5 Books Published by Tiny Reparations Books on AALBC — Book Cover Collage

Forthcoming Unavailable for Sale

Black-Owned: The Revolutionary Life of the Black Bookstore is the first full-length book on the history of Black-owned bookstores, and is an expansion of her important article, “Black-Owned Bookstores Have Always Been at the Center of the Resistance:”

When he wasn’t helping some 600 slaves escape through the Underground Railroad, David Ruggles was running a bookstore. In 1828, Ruggles opened a grocery store in New York City and later, as he became involved in the burgeoning abolitionist movement, opened a reading room and a bookstore for Black Americans. It was the nation’s first Black-owned bookstore.

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A lyrical debut novel that asks what we owe to our families, what we owe to our ancestors, and what we owe to ourselves. Janelle M. Williams’s Gone Like Yesterday employs magical realism to explore the majestic and haunting experience of being a Black woman in today’s America.

Gone Like Yesterday follows two Black women—Zahra, a listless college prep coach, and Sammie, a teenage girl and budding activist soon off to college—who are drawn to each other through the songs of gypsy moths. Gypsy moths have been singing the songs of Zahra’s ancestors to her for years, so when Zahra realizes that Sammie might be a moth person too, their paths become intertwined.

Then, the unthinkable happens: Zahra’s brother, Derrick, goes missing. Derrick has always been different—sensitive and connected to the spiritual world, he has been drifting from Zahra and her family for some time. But this time feels different. Zahra is panicked that he may really be gone for good, lost to her forever.

Zahra can’t let that happen. So, she, along with Sammie, embarks on a road trip from New York to Atlanta, Zahra’s hometown, in search of Zahra’s brother, but also to uncover just what the moths and their ancestors want with them, and what to do about their individual and collective futures.

Sharp and wholly original, Gone Like Yesterday is a novel about family and legacy but also a literary exploration of racial identity, self, and what it means to be found.

From a stunning new voice, comes a powerful debut novel, Perish, about a Black Texan family, exploring the effects of inherited trauma and intergenerational violence as the family comes together to say goodbye to their matriarch on her deathbed.

Bear it or perish. Those are the words Helen Jean hears that fateful night in her cousin’s outhouse that change the trajectory of her life.

Spanning decades, Perish tracks the choices Helen Jean—the matriarch of the Turner family—makes and the ways those choices have rippled across generations, from her children to hergrandchildren and beyond.

Told in alternating chapters that follow four members of the Turner family: Julie B., a woman who regrets her wasted youth and the time spent under Helen Jean’s thumb; Alex, a police officer grappling with a dark and twisted past; Jan, a mother of two, who yearns to go to school and leave Jerusalem, Texas, and all of its trauma behind for good; and Lydia, a woman whose marriage is falling apart because her body can’t seem to stay pregnant, as they’re called home to say goodbye to their mother and grandmother.

This family’s “reunion” unearths long-kept secrets and forces each member to ask themselves important questions about who is deserving of forgiveness and who bears the cross of blame.

Tackling themes like family, trauma, legacy, home, class, race, and more, this beautiful yet heart-wrenching novel, will appeal to anyone who is interested in the intricacies of family and the ways bonds can be made, maintained, or irrevocably broken.

In the vein of Jesmyn Ward’s Salvage the Bones and Sue Monk Kidd’s The Secret Life of Bees, a coming-of-age novel told by almost-eleven-year-old Kenyatta Bernice (KB), as she and her sister try to make sense of their new life with their estranged grandfather in the wake of their father’s death and their mother’s disappearance

An ode to Black girlhood and adolescence as seen through KB’s eyes, What the Fireflies Knew follows KB after her father dies of an overdose and the debts incurred from his addiction cause the loss of the family home in Detroit. Soon thereafter, KB and her teenage sister, Nia, are sent by their overwhelmed mother to live with their estranged grandfather in Lansing, Michigan. Over the course of a single sweltering summer, KB attempts to navigate a world that has turned upside down.

Her father has been labeled a fiend. Her mother’s smile no longer reaches her eyes. Her sister, once her best friend, now feels like a stranger. Her grandfather is grumpy and silent. The white kids who live across the street are friendly, but only sometimes. And they’re all keeping secrets. As KB vacillates between resentment, abandonment, and loneliness, she is forced to carve out a different identity for herself and find her own voice.

A dazzling and moving novel about family, identity, and race, What the Fireflies Knew poignantly reveals that heartbreaking but necessary component of growing up—the realization that loved ones can be flawed and that the perfect family we all dream of looks different up close.

With sharp, timely insight, pitch-perfect pop culture references, and her always unforgettable voice, New York Times bestselling author, comedian, actress, and producer Phoebe Robinson is back with her most must-read book yet.

In her brand-new collection, Phoebe shares stories that will make you laugh, but also plenty that will hit you in the heart, inspire a little bit of rage, and maybe a lot of action. That means sharing her perspective on performative allyship, white guilt, and what happens when white people take up space in cultural movements; exploring what it’s like to be a woman who doesn’t want kids living in a society where motherhood is the crowning achievement of a straight, cis woman’s life; and how the dire state of mental health in America means that taking care of one’s mental health—aka “self-care”—usually requires disposable money.

She also shares stories about her mom slow-poking before a visit with Mrs. Obama, the stupidly fake reassurances of zip-line attendants, her favorite things about dating a white person from the UK, and how the lack of Black women in leadership positions fueled her to become the Black lady boss of her dreams. By turns perceptive, laugh-out-loud funny, and heartfelt, Please Don’t Sit on My Bed in Your Outside Clothes is not only a brilliant look at our current cultural moment, it’s also a collection that will stay with readers for years to come.