14 Books Published by Astra Publishing House on AALBC — Book Cover Collage

Set in the universe Africanfuturist luminary Nnedi Okorafor first introduced in the World Fantasy Award-winning Who Fears Death, One Way Witch is the second in the She Who Knows trilogy.

The world has forgotten Onyesonwu.

As a teen, Najeeba learned to become the beast of wind, fire, and dust: the kponyungo. When that took too much from her, including the life of her father, she let it all go, and for a time, she was happy—until only a few years later, when the small, normal life she’d built was violently destroyed.

Now in her forties and years beyond the death of her second husband, Najeeba has just lost her beloved daughter. Onyesonwu saved the world. Najeeba knows this well, but the world does not. This is how the juju her daughter evoked works. One other person who remembers is Onyesonwu’s teacher Aro, a harsh and hard-headed sorcerer. Najeeba has decided to ask him to teach her the Mystic Points, the powerful heart of sorcery. There is something awful Najeeba needs to kill and the Mystic Points are the only way. Najeeba is truly her daughter’s mother.

When Aro agrees to help, Najeeba is at last ready to forge her future. But first, she must confront her past—for certain memories cannot lie in unmarked graves.

Part science fiction, part fantasy, and entirely infused with West African culture and spirituality, this novella offers an intimate glimpse into the life of a teenager whose coming of age will herald a new age for her world. Set in the universe Africanfuturist luminary Nnedi Okorafor first introduced in the World Fantasy Award-winning Who Fears Death, this is the first in the She Who Knows trilogy.

When there is a call, there is often a response.

Najeeba knows.

She has had The Call. But how can a 13-year-old girl have The Call? Only men and boys experience the annual call to the Salt Roads. What’s just happened to Najeeba has never happened in the history of her village. But it’s not a terrible thing, just strange. So when she leaves with her father and brothers to mine salt at the Dead Lake, there’s neither fanfare nor protest. For Najeeba, it’s a dream come true: travel by camel, open skies, and a chance to see a spectacular place she’s only heard about. However, there must have been something to the rule, because Najeeba’s presence on the road changes everything and her family will never be the same.

Small, intimate, up close, and deceptively quiet, this is the beginning of the Kponyungo Sorceress.

The definitive biography of MF DOOM, charting the reclusive and revered hip-hop artist’s life, career, and eventual immortality.

On December 31, 2020, the world was shocked to learn about the death of hip-hop legend MF DOOM. Born in London and raised in the suburban enclave of Long Beach, New York, Daniel Dumile Jr.’s love of cartoons and comic books would soon turn him into one of hip-hop’s most enigmatic, prolific, and influential figures.

Sweeping and definitive, The Chronicles of DOOM: Unraveling Rap’s Masked Iconoclast recounts the rise, fall, redemption, and untimely demise of MF DOOM. Broken down into five sections: The Man, The Myth, The Mask, The Music, and The Legend, journalist S. H. Fernando, or SKIZ, chronicles the life of Daniel Dumile Jr., beginning in the house he grew up in Long Beach, NY, into the hip-hop group KMD, onto the stage of his first masked show, through the countless collaborations, and across the many different cities Daniel called home. Centering the music, SKIZ deftly lays out the history of east-coast rap against DOOM’s life story and dissects the personas, projects, tracks, and lyrics that led to his immortality.

Including exclusive interviews with those who worked closely with DOOM and providing an unknown, intimate, behind-the-scenes look into DOOM’s life, The Chronicles of DOOM is the definitive biography of MF DOOM, a supervillain on stage and hero to those who paid attention.

A science-based, data-driven, and global exploration of racial disparities in health care access by virologist, immunologist, and science journalist Layal Liverpool; In the spirit of ambitious bestselling books like Medical Apartheid and Killing the Black Body.

The COVID-19 pandemic taught us that viruses disproportionately affect people of color. Here, Layal Liverpool goes a step further to show that this disparity exists for all types of illness and that it is caused by racism.

Liverpool will show how racism is woven, invisibly, not just into the structure of medicine and science but into our very bodies. Refuting the false belief that there are biological differences between races, Liverpool goes on to show that racial stereotyping and trauma can however lead to biological changes that make people of color more vulnerable to illness.

Systemic tackles:

• The problem of racial bias and data gaps in medicine where the default human subject is white
• The dangerous health consequences of systemic racism, from the physical and psychological effects of daily micro- and macro-aggressions to intergenerational trauma
• The fatal stereotypes that keep people of color undiagnosed, untreated, and unsafe
• How we can fix these problems by confronting bias and closing the data gap

Using data-driven science, Layal Liverpool shows that racism itself can have biological consequences on the body

Perfect for fans of Mo Willems and Jon Klassen, award-winning author Sharon G. Flake’s story about a very serious cat and a very silly duck will inspire giggles with every reading.

Best friends Duck and Cat have a problem—Cat makes Duck sneeze! “I think—achoo!—I’m allergic to you,” Duck declares. Hilarity ensues as Cat keeps trying to solve the problem—but Duck keeps sneezing! Is Duck really allergic to Cat or is something else going on?

Written completely in dialogue, this text is fun to read aloud and easy enough for newly independent readers to enjoy on their own. Humorous illustrations highlight the characters’ personalities, emphasizing Duck’s quirky humor and Cat’s earnestness. This dynamic duo will charm readers as the sly friendship tale keeps them laughing.

For fans of Mo Willems’ Elephant and Piggie and Pigeon series, this clever and hilarious story stars Cat, who starts out perfectly content and relaxed, and Duck, who infuriates him by meowing like a cat instead of quacking like Cat thinks he should.

Written completely in dialogue, this minimalist text is fun to read aloud and easy enough for newly independent readers to enjoy on their own. Humorous and deceptively simple artwork highlights the characters’ personalities, showing Duck’s quirkiness and good humor and Cat’s rising frustration as Duck impersonates a variety of animals, refusing to concede that he is, indeed, a duck.

Duck’s silliness will appeal to children who enjoy pretend play, and older siblings will relate to Cat’s annoyance as Duck refuses to leave his side. Ideal for multiple readings, here is a concise, funny story by award-winning author Sharon G. Flake with playful details in the artwork and humor that never fades.

This brand-new sequel to Nnedi Okorafor’s Shadow Speaker contains the powerful prose and compelling stories that have made Nnedi Okorafor a star of the literary science fiction and fantasy space and put her at the forefront of Africanfuturist fiction.

Niger, West Africa, 2077

Welcome back. This second volume is a breathtaking story that sweeps across the sands of the Sahara, flies up to the peaks of the Aïr Mountains, cartwheels into a wild megacity—you get the idea.

I am the Desert Magician; I bring water where there is none.

This book begins with Dikéogu Obidimkpa slowly losing his mind. Yes, that boy who can bring rain just by thinking about it is having some…issues. Years ago, Dikéogu went on an epic journey to save Earth with the shadow speaker girl, Ejii Ubaid, who became his best friend. When it was all over, they went their separate ways, but now he’s learned their quest never really ended at all.

So Dikéogu, more powerful than ever, reunites with Ejii. He records this story as an audiofile, hoping it will help him keep his sanity or at least give him something to leave behind. Smart kid, but it won’t work—or will it?

I can tell you this: it won’t be like before. Our rainmaker and shadow speaker have changed. And after this, nothing will ever be the same again.

As they say, ’Onye amaro ebe nmili si bido mabaya ama ama onye nyelu ya akwa oji welu ficha aru.’

Or, ’If you do not remember where the rain started to beat you, you will not remember who gave you the towel with which to dry your body.’

Amazon Editor’s Pick, Best SFF September 2023 - The Strand, Science Fiction Pick of the Month October 2023

Deluxe, expanded edition of an out-of-print early novel from Africanfuturist luminary Nnedi Okorafor, with a brand-new introduction from the author.

Niger, West Africa, 2074

It is an era of tainted technology and mysterious mysticism. A great change has happened all over the planet, and the laws of physics aren’t what they used to be.

Within all this, I introduce you to Ejii Ugabe, a child of the worst type of politician. Back when she was nine years old, she was there as her father met his end. Don’t waste your tears on him: this girl’s father would throw anyone under a bus to gain power. He was a cruel, cruel man, but even so, Ejii did not rejoice at his departure from the world. Children are still learning that some people don’t deserve their love.

Now 15 years old and manifesting the abilities given to her by the strange Earth, Ejii decides to go after the killer of her father. Is it for revenge or something else? You will have to find out by reading this book.

I am the Desert Magician, and this is a novel I have conjured for you, so I’m certainly not going to just tell you here.

“An absolute triumph.” —Michael Schaub, NPR

“Astonishing.” —Kiese Laymon, MacArthur Fellow and author of Long Division

“What a beautiful, haunting and hued narrative of American living. I’m in love with this story.” —Jacqueline Woodson, MacArthur Fellow and author of Another Brooklyn

A poignant debut for readers of Jesmyn Ward and Jamel Brinkley, We Are a Haunting follows three generations of a working class family and their inherited ghosts: a story of hope and transformation.

In 1980’s Brooklyn, Key is enchanted with her world, glowing with her dreams. A charming and tender doula serving the Black women of her East New York neighborhood, she lives, like her mother, among the departed and learns to speak to and for them. Her untimely death leaves behind her mother Audrey, who is on the verge of losing the public housing apartment they once shared. Colly, Key’s grieving son, soon learns that he too has inherited this sacred gift and begins to slip into the liminal space between the living and the dead on his journey to self-realization.

In the present, an expulsion from school forces Colly across town where, feeling increasingly detached and disenchanted with the condition of his community, he begins to realize that he must, ultimately, be accountable to the place he is from. After college, having forged an understanding of friendship, kinship, community, and how to foster love in places where it seems impossible, Colly returns to East New York to work toward addressing structural neglect and the crumbling blocks of New York City public housing he was born to; discovering a collective path forward from the wreckages of the past.

A supernatural family saga, a searing social critique, and a lyrical and potent account of displaced lives, We Are a Haunting unravels the threads connecting the past, present, and future, and depicts the palpable, breathing essence of the neglected corridors of a pulsing city with pathos and poise.

In this powerfully written and beautifully illustrated picture book by award-winning author and illustrator team Carole Boston Weatherford and E. B. Lewis, Mother Africa addresses her offspring of all colors in all corners of the earth, reminding us of our timeless bond.

Written in the voice of Mother Africa, who speaks to her children—human beings—this stunning picture book thrums with the love between mother and child as it celebrates humanity’s common roots.

Before words or tools or fire, Mother Africa’s caves sheltered us and her forests fed us. She could not protect us from all dangers, but, like mothers everywhere, she gave her children all she could and sent us into the world with confidence and love. Told in the ringing, singing language of a creation story, this book is a love letter from mother to child that honors our shared history.

Includes back matter with nonfiction information about human evolution and about the migration of Homo sapiens from Africa around the globe.

One of the New York Times’ 6 New Paperbacks to Read

Now in paperback and with new material, a 2021 Kirkus Best Book of the Year in both Nonfiction and Current Events, the book Naomi Klein called: “a triumph of political imagination and a tremendous gift to all movements struggling towards liberation.”

For more than a century, activists in the United States have tried to reform the police. Millions of people continue to protest police violence because these “solutions” do not match the problem: the police cannot be reformed.

In her critically acclaimed first book Becoming Abolitionists, Purnell draws from her experiences as a lawyer, writer, and organizer initially skeptical about police abolition. She saw too much sexual violence and buried too many friends to consider getting rid of police in her hometown of St. Louis, let alone the nation. But the police were a placebo. Calling them felt like something, and something feels like everything when the other option seems like nothing.

Purnell details how multi-racial social movements rooted in rebellion, risk-taking, and revolutionary love pushed her and a generation of activists toward abolition. The book travels across geography and time, and offers lessons that activists have learned from Ferguson to South Africa, from Reconstruction to contemporary protests against police shootings.

Here, Purnell invites readers to envision new systems that work to address the root causes of violence. Becoming Abolitionists shows that abolition is not solely about getting rid of police, but a commitment to create and support different answers to the problem of harm in society, and, most excitingly, an opportunity to reduce and eliminate harm in the first place.

From Africanfuturist luminary Okorafor comes a new science fiction novel of intense action and thoughtful rumination on biotechnology, destiny, and humanity in a near-future Nigeria.

Anwuli Okwudili prefers to be called AO. To her, these initials have always stood for Artificial Organism. AO has never really felt…natural, and that’s putting it lightly. Her parents spent most of the days before she was born praying for her peaceful passing because even in-utero she was “wrong”. But she lived. Then came the car accident years later that disabled her even further. Yet instead of viewing her strange body the way the world views it, as freakish, unnatural, even the work of the devil, AO embraces all that she is: A woman with a ton of major and necessary body augmentations. And then one day she goes to her local market and everything goes wrong.

Once on the run, she meets a Fulani herdsman named DNA and the race against time across the deserts of Northern Nigeria begins. In a world where all things are streamed, everyone is watching the "reckoning of the murderess and the terrorist" and the "saga of the wicked woman and mad man" unfold. This fast-paced, relentless journey of tribe, destiny, body, and the wonderland of technology revels in the fact that the future sometimes isn’t so predictable. Expect the unaccepted.

A fiery spirit dances from the pages of the Great Book. She brings the aroma of scorched sand and ozone. She has a story to tell….

The Book of Phoenix is a unique work of magical futurism. A prequel to the highly acclaimed, World Fantasy Award-winning novel, Who Fears Death, it features the rise of another of Nnedi Okorafor’s powerful, memorable, superhuman women.

Phoenix was grown and raised among other genetic experiments in New York’s Tower 7. She is an “accelerated woman”—only two years old but with the body and mind of an adult, Phoenix’s abilities far exceed those of a normal human. Still innocent and inexperienced in the ways of the world, she is content living in her room speed reading e-books, running on her treadmill, and basking in the love of Saeed, another biologically altered human of Tower 7.

Then one evening, Saeed witnesses something so terrible that he takes his own life. Devastated by his death and Tower 7’s refusal to answer her questions, Phoenix finally begins to realize that her home is really her prison, and she becomes desperate to escape.

But Phoenix’s escape, and her destruction of Tower 7, is just the beginning of her story. Before her story ends, Phoenix will travel from the United States to Africa and back, changing the entire course of humanity’s future.

Tessa Thompson’s new production company will adapt Who Fears Death by Nnedi Okorafor and The Secret Lives of Church Ladies by Deesha Philyaw into HBO movies.

The critically-acclaimed novel-now in paperback.

In a far-future, post-apocalyptic Saharan Africa, genocide plagues one region. When the only surviving member of a slain village is brutally raped, she manages to escape, wandering farther into the desert. She gives birth to a baby girl with hair and skin the color of sand, and instinctively knows her daughter is different. She names her daughter Onyesonwu, which means "Who Fears Death?" in an ancient African tongue.

Reared under the tutelege of a mysterious and traditional shaman, Onyesonwu discovers she possesses a remarkable and unique magic. The journey to fulfill her destiny will force her to confront nature, tradition, history, the spiritual mysteries of her culture, and eventually to learn why she was given the unusual name she bears: Who Fears Death?