7 Books Published by Aqueduct Press on AALBC — Book Cover Collage

An anthology that explores all facets of the Black Arts Movement. Edited by Dr. Kim McMillon and Kofi Antwi. Foreword by Ishmael Reed. Introduction by Dr. Margo Natalie Crawford. This anthology, nearly 60 years in the making, features over 100 poets and writers on the theme of “Black is Beautiful, Black is Powerful, Black is Home.”

Exploring the past, present and future of Black writing, this collection bridges many of the founders of the Black Arts Movement—including Nikki Giovanni, Sonia Sanchez, Haki Madhubuti, Amiri Baraka, Wanda Coleman, Dudley Randall, Eugene B. Redmond and Askia Touré—with contemporary established writers in the tradition such as brian g. gilmore-to Ishmael Reed’s “younger generation”-Karla Brundage, Allison E. Francis, Tongo Eisen-Martin and C. Liegh McInnis.

Designed as an open conversation between generations bridging hearts and minds across decades, Black Fire-This Time’s works are rooted in preservation, reverence and discovery. Several little-known works are included for the first time. New works—from established writers as well as emerging talent—share this historic debut. Black Fire This Time also stands out for its inclusion of many voices that were underrepresented in previous anthologies, most notably Black Fire: an anthology of Afro-American Writing (1968) and its ancestor, The New Negro (1920). The works of writers such as Nikki Giovanni and James Baldwin provide a more complete view of the myriad perspectives on Black identity and writing.

Sleeping under the Tree of Life evokes the realm of ancestral knowledge with a deep respect for the natural world, a love of language, and an invitation—for survival, and asks: Who survives without being transformed? Beneath luminous layers of imagery and mythology, science and nature, fantasy and the recounting of history, is the grace and tenderness of a poet’s heart, the unwavering gaze of an oracle’s vision, and the dreamlike whimsy of a storyteller’s mind. Hope, love, and hard truths spring from these pages of a writer whose imagination conjures an unforgettable journey. Readers enter these poems and stories the way some souls enter church, a quiet garden, or a stand of trees—for rest, for the blessing of silence and reverie, for beauty if not redemption.

Advance Praise

“Sleeping Under the Tree of Life is a feat of literary conjuration. Poetry, prose combine in a mythic discourse that combines African, Indigenous, and European tropes to explore the power and plaints of woman hood; the thin line between life and death; the power of the Fates; the volatility of nature; a desire for and the achievement of transformation… The texts here offer a profound understanding of the Black American South—where trees are sources of shade and succor or memorials to humanity’s murderous traits. And it is a sly portrait of Memphis, Tennessee, Thomas’ hometown. This is a bold book full of taller than tall tales and delicate lyrics-where birth, death, sex, magic and discovery walk the same path and haunt the writer’s dreams. Join her on this journey and find out what it is like to sleep under that tree.” —Patricia Spears Jones, author of A Lucent Fire: New and Selected, Painkiller, Femme du Monde, and The Weather That Kills

“These are wise women poems, country lush, bound by myth and science. Thomas’s exquisite language inhabits constellations, delta crossroads and the deepest forest to explore our collective troubles. Thomas is also a master storyteller weaving a devilish braid of ancestral reclamation; of sirens, goddesses and elders wrapped in new world grit and a modern hoodoo evocative of the pastoralism of Jean Toomer. This powerful collection is a call to ‘save us from ruin.’” —Jacqueline Johnson, author of A Woman’s Season

“‘Out of the mouth of this holler,’ Sheree Renée Thomas’ Sleeping Under the Tree of Life springs to life—to give us life. Continuing the work she set out with her Dark Matter anthologies and her first collection, Shotgun Lullabies, Thomas, in this pristine, poised narrative of our beginnings, extends and expands the dialogic paradigm of an art form and genre the world is finally catching up to, to go beyond what Michael McDonald and James Ingram sing— ‘Yah Mo Be There!’—to take us back to the future of an Africa that said/that says, as the Bantu— ‘Nommo Be There!’ In Sleeping Under the Tree of Life, Sheree Renée Thomas collages together a narrative of necessity where her full literary powers and prowess are on full display like a Dogon cup from an ancient river where we drink in the magic of winged words necessitating change, each poem and prose piece not lulling us to sleep—but giving us life, and making sure we stay WOKE!” —Tony Medina, author of Broke Baroque and An Onion of Wars

“Sheree R. Thomas is a hoodoo conjure women. Sleeping Under the Tree of Life is a book of story and poem incantations. Thomas calls on the ancestors, the spirits, and our natural Mississippi mud/ blood history to talk to the future. She tasks, thrills, and twists our minds. Her word magic feels so good in my mouth, I have to jump up and speak her blues, jazz, and warrior woman sass out loud! Sleeping Under the Tree of Life is a book to read again and again and again!” —Andrea Hairston, author of Redwood and Wildfire and Will Do Magic for Small Change

“Sheree Renée Thomas gives us a whirlpool of poem and story, a ‘wild and strangeful breed’ of cosmology that maps each star from Machu Pichu to Congo Square, from Legba to Medusa. Here in these pages is a ringshout around a tree of brown woman hands and riverbent fantasy, all quilted up in ‘indigo/and black silt/ twisting the thick strands/ as if starting a slow fire.’ The baptism awaits, the water is living, and we all rise with the tide of these epistles from such a wondrous, ancient, future-bound poet.” —Tyehimba Jess, author of Olio and Leadbelly

“Sleeping Under the Tree of Life is a collection of tales and poetry reflecting the mythical origins of life inside the dream of ‘trees, rivers, stars, blood.’ Through Thomas’ words every day birth, desire, death becomes a beautiful, dream-like dance full of magic, light and dark. We are shown that things are more than they seem and under the most common skin lies infinite power.” —Linda D. Addison, award-winning author of How to Recognize a Demon Has Become Your Friend

“This collection of vivid, intense and artful speculative poetry and short fiction is a journey through beautiful, treacherous landscapes simultaneously ancient, futuristic and of-the-moment, inhabited by deities, demiurges, and drylongso conjurefolk. These guides, guardians and shape-shifting survivors illuminate Thomas’ meditations on the joys and ravages of history and the resilience of love. Sleep beneath this Tree, dream these dreams, and arise changed."—Ama Patterson

A computer program etched into the atmosphere has a story to tell, the story of two people, of a city lost to chaos, of survival and love. The program’s data, however, has been corrupted. As the novel’s characters struggle to survive apocalypse, they are sustained and challenged by the demands of love in a shattered world both haunted and dangerous.

Winner of the 2012 James Tiptree Jr. Award, Ancient, Ancient collects the short fiction by Kiini Ibura Salaam, of which acclaimed author and critic Nalo Hopkinson writes, ’’Salaam treats words like the seductive weapons they are. She wields them to weave fierce, gorgeous stories that stroke your sensibilities, challenge your preconceptions, and leave you breathless with their beauty.’’ In naming Ancient, Ancient one of the Best Fantasy and Science Fiction Books of 2012, Jeff VanderMeer writes, "Magic and sexuality permeate these stories that seek the emotional core of their characters. Interesting settings and Salaam’s exuberant but controlled prose help to anchor narratives that are continually question, pushing for something beyond the usual." Indeed, Ms. Salaam’s stories are so permeated with sensuality that in her introduction to Ancient, Ancient, Nisi Shawl, author of the award-winning Filter House, writes, ’’Sexuality-cum-sensuality is the experiential link between mind and matter…. And it is the throbbing, glistening heart of Kiini’s body of work. This book is alive. Be not afraid.’’
  ’’Kiini Ibura Salaam’s collection of short fiction, Ancient, Ancient, demonstrates that she deserves to be considered one of today’s most promising contemporary genre writers. With writing that challenges assumptions on gender, the nature of fantasy, the uses of myth and much more, she offers the readers stories that they will not soon forget. A marvelous introduction to a marvelous writer.’’—Jack Womack, author of Random Acts of Senseless Violence

’’’Kiini Ibura Salaam is a natural-born storyteller and a gorgeous writer who chooses her characters and words with the care and skill of a poet. Her stories are transformative, wise and vivid with the quality of fantasy and fable. I loved reading this!’’—Sheree Renee Thomas, author of Shotgun Lullabies: Stories and Poems and editor of the award-winning Dark Matter anthologies

This collection of moving stories interleaves many themes, perhaps the most effective for me being the alienation of the foreigner….Throughout the language is stunning, like music become words. I found my own mind dazzled and my imagination stretched to keep up with the flow of images.— Martha Hubbard , The Future Fire

In this first collection of the stories and poetry of Sheree Renée Thomas, memory is the only force strong enough to counter the terrors of a scarred and forgetful world. Thomas’s characters are people scraping by in slave quarters and institutional margins, people in search of freedom and transformation who come face to face with apocalyptic powers. Thrown back on their wits and their lore, they turn to unexpected sources to make sense of things: to girl-children, old women, old skills, old magic, and forgotten ties of kinship with the natural world. Rooted in the Mississippi Delta, Thomas’s language is the stuff of life and the struggle to call things by their true names. It reaches through time in search of the transformation that will allow us to survive diaspora with memory and soul intact. These shotgun lullabies puncture the walls between us and our past, the people and their birthright.

Filter House collects the short fiction by Nisi Shawl and includes an introduction by Eileen Gunn (author of Stable Strategies). The collections fourteen tales offer a haunting montage that works its magic subtly on the readers subconscious. As Karen Joy Fowler, author of The Jane Austen Book Club says, This lovely collection will take you, like a magic carpet, to some strange and wonderful places. Three of the stories are original to the volume. Eminent novelist and critic Ursula K. Le Guin writes: From the exotic, baroque complexities of At the Huts of Ajala to the stark, folktale purity of The Beads of Ku, these fourteen superbly written stories will weave around you a ring of dark, dark magic. Matt Ruff, author of Set This House In Order and Bad Monkeys calls Filter House A traveling story-bazaar, offering treasures and curios from diverse lands of wonder. Eileen Gunn, author of Stable Strategies, concurs that these are Remarkably involving stories that pull you along a path of wonder, word by word, in worlds where everything is a bit different.