Indigenous Poetry Examples
Event created by richardmurray
This event began 10/11/2026 and repeats every year forever
URL
https://www.deviantart.com/hddeviant/journal/Indigenous-Poetry-Examples-1386886648
IMAGE
Untitled (Blue and Gold) by Dyani White Hawk
CONTENT
This is for the Indigenous Epigraph Poetry Challenge in
All the poems come from the following
https://www.poetryfoundation.org/collections/144560/native-american-poetry-and-culture
A last note before presenting these poems. They are merely selections. , I used an alphabetical structure, A to Z , first come first serve.
Grief Calls Us to the Things of This World
By Sherman Alexie of Spokane/Coeur d’Alene
The morning air is all awash with angels—Richard Wilbur, “Love Calls Us to the Things of This World”
The eyes open to a blue telephone
In the bathroom of this five-star hotel.
I wonder whom I should call? A plumber,
Proctologist, urologist, or priest?
Who is blessed among us and most deserves
The first call? I choose my father because
He’s astounded by bathroom telephones.
I dial home. My mother answers. “Hey, Ma,”
I say, “Can I talk to Poppa?” She gasps,
And then I remember that my father
Has been dead for nearly a year. “Shit, Mom,”
I say. “I forgot he’s dead. I’m sorry—
How did I forget?” “It’s okay,” she says.
“I made him a cup of instant coffee
This morning and left it on the table—
Like I have for, what, twenty-seven years—
And I didn’t realize my mistake
Until this afternoon.” My mother laughs
At the angels who wait for us to pause
During the most ordinary of days
And sing our praise to forgetfulness
Before they slap our souls with their cold wings.
Those angels burden and unbalance us.
Those fucking angels ride us piggyback.
Those angels, forever falling, snare us
And haul us, prey and praying, into dust.
URL
https://www.poetryfoundation.org/poems/52923/grief-calls-us-to-the-things-of-this-world
Blues-ing on the Brown Vibe
By Esther Belin of Diné (Navajo)
I.
And Coyote struts down East 14th
feeling good
looking good
feeling the brown
melting into the brown that loiters
rapping with the brown in front of the Native American Health Center
talking that talk
of relocation from tribal nation
of recent immigration to the place some call the United States
home to many dislocated funky brown
ironic immigration
more accurate tribal nation to tribal nation
and Coyote sprinkles corn pollen in the four directions
to thank the tribal people
indigenous to what some call the state of California
the city of Oakland
for allowing use of their land.
II.
And Coyote travels by Greyhound from Albuquerque, New Mexico, USA thru
Dinétah
to Oakland, California, USA
laughing
Interstate 40 is cluttered with RVs from as far away as Maine
traveling and traveling
to perpetuate the myth
Coyote kicks back for most of the ride
amused by the constant herd of tourists
amazed by the mythic Indian they create
at a pit stop in Winslow
Coyote trades a worn beaded cigarette lighter for roasted corn
from a middle-aged Navajo woman squatting
in front of a store
and Coyote squats alongside the woman
talking that talk
of bordertown blues
of reservation discrimination
blues-ing on the brown vibe
a bilagáana snaps a photo
the Navajo woman stands
holding out her hand
requesting some of her soul back
instead
she replaces her soul with a worn picture of George Washington on a dollar bill
and Coyote starts on another ear of corn
climbing onto the Greyhound
the woman
still squatting
waiting
tired of learning not to want
waits there for the return of all her pieces.
III.
And Coyote wanders
right into a Ponca sitting at the Fruitvale Bart station
next to the Ponca is a Seminole
Coyote struts up to the two
“Where ya’all from?”
the Ponca replies
“Oooklahooma”
pause
the Seminole silent watches a rush of people climb in and out of the train
headed for Fremont
the Seminole stretches his arms up and back stiff from the wooden benches
pause
he pushes his lips out toward the Ponca slowly gesturing that he too is from Oklahoma
Coyote wanders
“where ’bouts?”
the Ponca replies
“Ponnca City”
pause
the Seminole replies
“Seminoole”
Coyote gestures to the Ponca
“You Ponca?”
the Ponca nods his head in affirmation
Coyote nods his head in content
to the Seminole
Coyote asks
“You Seminole?”
pause
the Seminole now watching some kids eating frozen fruit bars
nods his head
and Coyote shares his smokes with the two
and ten minutes later
they travel together on the Richmond train
headed for Wednesday night dinner at the Intertribal Friendship House.
IV.
And Coyote blues-ing on the urban brown funk vibe
wanders
in and out of existence
tasting the brown
rusty at times
worn bitter from relocation.
URL
https://www.poetryfoundation.org/poems/53453/blues-ing-on-the-brown-vibe
Prayer to Fix the Affections
By Gladys Cardiff of Eastern Band of Cherokee
O Ancient One,
your web hangs down from the pines.
I am of the Owl clan.
I have been to water,
my dress is of red clay.
He moves at the edge of you,
binds us with your threads.
The center of his soul shall be my soul’s center.
Our paths shall be white forever.
Where we move the paths from every direction
shall recognize each other.
We are one never to be parted.
URL
https://www.poetryfoundation.org/poems/53171/prayer-to-fix-the-affections
A Mighty Pulverizing Machine
By Laura Da’ of Shawnee (Eastern Shawnee Tribe of Oklahoma)
To each orphaned child—so long as you remain close enough to walk to
your living kin you will dance, feast, feel community in food. This cannot
stand. Eighty acres allotted.
To each head of household—so long as you remember your tribal words
for village you will recollect that the grasses still grow and the rivers still
flow. So long as you teach your children these words they will remember
as well. This we cannot allow. One hundred and sixty acres allotted.
To each elder unable to till or hunt—so long as your old and injurious habits
sing out over the drum or flicker near the fire you cripple our reward. We
seek to hasten your end. Eighty acres allotted.
To each widowed wife—so long as you can make your mark, your land
may be leased. A blessing on your mark when you sign it and walk closer
to your favored white sister. Eighty acres allotted.
To each full blood—so long as you have an open hand, we shall fill it with
a broken ploughshare. One hundred and sixty acres allotted.
To each half blood, each quarter strain—so long as you yearn for the broken
ploughshare, you will be provided a spade honed to razor in its place.
When every acre of your allotment has been leased or sold, you will turn it
on yourself. From that date begins our real and permanent progress.
URL
https://www.poetryfoundation.org/poems/147037/a-mighty-pulverizing-machine
Anonymous Is Coyote Girl
By Anita Endrezze of Yaqui
From a newspaper photo and article about my godfather, James Moreno, East Los Angeles, 1950.
(Three police officers took a brutal beating in a wild free-for-all with a
family, including three young girls.
From left, James, 19, and Alex, 22, in jail after the fracas
on the porch of their home at 3307 Hunter.)
Jimmy is staring off the page, hands in his pockets.
A four-button dark shirt. No bruises,
but he looks dazed.
Alex wears a leather coat and a polka-dot shirt,
which is in itself a crime.
Nowhere is there a photo of a young girl
with a face carved like a racetrack saint,
eyes with all bets called off,
grinning like a coyote.
(Officer Parks had his glasses broken
with his own sap
and was thrown through a window.)
Jimmy and Alex are my dad’s cousins,
lived on Boyle Heights and tortillas.
Mama says the cops always harassed them, those niños
from East L.A., driving their low-riders,
chrome shinier than a cop’s badge.
And why wasn’t Coyote Girl mentioned, that round-armed
girl with a punch like a bag of bees,
a girl with old eyes, her lips cracking open
as she saw the cop sailing through glass, boiling out
of Boyle Heights, skidding on the sidewalk, flat as a tortilla?
(The officers received severe cuts and bruises,
were treated at a hospital and released in time to jail the youths,
who were charged with assault with a deadly weapon.)
Two years later, I was born and Jimmy entered the church,
hands in his pockets, shoulders hunched, watching the christening.
Four drops of water, like popped-off wafer-thin buttons,
fell on my head.
No.
He never showed up that day
or any other. My spiritual guardian must’ve been there
in spirit only.
He didn’t know nada about Got and no one knows
where he is today, but I think you could find him at the end
of a knife. Or in the slash of the z
in ¡La Raza! the dark blood
reds of graffiti. Or tomatoes
grown in old coffee cans
by a white-haired man
sitting in the sun in a dark shirt,
next to an old woman growing younger every day
as I tell her story, my story,
our story
with all the grace and power
of a deadly weapon.
URL
https://www.poetryfoundation.org/poems/53430/anonymous-is-coyote-girl
… Bee
By Eric Gansworth of Onondaga Nation (Onondaga Nation)
I stood in a longhouse
with a woman who may or may not
be Mohawk. Some shift their opinions
about her like meteorologists, as if
her blood were a storm system tracked
in its comings and goings. But the father
of her two sons was, without question, Seneca.
We knew that, in Haudenosaunee country, a father
is to some degree irrelevant, that her own
shifting identity would impact her sons’ lives
like a gene vulnerable to betrayal, causing
certain, terminal conditions. She waited
on an elder she called Steam (warning I was not
to call the elder woman by that name). Steam
(not Steam) would observe the boys, understand
their natures, give them their Creator names defining
their lives during the next ceremony. I confessed
my namelessness, confessed my longhouse- and fluency-
deficient community, and confessed that my clan
mother, three hours away, did not know me well
enough to give me a name, confessed my community followed
a more casual ceremony. You find your name after a social misstep,
a dubious facial feature, a birth defect. Names offer
the name-givers comfort, that your challenge is harder
than theirs, no matter the truth.
Our names are a convoluted toughening of our skins. My name
is not like Steam (no one is forbidden to use it). No one
calls me Batman because of my status, my utility
belt, my impressive batpole, my agility, my muscles,
my profile in spandex, my virtues, but because I wore
the cape to an older age than I should have, and could
continue to wear it now, as that shit is not going away
any time soon. Even kids who only know Christian Bale
or Michael Keaton, lurking in latex and leather hood,
still think Batman is my name.
And this is why I have no memory for when or how you became
the Bumblebee, what it means, beyond the literal.
You soar in gardens, spend days ensuring growth,
and if metaphors are at work here, this one seems true
enough to keep you in amber wings, fuzzy yellow rings,
black lacquer torso, and sensitive antennae.
What metaphor suits the night I left on the Amtrak
for Chicago, past 1:00 a.m., while you stood
on the platform, watching those cars pull out,
the night I wanted to leap from the train, stay?
I cannot invent new names for the ways we slow,
struggle, attempt to maintain the illusion of futures
without measure, defy actuary numbers and because I have
gone closer to the light than you have, the story is
easier to craft and finesse than it should be.
Pollination trails are smaller than those I’m forced
to fly in, and lying in Little Rock, Santa Fe, Manhattan,
Minneapolis, Seattle, hotel rooms, the ellipse of your name
trail winds me home, waiting, dusted in pollen and history.
URL
https://www.poetryfoundation.org/poetrymagazine/poems/146712/-bee
Fieldwork
By Joan Naviyuk Kane of Inupiaq
Another day of heat-
strangers continue to wobble
across the horizon, bringing drought
when instead we should have deluge.
I steep snow-lichen in water I
drew from a lake
which has since gone dry.
At sea few understood me,
as though I induced a sickness
that deafened, then healed.
As before, I predict lies,
to be pushed from the boat
time and time again.
Nevertheless, I expect
to get by while their widowers·
seek refuge with their provident
families; perhaps a storm will pile fish
at their doors when the red tide rises,
perhaps they will not follow as we move,
moon into moon, under another sky.
URL
https://www.poetryfoundation.org/poems/158604/fieldwork
How Soon
By Gordon Henry Jr. of White Earth Chippewa
The story goes from in a rainfall
to sister walking a field
browned autumn. And when she arrives
winter has come, so the old man
rises from his chair, picks up
matches, pipes and tools, and
walks out to begin again.
The sculptures grow by the day,
birds in ice, recognizable
eagles, a bear who began
as a man in a moment of dance.
He does this in ice, all
winter carving at dawn,
carving at dusk.
And sister after walking a field
browned autumn, arrives, watches
from the east window, waits,
goes out to him in spring,
taps him on the shoulder
and points to the pools
of water he's standing over.
URL
https://www.poetryfoundation.org/poems/147311/how-soon
Marshlands
By Emily Pauline Johnson of Mohawk
A thin wet sky, that yellows at the rim,
And meets with sun-lost lip the marsh’s brim.
The pools low lying, dank with moss and mould,
Glint through their mildews like large cups of gold.
Among the wild rice in the still lagoon,
In monotone the lizard shrills his tune.
The wild goose, homing, seeks a sheltering,
Where rushes grow, and oozing lichens cling.
Late cranes with heavy wing, and lazy flight,
Sail up the silence with the nearing night.
And like a spirit, swathed in some soft veil,
Steals twilight and its shadows o’er the swale.
Hushed lie the sedges, and the vapours creep,
Thick, grey and humid, while the marshes sleep.
URL
https://www.poetryfoundation.org/poems/52095/marshlands
Ghost Dance
By Sara Littlecrow-Russell of Anishinaabeg (Ojibwe) and Han-Naxi Métis
Two hundred seventy
Ghost Dancers died dreaming
That humanity would drown
In a flood of White sins.
Then the renewed earth
Would reclaim city and town,
Leaving only Ghost Dancers
And those who lived by nature’s laws.
History books say the threat is gone.
The Ghost Dance died with the ancestors—
Wovoka and his sacred dream
Were destroyed.
Each time it rains,
I go out to the sidewalk,
Where the tree roots
Have broken the concrete
Listening to the water’s whispering:
“It is coming soon.”
URL
https://www.poetryfoundation.org/poems/53461/ghost-dance
Love Poem to a Butch Woman
By Deborah A. Miranda of Ohlone-Costanoan Esselen
This is how it is with me:
so strong, I want to draw the egg
from your womb and nourish it in my own.
I want to mother your child made only
of us, of me, you: no borrowed seed
from any man. I want to re-fashion
the matrix of creation, make a human being
from the human love that passes between
our bodies. Sweetheart, this is how it is:
when you emerge from the bedroom
in a clean cotton shirt, sleeves pushed back
over forearms, scented with cologne
from an amber bottle—I want to open
my heart, the brightest aching slit
of my soul, receive your pearl.
I watch your hands, wait for the sign
that means you’ll touch me,
open me, fill me; wait for that moment
when your desire leaps inside me.
URL
https://www.poetryfoundation.org/poems/53926/love-poem-to-a-butch-woman
The Dice Changer
By Duane Niatum of S’Klallam
Raven steals your name for an autumn joke:
buries it along with you under the broadest hemlock
known to squirrel or chipmunk.
He croaks it’s too bad you were awake for the event.
He accuses you of boring him
with the same old questions over and over.
You attempt revolt to prove his rattle
is cracked and as brittle as his song.
Raven clacks his beak like a trap and hollers
your face is a mask splitting down the middle
and madness has found a home.
All stink and fur dung, the black master
quips you had a chance to flee
but forgot where and what direction.
Now he blurts your pain must jump in the river,
the river thrash like the wind,
the mountain awaken you to the currents of the sea.
Raven hops away and chuckles as the dark chatters,
flips you over to your earth shadow.
URL
https://www.poetryfoundation.org/poems/53165/the-dice-changer
Grandmothers Land
By William Oandasan of Yuki
around the house stood an
orchard of plum, apple and pear
a blackwalnut tree, one white pine,
groves of white oak and willow clumps
the home of Jessie was largely redwood
blood, flesh and bone sprouted
inside her womb of redwood
for five generations
the trees now stand unpruned and wild
after relocating so many years before the War
the seeds of Jessie have returned
afternoon sunlight on the field
breezes moving grass and leaves
memories with family names wait
within the earth, the mountains,
the valley, the field, the trees
URL
https://www.poetryfoundation.org/poems/53257/grandmothers-land
Lear’s Wife
By Elise Paschen of Osage
... if thou shouldst not be glad,
I would divorce me from thy mother’s tomb,
Sepulch’ring an adult’ress.
— William Shakespeare, King Lear
He faked my death,
set up this ranch
far from my three
daughters. Suburban
hellhole. With bracelet
on ankle, house-
arrest. At noon
the bully sun
shoulders a ripe
moon. In the dark
soaps reign. The anchors
will often flash
their glitterati
weddings. Not one
daughter has birthed
an heir. In vitro —
be damned. I hose
the lawn and count
the cars like fish
slipping their shiny
chrome along asphalt.
Which sparrow missed?
Cordelia —
my gutted heart.
URL
https://www.poetryfoundation.org/poetrymagazine/poems/90674/lears-wife
Buckeye as You Are
By Wendy Rose of Hopi and Miwok
September 11, 2001
They walk past you
weeping
for the leaves that burnt
& fell, the wood exposed
like bone, sculpture
that suddenly emerges
from white haze.
You old fortune-teller,
you could have told them
in their vibrant grief
whispering through the night wind
your breath held in your heart
like the trembling promise of tomorrow,
just before dawn
there was no pain
you are the wood
not the leaf,
falling is not
falling but
offering.
URL
https://www.poetryfoundation.org/poems/53427/buckeye-as-you-are
Now I'm a Woman
By Cedar Sigo of Suquamish
When you hear the knives ring
Turn the page.
I wonder why I am not
Myself of late, ridiculous glass edges
Turn back on themselves
And soon reveal
The hand of an apprentice
And godforsaken embarrassing torch,
Stormy back hallways
Out of the black and wooden theatres.
Crystal Waters plus her driver
Plus her entourage is still rolling out
Of the Sands, Atlantic City
On the soundtracks to shows
Held over at The Fairmount
She is throwing back shots
With the mafia. I have learned
To take apart this American Songbook
And very fortunately as I would take
My audience in confidence
Threads of gold fall closely together
Coming to break us off.
At the first of the shows
I sang this song
And in between I saw him in the hall,
What could I tell you?
“Someday we’ll build on a hilltop high.”
URL
https://www.poetryfoundation.org/poems/54490/now-im-a-woman
Battlefield
By Mark Turcotte of Ojibwe (Turtle Mountain Chippewa)
Back when I used to be Indian
I am standing outside the
pool hall with my sister.
She strawberry blonde. Stale sweat
and beer through the
open door. A warrior leans on his stick,
fingers blue with chalk.
Another bends to shoot.
His braids brush the green
felt, swinging to the beat
of the jukebox. We move away.
Hank Williams falls again
in the backseat of a Cadillac.
I look back.
A wind off the distant hills lifts my shirt,
brings the scent
of wounded horses.
URL
https://www.poetryfoundation.org/poems/40865/battlefield
And I wonder where you are
By Tanaya Winder of Duckwater Shoshone
Sacred stars blanket a nighttime sky,
each light reminds us of the preciousness of life.
Your memory lives along the Milky Way,
each twinkle saying don’t forget my name.
It’s an epidemic, a sickness of the earth,
a war we enter as soon as we are birthed.
Indigenous women, girls, our two-spirit, too.
When did this world start disappearing you?
URL
https://www.poetryfoundation.org/poetrymagazine/poems/155482/and-i-wonder-where-you-are
User Feedback
There are no reviews to display.
