1971 (★★★★) Film Review
Whistleblower Documentary Recounts Break-In Uncovering Illegal FBI Surveillance Program
1971
In Theaters: Feb 6, 2015 Limited
Rating:Unrated
Runtime: 1 hr.
20 min.
Studio: Fork Films
Distributor: The Film Collaborative
Genre: Documentary, Special Interest
Directed By: Johanna Hamilton
Written By: Johanna Hamilton, Gabriel Rhodes
Film Review by Kam Williams
Excellent ( )
On the evening of March 8, 1971, Muhammad Ali and Joe Frazier squared-off in
a heavyweight championship bout billed as The Fight of the Century. At that very
same moment, while the rest of the world s attention was riveted on Madison
Square Garden, eight antiwar activists used that event as a distraction to stage
a daring break-in of an FBI field office in Media, Pennsylvania.
The
meticulously-planned operation went off without a hitch, and they managed to
cram every file on the premises into suitcases. The audacious octet had no idea
until later that they had purloined shocking proof of the Bureau s wholesale
violations of U.S. citizens Constitutional rights via an illegal
counterintelligence program nicknamed COINTELPRO.
Dubbing themselves,
the Citizens Commission to Investigate the FBI, the group Xeroxed the evidence
and mailed photocopies to numerous news outlets, most of which refused to
publish them. But once one magazine finally did print it, a righteous national
outrage ensued. And J. Edgar Hoover ended up with egg on his face, given how he
had been using taxpayer money to entrap and spy on any liberals whose politics
he did not share.
All of the above is recalled in fascinating fashion in
1971, a whistleblower documentary directed by Johanna Hamilton. What s
interesting to hear is how the participants in the theft eluded capture by the
authorities for decades. In fact, the only reason their identities are even
known now is because they decided to fess up for the sake of this film.
A belated tribute to some fearless patriots with the gumption to expose the
FBI s lawless ways and the wherewithal to evade apprehension by the Bureau to
boot!
Related Links
Also worth reading, F.B. Eyes: How J. Edgar Hoover s Ghostreaders Framed African American Literature