Hugh Hefner: Playboy, Activist and Rebel
Reverential Bio-Pic Successfully Recasts Smut Peddler as Humanitarian
Hugh Hefner: Playboy, Activist and Rebel
Rated R for graphic nudity and sexuality.
Running time: 124 Minutes
Studio: Phase 4 Films
Film Review by Kam Williams
Excellent (4 stars)
Before seeing this film, I only thought of Hugh Hefner as a purveyor of
smut who built an empire on the backs, or should I say breasts, of females
by reducing them to sex objects whose sole purpose was to fuel the
testosterone-fueled fantasies of teenage boys. While this reverential
bio-pic did nothing to disabuse me of the notion that the hedonistic
octogenarian remains an inveterate, exploitative male chauvinist, it did a
great job of convincing me that he also happened too be an effective
advocate of racial equality during the Civil Rights Era.
Thus, much in the way that the recent documentary about frozen-fazed,
comedienne Joan Rivers managed to humanize a freak long since dismissed as a
cosmetic surgery victim, here we have a notorious womanizer successfully
recast as an altruistic humanitarian. Directed by Oscar-winner Brigitte
Berman, the final cut of Hugh Hefner: Playboy, Activist and Rebel was
reportedly much longer before the German-born Oscar-winning filmmaker (for
Artie Shaw: Time Is All You’ve Got), was forced to let five probably
priceless hours of celluloid hit the cutting floor.
Still, what remains is a cinematic treat chock full of archival footage of
Hef in his heyday. The film shows how in 1951 he published the first issue
of Playboy with $8,000 borrowed from friends and family. The rest of the
front story is history, as the magazine’s circulation skyrocketed, and he
proceeded to open Playboy Clubs all over the country.
However, what many might not know is how progressive Hugh was back then
politically, such as in hiring writers blacklisted by the McCarthy House
Un-American Activities Committee. The first subject of the now legendary
Playboy interview was an African-American, Miles Davis, as were many of the
entertainers booked to perform on the syndicated TV series Playboy’s
Penthouse, which enjoyed a short run in the late Fifties. We also learn that
there was no color line at any Playboy Club, and when the owners of the New
Orleans outlet violated that understanding by excluding blacks, Hefner took
the franchise away from them.
Besides highlighting such altruistic heroics, the film features plenty of
shots of Hef surrounded by a bevy of scantily-clad blonde bimbos. But don’t
expect much in the way of nudity. There are instead many current-day cameos
by some well-known habitu s of the Playboy Mansion. Among the many
celebrities waxing orgasmic about their visits are rocker Gene Simmons,
actor James Caan and comedian Bill Maher. And weighing-in about Hefner’s
social activism are NFL great Jim Brown, comedian Dick Gregory folk singer
Pete Seeger and the Reverend Jesse Jackson.
A well-deserved tribute to an American icon that manages to turn the
nation’s most-famous dirty old man into a champion of racial justice right
before your very eyes. Who knew?