8 Books Published by Other Press on AALBC — Book Cover Collage

A gripping literary mystery in the vein of Bolaño’s Savage Detectives, this coming-of-age novel unravels the fascinating life of a maligned Black author, based on Yambo Ouologuem.

The first Sub-Saharan African winner of France’s top literary prize, the Goncourt.

In 2018, Diégane Latyr Faye, a young Senegalese writer in Paris, discovers a legendary book from the 1930s, The Labyrinth of Inhumanity. No one knows what became of its author, once hailed as the "Black Rimbaud," after the book caused a scandal. Enthralled by this mystery, Diégane decides to search for T.C. Elimane, going down a path that will force him to confront the great tragedies of history, from colonialism to the Holocaust.

Alongside his investigation, Diégane becomes part of a group of young African writers in Paris. Together they talk, drink, make love, and philosophize about the role of exile in artistic creation. Diégane grows particularly close to two women: the seductive Siga, who holds so many secrets, and the photojournalist Aïda, impossible to pin down.

The Most Secret Memory of Men is an astonishing novel about the choice between living and writing, and the desire to transcend the divide between Africa and the West. Above all, it is an ode to literature and its timelessness.

This critically acclaimed study offers a distinct, incisive look at how Senegalese philosopher Senghor sees in African art the most acute expression of Bergson’s philosophy.

Léopold Sédar Senghor (1906-2001) was a Senegalese poet and philosopher who in 1960 also became the first president of the Republic of Senegal. In African Art as Philosophy, Souleymane Bachir Diagne uses a unique approach to reading Senghor’s influential works, taking as the starting point for his analysis Henri Bergson’s idea that in order to understand philosophers, one must find the initial intuition from which every aspect of their work develops. In the case of Senghor, Diagne argues that his primordial intuition is that African art is a philosophy.

To further this point, Diagne looks at what Senghor called the “1889 Revolution” (the year Bergson’s Time and Free Will was published), as well as the influential writers and publications of that period—specifically, Nietzsche and Rimbaud. The 1889 Revolution, Senghor claims, is what led him to the understanding of the “Vitalism” at the core of African religions and beliefs that found expression in the arts.

One of the BBC’s “100 Novels That Shaped Our World,” a much-needed fable that could change how we see ourselves and our reality, from the renowned Booker Prize–winning author.

A young man finds himself among invisible beings who have built a world based on one principle: that we must repeat every experience until we live it fully for the first time. “Only then can we find what we didn’t seek and go where we don’t intend to go.”

Ben Okri navigates the world at once as a writer, an artist, a musician, and a philosopher—in the process, he challenges our craving for the visual and the concrete. We read him not only with our eyes but also with our senses, our intuition. As his story unfolds we begin to inhabit the ineffable land that he creates, our imagination led to a place where what we once thought were fundamental truths are turned magically on their heads.

In the difficult times we live in, in an age decimated by injustice and inequality, Okri brings unexpected insights as meaningful as they are transformative.

“Maybe what seeks us is better than what we seek.”

An environmental fairytale that speaks eloquently to the most pressing issues of our times, from the Booker Prize–winning author of The Famished Road.

Mangoshi lives with her mom and dad in a village near the forest. When her mom becomes ill, Mangoshi knows only one thing can help her—a special flower that grows deep in the forest.

The little girl needs all her courage when she sets out alone to find and bring back the flower, and all her kindness to overpower the dangers she encounters on the quest.

Ben Okri brings the power of his mystic vision to a timely story that weaves together wonder, adventure, and environmentalism.

NAMED A MOST ANTICIPATED READ OF THE YEAR BY MS. MAGAZINE

Drawing on real accounts of the Ebola outbreak that devastated West Africa, this poignant, timely fable reflects on both the strength and the fragility of life and humanity’s place in the world.

Two boys venture from their village to hunt in a nearby forest, where they shoot down bats with glee, and cook their prey over an open fire. Within a month, they are dead, bodies ravaged by an insidious disease that neither the local healer’s potions nor the medical team’s treatments could cure. Compounding the family’s grief, experts warn against touching the sick. But this caution comes too late: the virus spreads rapidly, and the boys’ father is barely able to send his eldest daughter away for a chance at survival.

In a series of moving snapshots, Véronique Tadjo illustrates the terrible extent of the Ebola epidemic, through the eyes of those affected in myriad ways: the doctor who tirelessly treats patients day after day in a sweltering tent, protected from the virus only by a plastic suit; the student who volunteers to work as a gravedigger while universities are closed, helping the teams overwhelmed by the sheer number of bodies; the grandmother who agrees to take in an orphaned boy cast out of his village for fear of infection. And watching over them all is the ancient and wise Baobab tree, mourning the dire state of the earth yet providing a sense of hope for the future.

Acutely relevant to our times in light of the coronavirus pandemic, In the Company of Men explores critical questions about how we cope with a global crisis and how we can combat fear and prejudice.

Based on true events, a story of courage, forgiveness, love, and freedom in precolonial Ghana, told through the eyes of two women born to vastly different fates.

Aminah lives an idyllic life until she is brutally separated from her home and forced on a journey that transforms her from a daydreamer into a resilient woman. Wurche, the willful daughter of a chief, is desperate to play an important role in her father’s court. These two women’s lives converge as infighting among Wurche’s people threatens the region, during the height of the slave trade at the end of the nineteenth century.

Through the experiences of Aminah and Wurche, The Hundred Wells of Salaga offers a remarkable view of slavery and how the scramble for Africa affected the lives of everyday people.

A rare first-person account that combines a journalist’s skilled reporting with the raw emotion of a younger brother’s heartfelt testimony of what his family endured for decades after his eldest brother killed a man and was sentenced to life in prison.

At the age of nine, Issac J. Bailey saw his hero, his eldest brother, taken away in handcuffs, not to return from prison for thirty-two years. Bailey tells the story of their relationship and of his experience living in a family suffering guilt and shame. Drawing on sociological research as well as his expertise as a journalist, he seeks to answerthe crucial question of why Moochie and many other young black men—including half of the ten boys in his own family—end up in the criminal justice system. What role did poverty, race, and faith play? What effect did living in the South, in the Bible Belt, have? And why is their experience understood as a trope for black men, while white people who commit crimes are never seen in this generalized way?

My Brother Moochie provides a wide-ranging yet intensely intimateview of crime and incarceration in the United States, and the devastatingeffects on the incarcerated, their loved ones, their victims, andsociety as a whole.

A New York Times Notable Book of 2015 — Michiko Kakutani, The Top Books of 2015, New York Times — TIME Magazine Top Ten Books of 2015 — Publishers Weekly Best Books of the Year — Financial Times Best Books of the Year

“A tour-de-force reimagining of Camus’s The Stranger, from the point of view of the mute Arab victims.” —The New Yorker
 
He was the brother of “the Arab” killed by the infamous Meursault, the antihero of Camus’s classic novel. Seventy years after that event, Harun, who has lived since childhood in the shadow of his sibling’s memory, refuses to let him remain anonymous: he gives his brother a story and a name—Musa—and describes the events that led to Musa’s casual murder on a dazzlingly sunny beach.
               
In a bar in Oran, night after night, he ruminates on his solitude, on his broken heart, on his anger with men desperate for a god, and on his disarray when faced with a country that has so disappointed him. A stranger among his own people, he wants to be granted, finally, the right to die.
               
The Stranger is of course central to Daoud’s story, in which he both endorses and criticizes one of the most famous novels in the world. A worthy complement to its great predecessor, The Meursault Investigation is not only a profound meditation on Arab identity and the disastrous effects of colonialism in Algeria, but also a stunning work of literature in its own right, told in a unique and affecting voice.