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richardmurray

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Everything posted by richardmurray

  1. The following two articles convey the issue for the Corporation for Public Broadcasting. On the red side, party of abraham lincoln today, you have the old idea that the market always provides. So the idea is, taxpayer dollars are not needed cause the market will provide, and if it didn't it will when applicable. This is what I call the black panther argument. yes, Disney made Black Panther, but Disney also knows that the modern circa 2020 black populace globally has billions of dollars, thus the financial revenue capable to provide from black film goers warrants a 99% black film in casting/writing/direction et cetera. And Coogler to his credit in Black Panther 2 and Sinners has brought Indigenous creatives along for the ride. The red side like the idea that whether the market doesn't support or does support an entertainment, it is an even thing. On the blue side, party of andrew jackson today, you have the old idea that the usa has an imbalanced marketplace based on centuries of blockading by white male christian heterosexual immigrants to the indigenous/black/female/muslim/asian/lgbtq/or other. And that has created a modern audience that has been engineered to desire or accept certain qualities of entertainment that can not be undone through the marketplace. Sequentially, avenues are needed that allow entertainment that doesn't fit the norm from 1492 or even 1176 or even the 1960s to be viewed or accessed and since the USA majority in the past caused the imbalanced marketplace, their descendants plus the descendants of those killed/terorrized/enslaved by the historic majority should all be willing to pay. I have always said that black people with money in the usa historically but definitely in modernity have never navigated their two simultaneous goals well. They want to make money aside any and all other fiscally wealthy people in this white designed system in the usa While supporting plus improving the black community in the usa. They tend to do decently in the former and terribly in the latter. But the usa has a financial debt to the indigenous to the descended of enslaved that is priceless, can never be paid, so at least it can put a down payment. ARTICLE ELEPHANT Marjorie Taylor Greene often errs, but not about defunding public broadcasting | Opinion The uncomfortable reality is that NPR and PBS have long since outlived their utility. Now the federal government is simply paying for content whether taxpayers support it or not. Cameron SmithColumnist april 3rd 2025 5pm ct When U.S. Rep. Marjorie Taylor Greene, R-Georgia, makes a pronouncement, I brace for impact the same way I’d prepare for a car or train wreck. Her bombastic style might be popular with MAGA voters, but it’s frequently a distraction from Republican governing priorities. Occasionally, even the loudest voices land on a truth worth considering. This time, she’s right − the Corporation for Public Broadcasting (CPB) should be eliminated. For years, conservatives have argued that taxpayer dollars should not be used to fund media CPB outlets like National Public Radio (NPR) and the Public Broadcasting Service (PBS) because of their politically biased programming and leadership. To date, Congress has largely avoided those arguments as yet another round of culture war bickering. NPR's past statements show clear partisanship In recent testimony before Congress, NPR’s CEO Katherine Maher admitted concern when confronted with the allegation that 100% of her editorial board − 87 members − are registered Democrats. Notably, she did not dispute the allegation. Regrettably, Maher’s prior public comments have become a political lightning rod. In 2016, she lamented Hillary Clinton’s use of the terms “boy and girl” as erasing language for non-binary people. In 2020, Maher referred to President Donald Trump as a “deranged racist sociopath.” In a 2022 TED Talk, she infamously stated, “our reverence for the truth might be a distraction that’s getting in the way of finding common ground and getting things done.” Maher’s political views are quite liberal and particularly well established in spite of her apparent amnesia about the same during her congressional testimony. It doesn’t matter. American CEOs with political hot takes are a dime a dozen. The main difference between Maher and her executive peers is that most CEOs run companies which aren’t funded by the American taxpayer. When the person leading a publicly funded media entity openly speaks like a political activist, the premise that NPR offers an unbiased, fair approach to programming doesn’t hold water. Shockingly, that doesn’t really matter either. Broadcast landscape has changed as consumer habits have The CPB shouldn’t exist at all. The First Amendment enshrines a free press to hold government power accountable. A government-funded media apparatus, no matter how unbiased it claims to be, cannot credibly serve that end because political masters hold the financial reins. Government must be able to communicate to the public, but CPB is inherently state programming masquerading as a typical media outlet. Defenders of NPR and PBS will argue that CPB provides essential programming that wouldn’t otherwise survive in a purely commercial media landscape. That might have been the case in the era of three television networks and a handful of AM radio stations, but the world has changed. The explosion of digital media has shattered any legitimate claim that we need government-funded television or radio to ensure diverse perspectives and high-quality journalism. Americans today have more media choices than ever before. Streaming services, podcasts, YouTube channels, and independent news sites provide content precisely tailored to every conceivable interest and ideology. If a viewpoint or niche deserves an audience, it can and will find one without taxpayer dollars propping it up. Testifying with Maher, Alaska Public Media’s Ed Ulman claimed public media may be the only option for rural emergency broadcasts. "We provide potentially life-saving warnings and alerts that are crucial for Alaskans who face threats ranging from extreme weather to earthquakes, landslides and even volcanoes," he said. While such communications are indeed essential, we have countless ways of providing them which don’t justify the existence of a federal media bureaucracy. Elon Musk’s Starlink comes immediately to mind as a radically more efficient solution for emergency communications than CPB’s $500 million annual cost. NPR and PBS can survive without the government's dime Others will contend that NPR and PBS produce valuable content beyond public communications, such as educational programming and cultural shows. The reality is that PBS doesn’t own most of its iconic programs. It secures the rights to run them through acquisition deals. If these programs are truly valuable, the content-hungry modern media marketplace would certainly air them. Take "Sesame Street," once the flagship defense of public broadcasting, for example. In 2016, HBO secured rights to first-runs of the popular children’s program with episodes running on PBS several months later. At the end of 2024, Warner Bros. Discovery, the parent company of HBO, opted not to renew the Sesame Street deal. One of the most memorable shows of my childhood is presently homeless. If PBS’s most venerated show can’t find market traction, what does that say about how much Americans value CPB content? The uncomfortable reality is that NPR and PBS have long since outlived their utility. Now the federal government is simply paying for content whether taxpayers support it or not. Pulling the plug on CPB funding wouldn’t “silence” NPR or PBS. They could continue to operate with private donations, subscription models, or sponsorships − just like every other media outlet struggling today. In a free society, the press should hold the government accountable, not be an extension of it. That’s the principle that matters here. And it’s why, despite the messenger, Greene’s argument to eliminate the CPB merits strong consideration. USA TODAY Network Tennessee Columnist Cameron Smith is a Memphis-born, Brentwood-raised recovering political attorney raising four boys in Nolensville, Tenn., with his particularly patient wife, Justine. Direct outrage or agreement to smith.david.cameron@gmail.com or @DCameronSmith on Twitter. Agree or disagree? Send a letter to the editor to letters@tennessean.com. URL https://www.tennessean.com/story/opinion/columnists/2025/04/03/public-broadcasting-funding-marjorie-taylor-greene/82764143007/ I sent a letter to the Tennesseean in reply letters@tennessean.com Richard Murray, PO Box ~ 07/19/2025 Dear Editor I reply to the quality of ("Marjorie Taylor Greene often errs, but not about defunding public broadcasting" , April 3rd 2025) I have never seen anyone who suggest programs of similar or better quality than that of PBS make a list to said programs. If I want to see a documentary as good as "The Civil War" or "The Vietnam War" by Ken Burns outside CPB/PBS where do I go? If I want to see a documentary about a financially impoverished , populationwise impotent population like "Alaska's Vanishing Native Village" by Frontline outside of CPB/PBS where do I go? The best way to prove that the private media market has the same quality programs isn't to say they exist, but to list them. And if you can't list them, then one can only assume they don't exist in the private media market. I am black and I have heard my entire life from whites who live in New York City, that the marketplace is the answer to everything. It always has the solutions or will have the solutions. Now even though Nat King Cole couldn't get sponsors with more viewers than any other show in the usa in the past... in modernity , streaming services or cable networks that are advertised as black owned exist. So, Cameron Smith's argument is , why can't a Black owned cable network or streaming service host a show like Finding your roots by henry louis gates jr. and if it fails there, if fails. For Indigenous or Black people the centuries of being blockaded by whites to fiscal activities/market activities in the USA were market manipulators. In the USA, the problem with modernity is the past didn't arrive today in a ship of opportunity. One group, white christian heterosexual men through the power of the gun, obtained all the opportunities so no industry in the usa today has the centuries of business ownership or labor participation it should had by Indigenous/Blacks/Women/Asians so it is malformed in modernity. The CPB/PBS/NPR allow for what was lacking for centuries to have a small outlet in modernity and I argue since whites killed the native american, enslaved the black american, the taxpayers on whole who are mostly white shouldn't be opposed to paying for an imbalance their forebears made that gives them more opportunities than others today. IN AMENDMENT I said let me find a list of black owned media networks, or supposedly black owned. LIST OF SUPPOSEDLY BLACK OWNED STREAMING SERVICES https://www.kweli.tv/livetv https://allblk.tv/ (no live stream) https://vimeo.com/user50164403 (Afrokids on vimeo) https://www.youtube.com/channel/UC0TLvo891eEEM6HGC5ON7ug (youtube from Afrokids) https://www.brownsugar.com/?ref=blog.obws.com https://www.oprah.com/app/live-tv.html https://www.youtube.com/c/SLAYTV/featured (youtube channel for lgbtq+) https://www.afrolandtv.com/ https://urbanflixtv.com/pages/new_catalog https://urbn-tv.com/?ref=blog.obws.com LIST OF SUPPOSEDLY BLACK OWNED CABE NETWORKS https://watchimpact.com/ https://tvone.tv/ https://aspire.tv/ https://www.bouncetv.com/ https://theafricachannel.com/ https://www.ssn.tv/ https://www.revolt.tv/ https://www.youtube.com/@mycleotv IN AMENDMENT 2 Looking at them briefly, most of the content is: gossip shows(sport gossip or entertainment gossip or music gossip) situational comedies (which I nearly despise, it is very rare that I like a situational comedy) soap opera or telenovela(another I can't stand) religious (christian pastors) black genre films (comedy or the urban gun) I have got to find a space to become a better commercial writer to black people ARTICLE DONKEY Opinion - Here's why Republicans hate public broadcasting so much Patricia Aufderheide, Common Dreams July 18, 2025 12:00PM ET Our public radio and TV stations are in grave peril, and with them the unique services they perform for our communities. By the end of day Friday July 18, we’ll know if Congress has clawed back the money it already gave to public broadcasting, through the Corporation for Public Broadcasting, or CPB. (The House will decide; this is your moment to call your representatives to ask them to support their public radio and TV stations, and to join — for free — Protectmypublicmedia.org.) Even if that money stays protected, though, public radio and TV will continue to be attacked. I’ve studied public broadcasting here and around the world for 40 years. And I serve on the board of directors of the taxpayer-funded Independent Television Service, which coproduces a lot of the documentaries you might see on public TV. So, of course, I think it’s an important part of our media in America. But I think you probably do, too. You might know public broadcasting through your local TV or radio station, both private nonprofits. Or you might know it through the services many such stations depend on for daily, high-quality, award-winning programs: National Public Radio (NPR) and Public Broadcasting Service (PBS). Both of them are private nonprofits that make, select, and bundle programs for public stations. Either way, you’re in good company. PBS and NPR are the most trusted media brands in the United States. Half of PBS viewers depend on PBS for news and information, including more than half of people who identify as “extreme conservatives” or “extreme liberals.” NPR’s news is trusted by more than half of those who have heard of it. Americans trust public media news and public affairs much more (by half) than they do commercial mainstream media. Public stations, like those in Oklahoma, are the ones to issue emergency warnings in time of crisis. Kids learn about job opportunities from CPB’s American Graduate: Jobs Explained series — supported among others by Iowa, Tennessee, and Arizona public broadcasters. In rural Eureka, California, the public station carries program for the local indigenous communities. In south Texas, KDET provides distance learning for kids whose first language is Spanish. ITVS documentaries have brought you inside stories from small towns like Medora, Indiana; Taft, Oklahoma; Norco, Louisiana; and Huslia, Alaska. American taxpayers contribute, overall, about 15% of the budgets of public radio and TV stations — a percentage that’s usually lower for the bigger, more urban stations, and higher for smaller, rural stations. Alleghany Mountain Radio and KTNA in Talkeetna, Alaska for instance depend on federal funds for about two-third of their budgets. Last year CPB’s budget was $535 million. (For comparison, military marching bands cost the American taxpayers more than $300 million a year.) The rest comes from us as individual donors, from private and corporate foundations, and from local and state taxes. So it’s not big funding and cutting it would make no dent in the deficit. But it’s critical funding; it’s the money that leverages all the rest of it, and that provides the stability to be able to do the work year after year. The people who designed public broadcasting — and that included a lot of people, from the late Bill Moyers as an aide to President Lyndon Johnson, to military experts and educators — were worried about how government funding could become censorship. So they created CPB as a private nonprofit, not as a government agency. That is why the Trump administration cannot fire its staff or its board. CPB and local stations all have First Amendment protection against government interference. And that is why the Trump administration cannot tell them what to program or which services, like NPR and PBS, to use. The designers required Congress to give CPB its budget two years in advance, to protect against political shenanigans. That is why Congress has to vote to claw that money back. What public broadcasting’s designers created is unique in the world — most countries’ public broadcasting is just a mouthpiece for government. In the U.S., public broadcasting plays a unique role in our media diets as free, reliable, and trusted information, a connection to local communities, and a daily example of the essential role of shared public knowledge in democratic life. If it goes, we won’t get it back. So far, public broadcasting has weathered political attacks, which didn’t begin with this administration but have reached a new high with it. But it has only done so by depending on its users—you and me—to come out and show their support. Right now is the time to call your representatives, and to join Protectmypublicmedia.org. (Protect My Public Media makes it super-easy to connect with your reps.) We all have something to lose. Patricia Aufderheide is professor in the School of Communication at American University. She is a board member of the Independent Television Service. URL https://www.rawstory.com/corporation-for-public-broadcasting/
  2. I talk about OpenAI Operator and some projecting https://aalbc.com/tc/blogs/entry/487-openai-operator/
  3. I read the introduction from OpenAI I remember learning about browser design and I told my friends a browser that can go into a web page and extract will be very useful. I still think that is true but I also comprehend the level of security problems this leads to. OpenAI clearly comprehends a lawsuit can hit them so they have started using this through ChatGPT, and show one financial issue as it is only for people who pay for ChatGPT pro. But they plan to expand to Plus, Team, and Enterprise users. So the goal is for this to be a paid service. Now what functionalities are stated: scrolling on a webpage/interacting[typing or clicking] on a webpage [to fill out forms/ordering groceries {which means a users financial data}/creating memes{are they original ?}] When I think of OpenAI firm or the computer programs they created, and the larger community of firms or computer programs that modify themselves based on human input to mimick human interaction, what some call AI [which it is not], I am reaffirmed of the value private data has. The internet and its public data model, is how OpenAI and others were, in my legal view, able to illegally access enough data to get their computer programs to modify themselves strong enough to be convincing mimicks while not paying the financial price of accessing that data. Now, with Operator and others, the free internet information will be sifted through. So, I argue the future of the internet will be walls. Walls is the only answer to offer security in the future. This doesn't mean the world wide web will end. It means that it will break up into webs within the larger internet. Data crossing the webs will become expensive, big firms can pay. In Europe a number of cities already have city based internets, where aside of the world wide web, the city residents have their own city wide web which is only accessed by locals and doesn't allow for intergovernmental or interregional(regions under the same government) access. I wonder if someone has built a computer program on the same principles as the large language model to deter access by other computer programs based on the large language model. The best answer will be the advance in basic memory storage from the quantum computers or other technologies but that technology is more expensive in all earnest. OpenAI suggest they want it to be safe but it has an auto dysfunction they can't control. Humans. I can tell from their literature below, they see this as a corporate tool in the near future very much so, yes paid customers, but they are wary of the truly public internet, because anything connected can be manipulated and having a system that users will use as a heavier crutch while traveling throughout the internet picking up various little programs here or there will make every user of this more damaging to the security of the system. Now OpenAI will do its best to be as secure as possible, but the reality is, no one can defeat the dysfunction of the internet itself, which is its public connectivity. So , walls will be needed, a counter internet movement where some will have private data stores with units that can access only through wire and they will be specifically engineered. Maybe even quantum computing wire connections. Local webs supported by private information stores while isolated intentionally from the world wide web. I end with one point, human design inefficiency is at the heart of all of this. The internet itself, was allowed to grow corrupt or dysfunctionally by humans who: saw it as an invasive tool [governments/firms] , saw it incorrectly as a tool for human unity [idealism of many colleges or psychologist or social scientist]or as a tool to mirror science fiction uses of computers absent the lessons from the stories[star trek primarily, whose shows computers show the guidelines that computers + computer programs should have today that... welll ] IN AMENDMENT Black people from the americas[south/central/north/caribbean] , africa, asia, love using chatgpt. I do blame frederick Douglass for starting with the camera, suggesting an infatuation with tech that is embedded in the black populace in humanity. I don't use any of it. I only use deviantart dreamup and that is only because i pay for it, and sparsely. But relying on a tool isn't bad but one can over rely. And for the arts, the walls going up will be positive. At first negative, because audiences will be shocked. The first three phases of the internet [Basic era/world wide web era/ Large Language Model era] trained humans to see art in three ways: free +comforting+ idolic. Free meaning, people love art that is free. Free to make, free to acquire, free to access, free to whatever. Paying for art has become uncommon for the masses. This is why from porn to music videos to any literature, the money is little. The money in the arts is in live performance. Adult stars who perform live on livestream or do live events at conventions, musicians live concerts , literature being composed live. Is the profit angle. Comforting in that, art that doesn't provide what is expected is rejected more grandly. Give it a chance is not dead but has so few who do it and with no one in need of doing it, as the internet allows your artistic tastes to be eternally supported, you don't ever need to consider a different angle in any art. Lastly, Idolic, if an artist is popular these are the best of times. All the computer programs in media are designed to flow to the most popular, you see this in sprot stars/musicians/writers. The problem is the artist who isn't popular hahaha, has to find a way to become popular and it is more than commerciality. I know too many artists who have tried to be commercial and failed to suggest all an artist need do today is follow trends:) no... ARTICLES Introducing Operator A research preview of an agent that can use its own browser to perform tasks for you. Available to Pro users in the U.S. https://operator.chatgpt.com/July 17, 2025 update: Operator is now fully integrated into ChatGPT as ChatGPT agent. To access these updated capabilities, simply select “agent mode” from the dropdown in the composer and enter your query directly within ChatGPT. As a result, the standalone Operator site (operator.chatgpt.com) will sunset on in the coming weeks. Today we’re releasing Operator⁠(https://operator.chatgpt.com/ ), an agent that can go to the web to perform tasks for you. Using its own browser, it can look at a webpage and interact with it by typing, clicking, and scrolling. It is currently a research preview, meaning it has limitations and will evolve based on user feedback. Operator is one of our first agents, which are AIs capable of doing work for you independently—you give it a task and it will execute it. Operator can be asked to handle a wide variety of repetitive browser tasks such as filling out forms, ordering groceries, and even creating memes. The ability to use the same interfaces and tools that humans interact with on a daily basis broadens the utility of AI, helping people save time on everyday tasks while opening up new engagement opportunities for businesses. To ensure a safe and iterative rollout, we are starting small. Starting today, Operator is available to Pro users in the U.S. at operator.chatgpt.com⁠(opens in a new window). This research preview allows us to learn from our users and the broader ecosystem, refining and improving as we go. Our plan is to expand to Plus, Team, and Enterprise users and integrate these capabilities into ChatGPT in the future. How Operator works Operator is powered by a new model called Computer-Using Agent (CUA) [ https://openai.com/index/computer-using-agent/ ] . Combining GPT‑4o's vision capabilities with advanced reasoning through reinforcement learning, CUA is trained to interact with graphical user interfaces (GUIs)—the buttons, menus, and text fields people see on a screen. Operator can “see” (through screenshots) and “interact” (using all the actions a mouse and keyboard allow) with a browser, enabling it to take action on the web without requiring custom API integrations. If it encounters challenges or makes mistakes, Operator can leverage its reasoning capabilities to self-correct. When it gets stuck and needs assistance, it simply hands control back to the user, ensuring a smooth and collaborative experience. While CUA is still in early stages and has limitations, it sets new state-of-the-art benchmark results in WebArena and WebVoyager, two key browser use benchmarks. Read more about evals and the research behind Operator in our research blog post. How to use To get started, simply describe the task you’d like done and Operator can handle the rest. Users can choose to take over control of the remote browser at any point, and Operator is trained to proactively ask the user to take over for tasks that require login, payment details, or when solving CAPTCHAs. Users can personalize their workflows in Operator by adding custom instructions, either for all sites or for specific ones, such as setting preferences for airlines on Booking.com. Operator lets users save prompts for quick access on the homepage, ideal for repeated tasks like restocking groceries on Instacart. Similar to using multiple tabs on a browser, users can have Operator run multiple tasks simultaneously by creating new conversations, like ordering a personalized enamel mug on Etsy while booking a campsite on Hipcamp. Ecosystem & users Operator⁠(https://www.stocktonca.gov/ ) transforms AI from a passive tool to an active participant in the digital ecosystem. It will streamline tasks for users and bring the benefits of agents to companies that want innovative customer experiences and desire higher rates of conversion. We’re collaborating with companies like DoorDash, Instacart, OpenTable, Priceline, StubHub, Thumbtack, Uber, and others to ensure Operator addresses real-world needs while respecting established norms. In addition to these collaborations, we see a lot of potential to improve the accessibility and efficiency of certain workflows, particularly in public sector applications. To explore these use cases further, we’re working with organizations like the City of Stockton⁠(opens in a new window) to make it easier to enroll in city services and programs. By releasing Operator to a limited audience initially, we aim to learn quickly and refine its capabilities based on real-world feedback, ensuring we balance innovation with trust and safety. This collaborative approach helps ensure Operator delivers meaningful value to users, creators, businesses, and public sector organizations alike. Safety and privacy Ensuring Operator is safe to use is a top priority, with three layers of safeguards to prevent abuse and ensure users are firmly in control. First, Operator is trained to ensure that the person using it is always in control and asks for input at critical points. Takeover mode: Operator asks the user to take over when inputting sensitive information into the browser, such as login credentials or payment information. When in takeover mode, Operator does not collect or screenshot information entered by the user. User confirmations: Before finalizing any significant action, such as submitting an order or sending an email, Operator should ask for approval. Task limitations: Operator is trained to decline certain sensitive tasks, such as banking transactions or those requiring high-stakes decisions, like making a decision on a job application. Watch mode: On particularly sensitive sites, such as email or financial services, Operator requires close supervision of its actions, allowing users to directly catch any potential mistakes. Next, we’ve made it easy to manage data privacy in Operator. Training opt out: Turning off ‘Improve the model for everyone’ in ChatGPT settings means data in Operator will also not be used to train our models. Transparent data management: Users can delete all browsing data and log out of all sites with one click under the Privacy section of Operator settings. Past conversations in Operator can also be deleted with one click. Lastly, we’ve built defenses against adversarial websites that may try to mislead Operator through hidden prompts, malicious code, or phishing attempts: Cautious navigation: Operator is designed to detect and ignore prompt injections. Monitoring: A dedicated “monitor model” watches for suspicious behavior and can pause the task if something seems off. Detection pipeline: Automated and human review processes continuously identify new threats and quickly update safeguards. We know bad actors may try to misuse this technology. That’s why we’ve designed Operator to refuse harmful requests and block disallowed content. Our moderation systems can issue warnings or even revoke access for repeated violations, and we’ve integrated additional review processes to detect and address misuse. We’re also providing guidance( https://openai.com/policies/using-chatgpt-agent-in-line-with-our-policies/ ) on how to interact with Operator in compliance with our Usage Policies.( https://openai.com/policies/usage-policies/ ) While Operator is designed with these safeguards, no system is flawless and this is still a research preview; we are committed to continuous improvement through real-world feedback and rigorous testing. For more on our approach, visit the safety section of the Operator research blog. Limitations Operator is currently in an early research preview, and while it’s already capable of handling a wide range of tasks, it’s still learning, evolving and may make mistakes. For instance, it currently encounters challenges with complex interfaces like creating slideshows or managing calendars. Early user feedback will play a vital role in enhancing its accuracy, reliability, and safety, helping us make Operator better for everyone. What's next CUA in the API: We plan to expose the model powering Operator, CUA, in the API soon so that developers can use it to build their own computer-using agents. Enhanced Capabilities: We’ll continue to improve Operator’s ability to handle longer and more complex workflows. Wider Access: We plan to expand Operator⁠(opens in a new window) to Plus, Team, and Enterprise users and integrate its capabilities directly into ChatGPT in the future once we are confident in its safety and usability at scale, unlocking seamless real-time and asynchronous task execution. Authors OpenAI Foundational research contributors Casey Chu, David Medina, Hyeonwoo Noh, Noah Jorgensen, Reiichiro Nakano, Sarah Yoo Core Andrew Howell, Aaron Schlesinger, Baishen Xu, Ben Newhouse, Bobby Stocker, Devashish Tyagi, Dibyo Majumdar, Eugenio Panero, Fereshte Khani, Geoffrey Iyer, Jiahui Yu, Nick Fiacco, Patrick Goethe, Sam Jau, Shunyu Yao, Stephan Casas, Yash Kumar, Yilong Qin XFN Contributors Abby Fanlo Susk, Aleah Houze, Alex Beutel, Alexander Prokofiev, Andrea Vallone, Andrea Chan, Christina Lim, Derek Chen, Duke Kim, Grace Zhao, Heather Whitney, Houda Nait El Barj, Jake Brill, Jeremy Fine, Joe Fireman, Kelly Stirman, Lauren Yang, Lindsay McCallum, Leo Liu, Mike Starr, Minnia Feng, Mostafa Rohaninejad, Oleg Boiko, Owen Campbell-Moore, Paul Ashbourne, Stephen Imm, Taylor Gordon, Tina Sriskandarajah, Winston Howes Leads Aaron Schlesinger (Infrastructure), Casey Chu (Safety and Model Readiness), David Medina (Research Infrastructure), Hyeonwoo Noh (Overall Research), Reiichiro Nakano (Overall Research), Yash Kumar Contributors Adam Brandon, Adam Koppel, Adele Li, Ahmed El-Kishky, Akila Welihinda, Alex Karpenko, Alex Nawar, Alex Tachard Passos, Amelia Liu, Andrei Gheorghe, Andrew Duberstein, Andrey Mishchenko, Angela Baek, Ankush Agarwal, Anting Shen, Antoni Baum, Ari Seff, Ashley Tyra, Behrooz Ghorbani, Bo Xu, Brandon McKinzie, Bryan Brandow, Carolina Paz, Cary Hudson, Chak Li, Chelsea Voss, Chen Shen, Chris Koch, Christian Gibson, Christina Kim, Christine McLeavey, Claudia Fischer, Cory Decareaux, Daniel Jacobowitz, Daniel Wolf, David Kjelkerud, David Li, Ehsan Asdar, Elaine Kim, Emilee Goo, Eric Antonow, Eric Hunter, Eric Wallace, Felipe Torres, Fotis Chantzis, Freddie Sulit, Giambattista Parascandolo, Hadi Salman, Haiming Bao, Haoyu Wang, Henry Aspegren, Hyung Won Chung, Ian O’Connell, Ian Sohl, Isabella Fulford, Jake McNeil, James Donovan, Jamie Kiros, Jason Ai, Jason Fedor, Jason Wei, Jay Dixit, Jeffrey Han, Jeffrey Sabin-Matsumoto, Jennifer Griffith-Delgado, Jeramy Han, Jeremiah Currier, Ji Lin, Jiajia Han, Jiaming Zhang, Jiayi Weng, Jieqi Yu, Joanne Jang, Joyce Ruffell, Kai Chen, Kai Xiao, Kevin Button, Kevin King, Kevin Liu, Kristian Georgiev, Kyle Miller, Lama Ahmad, Laurance Fauconnet, Leonard Bogdonoff, Long Ouyang, Louis Feuvrier, Madelaine Boyd, Mamie Rheingold, Matt Jones, Michael Sharman, Miles Wang, Mingxuan Wang, Nick Cooper, Niko Felix, Nikunj Handa, Noel Bundick, Pedro Aguilar, Peter Faiman, Peter Hoeschele, Pranav Deshpande, Raul Puri, Raz Gaon, Reid Gustin, Robin Brown, Rob Honsby, Saachi Jain, Sandhini Agarwal, Scott Ethersmith, Scott Lessans, Shauna O’Brien, Spencer Papay, Steve Coffey, Tal Stramer, Tao Wang, Teddy Lee, Tejal Patwardhan, Thomas Degry, Tomo Hiratsuka, Troy Peterson, Wenda Zhou, William Butler, Wyatt Thompson, Yao Zhou, Yaodong Yu, Yi Cheng, Yinghai Lu, Younghoon Kim, Yu-Ann Wang Madan, Yushi Wang, Zhiqing Sun Leadership Anna Makanju, Greg Brockman, Hannah Wong, Jerry Tworek, Liam Fedus, Mark Chen, Peter Welinder, Sam Altman, Wojciech Zaremba URL https://openai.com/index/introducing-operator/ Computer-Using Agent Powering Operator with Computer-Using Agent, a universal interface for AI to interact with the digital world. oday we introduced a research preview of Operator⁠(opens in a new window), an agent that can go to the web to perform tasks for you. Powering Operator is Computer-Using Agent (CUA), a model that combines GPT‑4o's vision capabilities with advanced reasoning through reinforcement learning. CUA is trained to interact with graphical user interfaces (GUIs)—the buttons, menus, and text fields people see on a screen—just as humans do. This gives it the flexibility to perform digital tasks without using OS-or web-specific APIs. CUA builds off of years of foundational research at the intersection of multimodal understanding and reasoning. By combining advanced GUI perception with structured problem-solving, it can break tasks into multi-step plans and adaptively self-correct when challenges arise. This capability marks the next step in AI development, allowing models to use the same tools humans rely on daily and opening the door to a vast range of new applications. While CUA is still early and has limitations, it sets new state-of-the-art benchmark results, achieving a 38.1% success rate on OSWorld for full computer use tasks, and 58.1% on WebArena and 87% on WebVoyager for web-based tasks. These results highlight CUA’s ability to navigate and operate across diverse environments using a single general action space. We’ve developed CUA with safety as a top priority to address the challenges posed by an agent having access to the digital world, as detailed in our Operator System Card. [ https://openai.com/index/operator-system-card/ ] In line with our iterative deployment strategy, we are releasing CUA through a research preview of Operator at operator.chatgpt.com⁠(opens in a new window) for Pro Tier users in the U.S. to start. By gathering real-world feedback, we can refine safety measures and continuously improve as we prepare for a future with increasing use of digital agents. How it works CUA processes raw pixel data to understand what’s happening on the screen and uses a virtual mouse and keyboard to complete actions. It can navigate multi-step tasks, handle errors, and adapt to unexpected changes. This enables CUA to act in a wide range of digital environments, performing tasks like filling out forms and navigating websites without needing specialized APIs. Given a user’s instruction, CUA operates through an iterative loop that integrates perception, reasoning, and action: Perception: Screenshots from the computer are added to the model’s context, providing a visual snapshot of the computer's current state. Reasoning: CUA reasons through the next steps using chain-of-thought, taking into consideration current and past screenshots and actions. This inner monologue improves task performance by enabling the model to evaluate its observations, track intermediate steps, and adapt dynamically. Action: It performs the actions—clicking, scrolling, or typing—until it decides that the task is completed or user input is needed. While it handles most steps automatically, CUA seeks user confirmation for sensitive actions, such as entering login details or responding to CAPTCHA forms. Evaluations CUA establishes a new state-of-the-art in both computer use and browser use benchmarks by using the same universal interface of screen, mouse, and keyboard. Evaluation details are described here ( https://cdn.openai.com/cua/CUA_eval_extra_information.pdf ) Browser use WebArena⁠( https://arxiv.org/abs/2307.13854 ) and WebVoyager⁠( https://arxiv.org/abs/2401.13919 ) are designed to evaluate the performance of web browsing agents in completing real-world tasks using browsers. WebArena utilizes self-hosted open-source websites offline to imitate real-world scenarios in e-commerce, online store content management (CMS), social forum platforms, and more. WebVoyager tests the model’s performance on online live websites like am*zon, GitHub, and Google Maps. In these benchmarks, CUA sets a new standard using the same universal interface that perceives the browser screen as pixels and takes action through mouse and keyboard. CUA achieved a 58.1% success rate on WebArena and an 87% success rate on WebVoyager for web-based tasks. While CUA achieves a high success rate on WebVoyager, where most tasks are relatively simple, CUA still needs more improvements to close the gap with human performance on more complex benchmarks like WebArena. Computer use OSWorld⁠( https://arxiv.org/abs/2404.07972 ) is a benchmark that evaluates models’ ability to control full operating systems like Ubuntu, Windows, and macOS. In this benchmark, CUA achieves 38.1% success rate. We observed test-time scaling, meaning CUA’s performance improves when more steps are allowed. The figure below compares CUA’s performance with previous state-of-the-arts with varying maximum allowed steps. Human performance on this benchmark is 72.4%, so there is still significant room for improvement. The following visualizations show examples of CUA navigating a variety of standardized OSWorld tasks. CUA in Operator We’re making CUA available through a research preview of Operator, an agent that can go to the web to perform tasks for you. Operator is available to Pro users in the U.S. at operator.chatgpt.com⁠(opens in a new window). This research preview is an opportunity to learn from our users and the broader ecosystem, refining and improving Operator iteratively. As with any early-stage technology, we don’t expect CUA to perform reliably in all scenarios just yet. However, it has already proven useful in a variety of cases, and we aim to extend that reliability across a wider range of tasks. By releasing CUA in Operator, we hope to gather valuable insights from our users, which will guide us in refining its capabilities and expanding its applications. In the table below, we present CUA’s performance in Operator on a handful of trials given a prompt to illustrate its known strengths and weaknesses. Category Prompt Success / attempts Note Interacting with various UI components to accomplish tasks Turn 1: Search Britannica for a detailed map view of bear habitats Turn 2: Great! Now please check out the black, brown and polar bear links and provide a concise general overview of their physical characteristics, specifically their differences. Oh and save the links for me so I can access them quickly. 10 / 10 View trajectory CUA can interact with various UI components to search, sort, and filter results to find the information that users want. Reliability varies for different websites and UIs. I want one of those target deals. Can you check if they have a deal on poppi prebiotic sodas? If they do, I want the watermelon flavor in the 12fl oz can. Get me the type of deal that comes with this and check if it's gluten free. 9 / 10 View trajectory I am planning to shift to Seattle and I want you to search Redfin for a townhouse with at least 3 bedrooms, 2 bathrooms, and an energy-efficient design (e.g., solar panels or LEED-certified). My budget is between $600,000 - $800,000 and it should ideally be close to 1500 sq ft. 3 / 10 View trajectory Tasks that can be accomplished through repeated simple UI interactions Create a new project in Todoist titled 'Weekend Grocery Shopping.' Add the following shopping list with products: Bananas (6 pieces) Avocados (2 ripe) Baby Spinach (1 bag) Whole Milk (1 gallon) Cheddar Cheese (8 oz block) Potato Chips (Salted, family size) Dark Chocolate (70% cocoa, 2 bars) 10 / 10 View trajectory CUA can reliably repeat simple UI interaction multiple times to automate simple, but tedious tasks from users. Search Spotify for the most popular songs of the USA for the 1990s, and create a playlist with at least 10 tracks. 10 / 10 View trajectory Tasks where CUA shows a high success rate only if prompts include detailed hints on how to use the website. Visit tagvenue.com and look for a concert hall that seats 150 people in London. I need it on Feb 22 2025 for the entire day from 9 am to 12 am, just make sure it is under £90 per hour. Oh could you check the filters section for appropriate filters and make sure there is parking and the entire thing is wheelchair accessible. 8 / 10 View trajectory Even for the same task, CUA’s reliability might change depending on how we are prompting the task. In this case, we can improve the reliability by providing specifics of date (e.g. 9 am to 12am vs entire day from 9 am), and by providing hints on which UI should be used to find results (e.g. check the filters section …) Visit tagvenue.com and look for a concert hall that seats 150 people in London. I need it on Feb 22 2025 for the entire day from 9 am, just make sure it is under £90 per hour. Oh and make sure there is parking and the entire thing is wheelchair accessible. 3 / 10 Struggling to use unfamiliar UI and text editing Use html5editor and input the folowing text on the left side, then edit it following my instructions and give me a screenshot of the entire thing when done. The text is: Hello world! This is my first text. I need to see how it would look like when programmed with HTML. Some parts should be red. Some bold. Some italic. Some underlined. Until my lesson is complete, and we shift to the other side. ... Hello world! should have header 2 applied The sentence below it should be a regular paragraph text. The sentence mentioning red should be normal text and red The sentence mentionnihg bold should be normal text bolded Sentence mentioning italic should be italicized The final sentence should be aligned to the right instead of the usual left 4 / 10 View trajectory When CUA has to interact with UIs that it hasn't interacted much with during training, it struggles to figure out how to use the provided UI appropriately. It often results in lots of trial and errors, and inefficient actions. CUA is not precise at text editing. It often makes lots of mistakes in the process or provides output with error. Safety Because CUA is one of our first agentic products with an ability to directly take actions in a browser, it brings new risks and challenges to address. As we prepared for deployment of Operator, we did extensive safety testing and implemented mitigations across three major classes of safety risks: misuse, model mistakes, and frontier risks. We believe it is important to take a layered approach to safety, so we implemented safeguards across the whole deployment context: the CUA model itself, the Operator system, and post-deployment processes. The aim is to have mitigations that stack, with each layer incrementally reducing the risk profile. The first category of risk is misuse. In addition to requiring users to comply with our Usage Policies, we have designed the following mitigations to reduce Operator’s risk of harm due to misuse, building off our safety work for GPT‑4o( https://openai.com/index/gpt-4o-system-card/ ) : Refusals: The CUA model is trained to refuse many harmful tasks and illegal or regulated activities. Blocklist: Operator cannot access websites that we’ve preemptively blocked, such as many gambling sites, adult entertainment, and drug or gun retailers. Moderation: User interactions are reviewed in real-time by automated safety checkers that are designed to ensure compliance with Usage Policies and have the ability to issue warnings or blocks for prohibited activities. Offline detection: We’ve also developed automated detection and human review pipelines to identify prohibited usage in priority policy areas, including child safety and deceptive activities, allowing us to enforce our Usage Policies. The second category of risk is model mistakes, where the CUA model accidentally takes an action that the user didn’t intend, which in turn causes harm to the user or others. Hypothetical mistakes can range in severity, from a typo in an email, to purchasing the wrong item, to permanently deleting an important document. To minimize potential harm, we’ve developed the following mitigations: User confirmations: The CUA model is trained to ask for user confirmation before finalizing tasks with external side effects, for example before submitting an order, sending an email, etc., so that the user can double-check the model’s work before it becomes permanent. Limitations on tasks: For now, the CUA model will decline to help with certain higher-risk tasks, like banking transactions and tasks that require sensitive decision-making. Watch mode: On particularly sensitive websites, such as email, Operator requires active user supervision, ensuring users can directly catch and address any potential mistakes the model might make. One particularly important category of model mistakes is adversarial attacks on websites that cause the CUA model to take unintended actions, through prompt injections, jailbreaks, and phishing attempts. In addition to the aforementioned mitigations against model mistakes, we developed several additional layers of defense to protect against these risks: Cautious navigation: The CUA model is designed to identify and ignore prompt injections on websites, recognizing all but one case from an early internal red-teaming session. Monitoring: In Operator, we’ve implemented an additional model to monitor and pause execution if it detects suspicious content on the screen. Detection pipeline: We’re applying both automated detection and human review pipelines to identify suspicious access patterns that can be flagged and rapidly added to the monitor (in a matter of hours). Finally, we evaluated the CUA model against frontier risks outlined in our Preparedness Framework⁠(https://cdn.openai.com/openai-preparedness-framework-beta.pdf ), including scenarios involving autonomous replication and biorisk tooling. These assessments showed no incremental risk on top of GPT‑4o. For those interested in exploring the evaluations and safeguards in more detail, we encourage you to review the Operator System Card, a living document that provides transparency into our safety approach and ongoing improvements. As many of Operator’s capabilities are new, so are the risks and mitigation approaches we’ve implemented. While we have aimed for state-of-the-art, diverse and complementary mitigations, we expect these risks and our approach to evolve as we learn more. We look forward to using the research preview period as an opportunity to gather user feedback, refine our safeguards, and enhance agentic safety. Conclusion CUA builds on years of research advancements in multimodality, reasoning and safety. We have made significant progress in deep reasoning through the o-model series, vision capabilities through GPT‑4o, and new techniques to improve robustness through reinforcement learning and instruction hierarchy( https://openai.com/index/the-instruction-hierarchy/ ). The next challenge space we plan to explore is expanding the action space of agents. The flexibility offered by a universal interface addresses this challenge, enabling an agent that can navigate any software tool designed for humans. By moving beyond specialized agent-friendly APIs, CUA can adapt to whatever computer environment is available—truly addressing the “long tail” of digital use cases that remain out of reach for most AI models. We're also working to make CUA available in the API⁠(https://platform.openai.com/ ), so developers can use it to build their own computer-using agents. As we continue to iterate on CUA, we look forward to seeing the different use cases the community will discover. We plan to use the real-world feedback we gather from this early preview to continuously refine CUA’s capabilities and safety mitigations to safely advance our mission of distributing the benefits of AI to everyone. Authors OpenAI References Introducing computer use, a new Claude 3.5 Sonnet, and Claude 3.5 Haiku⁠(https://www.anthropic.com/news/3-5-models-and-computer-use ) Model Card Addendum: Claude 3.5 Haiku and Upgraded Claude 3.5 Sonnet⁠( https://assets.anthropic.com/m/1cd9d098ac3e6467/original/Claude-3-Model-Card-October-Addendum.pdf ) Kura WebVoyager benchmark⁠(https://www.trykura.com/benchmarks ) Google project mariner⁠( https://deepmind.google/technologies/project-mariner/ ) OSWorld: Benchmarking Multimodal Agents for Open-Ended Tasks in Real Computer Environments⁠(https://os-world.github.io/ ) WebVoyager: Building an End-to-End Web Agent with Large Multimodal Models⁠(https://arxiv.org/abs/2401.13919 ) WebArena: A Realistic Web Environment for Building Autonomous Agents⁠( https://webarena.dev/ ) Citations Please cite OpenAI and use the following BibTeX for citation: http://cdn.openai.com/cua/cua2025.bib URL https://openai.com/index/computer-using-agent/ OpenAI’s new AI browser could rival Perplexity — here’s what I hope it gets right Story by Amanda Caswell OpenAI is building a brand-new web browser, and it could completely change how we search, browse and get things done online. According to recent leaks and an exclusive report from Reuters, the company behind ChatGPT is working on a Chromium-based browser that integrates AI agents directly into your browsing experience. Internally codenamed “Operator,” this new browser is expected to go far beyond search to offer smart, memory-equipped agents that can summarize pages, complete actions (like booking travel) and eventually handle full web-based tasks for you. If this sounds like Perplexity’s Comet, you’re right. The recently launched AI-powered browser integrates search and sidebar answers directly into the page. OpenAI’s browser will likely compete with Chrome and Comet, but hasn’t launched yet. It’s rumored to be rolling out first to ChatGPT Plus subscribers in the U.S. as part of an early beta, possibly later this summer. As someone who tests AI tools for a living, I’ve tried nearly every smart assistant and search engine on the market. And while Perplexity’s Comet offers a solid first look at the future of AI browsing, here’s what I’m most excited for from OpenAI’s take, and what I hope it gets right. 1. A truly proactive browsing assistant Perplexity is great at answering questions. But what I want from OpenAI’s browser is something more autonomous; an assistant that doesn't just wait for a prompt but actively enhances the page I'm on. Imagine browsing am*zon and having the assistant automatically suggest product comparisons or pull in real reviews from Reddit. Or reading a news article and instantly seeing a timeline, source context and differing viewpoints, but with zero prompting. That level of proactive help could turn passive browsing into intelligent discovery and I’m totally here for it. 2. Built-in agents that take action OpenAI’s “Operator” agents are rumored to handle full tasks beyond search or summarization. For instance, filling out forms, booking tickets or handling customer service chats will all be done for you. If that’s true, it’s a major leap forward. While Perplexity’s Comet is great for pulling in answers, OpenAI’s approach may introduce a new category of browser-based automation powered by memory, context and reasoning. 3. Cleaner answers, better sources Let’s be honest: search engines today are filled with AI-generated slop, vague product listicles, SEO junk and misleading clickbait. Perplexity tries to solve this by pulling answers from verified sources and citing them in real time. OpenAI could go even further, drawing from its own training data and web browsing capabilities to offer cleaner, more nuanced summaries with source-level transparency. If they can combine the conversational intelligence of ChatGPT with web accuracy, it could help reverse the search spam crisis. 4. One tab to rule them all If OpenAI’s browser integrates with ChatGPT’s existing multimodal tools, including everything from image generation to spreadsheet analysis and file uploads, it could become the first true all-in-one productivity browser. That would give creators, students and professionals a seamless way to write, code, search, design and automate within one interface. The bottom line Perplexity’s Comet browser is a strong first step toward smarter web browsing. But OpenAI’s rumored browser has the potential to go further by offering a more intelligent, personalized and action-ready browsing experience. I’ll be watching closely for the beta invite to drop. And if it delivers on the promise of proactive agents, real web automation and a cleaner, more useful internet, this could be the most exciting browser launch since Chrome. URL https://www.msn.com/en-us/news/technology/openai-s-new-ai-browser-could-rival-perplexity-here-s-what-i-hope-it-gets-right/ar-AA1Iou29?ocid=BingNewsSerp
  4. @Pioneer1 No one I have ever communicated with ever said the following In my mind documentaries are movies, thank you, as an artist, I will ponder your words. It wasn't this I just think spike lee is not a good actor and he hurts films.
  5. FOR AALBC ANTAGONIST The Untouchable World, the overwhelming majority of the world. It is sparsely speckled by Urban Commands. An expanse that has developed in unknown ways to the Urbaners and because of that has unknown dangers. An expanse that is the home to Untouchables, lineages of many species plant or animal or fungus mutated by the Tactile Virus; said Untouchables are now immune to the Tactile Virus through herd immunity and sometimes make up the landscape, sometimes live in it. The awareness or purpose of Untouchable species are not catalogued, listed, or usually comprehended by Urbaners. The Tactile Virus is carried by all in the Untouchable World and thus makes the Untouchable World dangerous to any who have not been infected which is most Urbaners and every Urbaner of Urban Command 259. The Untouchable world has Roamers, mysterious figures whose identity, allegiance, purposes are usually unknown to Urbaners or Untouchables alike making them a danger to both. referral to contest https://www.deviantart.com/hddeviant/journal/Writing-Challenge-Part-3-Antagonist-1212132850 forum post https://aalbc.com/tc/topic/11729-a-story-for-aalbc-part-3/ FOR Black Artist Of Tumblr ANTAGONIST An unknown middle aged European individual,who is very concerned about exposure, is watching the events in HArlem for their own agenda. They will use and manipulate or hinder the following set of antagonist to achieve their goal. The Genovese crime family that governs most of Manhattan, including Harlem, wants control of the new drug from Harlem. It is led by Eboli, the current capo. Eboli has put Lombardo in charge, Lombardo worked his way from soldier to a junior capo. Lombardo has experience working around Harlem. Pfizer has a new CEO in John Powers jr and he has constructed a new office downtown Manhattan. Pfizer has taken an economic hit recently and he wants to regain momentum lost. He wants everything about the illegal drug in Harlem for Pfizer. Johnson and Johnson in New Jersey have a new CEO Philip B Hofmann who has started his tenure with success and wants to squeeze pharmaceutical rivals. He wants everything about the illegal drug in Harlem for Johnson and Johnson. The NYPD have suffered a blow with the end of Tammany Hall by mayor Robert Wagner jr and want a greater cut of the new illegal drug market in Harlem. referral to contest https://www.deviantart.com/hddeviant/journal/Writing-Challenge-Part-3-Antagonist-1212132850 Community Post https://www.tumblr.com/communities/black-artist-on-tjambler/post/789290107159134208/a-story-for-black-artist-of-tumblr-03?source=share FOR MidnightHour ANTAGONIST Sergeant Erica , a burlesque swordswoman. Uses the NYC code of conduct to battle burlesque to acquire the adoration of the most people sequentially, winning the right for her laws to be implemented. In her sixties, she is very experienced in managing the biggest contingents of fans in the city, from the financial well to do or law enforcement. She uses a foil. Is a standard performer. Performing to retain the laws she won in a prior Battle Royal. referral to contest https://www.deviantart.com/hddeviant/journal/Writing-Challenge-Part-3-Antagonist-1212132850 Community Post https://www.tumblr.com/communities/midnight-hour/post/789290513756979200/a-story-for-midnighthour-part-3?source=share FOR Film Noir Pigeons ANTAGONIST An unknown has committed a crime. The potential culprits are: Someone at the exchange, the only exchange where cyptocurrency can be exchanged for dollars. A teller or the manager. Father Pedro, a catholic clergyman who publicly protests the second non proliferation treaty as inhumane. A former realtor for the Corcoran group who never recovered the losses from the abrupt move to the SNDT and lives indebted with anger. A doctor just back from a profitable vacation in the The female courier from brazil the cryptocracker from nyc referral to contest https://www.deviantart.com/hddeviant/journal/Writing-Challenge-Part-3-Antagonist-1212132850 Community Post https://www.tumblr.com/communities/filmnoirpigeons/post/789291414477471744/a-story-for-film-noir-pigeons-part-3?source=share Part 1 https://aalbc.com/tc/events/event/403-community-stories-001-part-1/ Part 2 https://aalbc.com/tc/events/event/407-community-stories-001-part-2/ part 3 https://aalbc.com/tc/events/event/408-community-stories-001-part-3/
  6. I am part of a writing community outside AALBC but a recent challenge made me consider using it to push a story in AALBC. This is the antagonist ANTAGONIST The Untouchable World, the overwhelming majority of the world. It is sparsely speckled by Urban Commands. An expanse that has developed in unknown ways to the Urbaners and because of that has unknown dangers. An expanse that is the home to Untouchables, lineages of many species plant or animal or fungus mutated by the Tactile Virus; said Untouchables are now immune to the Tactile Virus through herd immunity and sometimes make up the landscape, sometimes live in it. The awareness or purpose of Untouchable species are not catalogued, listed, or usually comprehended by Urbaners. The Tactile Virus is carried by all in the Untouchable World and thus makes the Untouchable World dangerous to any who have not been infected which is most Urbaners and every Urbaner of Urban Command 259. The Untouchable world has Roamers, mysterious figures whose identity, allegiance, purposes are usually unknown to Urbaners or Untouchables alike making them a danger to both. PART 2 https://aalbc.com/tc/topic/11728-a-story-for-aalbc-part-2/ referral to contest https://www.deviantart.com/hddeviant/journal/Writing-Challenge-Part-3-Antagonist-1212132850
  7. FOR AALBC PROTAGONIST Unknown name is a married midde aged man, of the Utility Farmer, many consider the best cook in the command; his wife is a multiutility Farmer+Entertainer, she makes street art. His wife side him have two children. One, a boy, is an Initiate, while the other, a girl, is in the Kindergarten. Their male child's teachers say he is talented in all utilities. While the teachers say their female child has a comforting touch of a healer. He has never ventured outside the Command, nor is he a great fighter. Loyal to the chain of command. referral to contest https://www.deviantart.com/hddeviant/journal/Writing-Challenge-Part-2-Protagonist-1212132548 forum post https://aalbc.com/tc/topic/11728-a-story-for-aalbc-part-2/ FOR Black Artist Of Tumblr PROTAGONIST Unknown name is a Black Swede, in his thirties, who runs a drug dealing outfit in Harlem in Manhattan in NYC in the 1960s. It operates in the domain of the Genovese crime family of the Five Families. The outfit is making so much money, they have an arrangement with a former local rival, Copeland's gang , to run all the numbers and dice and other gambling in Harlem if they support the outfit when called. The Black Swede know English/Swedish/German/Latin. Fully trust his lieutenants because he has to regardless if he wants. Has ambitions for the outfit but doesn't let ambition deny a modern situation or create a faulty strategy. His lieutenants are A white Swedish former maid he has known for years. Don't know her relationship to Black Swede yet. Tex and Sug, an old black couple, Tex does accounting for the outfit while Sug is a school teacher, hired by Richard Green, the first Black school chancellor of NYC , hired by Robert Wagner. Stephanie and Bump- two former rulers of Black underground life in harlem, now silverhaired and a reunited coupe, but financiers to the outfit,and are positively connected to all the churches or other places of worship in Harlem alongside all the community advocates from Garveyites to NAACP members or Black Panthers for Self Defense. referral to contest https://www.deviantart.com/hddeviant/journal/Writing-Challenge-Part-2-Protagonist-1212132548 Community Post https://www.tumblr.com/communities/black-artist-on-tjambler/post/789288537445089280/a-story-for-black-artist-of-tumblr-02 FOR MidnightHour PROTAGONIST Socialist Ama , a burlesque swordswoman. Uses the NYC code of conduct to battle burlesque to acquire the adoration of the most people sequentially, winning the right for her laws to be implemented. In her early thirties, she is ready to fight. She uses radical burlesque techniques which are fan favorites for the youngest voters. Flamboyant in all things. She uses a foil sword. Performing for socialist causes to finally get their due in the city. referral to contest https://www.deviantart.com/hddeviant/journal/Writing-Challenge-Part-2-Protagonist-1212132548 Community Post https://www.tumblr.com/communities/midnight-hour/post/789288897647673344/a-story-for-midnighthour-part-2?source=share FOR Film Noir Pigeons PROTAGONIST Unknown name is a cryptocracker, a private detective for crypto cases in a Universal Basic Income (UBI( country. He lives in New York City (NYC) the only city in the world where crypto currencies can be exchanged for dollar currency. Black man, between late thirties to early forties, unmarried. He lives with his parents in an apartment. He has past experience with a woman, black, late thirties to early forties; she is a female courier from Brasil who makes transaction of crypto currencies into us dollars. His secretary is a woman, black, mocha complexion, married to a scholar who is an ardent supporter of the second non proliferation treaty SNPT for the advantages it will give their children. He drinks tea. For alcohol he likes Hot Sex from Bartender's Trading. He rides a custom Citroen DS Décapotable Cabriolet d'Usine Electrogenic. referral to contest https://www.deviantart.com/hddeviant/journal/Writing-Challenge-Part-2-Protagonist-1212132548 Community Post https://www.tumblr.com/communities/filmnoirpigeons/post/789289180915204096/a-story-for-film-noir-pigeons-part-2?source=share Part 1 https://aalbc.com/tc/events/event/403-community-stories-001-part-1/ Part 2 https://aalbc.com/tc/events/event/407-community-stories-001-part-2/ part 3 https://aalbc.com/tc/events/event/408-community-stories-001-part-3/
  8. I am part of a writing community outside AALBC but a recent challenge made me consider using it to push a story in AALBC. This is the protagonist PROTAGONIST Unknown name is a married midde aged man, of the Utility Farmer, many consider the best cook in the command; his wife is a multiutility Farmer+Entertainer, she makes street art. His wife side him have two children. One, a boy, is an Initiate, while the other, a girl, is in the Kindergarten. Their male child's teachers say he is talented in all utilities. While the teachers say their female child has a comforting touch of a healer. He has never ventured outside the Command, nor is he a great fighter. Loyal to the chain of command. PART 1 https://aalbc.com/tc/topic/11724-a-story-for-aalbc-part-1/ referral to contest https://www.deviantart.com/hddeviant/journal/Writing-Challenge-Part-2-Protagonist-1212132548
  9. Example https://www.deviantart.com/hddeviant/art/My-Antagonist-for-part-3-of-the-4-part-challenge-1218771253 Extended Example https://www.deviantart.com/hddeviant/journal/Writing-Challenge-Part-3-Extended-antagonist-1214202381 Challenge https://www.deviantart.com/hddeviant/journal/Writing-Challenge-Part-3-Antagonist-1212132850 PRAISE from Remivan [ https://www.deviantart.com/remivan ] Thank you for this incredibly detailed and helpful "tutorial" on crafting antagonists! While I’m unable to participate in the challenge (as I use AI in my writing process, which goes against the rules), I found the insights truly invaluable. You’ve given me a new perspective on my story analytics. Some pieces reach tens of thousands of views, yet engagement (likes/favorites) remains quite modest. It made me wonder: could the lack of a strong, well-defined antagonist-driven conflict be a factor? Honestly, I rarely use this trope intentionally—even in real life, I don’t tend to see clear-cut ‘villains,’ just complex human motivations. But your breakdown—especially distinguishing an antagonist’s goal (their core desire) from their role (actions taken to achieve it, including opposing the protagonist)—was revelatory! I’ll consciously integrate this technique into future stories and tune my LLMs to craft deeper, motivationally grounded antagonists using your guidelines (tying them to the setting, profession, and personal aims). A question for the tutorial creators or community: Are there specialized frameworks, system prompts, or best practices for writers like me who use AI assistance? Anything to help weave character-building techniques (like antagonist development) into collaborative human-AI workflows to strengthen narrative conflict? I’d deeply appreciate any tips or resources! Thanks again for this installment—immensely inspiring, even as a non-participant! https://www.deviantart.com/comments/1/1212132850/5224464795
  10. Today we pause to remember the life of Sandra Bland, who was jailed after a traffic stop and found deceased in her cell in 2015. Sandra Bland was pulled over in TX for failing to signal by a State Trooper and arrested. Three days later, she was gone, and her death was ruled a suicide. The county sheriff and jail staff were not indicted for her death. Bland was a civil rights activist and outspoken about police brutality against the Black community. We mourn the loss of her voice, and we hold the tragedy of her passing with her friends, family, and loved ones. february 7th 1987 july 13th 2015
  11. Today we pause to remember the life of Sandra Bland, who was jailed after a traffic stop and found deceased in her cell in 2015. Sandra Bland was pulled over in TX for failing to signal by a State Trooper and arrested. Three days later, she was gone, and her death was ruled a suicide. The county sheriff and jail staff were not indicted for her death. Bland was a civil rights activist and outspoken about police brutality against the Black community. We mourn the loss of her voice, and we hold the tragedy of her passing with her friends, family, and loved ones. february 7th 1987 july 13th 2015
  12. July 14 Saturn appear stationary 15 Center of Moon and Center of Earth on Earth's equatorial axis. Moon from south to north of the Sun's path in the sky, the ecliptic 16 Saturn Moon conjunction; Neptune Moon conjunction 17 Mercury appear stationary ; 1850 Vega first star photographed other than the sun. [ July 17, 1850 The first photograph of a star is taken at the Harvard Observatory. The star photographed was Vega in the Lyra constellation, the 2nd brightest star in the Northern Hemisphere. ; https://thisdayintechhistory.com/07/17/first-photograph-of-a-star/] [Vega was the northern pole star around 12000 BCE and will be so again around the year 13724, when its declination will be +84° 14′, less than six degrees from the Pole. ; https://stellarium.org/] ["On the night of July 16–17, 1850, Whipple and Bond made the first daguerreotype of a star (Vega)" ; https://en.wikipedia.org/wiki/Vega] 19 Jim Aparo spirit flew 2005 , he penciled the well known comic "A Death In the Family" [ https://en.wikipedia.org/wiki/A_Death_in_the_Family_(comics); https://en.wikipedia.org/wiki/Batman:_Knightfall] RM WORK CALENDAR Aphelion BlackGamesElite Deviantart Watching Search Making a Protagonist Alien-queen77's OC Deimyn Thoughts to Spike Lee's work Community Stories 001 part 1 CENTO Series episode 112 https://aalbc.com/tc/events/5-rmworkcalendar/week/2025-07-12/ RM COMMUNITY CALENDAR The legend of Pearline Sinners Review from Movies That Move We Hercules, Disney's Beautiful Hot Mess Billy Eckstine Michael B Jordan's Thomas Crown Ask Eddie with Eddie Mueller +Jennifer Tilly KWL Live with Ruthie Bowles+ Tara Cremin Outsidethebeautybox goodbye skype Kidowaum https://aalbc.com/tc/events/7-rmcommunitycalendar/week/2025-07-12/
  13. FOR AALBC SETTING Long after the fall of the Constellamperor, the last ruler of the whole world, who legend says began the Tactile Virus plague. The planet is broken up into two things. Second , The Urban Commands, self isolating city states, born from a heritage of surviving the ever mutating virus with walls plus fire plus suits. They are self sufficient in purpose, socialist in racial ranking , militaristic in communal structure, merit based in human relationship. Consummation has a space, Leaders have a space, everywhere else are barracks. All children, Initiates, are raised together. All Initiates get a rearing to gain at least one Utility. A communal structure maintained out of successful habit. First, The Untouchable World, the lush fertile lands or seas or skies the Urban Commands are dotted in. Where few are mysterious figures who are only known through legends or myths or gossip to Urbaners or Untouchables. Where most are Untouchables, the descendants of species infected by the virus who gained herd immunity but can still spread it with a touch. Most Untouchables live unknown to the Urbaners. A few Untouchables from plants to insects live just beyond the walls of Urban Commands are flow seasonally to said walls. In this landscape exist Urban Command 259 whose comrades have to maintain their growing city, continue their way of life, defend from the seasonal threats in the Untouchable World. referral to contest https://www.deviantart.com/drthomasstockmann/journal/Writing-Challenge-Part-1-World-Building-1204683561 forum post https://aalbc.com/tc/topic/11724-a-story-for-aalbc-part-1/ FOR Black Artist Of Tumblr SETTING It is 1960's Harlem(Black Mecca), New York City. Most businesses in the Black Mecca are white owned. Adam Clayton Powell jr will lead protests to get them to hire black people. Robert F Wagner jr ended Tammany Hall's dominance over the city, Lindsey would witness the murder of Malcolm + MLK . The Five Families had ten years before the RICO act to run the underworld absent federal intervention. Johnson and Johnson in New Jersey and Pfizer downtown Manhattan dominate the pharmaceutical industry. But, a drug has arrived from the underworld of Harlem that has become the drug of choice in the city,generating growing number of tourist. Rich or poor, black or white, twenty somethings or silverhaired, love the drug. The Black Drug Dealers who produce it want to keep the business, but they don't have the resources to expand it. Their local rivals want to help them lose it, but can't afford to sell out. The government through the NYPD wants a bigger cut of the profits, but has to keep it away from the courts. The mob wants to manage its operation, but the family that controls the region hasn't been able to uncover the operation even through bloody means. The pharmaceuticals want to know everything about it, and are willing to spend untold sums to get any services needed to accomplish their task. Those who created the drug want to disconnect the trail to them and remain anonymous, but have to risk being exposed to do so. referral to contest https://www.deviantart.com/drthomasstockmann/journal/Writing-Challenge-Part-1-World-Building-1204683561 Community Post https://www.tumblr.com/communities/black-artist-on-tjambler/post/788894036062879745/a-story-for-black-artist-of-tumblr?source=share FOR MidnightHour SETTING The house of representative floor of the USA. The president of the USA will make a speech, interrupted. Then a dancer will introduce a film the house will watch. The film will play. The film involves a chivalric variation of modernity where Burlesque performers battle each other for the votes of the people among two competing crowds. referral to contest https://www.deviantart.com/drthomasstockmann/journal/Writing-Challenge-Part-1-World-Building-1204683561 Community Post https://www.tumblr.com/communities/midnight-hour/post/788894363535147008/a-story-for-midnighthour?source=share FOR Film Noir Pigeons SETTING The technological capability of machines led to the USA providing Universal Basic Income (UBI) to maintain financial balance with the new technology. China followed. Nuclear Powers: USA/China/Russia/England/India/Pakistan/Israel/North Korea and the European Union(EU) all became founding signatories to the Second Non Proliferation Treaty (SNPT). The treaty: allow only the nine nuclear powers[ France through the EU] the ability to have UBI, demand the EU put an interminable block on new membership, make immigration to or fro plus cryptocurrency activity in the nine founding signatories illegal, demand all non founding signatories make UBI illegal in their law, accept cryptocurrencies only if pegged to the USA dollar or Chinese Renminbi, demand any and all accepted cryptocurrencies are legal to signatories who are not founding signatories, NYC+ Hong Kong became the only two cities in the world where legal cryptocurrencies by the SNPT can be converted into a currency, no other cities are allowed. Hong Kong can only do Renminbi while NYC can only do US Dollars. Mexico/Saudi Arabia/Singapore/Brazil all became signatories followed by most governments barring Cuba/South Sudan/East Timor. In the founding states, people no longer have to work, real estate/utilities/food are stabilized plus affordable, healthcare is universal. Government Agent/Athlete/Prostitution/Scholars (The GAPS) are the only official human professions left. In the second signer states, a complex web of cryptomarkets replaced all stock or bond or futures markets. Resources or fortunes are won or lost every second. referral to contest https://www.deviantart.com/drthomasstockmann/journal/Writing-Challenge-Part-1-World-Building-1204683561 Community Post https://www.tumblr.com/communities/filmnoirpigeons/post/788894707885473792/a-story-for-film-noir-pigeons?source=share Part 1 https://aalbc.com/tc/events/event/403-community-stories-001-part-1/ Part 2 https://aalbc.com/tc/events/event/407-community-stories-001-part-2/ part 3 https://aalbc.com/tc/events/event/408-community-stories-001-part-3/
  14. I am part of a writing community outside AALBC but a recent challenge made me consider using it to push a story in AALBC. This is the setting SETTING Long after the fall of the Constellamperor, the last ruler of the whole world, who legend says began the Tactile Virus plague. The planet is broken up into two things. Second , The Urban Commands, self isolating city states, born from a heritage of surviving the ever mutating virus with walls plus fire plus suits. They are self sufficient in purpose, socialist in racial ranking , militaristic in communal structure, merit based in human relationship. Consummation has a space, Leaders have a space, everywhere else are barracks. All children, Initiates, are raised together. All Initiates get a rearing to gain at least one Utility. A communal structure maintained out of successful habit. First, The Untouchable World, the lush fertile lands or seas or skies the Urban Commands are dotted in. Where few are mysterious figures who are only known through legends or myths or gossip to Urbaners or Untouchables. Where most are Untouchables, the descendants of species infected by the virus who gained herd immunity but can still spread it with a touch. Most Untouchables live unknown to the Urbaners. A few Untouchables from plants to insects live just beyond the walls of Urban Commands are flow seasonally to said walls. In this landscape exist Urban Command 259 whose comrades have to maintain their growing city, continue their way of life, defend from the seasonal threats in the Untouchable World. referral to contest https://www.deviantart.com/drthomasstockmann/journal/Writing-Challenge-Part-1-World-Building-1204683561
  15. I am not an overall fan. Where many black people like his work or respect the body of work, I do not. I am happy he has financial support making films, I hope he makes more films. But I am not a fan of his collection overall. That is more than I can say to Tyler perry whom I don't care for at all. These are the four spike lee films I will show others and say I like at least with no question. I love four little girls for me Spike's best work I like Malcolm X though the cast does brillianlty, and I think his cameo hurts the film I like get on the bus, ozzie davis i am a fan of I like inside man but he didn't write it I admittedly am not a fan of the black black urban drama:) Here is my complete take queried by a member of the community. Pioneer1 https://aalbc.com/tc/topic/11705-sinners-evil-cannot-happen-without-your-consenttrue-or-false/#findComment-75027 IN AMENDMENT I add, when the levees broke the huey p newton story
  16. @Pioneer1 I see, it is funny, Spike Lee only made a few movies I actually like. I comprehend them but they aren't my cup of tea. I love four little girls for me Spike's best work I like Malcolm X though the cast does brillianlty, and I think his cameo hurts the film I like get on the bus, ozzie davis i am a fan of I like inside man but he didn't write it The way you talk about spike lee's work, I dont' feel that way. Alot of his movies I haven't seen in completion, I saw a part and had to go, didn't like it. I will be interested in a variation of kurosawa in Lee's highest to lowest coming out, kurosawa's work itself based on a book.
  17. me and outsidethebeautybox were in an arttrade, I would do their character Chili saying goodbye to skype and they would do mine Kidowaum saying goodbye. Mine https://aalbc.com/tc/events/event/267-chili-skype-goodbye/ Outsidethebeautybox https://www.tumblr.com/communities/black-artist-on-tjambler/post/788689832295677952/goodbye-skype?source=share
  18. KWL Live Q&A - No Market for That Book with Ruthie Bowles https://www.youtube.com/watch?v=DxfUfgs0S78 her websites https://nomarketforthatbook.com/about-ruthie-and-no-market-for-that-book/ https://www.audible.com/author/Ruthie-Bowles/B0BVMWBX1J?msockid=365e31650f74658e0ff6276d0e6a6431 THOUGHTS time indexed 00:04:00 Ruthie tells a great story about entering the industry 00:06:00 question, through your time in the industry, do more or less writers want audiobook narrators who are famous actors? 00:07:00 Tara ask, how did you get involved? Ruthie answered, She saw a book , ten ways to get paid to read. Ruthie knew it was oversimplified. In 2019 she had her first audio narration gig while she still worked as a marketer. She outsourced her sound engineering and she still works with him. And she recorded in her office, at first. 00:11:00 Ruthie answered, through your time in the industry, do more or less writers want audiobook narrators who are famous actors? Not a huge consideration in the indie space, mostly in the traditional space. A famous actor will need to transition and may not be able. 00:13:00 Tara, How do you work with author? Ruthie asked, sometimes author don't know. But they can hear something and they feel it. 00:16:00 Tara, do you jump into a book series? Ruthie, she hasn't had an experience jumping into a long series. She has to notice where other people took characters. But she comprehends she is 00:19:00 Diversitymatters ask, How long would it take to do 200 page book and what is the cost? 9,300 words is industry standard for one book, so word count , and then you have to break up your book. She aims for an hour finished hour work a day. She has her fees on her website. $300 per finished hour. So you will not pay me to one to three hours. Usually when you work with an audio engineer you are paying for finished product. 00:23:00 Tara, what is a sensitivity reader? She tends to give feedback on work to see if their are problematic characterizations. But not to knock down but to work to improve the manuscript to see ways to increase the quality of the story. 00:27:00 Tara, how will it work out? Ruthie says, I will refer to things written, but sit with it. Writers have to breath when they get a sensitivity review. She doesn't have authors schedule the call until after they get the report. And remember the intention of the sensitivity reader. 00:30:00 Tara, can you tell us about your company, there is no market for that book? Ruthie, in her experience people in chat on line say, no market exist. Tara, in her experience, all genres have a market. Ruthie, Alot of her work wasn't equitably accessible. You choose what you want to do and do what you can. She wanted audio rights. The community talsk about the things they need and want, and she want to fill those needs and wants in the industry. 00:37:00 Tara, what are other challenges facing marginalized authors. Ruthie, publishing has a big realm. Marginalized authors are less likely to get marketing space. So she wants to know who out in the industry. Marginalized authors may not have variety for who may get to narrate their book. publishing houses find it hard to find marginalized narrators because they usually don't want it. 00:43:00 Tamara morgan, Can you speak to partnership with respect to royalties? Ruthie, she was a reduced PFH rate and we split the royalties 50/50. She was first but now she knows another who is doing it. 00:47:00 Tara, what about the future of collaboration in audiobooks? Ruthie, there is a growing desire to hear stories. Most of the authors she know likes to be artist of the written word. But, as a narrator, she is an artist, a voice artist. and she performs from that place. Do we have enough audio book narrators for all the books? no, but we have enough actors or others to be narrators. So now is a critical turning point. But her friends love her work. 00:52:00 Tara, do you have any advice for authors who want to build a brand and be aunthetic? Ruthie, if you don't anchor what is true to you, you will blow every which way. In terms of brand building, dont' start with what you present, but what is important to you. You have to show up for this on the good days and the bad days. If you only think of the facade on the bad days you will not show up. If you are being authentic to anyone, you have to be authentic to you. Radical authenticity, concentric circles of trust. The cool people will get the things that will ruin my brand. She tries to be the genuine thoughtful human being, it isn't about false positivity, but it is about showing up as the person in my soul. And that will be the standard her company is upheld to. When people trust is what you mean in what you say. controversies you don't have to speak to. If you are doing the work, it will be evident, and that turns into a brand in what you are saying is what you are presenting. 01:00:00 Tara, what more from you? Ruthie, she has a book on kobo plus. She has a story in an anthology, and a pink horror story. 01:03:00 Tara, what are you audiobooking now? Ruthie, the imaginary book festival. Calling In, how to make change with those you would rather cancel. She enjoys it. For anyone who agrees there can be a lot of good on the internet but don't want to engage in certain things, read this book. question, are sensitivity readers hired for making editions of old famous books?
  19. Ask Eddie June 26th 2025+ Jennifer Tilly URL https://www.tumblr.com/filmnoirfoundation/788438887805681664/in-case-you-missed-out-latest-episode-here-you?source=share https://www.tumblr.com/filmnoirfoundation/788438887805681664/in-case-you-missed-out-latest-episode-here-you 3:36 Tilly wasn't allowed to Ad lib by the Washowski's. 4:59 Tilly is funny. 6:23 Roger Ebert loved Bound early and it is a cult classic now. All you need is a man a woman a locked room and a weapon... and a crazed psycopath who just yells his lines. 8:50 great story on equal opportunity, no one wants to see Joey character. Delaurentiis didn't want joey, joe pantoliano. 14:53 Great story from Tilly on how she first met Gershon in Bound. 17:41 Jennfier tilly admitted Joe pantoliano courted the Wachowskis and tilly said she should had did likewise so we could be in the matrix. 20:00 Tilly is raw, she is a great guest, Mueller doesn't have to do anything but let her talk. Tilly said her sister runs around in important movie memorabilia. 24:39 The guy got paid extra money by the screen actors guild. 25:41 gershon and tilly talked about the shoe sale at barney's 28:19 nice description by Tilly to how the washowski's made the love scene between her and gershon as one shot film, being directed all the way. 33:13 Gershon brought Tilly tequila + chocolates for the scene. 38:30 great point by Tilly and a sequel to Bound. 42:19 Mueller is right, he has never done less and the sign language man never worked harder, than with Jennifer Tilly
  20. @Pioneer1 what about peele ? he was between spike + coogler? what about the wayans clan? what about mario van peebles? @ProfD yeah and to be blunt, more black people are getting opportunities today than in the past and many of those opportunities come from black wealth as well... no black people aren't running the world but we didn't nearly exterminate the native american either.
  21. Michael B Jordan's Thomas Crown https://aalbc.com/tc/topic/11716-thomas-crown-affair-and-wealthy-blacks-in-the-real-world/ is Michael B Jordan's thomas crown movie the first rich black man film? I will explain. Thomas crown is supposed to be a rich guy who commits crimes. started by steve mcqueen, continued by pierce brosnan, but Jordan playing him is a quiet message in my view to black wealth. I can tell you black people have always had a rich minority but that minority has always been so small it hasnt been as visible, but in modernity i argue it is larger than in the past five hundred years so to speak or definitely the last two hundred and this film, i assume may speak to that reality in the black community in the usa and beyond. what say you?
  22. is Michael B Jordan's thomas crown movie the first rich black man film? I will explain. Thomas crown is supposed to be a rich guy who commits crimes. started by steve mcqueen, continued by pierce brosnan, but Jordan playing him is a quiet message in my view to black wealth. I can tell you black people have always had a rich minority but that minority has always been so small it hasnt been as visible, but in modernity i argue it is larger than in the past five hundred years so to speak or definitely the last two hundred and this film, i assume may speak to that reality in the black community in the usa and beyond. what say you? calendar event, remember to subscribe to the calendar https://aalbc.com/tc/events/event/398-michael-b-jordans-thomas-crown/
  23. Stormy Monday Blues as part of Earl Hines band LYRICS from Earl Hines, Billy Eckstine, Bob Crowder It's gone and started rainin' I'm lonesome as a man can be It's gone and started rainin' I'm lonesome as a man can be Cause every time it rains I realise what you mean to me If you read my letters, baby You sure must'a read my mind If you read my letters, baby You sure must'a read my mind Then you wouldn't have left me To sit alone and pine Video Link https://www.youtube.com/watch?v=2pIdNa9lL5s Jelly Jelly as part of Earl Hines band LYRICS from Earl Hines + Billy Eckstine Hello baby, I had to call you on the phone Hello baby, I had to call you on the phone `Cause I feel so lonesome And daddy wants his baby home It's a down-right rotten, Low down dirty shame It's a down right rotten low down dirty shame The way that you're treatin' poor me I know I'm not to blame Jelly jelly jelly Jelly stays on my mind Jelly jelly jelly Jelly stays on my mind Jelly roll killed my pappy, And wrung my mama stone blind. video link https://www.youtube.com/watch?v=GUGK_okFzzw&list=RDGUGK_okFzzw&start_radio=1 Rhythm In A Riff heading his own band Lyrics from Billy Eckstine [all instruments no voice] I, love, the rhythm in a riff when the music jumps, i get a lift [scatting A with instruments background] anything, to make it swing I, love, the music from a tone but end it with a mello saxophone [scatting A little lower tone with instruments background] what a lot of kicks it brings when that rhythms in ya the blues don't have a chance you 'll find the groove will when ya make you never think about romance jump jump, the rhythm with a riff any kind of music gets a lift [scatting A with instruments background] anything to make it swing [instruments no voice] [scatting B (start with oh higher than A )with instruments background] [instruments no voice] [scatting C (start with ba higher than B )with instruments background] when that rhythm's in ya the blues don't have a chance you 'll find the groove will when ya make you never think about romance [instruments no voice] [scatting D (start with ah same height as C)with instruments background] [Horn lead - instruments no voice, end with drum solo] [scatting E (same height as A) with instruments background] Riffin is the thing for me video link https://www.youtube.com/watch?v=XHd2LTTkrB8&list=RDXHd2LTTkrB8&start_radio=1 the movie is about, if someone can find it, black director, black cast all. 1947 https://www.imdb.com/title/tt0135629/ soundie, made from the film https://www.youtube.com/watch?v=LRUKHWJyrbs&list=RDLRUKHWJyrbs&start_radio=1 Even though White people cancelled Billy Eckstine for the following photo[from Martha Holmes, following Eckstine with fans], he never stopped smiling
  24. A leader of the Whispers, I will never forget the music video for Keep On Lovin Me, It astounded me how they were walking throughout a whole city. Years later I realized this wasn't New York City but Detroit:) AND THE BEAT GOES ON writers: Leon Sylvers , Stephen Shockley , William Shelby https://en.wikipedia.org/wiki/And_the_Beat_Goes_On_(The_Whispers_song) https://www.youtube.com/watch?v=slldMEPvUqA LYRICS And the beat goes on Just like my love (everlasting) And the beat goes on Still moving strong, on and on Do you ever wonder That to win, somebody's got to lose I might as well get over (the blues) Just like fishing in the ocean There'll always be someone new (Who'll love you better) You did me wrong But I've been through stormy weather And the beat goes on Just like my love (everlasting) And the beat goes on (you'd better believe it) Still moving strong (on and on) Don't stop for nobody This time I'll keep my feet on solid ground Now I understand myself (when I'm down) Like the sweet sound of hip music There'll always be something new To keep the tables turning Hate this simple song But there'll never be an ending And the beat goes on Just like my love (everlasting) And the beat goes on Still moving strong (on and on) The beat goes on, the beat goes on, the beat goes on The beat goes on, the beat goes on, the beat goes on Guitar playing that fill to show the beat is real The beat goes on And the beat goes on (oh, oh, oh) Just like my love (everlasting) And the beat goes on (just to make it last) Still moving strong (gotta believe it) And the beat goes on (and the beat goes on and on and on) Just like my love (everlasting) And the beat goes on (everlasting, baby) Still moving strong (and I love it) And the beat goes on (just like my love, baby) Just like my love, baby (everlasting) And the beat goes on Still moving strong (and I love it) The beat goes on, the beat goes on, the beat goes on The beat goes on, the beat goes on, the beat goes on The beat goes on, the beat goes on, the beat goes on The beat goes on, the beat goes on, the beat goes on And the beat goes on Just like my love (everlasting) And the beat goes on Still moving strong And the beat goes on Just like my love, everlasting Just like my love (everlasting) Still moving strong (and I love it) And the beat goes on Just like my love (everlasting) And the beat goes on Still moving strong ROCK STEADY writers: Babyface , L.A. Reid , Bo Watson , Dwayne Ladd https://en.wikipedia.org/wiki/Rock_Steady_(The_Whispers_song) https://www.youtube.com/watch?v=rPJz3syNbtE LYRICS [Intro] Rock [Verse 1] I looked at you You stole my heart You were all that I anticipated I wanted you Every part But I knew love would be complicated [Pre-Chorus] I begin to touch But you wouldn’t let it It never seemed to be the right time I started to give up Down to the limit And then you changed your mind, oh [Chorus] And we begin to rock steady Steady rocking all night long And we begin to rock steady Rocking 'til the break of dawn Rock (Ooh), steady Steady rocking all night long Rock steady Rocking 'til the break of dawn [Verse 2] You looked at me To my surprise You were too anticipating I should have known It was in your eyes That you were getting tired of waiting [Pre-Chorus] You wanted me so much But I didn’t get it How could a fellow be so blind? I started to give up But love wouldn’t let it Then you walked into my life [Chorus] And we begin to rock steady Steady rocking all night long And we begin to rock steady Rocking 'til the break of dawn Rock (Ooh), steady Steady rocking all night long (All night long) Rock steady Rocking 'til the break of dawn (Rocking 'til the break of dawn) [Bridge] Ooh, dooba, dooba, da Rock (Steady, baby, rock steady, baby) Ooh, rock (Steady, baby, rock steady, baby) Rock Ooh, rock [Pre-Chorus] You wanted me so much But I didn’t get it How could a fellow be so blind? I started to give up But love wouldn’t let it Then you walked into my life, oh [Chorus] And we begin to rock steady Steady rocking all night long And we begin to rock steady Rocking 'til the break of dawn (Rocking 'til the break of dawn) Rock (Ooh), steady Steady rocking all night long (All night long) Rock steady Rocking 'til the break of dawn (Everybody) Rock steady Steady rocking all night long (Everybody steady rocking) Rock steady Rocking 'til the break of dawn Rock (Steady rock) steady (St-st-st-steady rock) Steady rocking all night long (Everybody steady rocking) Rock steady Rocking 'til the break of dawn (Rocking till the break of dawn) (Everybody steady rocking) IT'S A LOVE THING writers: Dana Meyers,William Shelby https://en.wikipedia.org/wiki/It%27s_a_Love_Thing_(The_Whispers_song) https://www.youtube.com/watch?v=fJULtwL5zfY LYRICS It's a love thing, it's a love thing (It's a love thing, thing) The look in your eyes is more than enough To make my poor heart burst into flames Before the moment we met That there was no doubt That my life would never be the same And I could never hide this feelin' That comes over me When you're near me I know that's how it's supposed to be My heart is tellin' me It's a love thing, yeah And the talkin' in my sleep About the love we made It's a love thing (It's a love thing) Love thing (Thing) Such a feeling I get whenever we touch Girl, like no other I felt before It's still so new and yet I need you so much Got to make you mine forever more You're the kinda woman That can turn my world around 'Cause you showed me what Unselfish love is all about Without a doubt It's a love thing, yeah I feel that pounding in my heart When you call my name It's a love thing (It's a love thing) Love thing (Thing) It's a love thing Every time that you're near It becomes so clear It's a love thing (It's a love thing) Love thing (Thing) Yeah, it's a love thing I feel that pounding in my heart When you call my name It's a love thing (It's a love thing) It's a love thing I could never hide this feeling That comes over me When you're near me I know that's how it's supposed to be My heart is tellin' me It's a love thing, yeah Got me talkin' in my sleep About the love we made It's a love thing (It's a love thing) Ooh, it's a love thing (Thing) It's a love thing, yeah I feel that pounding in my heart Every time you call my name, yeah It's a love thing (It's a love thing) Love thing (Thing) Love thing It's a love thing It's a love thing It's a love thing KEEP ON LOVIN ME writers: Wardell Potts Jr , Kevin Spencer , William https://en.wikipedia.org/wiki/Keep_On_Lovin%27_Me https://www.youtube.com/watch?v=d6aRvVTSC0I LYRICS When times get tough, I want to give it up I just can't let it go like that And oh, how long it took to build it up? There must be some reason why we come back Love, I am alive The only thing I've ever done that still feels right Must be sad in my ways A stubborn kind of fella, he's not everyday So just keep on lovin' me (doo-doo-doo) Just keep on lovin' me (lovin' me) I dreamed last night that I lost your love I felt sad because it seemed so real I don't climb to bed, I had to call you up And make sure you notice what I feel How many times I'm took for granted? But you know our love was sound Stay by my side, let nothing feel when I put my feet on solid ground So just keep on lovin' me (doo-doo-doo) Just keep on lovin' me (lovin' me) Hey, Scottie! Yeah What does that mean? That means I'll never give up the love that's good to me Keep on lovin' me (doo-doo-doo) Just keep on lovin' me (lovin' me) Ooh (doo-doo-doo) Ooh, ooh-ooh-ooh (lovin' me) Just keep on lovin' me (doo-doo-doo) Hey, Scottie! Yeah What does that mean? That means it's just for my baby to know Hey, baby Keep on, keep on, keep on, keep on Just keep on keepin' on Just keep on doin' it, baby Just keep on keepin' on Just keep on doin' it, baby (yeah, baby) Just keep on keepin' on Just keep on doin' it, baby (just go on) Just keep on keepin' on Hey, Scottie! Yeah What does that mean? That means I'll never give up the love that's good to me Keep on lovin' me Just keep on lovin' me Keep on, keep on, keep on, keep on Just keep on keepin' on Just keep on doin' it, baby (yeah, baby) Just keep on keepin' on Just keep on doin' it, baby Just keep on keepin' on (lovin' me) Just keep on doin' it, baby (you're my baby) Just keep on keepin' on Just keep on doin' it, baby Just keep on lovin' me (doo-doo-doo) Hey Scottie Yeah What does that mean? Well, that means I'm ready to love my baby with all my heart Just keep on lovin' me (doo-doo-doo) Just keep on lovin' me (lovin' me)

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