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richardmurray

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  1. Title: Jumbie Live Wallpaper - GemGfx Animation Studios
    Artist:  GemGfx Animation Studios
    The  gift to our patrons this month is a Jumbie live mobile wallpaper. Join the journey on Patreon and get lots of cool gifts. It's our way of saying thanks. 

    https://bit.ly/PatreonGemGfx

     

     

  2.  

    MOVIES THAT MOVE WE with Nike Ma and Nicole Decandas , discuss Alien vs Predaotr

    My thoughts with time indexes as I listened

     

    circa 3:47
    Its funny, Black people in terms of film have an interesting relationship with the room in the house of fantasy called science fiction.
    When I think of Body and Soul, Sankofa, Daughters of the Dust, black people are more interested in dream fiction, which is in fantasy, more than science fiction.

     

    circa 4:06
    As I ponder Nichelle Nichols I realize in cheap retrospect what many Black people see, what MArtin Luther King jr. saw, and what I don't like. 
    Nichelle Nichols in star trek, the original series, is interesting cause she is so lauded by Black people, including me, yet the production is in many ways something between anti-black or not pro black.
    To be blunt, Black people in the USA love Nichelle Nichols as Uhura because as a thespian or the character itself, she represents what they want. The Black Individual in the USA doesn't need or exclusively want a star ship designed by black people, populaced by black officers, in Black interstellar law enforcement agency or governmental union. 
    The Black people in the USA are content with Black people living happy, or respected aside non Blacks in a ship not designed by blacks, in a ship mostly populated by non blacks, in a non black interstellar organization or law enforcment organization. 
    It is not that Black people in the USA do not want the black designed ship, with the black crew , with the black interstellar organization, but they are content to live as individuals without it, hoping or knowing it will happen one day. 
    I don't like that, but that is the potency of Nichelle Nichols as Uhura

     

    circa 4:32
    The terms science fiction or fantasy have commonly accepted definitions but are in no way bounded to the common definitions. 
    I define for this section fantasy as any film that involves the unreal, so aliens/monsters/psycopaths any unreal character, including faux biographcal characters is fantasy. 
    Musicals I define as films where exhibitions of songs are inacted by thespians in the film on more than one occasion, thus seven brides for seven brothers <which I never saw, but I recall the title>, Purple Rain, west side story are musicals. The fifth element, footloose, the color purple, ray are not musicals based on my definition.
    I will not speak for Nike, but when I say major production in USA cinema, I refer to volume of money spent on the film. Blackwood, Black financed cinema in the usa, is historically in comparison to Hollywood,white financed cinema in the USA, lower budget. But I do not concur with comparing Black cinema to white cinema financially in the usa. The distinction of Black cinema in the usa is it is historically with the leanest finances, thus expensive fantastic productions are not possible. Thus why Dream Fiction is so popular in Black Cinema: Body and Soul, Sankofa, Daughters of the Dust, Ceddo , Emitai
    In the USA no high budget Hollywood film involving what is commonly called science fiction had a black female lead before sanaa lathan. Dionna Ross was in a high budget film , but the WIZ is commonly considered a musical or fantasy film, not science fiction, in the USA.
    Oddly enough, the journey of Dorothy is a dream journey which is historically interesting with the prevalence of dream fiction in Black cinema.

     

    circa 5:38 
    Nicole asked a historical question. She asked, I paraphrase her, Black people are usually cast in Hollywood, note I define hollywood as white financed cinema in the USA, in dramatic or comedy roles but to what extent are Black thespians comfortable or the Black audience comfortable with Science fiction? 
    I recall Eddie Murphy saying he turned down who framed roger rabbit based on the screenplay he received or pitch he got, and he didn't buy it. The white actor, bob hoskins, who played the role Murphy let go ,oddly enough to my themes, was in a movie in 1986 called Mona Lisa, which is a dream fiction film. 
    So Eddie Murphy's admitted career choices show Black thespians have doubts. I add, Denzel Washington turned down Seven, which Morgan Freeman did. Sequentially, "the nutty professor" or "doctor dolittle" from Murphy or "the little things" from Washington. 
    In defense to Murphy or Denzel, I read screenplays. And if you ever read the original screenplay of 1986 legend, by Hjortsberg  ,  you will realize how what thespians are originally pitched can be far away from what is finally produced. 
    Now, why does that matter? To Nicole's point, Black Thespians based on the two examples I gave maintain the Black labor mentality in the USA. The Black labor mentality is based on the fact that Black people rarely are the owners, thus our employment is never secure and must be merited. Sequentially, as a thespian, mistakes are costly in a career. Sequentially, Black Thespians don't take the risks that early scripts present themselves to be.
    As for the Black audience, the Black audience was always ready, but only recently had the money.

     

    circa 6:51
    Nike spoke on Black Panther and how a question existed in media. The question was: if people, I will define people as ticket buyers to films, was ready for an all black cast superhero film, I define ready as willing to buy tickets? 
    The reality is , consumers are always artistically ready, but not always financially able. I restate, Black people always wanted to see Black people in everything. But Black people didn't have the money, nor did the non black ticket buyers show the willingness to buy a ticket for an all black high budget film in the past. 
    But past the year 2020 when Blacks in: Africa,Europe, the Americas, Asia are all financially potent, let alone capable, they have the money to buy the tickets. 
    And, non Black ticket buyers past the year 2020 are willing to buy an all Black cast. 

     

    Circa 7:52
    Nike states Hollywood, I defined it earlier, does not feel non blacks are willing to pay a ticket to see Black leads today. I concur. But I will say in the fantasy film realm, especially, that some Black creators haven't helped. 
    From Poitier in the film "The Longships" <oh the Black Moor:) forgive me> to  Sayles, a white director, "Brother from another planet" starring Jellyroll Morton to Wesley SNipes as Blade, Black thespians have taken fantasy roles seriously.
    But from "Cleopatra Jones" to "The Adventures of Pluto Nash" to "Fat Albert" to "MEtero Man" Black creators or thespians have played fantasy roles in a comedic way that hurts the role. 
    To be blunt, fantasy can easily become comedy, as it is easy to laugh at the unreal. To many examples of Black thespians making a fantasy role comedic exists. 
    And that is why Sanaa LAthan's heroine in Alien vs PRedator is a great role. She is Black, she is a woman, the film is a hollywood high budget, but she isn't comedic. While she still offers the full range of emotions through the character's scenes, from funny, to sexy, to brave, to afraid, to legendary.

     

    circa 8:42 
    Nicole makes the point, I restate her, Black money has finally reached a point where it can influence larger fields in the film universe.
    The 1970s Hollywood films involving or starring Black thespians, commonly called Blaxploitation, was reflected on greater Black revenue in theaters as well as white ticket buyers willingness to buy said hollywood films with black thespians. How many white women know the Shaft song? 

     

    circa 10:39
    They , Nike side Nicole, speak on Sanaa Lathan's preparation, and how they felt she forced some of her lines. Sanaa was inexperienced in the genre. When you look at Sigourney Weaver in Aliens as compared to Alien you see what having one of these in the belt means. But they do make a great comparison between LAthan in "Alien vs PRedator" in comparison to Angela Bassett in "What's love got to do with it". 
    My only issue is I would had compared Sanaa LAthan in "Alien Vs PRedator" to Angela BAssett in "Strange Days" . Yes, Ralph Fiennes was the lead thespian but Angela Bassett was totally convincing as the single mom black security driver who has a unrequited love to a man who earned her respect and is going through his own internal chaos while los angeles is going through a potential phenotypical war, and the man in question happens to be white.
    I argue it will be nice to see if Angela BAssett was called for Alien vs PRedator and did any casting tests.

     

    circa 12:10 
    Nicole side Nike go over Sanaa Lathan in films like "Disappearing Acts" or "Brown Sugar"

     

    circa 12:25
    Everyone wish Nicole Decandis a happy BESOONED BIRTHDAY!!! seven days from the time of this post

     

    circa 13:31 
    They talked about the Alien or PRedator franchise and whether the story for Alien vs PRedator helped Sanna LAthan. 
    I saw all the Predator films or the ALien films 1 to 3 before this film. 
    It is a standalone, it refers to either film franchises but doesn't own either. It is standalone and even alludes, in location,  to the legendary story "who goes there" more commonly known in the film world as the "the thing from another world" or "the thing"

     

    circa 15:52
    I want to merely repeat what Nike stated about a film I will not type out in name, but say it is the supposed sequel to Alien vs PRedator. 
    It didn't need to happen. 
    Those who know about an annihilation, that is a clue , know what I am talking about. How can all that is good be killed in a sequel?  It makes wrath of khan look magical.

     

    circa 16:04
    I don't rate or star films, enjoy Nike or Nicole's rating.
    My review is, if you are looking for a fun action film ride, Alien vs Predator is a fun ride. If you are a hardcore

     

    Alien or PRedator fan that wants the details followed, this movie isn't for you. 

    https://www.youtube.com/watch?v=2EZcgCyq8B0

     

    MOVIES THAT MOVE WE- aalbc search
    https://aalbc.com/tc/search/?&q=%22movies%20that%20move%20we%22&quick=1&search_and_or=or&sortby=relevancy
     

    1. richardmurray

      richardmurray

       

      After Reading your reply, my first thought was, what does it take to have a film environment. 

      you said Black people were not on many screens in sci fi films or films in general. That is true, but it means you need a place to show films.

      you said Black people didn't run film studioes or have financing to make equal budget films. That is true, but how cheap can one make a film.

      You said you don't comprehend expecting a blackwood. But was a Blackwood impossible before modernity, meaning the last forty years.

      Now you say, the internet provides possibilities. And I concur, but does that mean a Blackwood was impossible in the past. 

      Now you say you want to enjoy a science fiction film first and be happy for who participates in it second. I am 100% certain most black people, over 90%, in the usa and definitely in the white countries in humanity, USA/UK/France/Brasil et cetera, concur to you. 

      And yes, Nollywood exists today, though they don't make blunt science fiction films. Many people in the usa consider Daughters of the dust a science fiction film so the artistic debate I will leave alone. 

      But, was it possible to have black financed/directed/produced/acted, ala a Black Wood?

      Now, body and SOul by Micheaux to Meteor Man from townsend prove, Black people did make movies from the silent to today, with financial or quality standards that are on par to what audiences may have expected.

      But, if the BlackWood was created, how could it be?

      The questions are: 

      Where to show the films?

      Who to make the films? 

      Who to finance the films? 

      How to distribute the films?

       

      My quickest answers, 

      Where to show the films?

      From the 1970s to the end of the war between the states, the most prolific places in the black community, that black people had control over was black churches. Black churches are the theaters. Take a wall, color it white, project on it. If someone has a white curtain use that. Now the white law will definitely find the act of a church theater fiscally improper, so show the films for free, people need popcorn, water, vending is the roots of retail. A person with a little cart is as ancient as the pyramids. Nothing bars the church from having a small set of vendors outside. The vendors are free to donate to the church some of their revenue.

      Who to make the films? 

      I think many Black people made films, but it was common Black folk, not the OScar Micheaux's or Robert Townsends of the world. And, if you have a video recorder, then you have all it takes to make a film, starting with yourself. animation is not new, I know for certain black people near 100 years old recall seeing animation as a child in NYC alone so I know it isn't fantastical. Common Black folk made films. Maybe not close encounters of the third kind in production level, but artistic display isn't about competition it is about creation. if you don't create it doesn't exists.

      Who to finance the films? 

      Black businesses are not new. The Black people who financed MLK jr, the Nation of Islam, Madame CJ Walker has her old house upstate new york. Somebody black had enough money to make a small production film, every year since circa 1865.  Now again, do they have hollywood money? no. But is the goal a blackwood or the goal competition with hollywood. 

      How to distribute the films?

      Oscar Michaeux's films were all found in Europe , not the usa. so somebody copied them and I think oscar micheaux knew who. so, I can't believe later, the ability to copy a film and send to the churches was beyond the means for the Black community in the USA.

       

      Thus, in my view, a Blackwood should had existed already in the USA from the Black community in it. Now some caveats. yes, the Black community in the USA from the Negro leagues to my potential Blackwood are more interested in Black people aside whites than Black people alone. But, I think Black churches, showing films by Black people, spending money to make copies based on word of mouth, with small revenues was sustainable. I didn't even add historical Black colleges for the southern Black populace, which is historically or modernly the largest in the USA per a region. I can't deny many Black people wouldn't care, or would snub. But I think the model was sustainable... if attempted. 

       

      South side home movies project 

      https://sshmp.uchicago.edu/

       

      Comment about making a Black Wood source

       

    2. richardmurray
    3. richardmurray

      richardmurray

      Supporting the point , above,below shows a section of a screenshot at the website linked below. the south side of chicago has 215 surviving films. I can't imagine other Black communities were less involved. Thus, from new york city to los angeles, i say thousands of home movies. 

      Now utilizing the system I spoke of above, a Black Wood , with Black production/direction/action is clearly feasible in the past, but it was attempted, and that lack of attempt is the lesson. 

      now0.png

      https://sshmp.uchicago.edu/archive

  3. now3.jpg

    Somewhere online I read a commentary concerning the situation of Brittney Griner in Russia.

     

    First commentor 

    Listening to a radio show this morning and they were discussing this and one of the female DJs said "To be honest I don't think they would use her as a political pawn because this country doesn't value or respect Black women and it would be a lost cause." and honestly I agree with her.
    Second commentor
    I don’t know…they don’t necessarily value black folks in general. They don’t care what happens to her either.

     

    Now most Black people in the world , or the USA in particular, know comments like these. Black folk love using pronouns for the white community or the usa or the united kingdom or white power. I do have a huge dislike when Black people say they instead of whites. I truly feel we, meaning Black people, have to stop that pronoun crap. Say whitey. That isn't hurting them. 
    But, after clarifying who they is, a question, a functional question comes to my mind. 
    What do Black individuals who live in the USA want for the Black community, I can ask for the world but I will not go there, in the USA fifty years from now? 
    If so many Black people know whites don't like them, and the government they live in is controlled by whites, then what do black individuals want for the black community down the road? 
    It seems to me, Black individuals don't speak about what they want for the Black community. I know what Black individuals want for themselves. That is easy. Every Black person has heard another Black person say, I want benjamins, I want to be respected, I .. I ... I something. But, what does the Black Individual want for the Black community?

    It isn't one answer for all, it is each having their own answer, but what is it? Cause I don't hear many Black people saying what they want for the Black community down the road?  If nothing, that is fine, but say it even.

     

    https://thegrio.com/2022/03/06/russia-griner-extract-concessions-united-states/


     

  4. now1.png

    this is the lemon challenge, I am at 18:07


    https://www.twitch.tv/videos/1415537823

     

     

     

  5.  

    https://richardmurrayhumblr.tumblr.com/post/678038069744697344/transcript

    Good morning, good afternoon, good evening, to whomever is listening, I am Richard Murray , a creator who utilizes Kobo Writing Life, Kobo is K-O-B-O or is a member of the African American Literary Book Club, A-A-L-B-C or I am a member of Deviantart, hddeviant is my tag.  In either Kobo or AALBC search my name Richard Murray or Sunset Children Stories. 

    International Womens day is upon us all and two questions was asked. 
    What do you believe can be done to address gender stereotypes?
    Who are your favorite women, and why do they inspire you?

    What do you believe can be done to address gender stereotypes?
    Are works of fiction stereotypes? Stereotypes means a solid form, I rephrase as a solid representation. But, is any representation in fiction solid? 
    I am a writer,as well as painter or programmer, and I will place myself in the siege perilous. For example, if I write a female character in a story, where said character falls over constantly or is abused by males gleefully or is disrespected in conversations absent cognition, is that character a stereotype? Is that character traits I just described a solid form of woman? 
    I say no. In my personal life, it is rare for females, women or girls, to have such traits. So, the character in my faux example is not a sterotype to the females I know. But, can any females, including the ones I know, be insulted by the presence of said character? 
    The answer is yes. And that is what the issue is. It isn't about the unsolid being solid. It is about the idea that if you see no evil, you think no evil. If no female ever sees a character as I just described then no insult to females, thus a betterment to their mind. 
    I am not a woman. But I am of the phenotypical race commonly called black. When I see some fictional interpretations of Black people, from the formerly enslaved Black woman beating the free while wild Black elected officials in Birth of a Nation or the bucktooth black female centaur in fantasia to the black-faced thespians still present in modern media, I don't feel positive. But, does that mean those interpretations are solid forms or stereotypes? Moreover, do said interpretations define me or my phenotypical race because they exist? 
    I say those interpretations are not solid forms nor do they define me or my phenotypical race.
    But, I am not every single Black person. Some Black Individuals can't see or experience those negative interpretations. 
    And that is where the issue lays. 
    The strategy is, if you don't present negative interpretations, then negative interpretations can't hurt someone, regardless of the artistic consequence. 
    The biggest flaw in that strategy is art, by default, is beyond limitations. I quote the gmork from an interpretation of Die unendliche Geschichte, fantasia has no boundaries. I add, if fantasia has no boundaries then in fantasia are all the negative interpretations as well as the positive. Sequentially, blockading art is never being true to art.

    Who are your favorite women, and why do they inspire you? 
    My mother is my favorite female. She is parent while also my friend, as my father is my favorite male while also my parent or friend. My mother doesn't like when I mention her but not him:) 
    My mother inspires me because she is so positive, no matter how much my focus on or belief in functionality or efficiency or truth exists, she proves that having fun, being positive has a way of making life pleasant, regardless of dysfunction or inefficiency or lies.

    ART 
    TITLE: Valentine's Day 2022 Color gif
    Artist: Richard Murray
    URL: https://www.deviantart.com/hddeviant/art/Valentine-s-Day-2022-Color-gif-906988319

    Valentine's Day 2022 Color gif

    POST COMMENT
    https://www.deviantart.com/comments/1/907160601/4972967062


    POST
    https://www.deviantart.com/team/journal/International-Women-s-Day-2022-907160601


     

    1. richardmurray

      richardmurray

      Short form answers

      What do you believe can be done to address gender stereotypes?

      A fictional interpretation is never a solid form, but can negative interpretations of women hurt women? The answer is yes.

      The strategy is to stop negative interpretations of women, not cause every woman is hurt by them, so that no women can be hurt by them.

      The problem is, art includes all interpretations of all things, it has no bounds. To rephrase, art includes interpretations of women that insult some women. if said art is blockaded is art then freely expressed? The strict answer is no. The question is, will you rather freely expressed art that can harm women or restricted artists that can not present art that can harm women?

       

      Who are your favorite women, and why do they inspire you? If they’re deviants, tag them in the comments!

      Women from my offline life, from history, from fiction I think of often or inspire me.

      Some women of deviantart I like the most or inspire me. I will share the earliest women I know of on Deviantart that inspired me.

  6. KWL Live Q&A with Sacha Black

     

    MY COMMENTS

    Cheap question, but what is her thoughts on harry potter as an english person concerning magic

    I concur, indie publishing is letting the artist publish absent the industrial management of a publishing house

    yes, an artists has to find the buyers of their books

    good point on 50 shades of grey starting billionaire romance, and how indie authors need to try various things

    DO you have a suggestion for a hetero reader in queer fiction? 

    What queer fiction is best if a reader also wants nonqueer characters?

    What are sacha's thoughts to queer fiction non english literature? meaning exposure or growth? 

    love the cover for the rebel diaries, what cigarette is that skeleton smoking:) 

    this is the book, i think https://www.kobo.com/us/en/ebook/fresh-24

     

    the tj klune book https://www.kobo.com/us/en/ebook/the-house-in-the-cerulean-sea

     

    NOTES: pick a genre, be focused, read in that genre, master that one genre

    How often has sacha changed book covers or blurbs to her books

    nice idea about a character writing a journal or an easter egg

    please provide the link to tammi's book kobo moderator

    NOTES: most guests have not admitted changing covers is not purposeful if you change genre

    I read unviersal fantasy is a common experience, like the hero's journey, whereas a trope is a mechanism, that can be universally used, but is not common in experience. The son facing the father is the trope, the child having difficulties with parent is the universal fantasy 

    is this their website https://www.allianceindependentauthors.org/

     

    NOTES: independent authors don't have a union but this is functional union with a podcast and conference

    thanks for sharing sacha and tara about the aali

    Tara, do like inside the actors studio, ask sacha when she reaches the pearly gates, what does she want god to write to her?:) 

    nice answer Sacha:) well done, good fun and thanks

    NOTES: Rebel Stories anthology https://www.kobo.com/us/en/ebook/the-rebel-diaries

     

    https://www.youtube.com/watch?v=sZ-z3qb1UHE
    now0.png

  7. The work at the deviantart link is a little surreal. Can you see why? 
    If the work linked below is the cover of a book, what is the first line? 
    Title: The Lemon Eater and the Vioo Kite
    Artist: Richard Murray
    https://www.deviantart.com/hddeviant/art/Eat-A-Lemon-Challenge-from-Richard-Murray-908793325

     now0.png

  8. Black Tribe of the USA Fictional Book list

    I admit, inspired by the replies offline or online from Black people of multiple gender/age/language/religion/ or other non phenotypical racial category in the usa. I realized a nice little game.

    I will list some tribes in the Black Village in the USA and anyone interested in playing need to take the list and place the fictional book they have read that reflects the goals or ideas of their philosophy. You can leave a tribe space blank, if you can't think of a book of fiction that fits.

    • Militants < Kill whitey>: 

    • Rematriots < Back to Africa or garveyites>: 

    • Integrationists <integrate peacefully into white communities, even if alone>:

    • Minority Religious fervents <nation of islam, black israelites, similar>:

    • Segregationists <live in the usa,where no whiteys allowed, even if just one family in one home >:

    • PRotestants<baptists, episcopalian, et cetera of the black church>:

    • Money^3 <yes, the Black fiscal rich>:

    • Soldiers of the USA <those who fought for the Statian flag>:

    • Children of MAthias De Sousa <from Alexander Twilight or edward g walker to barrack obama or kamala harris>:

    • HBCU's <the scholastic communities aside the black towns of the south>:

    • ADD ANY TRIBES MISSED IN YOUR REPLY

     

    And have fun!

     

    FORUM POST

     

     

  9.  

    Hidden Figures

    review from

    Movies That Move We

     

  10.  

     

    Thistle and Verse, Genre Book Tag

     

     

  11. now0.jpg

    A Guest asked the following, I placed my reply  in this same post postfix. 

     

    GRAPHIC LINK

    LINK

    What Did We Really Gain? - Culture, Race & Economy - AALBC.com’s Discussion Forums

     

    He asked two questions

    1) what did we really gain?

    2) what influence to other black people is the intimate relations of Black people who are fiscally wealthy or in potent/heavily viewed places in government AND why are black people in said categories not regaled or desiring black only relations?

     

    I will start with the first.

    I don't know who the we is he refered to specifically. But, if by we, he meant the Black community in the USA, I present the following answer to his question.

    As I define the Black community in the usa, which is not analagous to every black person on earth, let alone the usa, We gained nothing. 

    But comprehend it isn't a phenotypical speciality.

    Individual achievements are not collective achievements. For example, one white man didn't enslave black people. The White community in humanity enslaved the Black community in humanity.  In parallel, former mayor bloomberg of NYC is jewish. But, the same jewish women in NYC who complained about being abused by jewish men before his mayorlty, complained during his mayorlty and after. 

    Individual achievements are individual. The only thing communal from individual achievements is inspirations. 

    Other Black individuals have been inspired by Barack Obama who became president/Colin Powell who became head of the joint chiefs/condoleeza rice who became secretary of state/Clarence Thomas who became a supreme court judge and yes, if appointed <which i think she will be>or not <merely for being the first black female candidate>,  Ketanji Brown Jackson.  But, gain is not inspiration. 

    When a person says, I was inspired by a forebears activities that isn't gain. When a person says, i inherited from said forebears, that is gain.

     

    To the second... 

    his posts details is not related to the title. 

    I will break up the second question into three questions. 

    A)What influence do intimate relations have to others in a village?

    B)What had or is hindering Black on Black relationships , making people not good enough to each other?

    C)What is the philosophical disconnect between black people in government to the black community, in the usa? 

     

    Answers

    A) Human beings have the right to desire whatever philosophy comes to mind, sequentially, any relationship that is in opposition to that philosophy is negative. If a black man or woman feels Black people need to only be with other Black people, then a marriage between a black person side a white person is in opposition. The greater question is, what does the black person who is opposed to miscegenation do? Murder is against the law. Assault is against the law. Now, the philosophy is not against the law. An idea is to make it into law, or go somewhere where it can be made into law, as the usa has a legal system that naturally opposes opposing individual activities that are not inherently criminal. So, people can dislike the pairing of two individuals, this is very human. I have personally seen many negative reactions to miscegenation in various racial context in NYC: religious<jew/muslim>, phenotype <black/white>, geographic<dominican/puerto rican> and if it can happen in NYC, then many other places well, I arrest my case. But, the question isn't whether you feel impotent by a relationship you don't want to see, but what are you going to do about it.

     

    B> Nothing is the answer.  one of the great lies in modern humanity is the threat of miscegenation taking over any group. The truth is, most villages: black/white/muslim/asian/latino/ango/african/european/christian/atheis/vegan tend to marry in themselves by a clear majority. Anita told Maria to stick with your own kind, but in truth, most people do in the entirety of human history. And even though the usa offers a protection, a legal protection, or a cultural destigmatization through its media apparatus to miscegenation, it was, is , and never will be a common thing. Now do elected or appointed officials, deemed Black, at certain locals in the USA federal government have common ways that are uncommon among black people? yes. But, is that a problem or is that a reality? If you accept that the usa is a white country, then it isn't a problem. A white country will not allow Black individuals who don't fit accepted philosophies to ascend into certain offices.

     

    C) Humanity has a problem, it is very old, very common, and is based on the lack of organization in communities or villages in general. I will explain.

    The average person in the USA will say they are american, a proper label being statian. Americans are from canada to argentina. Now, the question is simple, if the over 300 million people in the usa is a village, is their one tribe. A tribe isn't a village. The STatian village has the black tribe, the white tribe, the native tribe , the female tribe, the christian, most are part of multiple tribes, but each tribe has its houses. the black tribe has the financial black elite house, the fiscal poor house, the black soldiers house , the black christian house, the black female house, and et cetera. and in each house are rooms. 

    but what is the problem. When a person is in a position of power what will their actions reflect? Will they reflect the combined erratic philosophy of the village or the complex philosophy of their tribe or thelattice of the house or the rigid of their room or the simplistic of self? 

    Sometimes a person's philosophy fits that of a house, like Hitler in germany. No his philosophy did not fit all germany. But it fit the working class plus poor christian tribes in Germany. Yes, majority exists in villages/tribes/houses. The USA was founded by enslavers, but the legal code stated the legal system defends the identity or safety of the individual over house/tribe/village. Now what does this have to do with black people in the usa. When the war between the states ended, as in all other times, many Black leaders existed. The Black leaders who prevailed were all financed by whites, all had a philosophy that was nonviolent in nature or individual in function. 

    Frederick Douglass side the black religious groups were the biggest leaders in the Black community in the usa at the end of the war between the states. The Black Churches nor Douglass wanted a Black state in the usa or some segregatory standing to whites in the usa /a black exodus to somewhere else/a black war against whites for revenge. this doesn't mean millions of black people were opposed to that. Nat Turner was a real person, lived at the same time as Frederick Douglass. But, the most well financed Black leaders, were those who believe in Black Individualism. What is Black Individualism? It is very simple, it says, the Black community in the USA, or the world, grows when each or every individual in it grows. TO restate, if every Black person starts a business or starts another business till they succeed with a solid firm, then the black community is doing great. And it didn't require a specific organizational model or strict adherence by each individual to a code or creed. 

    What are the advantages of Black individualism? it needs no central organization or leader or judgement board. A Black woman can marry a white man or a Black man can marry a white woman and succeed in Black individualism by being a supreme court judge regardless of their legal opinions or standings. A Mulatto can deem himself Black and marry a Black woman and succeed in Black Individualism by becoming president of the USA with the purpose of helping all in the USA. Black individualism doesn't concern with how the individual relates to the community, it concerns with how the individual relates to self. A Black woman can be unmarried and a billionaire and succeed in Black Individualism regardless of her activities in the Black community, ala Oprah Winfrey. 

    Now, Frederick Douglass who had white female mistresses, was a huge believer in Black Individualism. As a subset of Individualsim, Black Individualism suggests, regardless of a communities/villages/tribes situation, the individualism is still valid. So, even though Black children were being burned alive, black women were being hung while pregnant, Black towns were being annihilated and looted by whites, black elected officials in the USA led by the guidance of Black churches or Black leaders like Frederick DOuglass didn't say, war of revenge/segregate or other philosophies, I mentioned. They said, Black Individualism and support the legal system of the USA which defends individualism at its core. Thus, the Black community in the usa for over 150 years has been led by Black Individualists. Sometimes you get communalists like Malcolm or Garvey or Nat Turner but the majority of Black people in the USA are individualists, not communalists. Remember, it isn't that Black Individualists don't want betterment for all Black people. But, they plan that betterment through each individual life supported by a legal code, not activities requiring the combined village or parts of the village in circled about its own code. Is it wrong or right? good or bad? neither in either question. The only valuable question is, is it functional? To reword, is it working?

    If you are honests and look at the Black community in the USA, the answer is yes based on the philosophy. This is why it is important to view things from the angle of a  tribe. A Black Nationalists will say it isn't working. But why? Black Nationalists demands things to be created by Black people. Sequentially, using a white created legal system/being in positions in a white made government, go against the nature of Black Nationalists. As all Nationalists are looking to to be part of things, their particular race creates. But Black Individuals don't plan through communal action. It isn't the Nation of Islam which is a group led through a leader, or Back to Africa which is a segregatory agreement by all in it. Black Individualism, like all individualism,  goes against the individual acting as leader for any group. Black Individualism goes against accepting any creed or code as a collective standard to any group. Black Individualism supports the individual's gain. The only relationship to others is inspiration. even if it is dislike. So for example, if a Black person left the USA after BArack Obama became president to a Black country, Black country defined as a country where most humans are in the phenotypical range commonly called Black, Black Individualism accepts the act cause that is the individuals wish/activity, even if the person left cause they are a Black Militant and want Black people to have an offensive , violent, abusive, or militaristically potent stance towards non Blacks. Barrack Obama's presidency to a Black Militant is sinful, against their being. But, even if the Black Militant acts from their philosophy, Black Individualists support their actions as individuals while opposing their communal mantra. 

    Finally, the elected leaders in the USA are usually/mostly, Black Individualists. They don't see their legal impotency to Black communal growth as not helping the Black community cause they don't see Black communal action as the way to help the Black community. It isn't Black man starts business to help black people. It is Black man starts business to own a great business. All other Black Individuals can thus do the same, regardless of restrictions/boundaries/limitations or any other negative. 

    Again, is it right or wrong? neither. Is it good or bad? neither. 

    All have to choose their tribe in the village. The only true question is what will you do to hold true to your tribe. 

  12. now3.png

    Model: Neferttiti model_neferttiti
    PHotographer: Ronald Reed

     

    MARIO PRODUCTIONS @ First Fridays • #mariobpro • @model_neferttiti

  13. If a black child comes to you, born and being reared in the usa, and asks: " I Want to be a soldier in the USA military but I don't know another reason , outside it looks cool, my parents said I must come up with one reason that involves the black communities betterment or they will send me away, please help me"?

    What do you say to the child?   

     

    FORUM POST

     

  14. now0.jpg

    Loretta Devine, Sheryl Lee Ralph and the THR Blackfamous Roundtable – The Hollywood Reporter

     

    After reading the article, the argument is what in completion? ... Black thespians in the USA movie industry, titled hollywood, are revered by Black Audiences or in Black owned or mostly populated media outlets in certain roles or films , most with heavy black involvement behind the camera, while underrecognized by White audiences or in white owned or mostly populated media outlets. ... The solution in my view, is perspective. I will explain. Most people use the term bollywood to refer to the cinema of india. But I know a few indians who live in india and people who live in india relate all media by region or culture. Very few things in Entertainment in india are deemed by Indians in india as pan indian. In parallel, people or media outside India like to suggest all media in india is pan indian. Bollywood/Tollywood/Kollywood I heard of before. The following wiki displays how many more there are. < https://en.wikipedia.org/wiki/Cinema_of_India#Cinema_by_language > .. Now what is the point? the point is, each of these woods have their own identity. It isn't Kollywood thespians are underappreciated in Bollywood. Each wood in india is its own ecosystem. yes, some thespians can go between, but it isn't usual. Now, to the USA. If you look at the Cinema of India, a highly internally multiracial county, as a good comparative to the Cinema of the USA based on quality of racial complexities from the people in their country respectively, then you see the issue is not that Black Cinema's stars are underecognized in hollywood. It is that Black CInema is not hollywood. To be clear, Blackwood needs to stand isolated from hollywood the same way the hindu and tamil speaking woods do in india. yes, most black people in the usa speak english, but the culture of black people in the usa is not that of whites. Even though many black people work hard to make it so.

    1. Show previous comments  2 more
    2. Stefan

      Stefan

      @richardmurray

      A couple of suggestions:

      Use the paragraph key to break up blocks of text.

      You definitely need a Copy Editor and an AP Style Book.

      Never use "etc." That tells your readers that you simply couldn't think of anymore to say in that sentence.

      Read over your work carefully before posting.

      Because you asked a question about how cheaply one could make a film and then left your readers hanging for a reply.

      The industry term is "low budget." Not cheap. 

    3. richardmurray

      richardmurray

      @Stefan thank you for your suggestions

    4. Stefan

      Stefan

      Not a problem. Just contact me if you need any more pointers. If you're going to blog, shoot - be DAMN GREAT at it!

      One more tip, never use Wikipedia as a source. It's too easy and Wikipedia content can be edited and rewritten by anyone who is intent on doing so. 

      Stick with academics. Google is your friend to find websites.

       

  15. now1.png
    Why can't these articles ever start with the name of the individual. It is always,a black woman, a black man, her name is Tammy Williams. They mentioned Tyler perry's name but she is a black woman.
    Second, the article clearly states she was given fina outright at the moment. doesn't own these studios outright at the moment. I am not certain if tyler perry owns his outright.
    Third, I went to Tyler PErry Studios website < https://tylerperrystudios.com/ > and I noticed key variances between his studios website and those of Warner Bros. < https://www.wbstudiotour.com/ >  or Universal Studioes < https://www.universalstudios.com/
    Tyler perry studios website is pitching their studio to be a place for films to be made. Warner Bros is pitching their studio like a museum, or tourist attraction. Universal pitches their studio as a complete package: movies/theme parks/services.
    Tyler PErry studios is new, but I see an interesting financial reality compared to its elders. Tyler PErry studios isn't old enough or been the venue for enough films to warrant the warner bros approach, and time is a mandatory factor in that. But, universal's approach doesn't require time but investment. Universal studios have movies to show. Theme parks from movie studios require movies from the movie studio to be popular enough. 
    Thus Tyler perry studios needs to be a place where films are made. 
    Why does all this talk about tyler perry studios matter in conjunction to Tammy Williams studio. Both studios seem technologically capable from the outside. But, both lack a high quantity of films being made. Now some will way , quantity is better than quality but I oppose that view. IF you look at any globally known film industry based in a particular geograph, from Bollywood or other woods of India, Hong Kong Cinema, French Cinema, Hollywood based in the california, they all have one thing in common. At least one period of time with prolific creation, where many movies are not known to the world, but gems of global cinema arrived.
    The lesson is, if these Black georgian woods want to grow, they need to have someone willing to spend as much money on the film studios as on films themselves. 
    And that leads to my main point. Tammy Williams side Tyler PErry need someone to equal their money in studio infrastructure in making films.  Comprehending, that making films in high quantity is by default a financially losing enterprise, sequentially, if Tammy Williams or Tyler PErry or either of their financial friends can only invest in surety then neither studio will reach their elders potency in triple their lifetime.

     

    ARTICLE
    MOVE OVER TYLER PERRY! A BLACK WOMAN WILL OWN A $135 MULTI-MILLION DOLLAR PRODUCTION STUDIO IN ATLANTA
    by Yolanda Baruch

    A Black woman is now a majority owner of a new multi-million dollar Film/Television studio in Atlanta, The Atlanta-Journal Constitution reports.

    Tammy Williams has over 25 years of experience in the Film/Television industry. She has written and produced a plethora of projects such as films, biographies, documentaries, entertainment, and network news, according to her biography on IMDB.

    Williams owned her first digital production company called Tammy’Dele Film in 2016 and is now the first Black woman to own a $135 million studio and post-production facility space in Atlanta, Georgia. 

    Williams and her business partner Gary Guidry, an investor and CEO of G-Square Events and Black Promoters Collective, founded Cinema South Studios.

    “We’ve been patient,” she said. “This has not been an overnight thing, this vision for us,” Williams has worked towards making her dream a reality for 12 years. 

    They will begin to break ground in March for Cinema South Studios located north of Fayette County.  

    The studio will occupy 60 acres and intends to have eleven soundstages, a back-lot, a prop house, a wardrobe rental facility, and a lighting grip rental house. The production facility will include a transportation company and an office building to house a theater and post-production facilities, reports AJC. 

    Williams aims to have two soundstages operable by the first quarter of 2023. 

    “The demand for soundstages is happening globally, and the ownership rarely looks like us, let alone an African American woman,” said Guidry said in an official release, reports AJC. “When I choose to invest, I evaluate the need of the business and the ownership. Investing in Tammy Williams and her team of professionals convinced me that buying the land in Fayetteville, GA.”

    Cinema South will serve as the umbrella for Williams’ production company, Tammy’Dele Films. It will host the education section of Tammy’DeleFilms Workshops and Cinema South Film Academy, where she will conduct job training seminars. 

    Currently, Tyler Perry Studios in Georgia is the largest film production studio in the United States, and established Perry as the first African-American to outright own a major film production studio.

    https://www.blackenterprise.com/a-black-woman-will-own-a-multi-million-production-studio-in-atlanta/

    SOURCE ARTICLE
    https://www.ajc.com/neighborhoods/fayette/new-film-and-tv-studio-coming-to-north-fayette-county/57T3ROTTVJAMFEDJXW535EECPY/


     

  16. Delano < https://aalbc.com/tc/profile/3868-delano/ > asked

    He asked what type of leaders we need, and then defined we from the black community on earth to each black community in a city or town, indirectly. 

    Well first, the scope of the group is the largest factor in the quality of leadership needed. To rephrase, the black community in your town , that I think Delano is a part of needs a leader that is inadequate for the global black community. 

    The global black community varies in fiscal quality/knowledge/culture/views/gender demography. Yes, all humans are human. All humans need water/food/shelter but we all don't need money, we all don't need to be superstars, we all don't need a mosque or a church, we all don't need to be married, we all don't prostitution to be illegal, we all don't need something that another human being needs.  And once you add a racial element , ala Black/male/christian/asian/or other categorical form to the pronoun. you have a problem. Who determines who is black? who is male? who is christian? who is asian? 

    What I have found living in NYC is individuals have an idea on the collectives they are apart of. Individuals like myself. But , sadly in some ways, what all humans who live long enough find out is, the idea of the group you are apart of is rarely the truth. 

    For example, Former Mayor Bloomberg is considered a new yorker by many and I daresay most in NYC, but not by me or many others. He was raised in connecticut or massachusetts, he is not from NYC. But, because he is a businessman who as an adult did most of his activities from NYC he s a new yorker to most in the city. 

    What is the point? Who is we. 

    Many Black people in the USA see themselves more American than Black. More Christian or Mulsim, than Black. More Asian than Black. 

    When searching for leadership qualities, the smaller the group of people the more specific or less complex leadership needs. 

    For example, fiscally rich black people in NYC don't need the leaders the fiscally poor black people of NYC need. And a leader to the fiscally poor or fiscally rich black people combined has a very complex problem, cause the needs of the two fiscal halves in the black community in nyc have needs that collide with each other. 
    FORUM POST

     

    1. richardmurray

      richardmurray

      I said the following to delano in the forum

       

      will restate your question, 

      do the needs of leadership change based on the quantity of humans in a group? A common philosophical questions. many answers, none are right or wrong. Speaking specifically to the USA, a country with a multiracial while racially imbalanced populace , the legal argument is clear. The USA legal culture, national culture, states the answer is no. The Declaration of independence of the USA through its content suggest the essence of leadership in humanity has no difference based on quantity of group/time/place. So in the usa, historically from a legal view, the answer to your question is no difference exist in leadership based on quantity of people. Now the declaration also states that leadership must take into consideration the people being led. So to wrap it up, in the legal context of the USA, the type of leader needed does not matter, whether global or to the neighborhood, but the leader must take into consideration the want of the community and whether it is feasible to be in any union with another. So based on the advertised standard in the USA, the type of leader the black community needs in the usa, from sea to shining sea or in your local neighborhood, is the same. But the leader must get results to fit the black communities want. And the question to you then is, what does the black community want, from sea to shinging sea or your local neighborhood?

      My specific thoughts

      https://aalbc.com/tc/profile/6477-richardmurray/?status=1834&type=status

    2. Delano

      Delano

      I would say that because groups have different needs that doesn't mean that a leader isn't needed. It just means that more than one leader is needed. Or perhaps the solution lies in the other direction what clubs or groups are needed and which should you join best on your needs and aspirations

    3. richardmurray

      richardmurray

      I added in the post

      one other factor not mentioned enough in our commentary or in general with these sort of topics is the desire of the people.

      I use an example hitler. many people, maybe even most, say hitler swayed the german people, mind controlled them, talked them into some situation. 

      Those people are liars. Hitler didn't trick anyone. he realized what the majority of german people, or shall i say, the german christian people,  really wanted. The german christian people represent a majority of germany's populace, they were tired of german jews, german turks, german romani, in their country. Did most kill? of course not. most people never kill because killing is harder than movies make it. But most german christian people were willing to cheer those willing to kill.  The german christian community wanted to dominate the rest of europe and keep europe a center of the world. And was education an issue? no. Actually at that time, german was required learning in many fields of study. Sometimes what a people want isn't positive. It doesn't mean they are uneducated. It doesn't mean it is right or wrong. but it is what they want. Some leaders like to not give the people what they want if it has a negative tinge. And that restrictions limits ones leadership possibilities. The people anyone lead do not always want to be nonviolent, do not always want peace.  ala most of the well known or financially/governmentally supported by whites in some way black leaders post war between the states in the usa.  frederick douglass/sojourner truth/booker t washington/web dubois/da b wells/thurgood marshall/fannie lou hamer/MLK jr/Jesse Jackson/shirley chisholm/al sharpton/oprah winfrey/barrack obama. 

       

  17. at least unlike the average winner fo the peace prize, she hasn't been in a position to order the killing of anyone else

    now0.jpg

     

    The problem with a prize given to someone for peace is an assessment of their work. If your job involves maintaining any organized armed group, from soldiers under some flag to state troopers, to county deputees, to city cops, you by default aid or abet criminal activity.

    If your job involves any fiscal discourse, from banks or other financial tradings, to manufacturing, to managing operations or some logistics, you by default aid or abet criminal activity. 

    If your job involves the making of law, which is all legislators in humanity, you by default aid or abet criminal activity. 

    Criminal activity is activity that harms another regardless of the legality of it. ala why legal slaveowners are still criminals. 

    For modern relations, when a law enforcer for a city government kills someone the top of the chain of command is responsible for the actions of all under them, and the head of the chain of command is the mayor. When a gun manufacturer makes a weapon, they are not illegal in producing or selling it to anyone, but they are aiding or abetting a crime the second anyone uses a gun they make from a law enforcer to an assasin for hire. When a legislator makes a law that makes an activity illegal, they are placing anyone who acts in that way at the mercy of law enforcers and thus harm and thus a crime.

    Stacey Abrams as a legislator by default, can not be a proponent of peace. Does this mean Stacey Abrams is a bad person or sinner? no. 

    I personally thought biden made a huge mistake not selecting her to be his vice president. But, while she is far better than any head of state, especially president obama, she as an elected official is in no way adequate as a champion of peace. 

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