wouldn’t fly in the Age of Twitter—the first movie is rife with homophobia. But the sequel features a plotline involving a fictional indigenous African tribe whose customs are played for laughs in contrast to Ace’s western sensibilities. Any African stereotype you’d imagine white Westerners harbor is probably in the film.
Tommy Davidson portrays tribe member “Tiny Warrior,” speaking no actual words in lieu of animal noises meant to portray him as less human, more rabid rodent. That the film has the distinction of being America’s first exposure to the lovely Sophie Okonedo doesn’t absolve it of its sins.
Soul Man (1986)
The apotheosis of obsolete filmmaking, the most offensive thing about this film isn’t the fact that the protagonist Mark Watson (C. Thomas Howell) complains about tuition and fees at Harvard Law School totaling just over $10,000 (which will probably buy you one textbook and a sandwich in 2022).
It’s that the entire conceit of the film involves a white man exploiting affirmative-action scholarship benefits by enrolling in and attending the school in blackface. Considering we’ve had a blackface reckoning in recent years that even caught up the beloved prime minister of Canada and that we’re forced to have the same god—m conversation with white folks every Halloween, Soul Man wouldn’t have made it past a first script draft in 2022.
Apparently, the film was even controversial when it dropped in the mid-1980s. But social media was decades away from being a thing, so it wasn’t around to prevent Soul Man from becoming a commercial success.
BONUS: Every black film that exploited LGBTQ+ people
It would probably blow the mind of your average 20-year-old to see how reckless Hollywood was with the LGBTQ+ community a couple of decades ago. Film and television were full of either latent or blatant examples of rank homophobia.
A Low Down Dirty Shame (1994) featured Wayman (Corwin Hawkins), a gay Black man who existed only to be demeaned by Keenan Ivory Wayans’ Shame. The entire talky twist of The Crying Game (1992) involves the “reveal” of the deceitful trans woman.
Also, figure every film and television show involving a dude dressing up as a large, “unattractive” Black woman is predicated on some degree of transphobia. I’m looking at you, Wanda and Sheneneh.
A QUICK THOUGHT TO THE ARTICLE
It start with a lot of negative bias to those in certain age ranges, while supposes support to women from the physical violence or subjegation of men. It also has a large amount of cultural negative bias. Remember, race is any form of classification/rank/ordering from phenotype to gender to age to cultural beliefs to geography to releigion to religion to... you comprehend.
MY THOUGHTS TO EACH FILM IN THE LIST
Purple Rain is interesting. I remember hearing, a video recording of Prince, speak on a real event where a member of his team threw Vanity/Denise into his pool, and when I heard that story I thought of this scene. In the context of the article, it opens up alot in terms of the level of mysogyny.
But, the greater issue is misogyny. I saw a halftime show in which Purple Rain was chanted by many people who clearly were in the ambiance of the artist formerly known as Prince as well as their thoughts of loving ones whose spirits have flown, which the song alludes too.
Suggesting that this movie can not be seen, for a scene of abuse toward a woman from a man, is discounting how many people heard that song through the movie. Is it a wareranted sacrifice, I wonder?
As for Prince's characters mimicry of his father's abuse, that is actually the stories point. Prince's character was evolving in a film. Like bobba Fett from being the lone man killer that many of the characters fans demand or want to the killer who has gained from priceless experience a level of growth that in all living things, takes time.
The question is, does Prince's characters modulation not warrant to be seen? Is the argument from the philosophy the article writer espouses that the modern audience can not handle watching the change in a character, they can only accept witnessing the final result?
I only saw a few scenes of the Best Man. I admit, I have little liking or patience to these black group film dramas. To those who enjoy that style of art it is entertaining but for me, I can't stomach it long as a genre.
I do know of the basic plot though. I don't see how the movie will be banned for portraying characters that share traits with many living people, in the same way, purple rain does to.
But that leads to another question, is this about presenting fantasy humans? I rephrase, is this movement of cancelling culture to only allow one cultural mold? if so, how can art be deemed in it free to express all culture?
Love Jones scenario is like in the Best Man. Stalking is human, is it denied by not showing it in a film? and by not showing it is art improved.
I never saw any Ace Ventura film, so I admit, I can have it expunged as I am not a fan of jim carrey's comedy for the most part in general, yes I never saw Dumb and dumb series as well.
But to the theme, people who dislike homosexuals is not new nor will go away throughout all humanity. And, though few to no movies offer the reverse insult, many black people don't think positively of white communities.
I want to speak about Rae Dawn Chong and James Earl Jones, when it comes to the film "Soul Man". Rae Dawn Chong contends the film isn't negatively biased. And this goes to the penultimate issue. In the end, who determines how another is meant to see the world/humanity/life?
This battle over what art should be viewed from the times when non white europeans were disallowed under white european domination or in the complex multiracial landscape of the usa, with each tribe trying to make one cultural perspective dominant, shows the dysfunction of the attempt. No culture ever truly dies, it at the most diminished becomes a private culture, but cultures never die.
Spike Lee and the impotent N.A.A.C.P. made this film a battleground but the issue of black owned film production or black people in the mechanics of the industry had no words from said people except one day it will happen or beg whites. Rae Dawn Chong was right, it was all talk. Talk for media points.
A bonus, Al SHarpton who I do not usually concur too explained the idea behind the self righteous non violent movement, brilliantly. I paraphrase him. The non violent mantra is not merely about stopping those who utilize violence against you but not allowing yourself to utilize violence. This paraphrasing is the entire idea behind the bonus section in the article.
But, that is self righteous. To tell someone to hold themselves to a cultural view, regardless of anything is not only self rightoeus but goes back to the entire flaw of the cancel culture strategem or similar cultural blocks from the past from one community to another.
WHy don't black parents speak of Nat Turner or Jean Jacques Dessalines? what did either do wrong that does not warrant mention? they acted violently against those who were violent towards them?
Their actions have been cancelled by many black people long before cancel culture, but has that improved the collective lot of the black community, has it changed the lot of the white community ? the answer is no.
NAME THE FILMS I WILL ADD? NAME THE FILMS THAT SHOULDN'T BE ON THIS LIST?
None and All. I will paraphrase a white jewish female writer: art can not be the battleground for culture.
I know she is right. Not seeing an action, does not delete an action. On the other hand, seeing an action does not embolden an action.
The whole concept of not showing certain arts based on the messages in them, is based on the idea that it will influence culture. But is that true?
I use two scenarios in human history as my proof they do not.
The Sars-Cov-2 era in NYC, specifically, when the city had a near total shut down of activity.
During that time in New York City, the advertised freethinking capitol in the United States of America, the levels of abuse from men to women, from adult male children to their senior female parents , rose by a huge percent. Was said increase of a certain activity based on a film? was said increase based on a music video or video game?
What does the first scenario prove? That misogyny's source is not media. When people were forced into their homes side their supposed loving ones they got more violent, not less. In particular men showed a increased dislike toward the women they live with, being forced to be next to them. IS media the source of the misogyny... or is it how we humans build or maintain relationships? The last point being, can not showing an action in media help to yield better relationships. I say no.
The second scenario is media by people of color, people of color defined as non white europeans, in the age of white european imperial power. MEaning from the 1400s to the end of world war two < which began the first phase in the era of white statian imperial power, commonly called the cold war >
In the white european imperial power age people of color, made art that was often chastized, or burned, or blockaded from the view of people of color themselves, but they made it. This artwork didn't free people of color or stop white european power. But it was symbols of another culture than the one in power.
What does the second scenario prove? art doesn't change the alignments in humanity. It comes from the soul, and can inpsire humans, but can not deflect bullets, can not make laws. And it is bullets and laws that dictate the alignment of humans in humanity.
Sequentially, I add no film to this and think all films should not be present in it. The list is dysfunctional.
I am not a NAzi, I have no desire to be white or german or aryan. But I think the night marches are beautiful from the nazis. The premise of waging cultural war through art is suggesting, the human individual or collective can be so moved by art that it dictates who they are or who they want to be. I oppose that viewpoint. I think history proves my opposition correct.
Movies that Move We- Discussion of Selma
richardmurray posted a topic in Culture, Race & EconomyView the video discussion and my comments https://aalbc.com/tc/profile/6477-richardmurray/?status=1785&type=status