19 Books Published by Soft Skull Press on AALBC — Book Cover Collage

“Kevin Powell returns with a poetic time capsule written with love in honor of his mother’s evolution. Powell investigates the nature of our country’s oppression through the generational wounds survived and passed on. These poems are a testament to the healing work of Kevin Powell, as they revel in the power of forgiveness, abundance, and lineage.” —Mahogany L. Browne, Lincoln Center’s inaugural poet in residence and author of Vinyl Moon

When Kevin Powell’s elderly mother became ill, he returned home every week to take her grocery shopping in Jersey City. Walking behind her during those trips, Powell began to hear her voice, stories, and language in a new way—examining his own healing while praying for hers.

Grocery Shopping with My Mother originated as social media posts about these visits and evolved into a breathtaking collection of thirty-two new poems, crafted like an album, plus four bonus tracks celebrating a great love of wordplay. Culturally rooted in the literary traditions of Ntozake Shange and Allen Ginsberg, Powell’s poems honor the likes of V (formerly Eve Ensler), bell hooks, and Sidney Poitier. Grocery Shopping with My Mother dives into the complexities of relationships and contemporary themes with honesty and vulnerability. Creatively and spiritually inspired by Stevie Wonder’s “Songs in the Key of Life,’ Powell’s poems shift in form and style, from praise chants to reverential meditations to, most importantly, innovative hope.

A cut & paste celebration of Black punk and outsider identity, this is the only complete collection of the fanzine Shotgun Seamstress, a legendary DIY project that centered the scope of Blackness outside of mainstream corporate consumerist identity.

In 2006, Osa Atoe was inspired to create an expression out of the experience of being the only Black kid at the punk show—and Shotgun Seamstress was born.

Like a great mixtape where radical politics are never sidelined for an easier ride, Shotgun Seamstress was a fanzine by and for Black punks that expressed, represented, and documented the fullest range of being, and collectively and individually explored “all of our possibilities instead of allowing the dominant culture to tell us what it means to be Black.”

Laid out by hand, and photocopied and distributed in small batches, each issue featured essays, interviews, historical portraits of important artists and scenes, reviews, and more, all paying tribute to musicians and artists that typify free Black expression and interrupt notions of Black culture as a monolith.

Featuring figures such as Vaginal Cream Davis, the seminal Black punk band Death, Poly Styrene, Bay Area rocker Brontez Purnell, British post-punker Rachel Aggs, New York photographer Alvin Baltrop, Detroit garage rocker Mick Collins and so many others, in the pages of this book rock’n’roll is reclaimed as Black music and a wide spectrum of gender and sexuality is represented. Collecting and anthologizing the layouts as they were originally photocopied by hand, this collection comprises all eight issues created between 2006 and 2015.

From the author of Pulitzer-nominated The Devil’s Highway and national bestseller The Hummingbird’s Daughter comes an exquisitely composed collection of poetry on life at the border. Weaving English and Spanish languages as fluidly as he blends cultures of the southwest, Luis Urrea offers a tour of Tijuana, spanning from Skid Row, to the suburbs of East Los Angeles, to the stunning yet deadly Mojave Desert, to Mexico and the border fence itself. Mixing lyricism and colloquial voices, mysticism and the daily grind, Urrea explores duality and the concept of blurring borders in a melting pot society.

Written on the twentieth anniversary of James Baldwin’s death, Letter to Jimmy is African writer Alain Mabanckou’s ode to his literary hero and an effort to place Baldwin’s life in context within the greater African diaspora.

Beginning with a chance encounter with a beggar wandering along a Santa Monica beach?a man whose ragged clothes and unsteady gait remind the author of a character out of one of James Baldwin’s novels? Mabanckou uses his own experiences as an African living in the US as a launching pad to take readers on a fascinating tour of James Baldwin’s life. As Mabanckou reads Baldwin’s work, looks at pictures of him through the years, and explores Baldwin’s checkered publishing history, he is always probing for answers about what it must have been like for the young Baldwin to live abroad as an African-American, to write obliquely about his own homosexuality, and to seek out mentors like Richard Wright and Ralph Ellison only to publicly reject them
later.

As Mabanckou travels to Paris, reads about French history and engages with contemporary readers, his letters to Baldwin grow more intimate and personal. He speaks to Baldwin as a peer?a writer who paved the way for his own work, and Mabanckou seems to believe, someone who might understand his experiences as an African expatriate.

Noo Saro-Wiwa was brought up in England, but every summer she was dragged back to visit her father in Nigeria ? a country she viewed as an annoying parallel universe where she had to relinquish all her creature comforts and sense of individuality. After her father, activist Ken Saro-Wiwa, was killed there, she didn’t return for several years. Recently, she decided to come to terms with the country her father given his life for.

Saro-Wiwa travels from the exuberant chaos of Lagos to the calm beauty of the eastern mountains; from the eccentricity of a Nigerian dog show to the decrepit kitsch of the Transwonderland Amusement Park. She explores Nigerian Christianity, delves into the country’s history of slavery, examines the corrupting effect of oil, and ponders the huge success of Nollywood.

She finds the country as exasperating as ever, and frequently despairs at the corruption and inefficiency she encounters. But she also discovers that it si far more beautiful and varied than she had ever imagined, with its captivating thick tropical rainforest and ancient palaces and monuments. Most engagingly of all, she introduces us to the many people she meets, and gives us hilarious insights into the African character, its passion, wit and ingenuity.

All human beings, says an African legend, have an animal double. Some doubles are benign, others wicked. This legend comes to life in Alain Mabanckou’s outlandish, surreal, and charmingly nonchalant Memoirs of a Porcupine.
When Kibandi, a boy living in a Congolese village, reaches the age of 11, his father takes him out into the night and forces him to drink a vile liquid from a jar that has been hidden for years in the earth. This is his initiation. From now on, he and his double, a porcupine, become accomplices in murder. They attack neighbors, fellow villagers, and people who simply cross their path, for reasons so slight that it is virtually impossible to establish connection between the killings. As he grows older, Kibandi relies on his double to act out his grizzly compulsions, until one day even the porcupine balks and turns instead to literary confession.
Winner of the Prix Renaudot, France’s equal to the National Book Award, Alain Mabanckou is considered one of the most talented writers today. He was selected by the French journal Lire as one of fifty writers to watch this coming century. And as Peter Carey suggests, he ?positions himself at the margins, tapping the tradition founded by Celine, Genet, and other subversive writers.” In this superb and striking story, Mabanckou brings new power to magical realism, and is sure to excite American audiences nationwide.

Black Cool explores the ineffable state and aesthetic of Black Cool. From the effortless reserve of Miles Davis in khakis on an early album cover, to the shock of resistance in black women’s fashion from Angela Davis to Rihanna, to the cadence of poets as diverse as Staceyann Chin and Audre Lorde, Black Cool looks at the roots of Black Cool and attempts to name elements of the phenomena that have emerged to shape the global expectation of cool itself.

Buoyed by some of America’s most innovative thinkers on the subject?graphic novelist Mat Johnson, Brown University Professor of African Studies Tricia Rose, critical thinking and cultural icon bell hooks, Macarthur winner Kara Walker, and many more?the book is at once a handbook, a map, a journey into the matrix of another cosmology. It’s a literal periodic table of cool, wherein each writer names and defines their element of choice. Dream Hampton writes about Audacity. Helena Andrews about Reserve, Margo Jefferson on Eccentricity, Veronica Chambers on Genius, and so on. With a foreword by Henry Louis Gates that bridges historical African elements of cool with the path laid out for the future, Black Cool offers a provocative perspective on this powerful cultural legacy.

With a new preface and updated chapters, White Like Me is one-part memoir, one-part polemical essay collection. It is a personal examination of the way in which racial privilege shapes the daily lives of white Americans in every realm: employment, education, housing, criminal justice, and elsewhere.

Using stories from his own life, Tim Wise demonstrates the ways in which racism not only burdens people of color, but also benefits, in relative terms, those who are ?white like him.” He discusses how racial privilege can harm whites in the long run and make progressive social change less likely. He explores the ways in which whites can challenge their unjust privileges, and explains in clear and convincing language why it is in the best interest of whites themselves to do so. Using anecdotes instead of stale statistics, Wise weaves a narrative that is at once readable and yet scholarly, analytical and yet accessible.

Alain Mabanckou’s riotous new novel centers on the patrons of a run-down bar in the Congo. In a country that appears to have forgotten the importance of remembering, a former schoolteacher and bar regular nicknamed Broken Glass has been elected to record their stories for posterity. But Broken Glass fails spectacularly at staying out of trouble as one denizen after another wants to rewrite history in an attempt at making sure his portrayal will properly reflect their exciting and dynamic lives. Despondent over this apparent triumph of self-delusion over self-awareness, Broken Glass drowns his sorrows in red wine and riffs on the great books of Africa and the West. Brimming with life, death, and literary allusions, Broken Glass is Mabanckou’s finest novel ? a mocking satire of the dangers of artistic integrity.

After eight years of George Bush’s America, we are at a critical juncture in our nation’s history, when we can put forth a new and bolder kind of democracy. Just as the Civil Rights Movement opened the doors for blacks and other people of color, for women, for the LGBT community, the rise of Barack Obama to the presidency ? and the post-Bush society we now encounter ? opens new possibilities for our democracy. And it also prompts us to re-examine from a new perspective the old issues around poverty, class, gender, and race. In other words, can the progressive multicultural coalition Barack Obama put together to win the presidency be translated into a progressive multicultural movement?

Open Letters to America is writer Kevin Powell’s celebration of the sudden, mass political engagement of America’s youth, and Americans in general; his thoughts in the aftermath of Obama’s magical and historic presidential campaign; and his open acknowledgment that if 21st-century America is going to be the great world democracy it promises to be, it will be Generations X and Y that make it so.

Unlike other motherhood books that focus on the experiences of a small group of affluent, married white women, Who’s Your Mama? centers on the largely untold perspectives of the majority of American women, whose unique and sometimes unconventional family structures impact our country. Their contributions speak practically of their personal beliefs, intimate relationships, and socioeconomic realities.

The book explores the intersection between motherhood and other facets of the contributors’ lives, including race, class, sexuality, politics, and personal tragedy. Personal stories include a feminist juggling the roles of activist and mother, a college graduate who applies for welfare so she can remain home with her child, a gay couple’s navigation of the adoption process, and a mother’s celebration of her own vibrant sexuality. This collection of personal narratives will illuminate various female experiences of parenting and humanize a variety of social and economic issues that affect millions of American women and their families.

In this highly anticipated follow-up to White Like Me: Reflections on Race from a Privileged Son, activist Tim Wise examines the way in which institutional racism continues to shape the contours of daily life in the United States, and the ways in which white Americans reap enormous privileges from it. The essays included in this collection span the last ten years of Wise’s writing and cover all the hottest racial topics of the past decade: affirmative action, Hurricane Katrina, racial tension in the wake of the Duke lacrosse scandal, white school shootings, racial profiling, phony racial unity in the wake of 9/11, and the political rise of Barack Obama. Wise’s commentaries make forceful yet accessible arguments that serve to counter both white denial and complacency?two of the main obstacles to creating a more racially equitable and just society. Speaking Treason Fluently is a superbly crafted collection of Wise’s best work, which reveals the ongoing salience of race in America today and demonstrates that racial privilege is not only a real and persistent problem, but one that ultimately threatens the health and well-being of the entire society.

How do young black fathers relate to their children, as well as to their own fathers? How do they see — and play — their roles in both family and community? These are some of the big questions this timely, accessible book addresses. Written by both popular commentators and those who have experienced the issues firsthand, Be a Father to Your Child begins with a frank discussion of how family formation has changed since the 1960s, especially for communities of color. Individual selections then flesh out historical, sociological, and cultural contexts, examining the impact of welfare, child support, criminal justice, and employment policies on young men of color. In addition to this analytical material, the book presents more personal, anecdotal pieces — including poems and lyrics, short stories, and interviews — that form a powerful composite portrait of the challenges facing modern communities of color, and how to overcome them.

Written between 1989 and 2008, the poems in Kevin Powell’s powerful new collection encompass everything from his early role as a renowned slam poet (and original cast member of MTV’s Real World) to his current incarnation as a poet operating away from the scene. Within this rich tapestry of musings, confession, and introspection, Powell weaves issues like racism, black self-hatred, and gender violence with his own anguished revelations about sex, love, and misogyny. Sampling from the personal and the political, Powell reshapes them into a provocative soundtrack for the times.

Its title recalls Bret Easton Ellis’s infamous book, but while Ellis’s narrator was a blank slate, African Psycho’s protagonist is a quivering mass of lies, neuroses, and relentless internal chatter. Gregoire Nakobomayo, a petty criminal, has decided to kill his girlfriend Germaine. He’s planned the crime for some time, but still, the act of murder requires a bit of psychological and logistical preparation. Luckily, he has a mentor to call on, the far more accomplished serial killer Angoualima. The fact that Angoualima is dead doesn’t prevent Gregoire from holding lengthy conversations with him. Little by little, Gregoire interweaves Angoualima’s life and criminal exploits with his own. Continuing with the plan despite a string of botched attempts, Gregoire’s final shot at offing Germaine leads to an abrupt unraveling. Lauded in France for its fresh and witty style, African Psycho’s inventive use of language surprises and relieves the reader by injecting humor into this disturbing subject.

Someday We’ll All Be Free is the indispensable and passionate follow-up to Kevin Powell’s best-selling essay collection, Who’s Gonna Take The Weight? Manhood, Race, and Power in America. Here Powell widens his lens and skillfully dissects the dreams of American freedom and democracy in these early days of the 21st century. Be it the reelection of President George W. Bush, the colossal tragedy of September 11th and the policies and wars that have followed, or the historic destruction of the city of New Orleans before our very eyes, Powell tells us the uncomfortable truths about America, his country, and yours, too. These coolly observant essays, quilted together, firmly establish why Powell is widely considered one of America’s brightest leaders and thinkers.

Going Postal examines the phenomenon of rage murder that took America by storm in the early 1980’s and has since grown yearly in body counts and symbolic value. By looking at massacres in schools and offices as post-industrial rebellions, Mark Ames is able to juxtapose the historical place of rage in America with the social climate after Reaganomics began to effect worker’s paychecks. But why high schools? Why post offices? Mark Ames examines the most fascinating and unexpected cases, crafting a convincing argument for workplace massacres as modern day slave rebellions. Like slave rebellions, rage massacres are doomed, gory, sometimes inadvertently comic, and grossly misunderstood. Going Postal seeks to contextualize this violence in a world where working isn’t?and doesn’t pay?what it used to. Part social critique and part true crime page-turner, Going Postal answers the questions asked by commentators on the nightly news and films such as Bowling for Columbine.

Where are the 100 million people who failed to vote in 2000 and are unlikely to vote in 2004? Political analyst Farai Chideya looks beyond day-to-day political struggles to the heart of a nation at war with itself. The 2000 election highlighted the rift between liberal/conservative and "Red State"/ "Blue State." But that superficial crack in our society actually is evidence of much more serious, indeed foundational, damage in our society. The United States, Chideya argues, lacks the moral, legal, and psychological framework for debating complex issues in a pluralistic society. Instead we rely on an outdated idea of dichotomy, that each issue has two opposing sides instead of many interested parties. And in so doing, we have lost, in effect disenfranchised, half the country.
Chideya’s title essay compliments many other ones written in the course of covering campaigns and controversies. She skips the easy answer, showing how black/white thinking (a key element of the Bush Adminstration) restricts our moral and political responses. A real democracy will allow us to acknowledge the complexity of our own lives, as well as our political interests. As we do that, we will be able to craft a working vision of government and civic life.

Hip Hop activism, a joining of a musical genre with political action, is a highly ambiguous term that encompasses a range of initiatives, from those that are genuinely attempting to affect public policy to largely self-promotional efforts that are more about getting media exposure for celebrities than addressing the cause they are allegedly representing.
For too long, Bynoe maintains, Black leaders have only been "Charismatic Leaders," and have largely functioned as "spokespersons" delivering complaints and exhortations to the White power structure. Bynoe is passionate about the need for a new generation of Black leadership and civic and political organizations to instead actively engage in a policy-centered relationship with the White power structure, not only in field of government but also in economics and media. This understanding, Bynoe argues, should be premised on the principle that political power comes from influence and influence comes from the ability to delivery (or deny) money, votes or both to a political candidate, legislator or political party; in the words of MC Lyte, all the rest is "chitter chatter".