- All Calendars
- AALBC.com's Literary Events Calendar
- BlackGamesElite: BGE Calendar
- DOS earliest literature: Recent News
- RMCALENDARS: RMWorkCalendar
- RMCALENDARS: Black Artist Birthday Calendar
- RMCALENDARS: RMCommunityCalendar
- RMCALENDARS: Black Artist of Tumblr Calendar
- RMCALENDARS: MidnightHour Calendar
- With All Calendars
- Download iCalendar export
- Subscribe to iCalendar feed
ALL
DAY
-
20 September 2028 24 September 2028
September Equinox GOOD NEWS CALENDARThis event begins 09/20/2025 and repeats every year forever
September Equinox is from september 20th to september 24th it was in 2021 september 22nd 13:31 UTC equate to 8:31 utc-5, it is the beginning of fall in the northern hemisphere, spring in the southern hemisphere < http://www.astropixels.com/ephemeris/soleq2001.html >
share photos of art OR text of fiction
The photos can be to->sculpture/knitting or sewing/graffiti/tattoo or any craft depicting Black people in spring in the southern hemisphere, any country <south america/caribbean/africa/south asia/australia> OR Black people in fall in the northern hemisphere, any country <north america/europe/northern asia>
The text can only be fiction based on the following: Black person or peoples at the first day of spring or fall
Story 1 https://aalbc.com/tc/blogs/entry/261-september-equinox-art-or-text-craft-parade-good-news-blog/?do=findComment&comment=948
Story 2 https://aalbc.com/tc/blogs/entry/261-september-equinox-art-or-text-craft-parade-good-news-blog/?do=findComment&comment=949
STORY 1
I remember the autumn gatherings when I was a girl; sparkling gala’s where my parents dressed me plus my siblings in glittering attire. I loved it. I felt always like a princess.
The pumpkin pie, the cranberrry sauce, the rice pudding, the apple custard, the watermelon slices, the corn bread … I loved it all. A peaceful rearing for me, the magic was in merely being alive; I had no need of unicorns from mystical worlds gated in forests or aliens from beyond the sky or anything unearthly.
I had a brilliant summer, and now my Autumn.
My autumn is simple and in continuity, a life from a woman alone. My job I like to do while it pay the bills, allow me to save, and give me time off. I am unmarried, but I have all sorts of comforts: masculine,friendly,inhuman; I am not alone. I am the autumn, and I am at peace as when I was the summer.
Thank you for reading, if you want to read more of my work read below
Poetry or More
https://www.kobo.com/ebook/poetry-or-more-1
Bookbub
https://www.bookbub.com/profile/richard-murray-16885e64-6c28-459e-bf5f-45c7d458ce49
AALBC
https://aalbc.com/tc/blogs/blog/29-richard-murray-hearth/
STORY 2
An autumn wind speak this morning. It speak that the autumn is here for good, until the winter wind come. Let me boil some syrup. I need to get the wood, give me a moment. <Sniffle> I remember when I came here. The tantalum rush was amazing. Can you imagine a stream of automated vessels, frozen bodies inside , risking fate, between harvested body parts to raided goods to slavery on an A.B. hideaway , streaming from the spaceport in Addis Abeba to Beijing2 on Europa. I recall viewing it,nightly, with my ElectronMacroscope, from here on Titan. Few of those brave travelers made it here; the terraforming of this moon was the last initiative of the United Nations before the fall. But, millions came to this moon for the Tantalum. I worked my way here: a labor ticket to the moon from Earth, thirty years serving Senor Quetza who is still a lunar lord, paid my way to the graneries of mars for thirty years of overseering the self-automates, then enough money to take a long arc frozen trip around the AB and the battles of Jupiter. From out of my mother's womb to Titan took ninety one years. At seventy-eight I was content. I never found a woman on the way who wanted eternity with me or likewise. I helped a few people become mature. But, I just wanted to reach this place. Took me five years but I found this little enclave between mountains, no Tantalum, but everything I truly wanted. Some place to rest after a life lived.
I hear something. I am getting dressed to go out. Sometimes my fellow minors lose themselves in their depression. <creeeeek> I don't see anyone. ... I hear it again. Let me check the river. Ahh....
The Autumn Deer is looking at me from the frozen mist down the mountain in the nearby wood. Amazing how the deer evolved here. "Hello Friend!" Ahh, he is going into the ice blue mist. Enjoy life my friend, as I have. If anyone find my audiorecordings this land is in your caretaking. The tantalum can not be mined forever. And the beauty here can not outlast the dying sun, but will last longer.
Thank you for reading, if you want to read more of my work read below
Poetry or More
https://www.kobo.com/ebook/poetry-or-more-1
Bookbub
https://www.bookbub.com/profile/richard-murray-16885e64-6c28-459e-bf5f-45c7d458ce49
AALBC
https://aalbc.com/tc/blogs/blog/29-richard-murray-hearth/
-
23 September 2028
Movies That Move We- Sounder 1972This event begins 09/23/2025 and repeats every year forever
Movies That Move We- Sounder
https://www.youtube.com/watch?v=o9WlL2KAjlg
My Thoughts To the Minutes
Movies That Move We, the third generation:)
Lis + Kim+ Manda with Nike looking at Sounder.
Manda/Kim/Nike/Lis
2:10 interesting that Kim had to read The Secret Garden. 3:22 Nike question, a question of a black family written by a white man? Lis: don't feel it is well received Kim: if he grew up in a family different than him, or have a different . But Manda: a product of the time. He had editors. the gaze in the story is for a certain audience. 6:14 Nike couldn't find any interviews. She cites a note: "fifty years ago i learned to read at a round table at a country school house, the teachers name was Charles jones. After school he worked for my father and in the summer he drove a hay rake and a mowing machine. He had a deep rich voice and he loved to tell stories, I have never forgotten them. Out of the stories he told me and the boy who sat next to me in the round table came the story in this book" 7:42 Nike didn't like the unnamed characters 10:20 Swampy the dog had no other roles in a movie:) 11:21 Nike asked what do you think about the dog? Kim, she liked the dog in the book becoming part of the family. 17:14 Nike, is this a radical story? Lis, the screen writer was black for the film did that make a difference. Kim, felt the film was tame. Manda, she turned it on and told her kids to go away. 22:45 The performance of Cicely Tyson 24:54 In the book, the author didn't have the ability to write the energy , so in the movie, a black woman was able to bring life in it. 27:11 in 1972 women couldn't have a credit card on their own in the united states of America, good point by Nike. 28:29 Lis, good point, god is the higher male and the pastor used god in that part. 29:55 Nike, when the boy went to the teachers house , he felt she was rich good question about whether he got that from a first hand source 31:32 Nike, what are your thoughts on the education scene? Kim, excited but sad. The teacher was considered rich for having her own home. A simple thing. Manda, in the book, we saw his progression. he lamented he couldn't read. In the movie he already can. And in the book the teacher was an older white guy, while the teacher was a younger black female. 33:48 Overview call from Nike 34:19 Manda, ask, does the movie exist as a reclamation of the story. 37:56 The ending, in the book the father was paralyzed very badly while in the movie, it was made more gentle. 39:15 Good point that the father and dog died in the book at the end. 39:42 Nike asked how did it feel Kim mentioned how she never lived in such a financially poor housing as the black characters in the book and she was spoiled as a child and when she was subjected to stories like this, she said thank god i am not in this situation. 41:36 Unike Sounder roots was very visible with the violence. 41:56 before Roots what story was the media standard? 43:28 Nike can't recall to many films with a black child at the center.
IN AMENDMENT
Sounder 2 supposedly was barely released which i argue is how the film industry producers historically kill films they don't want any to see but were forced from whatever reason to produce. Think John carter of mars for disney. IT was made , but Disney killed that film in advertising in the media mechanics of what a film needs. And Disney did it cause they bought MArvel and didn't want to waste any future money on a john carter series
link
https://books.google.com/books?id=X7ZYsnTPIhwC&lpg=PA78&vq=annazette%20chase&pg=PA78#v=onepage&q&f=falseembed
referral
https://en.wikipedia.org/wiki/Part_2,_Sounder
The Dandridge Sisters n 1940 Irene
https://youtu.be/CTeabecj_4o?si=BQ2qgnGQ6_1bTeYs
Bright Road
Directed by Gerald Mayer
Screenplay by Emmet Lavery
Based on "See How They Run"
1951 short story Ladies' Home Journal
by Mary Elizabeth Vroman
Starring Dorothy Dandridge
Philip Hepburn
Harry Belafonte
Barbara Ann Sanders
https://youtu.be/278qbMmPpPI?si=eqML-s-coYm5Wmwo
https://en.wikipedia.org/wiki/Bright_Road
Four Shall Die is a 1940 American supernatural crime film directed by William Beaudine. It features Dorothy Dandridge in her first credited film role.
It says in the black cinemaconnection that the film is presumed lost. Damn!
https://blackcinemaconnection.com/2018/10/29/four-shall-die/
My Comment
Nike, you don't like stories with characters absent a name? Lis, the problem is, the producer of the film was white and controlled what could be done or emitted, to this day producers dictate the parameters of artistic expression of directors/thespians or others? Manda, what later films are inspired by Sounder's stylistic conversions from book to screenplay, if any? Manda ask is the film a reclamation. I argue, yes absent deviating from being an intended feel good story. A sounder 2? My first question to you four is, with so many people, black in particular, desiring not to see films involving enslavement of blacks to whites, in the usa in particular, or seeing black struggle in an environment controlled by the non black, does Sounder fit the desire of some film goers , black or non black, to see a film absent black suffering or black struggle? My second question to you four is, the film industry ever since the code came in has always pushed films based on literature to be less violent, less fornicative, less depictive of negativities than the books themselves, the two oppositions to that are the Frankenstein films and Glory from spielberg, where Frankenstein is written as a creature fully functional or pleasant in appearance as a human male, the movies make the creature, crude, disgusting looking, incapable to be with a woman, OR the fifty third regiment mostly made up of free black men who can read but are depicted more negatively in terms of their status or condition. But, from fifty shades to Sounder to lord of the flies, to journey to the west to the statian film adapations of "men who hate women" ninety nine percent of films are never allowed to go as far as books. So my question is, what do you say to that? Has the film going audience in the usa been trained to expect a lighter touch on violent scenes, so much that to do as the books most violent parts will be unacceptable? Kim, roots was made in 1977, five years after , and Manda's question is interesting. If Sounder had not been made, would Roots be made? I think Roots is interesting cause even though Roots is well known , it isn't something shown alot today. And I argue it is because it isn't uplifting. Overall it doesn't allow non blacks to think of the usa as this country of egalitarianism, not does it allow blacks to think of the usa as some wanted home by their forebears, who were forced to immigrate. Nanda, asked before Roots what was the film dealing with the past of blacks in the USA considered the "standard" and I argue Sounder was it. Nike, check out the film Bright Road with Dorothy Dandridge, the question I pose to all four of you is, if no "Bright Road" 1953 happened would there be a Sounder film?
referral
https://www.youtube.com/watch?v=o9WlL2KAjlg&lc=UgwTgyYJo5BPjxYaWzB4AaABAg