4 Books Published by Nightboat Books on AALBC — Book Cover Collage

Click for more detail about Jump the Clock: New & Selected Poems by Erica Hunt Jump the Clock: New & Selected Poems

by Erica Hunt
Nightboat Books (Nov 10, 2020)
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Erica Hunt writes at the intersection of poetry and emancipatory politics—racial and gender justice, feminist ethics, and participatory democracy—showing us that altering our reading strategies frames our experiences. Ultimately, she finds that words matter, savoring the small ones: articles, pronouns, collective, plural and singular. This collection brings together out of print works and journals of the same period, to speak across “crumpled” time, the past seen from then to now.


Click for more detail about Crosslight for Youngbird by Asiya Wadud Crosslight for Youngbird

by Asiya Wadud
Nightboat Books (Oct 02, 2018)
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"According to the principles of the distribution of light, or, God’s will, a person interested in the future must account for each flicker or movement of the enclosures that engage and separate us from and with one another. Asiya’s work takes, indeed, a bird’s eye view. I think it is possible to believe in the invocation of the wide view." —Simone White


Click for more detail about Field Theories by Samiya Bashir Field Theories

by Samiya Bashir
Nightboat Books (Apr 01, 2017)
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Field Theories wends its way through quantum mechanics, chicken wings, Newports, and love, melding blackbody theory (idealized perfect absorption vs. the whitebody’s idealized reflection) with live Black bodies. Woven through experimental lyrics is a heroic crown of sonnets that wonders about love, intent, identity, hybridity, and how we embody these interstices. Albert Murray said, “The second law of thermodynamics ain’t nothin’ but the blues.” So what is the blue of how we treat each other, ourselves, and the world, and of how the world treats us?


Click for more detail about ROCK | SALT | STONE by Rosamond S. King ROCK | SALT | STONE

by Rosamond S. King
Nightboat Books (Mar 07, 2017)
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ROCK | SALT | STONE sprays life-preserving salt through the hard realities of rocks, stones, and rockstones used as anchors, game pieces, or weapons. The manuscript travels through Africa, the Caribbean, and the USA, including cultures and varieties of English from all of those places. The poems center the experience of the outsider, whether she is an immigrant, a woman, or queer. Sometimes direct, sometimes abstract, these poems engage different structures, forms, and experiences while addressing the sharp realities of family, sexuality, and immigration.

"Because bodies are not rocks but get weighed down by them when tossed into the ocean to drown. Because bodies are not consumed by mouths but are covered in salty sweat and can be beaten like meat. Because bodies have mouths but can not always speak without being stoned and sometimes the mouths make the wrong shapes and so the bodies become demons then ghosts then demons then ghosts again. Because the bodies wash up on the shore and wash up still. Because all things that are life become death like water or salt or stone or rock or other bodies and when not all the bodies fit together huddled on the rock, and so as some bodies cling to the hard surface with their bruised fingers and open mouths, other bodies shove those bodies off, without blinking, because blinking would be memory, and here, in the unraveling hardness and conjuration of demons, memory is not always honest and words are not always true."—Janice Lee