While honoring Black history, let's celebrate Mardi Gras. No where does Black history plus Mardi Gras blend more than New Orleans. The cultural element is the headwrap.
The first image is a coloring page of Poldinha , bold feminity, my original character, a black woman of New Orleans in a multitemporal dress representing fashions from different times in New Orleans, with a tignon shaped like the Adinkra BiNkaBi, or no one should bite the other. She has three flags representing Black history in the usa as part of her fashion. She is holding a cornucopia, a horn of plenty, for the feast before Lent. The little boy next to her is playing a vest frottoir/washboard while sanding.
The second image is a set of headwrap coloring images.
A little point
The tignon at one time was enforced by the governor into law in Louisiana as a mark on free women of color so that their status as free women while black was visible in opposition to white women, who filed complaints about the beauty of free women of color. The tignon as the referrals below prove show headwraps have a long history as dress wear for Black women, that was started before enslavement to whites, survived through enslavement to whites and exist today, whether through the intricate hats worn by black women in churches throughout the southern usa states or various ceremonies from the lavagem or baths to yemoja plus other orisha in salvador, bahia, brasil and quilombo communities in northern south America or anywhere in the Caribbean where it is synonymous with the marketplace.
Negress of quality from the Island of Saint Louis in Senegal, accompanied by her slave. Illustration from Costumes civils actuels de tous les peuples connus, Paris, 1788, by Jacques Grasset de Saint-Sauveur (1757-1810). Aquatint.
Un bal de Signares (mulâtresses) à Saint-Louis (Sénégal) (illustrations de Côte occidentale d'Afrique du Colonel Frey - Pl. en dble page après p.11 [Cote : Réserve A 200 386]
Portrait of a free woman of color (previously titled Portrait of Betsy) by François Fleischbein (1801/1803–1868), oil on canvas. This version is following restoration efforts in 2017.
from Edouard Marquis - New Orleans, 1867. African American Creole woman in fashionable dress of the era and parasol, with another woman in working class clothing, possibly her servant.