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OSCAR DEVEREAUX MICHEAUX BOOKS PLUS FILMS

richardmurray
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This event began 03/13/2026 and repeats every year forever

BOOKS

The Conquest: The Story of a Negro Pioneer. Lincoln, Nebraska: Woodruff Press. 1913. ISBN 978-0803282094. OCLC 254051406.

https://books.google.com/books?id=A9CJ_dPnd18C

The Forged Note. Lincoln, Nebraska: Western Book Supply Company. 1915. OCLC 2058028.

https://archive.org/details/forgednoteromanc00michrich

 

The Homesteader: A Novel. Sioux City, Iowa: Western Book Supply Company. 1917. OCLC 10616358.

https://archive.org/details/homesteadernovel00michrich

 

The Wind from Nowhere. New York: Book Supply Company. 1941. OCLC 682477.

https://books.google.com/books?id=XVcGuV3s7s8C

The Case of Mrs. Wingate. New York: Book Supply Company. 1944. OCLC 5541463.

https://books.google.com/books?id=qMyGFdhojFYC

The Story of Dorothy Stanfield. New York: Book Supply Company. 1946. OCLC 300792169.

https://books.google.com/books?id=38lxUGc58twC

Masquerade, a Historical Novel. New York: Book Supply Company. 1947. OCLC 300739700.

https://books.google.com/books?id=3yDWLrSc7KEC

 

FILMS

The Homesteader (1919) [Lost]

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Within Our Gates (1920) [Survives]

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The Brute (1920) [Lost]

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The Symbol of the Unconquered (1920)[Survives (incomplete)]

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The Gunsaulus Mystery (1921) [Lost]

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The Dungeon (1922) [Lost]

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The Hypocrite (1922) [Lost] shown in the film deceit as a film within a film

Uncle Jasper's Will (1922) [Lost] supposed sequel to within our gates, involving the last will and testament by a sharecropper after falsely accused of murder and lynched by whites

The Virgin of the Seminole (1922) [Lost]- a black man becomes a canadian mountie and rescues a black female with fist people plus black enslaved descendency 

Deceit (1923) [Unknown] about a decieitful preacher has the film the hypocrite in it

Birthright (1924) [Lost]- first film version of the story by Thomas Sigismund Stribling a harvard graduate goes back to his black southern town to start a school and faces extreme hardships

A Son of Satan (1924) [Lost]- first film involving "horror' man sleeps in a haunted house, shot in the bronx

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Body and Soul (1925)[Survives]

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Marcus Garland (1925) [Lost] a historical fiction of the life of marcus garvey in the usa.. Micheaux in his earliest works showed he loved the usa , embraced it at least, and heavily opposed black people who wanted to leave it, even if raped/afriad or other negative

https://books.google.com/books?id=1B4ui7EoylwC&dq=%22marcus+garland%22+silent+era&pg=PA50#v=onepage&q&f=false

https://books.google.com/books?id=w1zFLK2geOAC&dq=%22marcus+garland%22+micheaux+straight+lick&pg=PA247#v=onepage&q=%22marcus%20garland%22%20micheaux%20straight%20lick&f=false

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The Conjure Woman (1926), adapted from novel by Charles W. Chesnutt [Lost] 

 

The Devil's Disciple (1926) [Unknown]- about the environment of illegal activity especially sexual exploitation of mulattoes in nyc, ala sugar hill in harlem

https://archive.org/details/reelblacktalksou00moon/page/250/mode/2up

 

The Spider's Web (1926)[Lost]- a us department of justice man, a black cop, puts a white man in jail for attempting rape to a black women he weds at the end and gets off his wife's aunt from a false murder charge

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https://www.criterionchannel.com/the-girl-from-chicago

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https://books.google.com/books?id=l8zfCCBZGGoC&dq=%22henrietta+loveless%22&pg=RA1-PA140#v=onepage&q=%22henrietta%20loveless%22&f=false

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The Millionaire (1927)[Lost]

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The Broken Violin (1928)[Lost] from unpublished story, about a young black female violinist and her challenges

The House Behind the Cedars (1927), adapted from novel by Charles W. Chesnutt [Lost] remade into veiled aristocrats, a mulatto woman who can pass, is courted by a black man but falls for a white man but after having problems denying or omitting her black heritage goes to the black man but publicly admits to him, she is unhappy

https://librivox.org/the-house-behind-the-cedars-by-charles-waddell-chesnutt/

 

Thirty Years Later (1928) [Lost] based on book by Henry Francis Downing' titled The Racial Tangle

When Men Betray (1929) [Lost] a woman is left on her wedding day by a dishonest man

The Wages of Sin (1929) [Lost]

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Easy Street (1930) [Lost] may be the last silent film from micheaux, a bunch of con men try to get fortune of an old man, I am thinking of the song by charlie in old dogs go to heaven 2

A Daughter of the Congo (1930) [Lost] labeled as the last silent film by micheaux based on story , The American Cavalryman (1917), by African-American novelist and playwright Henry Francis Downing , mulatto congolese girl is raised by tribe in africa and then captured into slavery by arabs and then freed by a us military man

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Darktown Revue (1931)[Survives] an entertainment revue

 

The Exile (1931)[Survives] a man exodusts and gains wealth but falls in love with a woman he think is white and goes to the city to a woman's club, whom he knew before and he falls into drink and a murder scenario

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Veiled Aristocrats (1932) [fragments; Survives (incomplete)] made prior as house behind the cedars 1927

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Ten Minutes to Live (1932)[Survives] a man gets a note that he will die in ten minutes at a bar while a woman at the same bar accepts a role from a film producer who really wants to have sex. I will never forget patricia neal when she met a film studio head who came back stage , she told him, i will not sleep with you. uses a deaf character to get around cumbersome audio equipment so lines can be dubbed later

 

https://web.archive.org/web/20241224093934/https://www.tcm.com/tcmdb/title/561476/ten-minutes-to-live#overview

https://www.moma.org/collection/works/316102

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Black Magic (1932)[Survives]

If you have information please share

The Girl from Chicago (1932)[Survives] a federal  agent falls with someone on assignment in mississippi and follows her to harlem where she gets involved in the death of a cuban illegal financial agent. 

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Phantom of Kenwood (1933)[Survives]

if you have any information please share

Murder in Harlem (1935)[Survives] remake of gunsaulus mystery , uses the case of leo frank as a legal basis

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Harlem After Midnight (1934) [Lost] a woman is with her bosses son after her husband goes to jail for being snitched by said son which leads to a web of revenge or naiviety, ending unresolved. Dorothy Van Engle is in the cast.

Temptation (1935)[Survives] a crime story, details unknown, first fiilm for ethel moses

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Underworld (1937)[Survives] oscar polk who appeared in gone with the wind later is in it; a man leaves a black college in the south for chigago and gets set up in an intrigue where he is framed for murdering a man and the woman who did it survives but gets caught in a bender driving and gets killed. the most film noir of the films for me. It don't mean a thing from duke ellington is part of the film score.

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God's Step Children (1938)[Survives]- naomi a mulatto, left at ms saunders by her black mother, is unhappy being black and after a rough childhood is sent to a convent. yeas later she tries to get with a boy that she was raised with now man but he is in love with another. She is set up to marry a black man,and gets pregnant by him but like her mother before, leaves her baby with ms saunders, who raised her. later she sees the happy family of the guy she wanted to be with and jumps off a bridge ; The film's script is based on a short treatment titled "Naomi Negress!" written by Alice B. Russell, the wife of director Oscar Micheaux who plays Mrs. Saunders.

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Swing! (1938)[Survives] a story about a black woman from the south who becomes a star alongside others from her towns trials and tribulations going south to north or living it up foolishly ; Actress Dorothy Van Engle, who had a supporting role as an assistant producer, is credited for inventing a key scene in Swing!, where her character and Mandy are sewing together. Van Engle, who was also a seamstress, created her own clothing for the film. Elvera Sanchez Davis, the mother of entertainer Sammy Davis Jr., had a small role in Swing! as a tap dancer.

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Lying Lips (1939)[Survives] a black woman popular at a nightclub but unwilling to be a prostittue for clients isset up by the white owner which leads to her aunts death and her falsely accused., but because of kindness she survives

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Birthright (1939)[Survives] second film version of the story by micheaux ; a harvard graduate goes back to his black southern town to start a school and faces extreme hardships

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The Notorious Elinor Lee (1940)[Survives]- boxing story, a female moll sets up a boxer  to take a fall where they will bet against him. the fighter survives the betrayal and wins in a rematch later where the people who plotted bet against him. Hubert Julian, the black aviator, co produced the film

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trailer- see the full film at the internet archive film list embed at the end of this post

 

The Betrayal (1948) [Lost]- micheaux's last film, but the script is known

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The screenplay is in the new york state film archives

https://www.archives.nysed.gov/research/motion-picture-division-index

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For More Information:

Email Researcher Services at archref@nysed.gov

To get a photocopy of a script use the form below

https://www.archives.nysed.gov/sites/archives/files/res_topics_film_form.pdf

 

ALL FILMS IN INTERNET ARCHIVE

https://archive.org/details/oscar-micheaux-filmography

 

 

1 1 Director Oscar Micheaux On-Set01:172 2 Within Our Gates (1920) Oldest Known Feature Film By A Black Director01:19:093 3 The Symbol of the Unconquered (1920)58:144 4 Body & Soul (1925) Oscar Micheaux's Last Surviving Silent Film01:19:015 5 The Darktown Revue (1931) Oscar Micheaux's First Sound Film19:076 6 The Exile (1931) First Black Feature Talkie01:15:137 7 Veiled Aristocrats (1932)43:538 8 Ten Minutes To Live (1932) With Lost Footage59:039 9 The Girl From Chicago (1932)01:10:1010 [10] Murder In Harlem (1935)01:34:4311 [11] Underworld (1937) Uncensored Version01:16:1212 [12] God's Stepchildren (1938)01:10:2513 [13] Swing! (1938)01:08:0514 [14] Birthright (1939) Incomplete01:13:1015 [15] Lying Lips (1939)01:12:2416 [16] The Notorious Elinor Lee (1940) Micheaux's Last Surviving Film. Sound Missing After 20 Minutes01:12:06

 

Oscar Devereaux Micheaux was an American film director and independent producer of more than 44 films. Micheaux is regarded as the first major African-American feature filmmaker, a prominent producer of race films, and has been described as "the most successful African-American filmmaker of the first half of the 20th century."

 

Here are his surviving films, some are incomplete.

Segments

ON-SET FOOTAGE from a behind the scenes Hollywood newsreel called "Screen Snapshots" and it is the only known footage of groundbreaking director Oscar Micheaux working on the set of one of his films. The movie is most likely The Brute (1920) which sadly is lost.

WITHIN OUR GATES (1920) is the oldest known feature length film that was directed by an African-American.

THE SYMBOL OF THE UNCONQUERED (also known as The Wilderness Trail) is a 1920 silent race film. It is Micheaux's fourth feature-length film and is among his early surviving works although a portion of the scenes are lost.

BODY AND SOUL (1925) is a race film that stars Paul Robeson in his motion picture debut. It is Micheaux's last surviving silent film.

THE DARKTOWN REVUE (1931) is an 18-minute short film. It is Micheaux's first venture into sound film. The film of a traditional minstrel show - a variety stage show of broad comedy and choral interludes - with an all black cast. Included is a choral singing several songs and a vaudeville act of a routine about a haunted house. It also levels criticism at a certain social class of the African-American community by using some racial stereotypes.

THE EXILE (1931) is a race film that was Micheaux's first feature-length sound film and the first feature length African-American sound film. It was based on Micheaux’s 1913 autobiographical novel, The Conquest.

VEILED ARISTOCRATS (1932) is an American race film that deals with the theme of passing by mixed-race African Americans to avoid racial discrimination.

TEN MINUTES TO LIVE (1932) is a film that has one of the characters is deaf and much of the second half of the movie is silent (so that Micheaux could save money.) Somewhat confusingly, the film is based on a collection of three short stories called "Harlem After Midnight" (author and publication date unknown), but it shows only two stories. The lost footage is more footage of one of the dance numbers, it's obvious when it comes up because of the color change.

THE GIRL FROM CHICAGO (1932) is an American race film that is a remake of Micheaux's now-lost 1926 silent film The Spider's Web. It features a largely non-professional cast and as it is common in Micheaux's films.

MURDER IN HARLEM (also released under titles Lem Hawkins Confession and Brand of Cain) is a 1935 American race film written, produced, and directed by Oscar Micheaux, who also makes an appearance in the film. It's a remake his 1921 silent film The Gunsaulus Mystery, which is believed to be lost. Both movies are loosely based on the events around the 1913 murder of 13-year-old girl Mary Phagan.

UNDERWORLD (1937) is a black gangster film. The film was adapted from the short story "Chicago After Midnight" by Edna Mae Baker. Records from the Production Code Administration show that numerous deletions were requested in order for the film to be shown in various states.

GOD'S STEP CHILDREN (1938) is an American race film that is based on a short treatment titled "Naomi Negress!" written by Alice B. Russell, the wife of director Oscar Micheaux who plays Mrs. Saunders. The American Film Institute's catalog reports that some original material was removed from the film after censors raised objections. Some of the removed footage may still be seen in the film's opening preview trailer.

SWING! (1938) is an American race film. Actress Dorothy Van Engle, who had a supporting role as an assistant producer, is credited for inventing a key scene in the movie, where her character and Mandy are sewing together. Van Engle, who was also a seamstress, created her own clothing for the film. Elvera Sanchez Davis, the mother of entertainer Sammy Davis, Jr., had a small role as a tap dancer.

BIRTHRIGHT (1939) is an American drama race film starring Carman Newsome. It is a talkie remake of Micheaux's 1924 silent film of the same name, which is now considered lost; both were adapted from white author T. S. Stribling's eponymous 1922 novel. The restoration of Birthright was derived from the only known surviving 35mm print, which is missing the first two of its nine reels – about 20 minutes. A description of the missing scenes has been compiled from a dialogue script submitted to the New York Censor Board.

LYING LIPS (1939) is a melodrama race film written and directed by Oscar Micheaux. It stars Edna Mae Harris and Robert Earl Jones (the father of James Earl Jones). The film was shot at the Biograph Studios in New York City.

THE NOTORIOUS ELINOR LEE (1940) is a race film directed, written, and produced by Oscar Micheaux. It's his last surviving film, although here the audio is missing for most of the film. It was shot at Biograph Studios in The Bronx, New York.

 

FORUM POST

https://aalbc.com/tc/blogs/entry/505-oscar-micheauz-screenplay-the-betrayal/

 


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