11 Books Published by PM Press on AALBC — Book Cover Collage

Nazaré tells the story of a peasants’ revolt in the polyglot city of Balaal. The story begins with a miracle. A homeless boy sees a whale washed up on the beach. He alerts the local fishermen, and soon the whole town is trying and failing to push it back into the ocean. With just the boy left to accompany the whale now in its dying throes, a freak wave pulls the creature back into the sea. This is an omen. Change is coming.

The boy and the washerwoman who adopts him cobble together a ramshackle army of fishermen, shopkeepers, lapsed nuns, anarchist bats, and an itinerant camel. They attempt to end the reign of the dictator who rules over Balaal. Their attempt involves pitched battles, farcical trials, rooftop escapes, and sun-parched wanderings in the wilderness. Looming over the disparate cast of characters is the legend of the giant wave—Nazaré—that will one day annihilate everyone and everything in the city.

Nazaré is an adventure and a parable that pits the oppressed against the oppressor. The work has been likened to that of Gabriel Garc a M rquez and Mario Vargas Llosa in its use of language, its inventiveness, its humor, and its examination of issues of justice.

The year is 1923. The Ku Klux Klan is at the height of its power in the US as membership swells into the millions and they expand beyond their original southern borders. As they grow, so do their targets. As they continue their campaigns of terror against African Americans, their list now includes Catholics and Jews, southern and eastern Europeans, all in the name of "white supremacy." But they are no longer considered a terrorist organization. By adding the messages of moral decency, family values, and temperance, the Klan has slapped on a thin veneer of respectability and has become a "civic organization," attracting ordinary citizens, law enforcement, and politicians to their particular brand of white, Anglo-Saxon, and Protestant "Americanism."

Pennsylvania enthusiastically joined that wave. That was when the Grand Dragon of Pennsylvania decided to display the Klan’s newfound power in a show of force. He chose a small town outside of Pittsburgh named after Andrew Carnegie; a small, unassuming borough full of "Catholics and Jews," the perfect place to teach these immigrants "a lesson." Some thirty thousand members of the Klan gathered from as far as Kentucky for "Karnegie Day." After initiating new members, they armed themselves with torches and guns to descend upon the town to show them exactly what Americanism was all about.

The Day the Klan Came to Town is a fictionalized retelling of the riot, focusing on a Sicilian immigrant, Primo Salerno. He is not a leader; he’s a man with a troubled past. He was pulled from the sulfur mines of Sicily as a teen to fight in the First World War. Afterward, he became the focus of a local fascist and was forced to emigrate to the United States. He doesn’t want to fight but feels that he may have no choice. The entire town needs him—and indeed everybody—to make a stand.

In these previously uncollected stories, Shawl explores the unexpected horizons (and corners) opened up by science fiction and fantasy’s new diversity. In her worlds, sex can be both business and religion, complete with ancient rites, altars, and ointments (“Women of the Doll”); a virtual reality high school is a proving ground for girlpacks and their unfortunate adversaries (“Walk like a Man”); and a British rock singer finds an image in a mirror that reflects both future hits and ancient horrors (“Something More”). With her trademark wit passing for wisdom, Shawl lights up our Outspoken Interview and then, in a talk given at Duke University, explores the connections between ancient Ifa and modern science fiction.

Kuwasi Balagoon was a participant in the Black Liberation struggle from the 1960s until his death in prison in 1986. A member of the Black Panther Party and defendant in the infamous Panther 21 case, Balagoon went underground with the Black Liberation Army (BLA). Balagoon was unusual for his time in that he combined anarchism with Black nationalism, broke the rules of sexual and political conformity, took up arms against the white supremacist State—all the while never shying away from critiquing the movements’s weaknesses. The first part of this book consists of contributions by those who knew or were touched by Balagoon; the second consists of court statements and essays by Balagoon himself, including several documents which have never been published before. The third section consists of excerpts from letters Balagoon wrote while in prison. A final section includes a historical essay by Akinyele Umoja and an extensive intergenerational roundtable discussion of the significance of Balagoon’s life and thoughts today.

The son of a provincial school administrator in British-governed Trinidad, James disappointed his family by embracing the culture and passions of the colonial underclass. He joined the literary avant-garde of the island before leaving for Britain. In the UK, James swiftly became a beloved cricket journalist, playwright for his close friend Paul Robeson, and a pathbreaking scholar of black history with The Black Jacobins, the first history of the Haitian revolt.

The artistic skills of Milton Knight, at once acute and provocative, bring out James’s unique personality, how it arose, and how he became a world figure.

Amid music festivals and moon landings, the tumultuous year of 1969 included an infamous case in the annals of criminal justice and Black liberation: the New York City Black Panther 21. Though some among the group had hardly even met one another, the 21 were rounded up by the FBI and New York Police Department in an attempt to disrupt and destroy the organization that was attracting young people around the world. Involving charges of conspiracy to commit violent acts, the Panther 21 trial—the longest and most expensive in New York history—revealed the illegal government activities which led to exile, imprisonment on false charges, and assassination of Black liberation leaders. Solidarity for the 21 also extended well beyond “movement” circles and included mainstream publication of their collective autobiography, Look for Me in the Whirlwind, which is reprinted here for the first time.

Look for Me in the Whirlwind: From the Panther 21 to 21st-Century Revolutions contains the entire original manuscript, and includes new commentary from surviving members of the 21: Sekou Odinga, Dhoruba Bin Wahad, Jamal Joseph, and Shaba Om. Still-imprisoned Sundiata Acoli, Imam Jamil Al-Amin, and Mumia Abu-Jamal contribute new essays. Never or rarely seen poetry and prose from Afeni Shakur, Kuwasi Balagoon, Ali Bey Hassan, and Michael “Cetewayo” Tabor is included. Early Panther leader and jazz master Bilal Sunni-Ali adds a historical essay and lyrics from his composition “Look for Me in the Whirlwind,” and coeditors kioni-sadiki, Meyer, and Panther rank-and-file member Cyril “Bullwhip” Innis Jr. help bring the story up to date.

At a moment when the Movement for Black Lives recites the affirmation that “it is our duty to win,” penned by Black Liberation Army (BLA) militant Assata Shakur, those who made up the BLA and worked alongside of Assata are largely unknown. This book—with archival photos from David Fenton, Stephen Shames, and the private collections of the authors— provides essential parts of a hidden and missing-in-action history. Going well beyond the familiar and mythologized nostalgic Panther narrative, From the Panther 21 to 21st-Century Revolutions explains how and why the Panther legacy is still relevant and vital today.

About the Contributors

Pictured: Sekou Odinga, déqui kioni-sadiki, & Matt Meyer. Photo Credit PM Press

Matt Meyer is a New York City–based educator, organizer, and author who serves as War Resisters International Africa Support Network Coordinator, and who represents the International Peace Research Association at the United Nations Economic and Social Council. A former draft registration resister, Meyer’s extensive human rights work has included support for all political prisoners and prisoners of conscience, solidarity with Puerto Rico and the Black Liberation Movement, and board membership on the A.J. Muste Memorial Institute.

déqui kioni-sadiki is the chair of the Malcolm X Commemoration Committee and was a leader of the Sekou Odinga Defense Committee, which waged a successful campaign for the release of her husband. A tireless coalition-builder and organizer, dequi is a radio producer of the weekly show “Where We Live” on WBAI-Radio, Pacifica; an educator with the NYC Department of Education; and a member of the Jericho Movement to Free All Political Prisoners.

Sekou Odinga was a member of Malcolm X’s Organization of Afro-American Unity, a founding member of the New York chapter of the Black Panther Party as well as the Black Panther International Section, and was a member of the NY Panther 21. A citizen of the Republic of New Afrika and combatant of the Black Liberation Army, Sekou was captured in October 1981, mercilessly tortured, and spent the following thirty-three years behind bars—a prisoner of war and political prisoner of the U.S. empire. Since his release in November 2014, he has remained a stalwart fighter for justice and for the release of all political prisoners.

Dhoruba Bin Wahad was a leading member of the New York Black Panther Party, a Field Secretary of the BPP responsible for organizing chapters throughout the East Coast, and a member of the Panther 21. Arrested in June 1971, he was framed as part of the illegal FBI Counter Intelligence Program (COINTELPRO) and subjected to unfair treatment and torture during his nineteen years in prison. During Dhoruba’s incarceration, litigation on his behalf produced over 300,000 pages of COINTELPRO documentation, and upon release in 1990 he was able to bring a successful lawsuit against the New York Department of Corrections for their criminal activities. Living in both Ghana and the U.S., Dhoruba continues to write and work promoting Pan Africanism, an uncompromising critique of imperialism and capitalism, and freedom for all political prisoners.

Jamal Joseph is a writer, director, producer, poet, activist, and educator. Joseph was a member of the Black Panther Party and the Black Liberation Army. He was prosecuted as one of the Panther 21. Joseph earned his BA from the University of Kansas while at Leavenworth. He is a full professor and former chair of Columbia University’s Graduate Film Division and the artistic director of the New Heritage Theatre Group in Harlem. He is the author of a biography on Tupac Shakur, Tupac Shakur Legacy and his own autobiography, Panther Baby.

Imam Jamil Al-Amin, also known as H. Rap Brown, was chairman of the Student Nonviolent Coordinating Committee in the 1960s, and during an alliance between SNCC and the Black Panther Party he served as their minister of justice. He is also known for his autobiography, Die Nigger Die! . He is currently serving a life sentence for murder following the 2000 shooting of two Fulton County (GA) sheriff’s deputies.

Mumia Abu-Jamal is probably the best-known political prisoner in the Western world. Mumia was sentenced to death for allegedly shooting and killing Philadelphia police officer Daniel Faulkner in December 1981. While behind bars he has written a series of widely read books, including Live from Death Row (1995), and a history of the Black Panther Party entitled We Want Freedom (2004).

2016 New Mexico-Arizona Book Award, Fiction
2016 Foreword INDIES Book of the Year, Multicultural Fiction
2017 Independent Publisher Book Award, Gold, Multicultural Fiction
Nominee: 2017 Hurston/Wright Legacy Award, Debut Fiction

Uses magical realism, revolutionary politics, and romantic adventure to bring to life a colorful community of squatters in an imaginary Latin American city
Damnificados is loosely based on the real-life occupation of a half-completed skyscraper in Caracas, Venezuela, the Tower of David. In this fictional version, 600 “damnificados”—vagabonds and misfits—take over an abandoned urban tower and set up a community complete with schools, stores, beauty salons, bakeries, and a rag-tag defensive militia. Their always heroic (and often hilarious) struggle for survival and dignity pits them against corrupt police, the brutal military, and the tyrannical “owners.” Taking place in an unnamed country at an unspecified time, the novel has elements of magical realism: avenging wolves, biblical floods, massacres involving multilingual ghosts, arrow showers falling to the tune of Beethoven’s Ninth, and a trash truck acting as a Trojan horse.

Originally published in England in 1938 and expanded in 1969, this work remains the classic account of global Black resistance. This concise, accessible history of revolts by African peoples worldwide explores the wide range of methods used by Africans to resist oppression and the negative effects of imperialism and colonization as viewed in the 20th century. Written from a radical perspective with a substantial new introduction that contextualizes the work in the ferment of the times, A History of Pan-African Revolt is essential to understanding liberation movements in Africa and the diaspora and continues to reveal new insights, lessons, and visions to successive generations.

Providing insight on homelessness, political corruption, and the potential effects of gentrification, this urban noir tells the tough story of Magrady, a semi-homeless Vietnam veteran in Los Angeles. As he searches for a friend who has gone missing from Skid Row and who may be involved in a dangerous scheme, Magrady must deal with take-no-prisoners community organizers, an unflinching cop from his past, frequent flashbacks of war, an elderly sexpot, the drug culture, and the perils of chili cheese fries at midnight. A rollicking interview with the author wherein he discusses ghetto literature, politics, noir and the proletariat, and the unknown future of books, is also included.

This is a second memoir following Coming after Fathering Words: The Making of an African American Writer. In this story, Miller is returning to baseball, the game of his youth, in order to find the metaphor that will provide the measurement of his life. Almost 60, he ponders whether his life can now be entered into the official record books as a success or failure; one man’s examination of personal relationships, depression, love and loss. This is a story of the individual alone on the pitching mound or in the batters box. It’s a box score filled with remembrance, and a combination of baseball and the blues.

Zelmont Raines has slid a long way since first gaining his ability to jook?to out maneuver his opponents on the field?which made him a Super Bowl?winning wide receiver and earned him lucrative endorsement deals, not to mention more than his share of female attention. Because he hasn’t always been good at saying no, however, a series of missteps involving drugs, a paternity suit or two, legal entanglements, shaky investments, and chronic injuries have virtually sidelined his career. Now that Los Angeles has a new pro franchise, the Barons, Zelmont has one last chance at the big time he dearly misses. Just as it seems he might be getting back in the flow, he’s enraptured by Wilma Wells, the leggy and brainy lawyer for the team who has a ruthless game plan all her own?and this time it’s Zelmont who might get jooked.