richardmurray

Artist Be Like 07/19/2021 My , Artist be like, three panel comic https://www.deviantart.com/hddeviant/art/My-Artists-be-like-886143892 Amidst the hustle or bustle from humanity, if you can focus, and focus some more, you will see an artists, stopping the hustle or bustle for the moment to create can not be stopped for anything Spider man tutorial https://www.deviantart.com/hddeviant/art/My-Tutorial-Spider-man-886143284 For my version, I went through all the steps PAtrick Brown showwcased but in my own way. it is all in one panel and you can see drawing upon former steps for each progression. Not every artists has various pens or pencils or a computer to do these tasks. Most children in humanity have one crayon, how can they make complex drawings, well they can use various draft lines or other techniques to show variance in color, it may not be acceptable in some circles, but it is affordable for all circles. Original Post https://aalbc.com/tc/profile/6477-richardmurray/?status=1577&type=status EMBED CODE EMBED CODE

THE PROBLEM HUMANITY HAS WITH RICHARD MATHESON'S "I AM LEGEND" 07/17/2021 THE PROBLEM HUMANITY HAS WITH RICHARD MATHESON'S "I AM LEGEND" To be honest, the video poster below has flaws. I read "I am legend". MAtheson in the video said the real problem and I amend it is with most of the movies; said problem is, it isn't his story. The last man on earth The Omega man The potential Arnold swartzenegger I am legend Will smith's I am legend Of those films only the last man of earth actually resembles anything to MAtheson's story. The question is, what is matheson's story? the cheap reader thinks the story is about Neville. the wise reader knows the story is about humanity. Matheson's story post a simple question. What if a Virus kills or makes extremely sick all of modern humanity save one. Modern humanities technology fails to undue the affects from the virus . Modern humanities technology fails to stop the deaths from the virus. One human being is left alone amidst two other human being types, the dead or the infected. Charlton Heston/Arnold Swrzenegeer/Will Smith saw in the story, idolatry to the individual, perseverance to modern humanity. But the truth is, Neville for all of this loneliness has one great flaw. He is convinced humanity is doomed. He is convinced humanity will die. He sees himself as the last man. The loneliness /his culture/the human society he was born or raised in can't comprehend the simple truth. Humanity survived. A fourth type of human exists in the book, slowly growing in number. The civilized. Neville, the dead, the insanely infected, the civilized carriers, are the four human being types at the end. And Neville who has become completely uncivilized through years or loneliness plus deadly habit plus negative culture he was raised in, can not exists side the civilized carriers. Moreover he is feared by the civilized carriers, plausibly. I will restate but I will go to the three films that miss this. HEston's film like Will smiths negate the idea, the primary concept, that Neville is the last human like myself. Sequentially, the big failing in telling the story from the book. A main plot point is that modern human society failed, completely. It tried, it worked hard, and it failed. BUT, Nature is greater than human technology, I didn't say GOD , I said Nature, and humanity as a child of nature adapted through natural means. I imagine ridley scott wanted swrazenegger to be killed by the victorious vampire-esque infected people. A somber thought that the studios did not like. But, scott or the studios have it wrong. Humanity survived. You see, one of the problems with human beings and the idea of apocalypse is the myth that if humanities technology fails, all is doomed. but all isn't. Women , even infected with various ailments, have children. Some people will act undifferent while carrying a virus that will make others incomprehensible. NEville is so convinced as is most of the producers of the films that humanity is finished when technology fails against a virus that they forget humanity is very old. A virus can kill many, most, but no virus ever killed all humans. No virus has ever killed the entirety of humanity and after every single viral spread the humans who lived... lived... that is what I am legend is about. It is a creation story told from the angle of the last person from the old community. In my mind I can see Obatala/Zeus/Amatarasu/Quetzecoatl as human beings from an old community that are legends that have been given godhood, a controller of nature, a very human mental construct. Matheson could had told the story from the angle of Ruth, who is a child born from the infected who is infected herself but can live with the virus. But he didn't want that, the trick of the story , is we are getting the creation story from the angle of the last of the old community, the one who is legend. ... One of the finest lines in the book, is when NEville asks ruth , to guide the future humanity, don't let them make the same mistakes. NEville comprehends the technology he needed to change, to improve, was his culture. Culture is what you want to grow. He realize at the end, his heritage, what you carry was the technology that was lacking. Not, epidemiology or biology or the scientific method. His culture. His ability to accept change he can not control or escape from or immigrate from. Change that will destroy the community , the humanity he knows. A culture that can accept that a new humanity will exists, it will survive through what the old could not. And lastly, NEville realized what all the movies, including even, the last man on earth, fail to show. NEville had a chance to teach, he had a chance to guide the new humanity but he was busy being angry at the death of the old community that he is the last representative of, angry that he was alone, angry that no one else shared his similar experiences, that he spent all that time killing or hunting or treating the coming new human community as villains, merely for living with a virus, overcoming the failing from the virus, he hated. IN AMENDMENT Many humans last year, 2020 , and many humans this year, 2021, are just like Robert Neville. From the beginning, I said everything will be alright last year. Not cause I am a mental expert or am wise but cause I think toward the uncomfortable sometimes. I have learned to that through experience. But most people were not communicating that experience. They were having the same inner monologues NEville had. Communicating the same fears NEville had. My grand mother died, my grandfather died, my mom died, my father died, my wife died, my husband died, my daughter died, my son died,my granddaughter died, my grandfather died, the stores went out of business, I lost my job, I'm scared! we need a vaccine, we need social distancing, we need masks, we need remote learning, we need remote labor, we need government assistance, we need the businesses to reopen, we need global trade to begin again, people who don't act like me are stupid, people who don't act like me are traitors, people who don't act like me are murderers, people who don't act like me are dangerous... all of that talk is Neville speak. Neville is preoccupied with who has died, what vaccine or scientific assessment or tools he can derive, how different the infected act compared to him. NEville has no thought that everything is alright. NEville can't simply live his life peacefully, calmly, unafraid. Why can't neville accept that if he can live with the virus absent masks, absent vaccines, absent anything even companionship, that maybe others can too, that maybe humanity can. The lesson in the story is what hollywood is too afraid to tell. what most in the paying audience, which is not most in humanity, are afraid to see. What if human technology or human communities all over the earth fail completely and humanity survives and thrives? from Richard Murray Original Post https://aalbc.com/tc/profile/6477-richardmurray/?status=1575&type=status

Character Copyright 07/16/2021 COMMENTS IN ARTICLE Fan fiction is a hot button for many professional writers. Broadly speaking, if the fan fiction is written by a non-professional and is non-commercial then it is more likely to be considered fair use, an exception to infringement. However, even if the work is not professional and not commercial, many writers consider fan fiction an infringement. My purpose in writing this post is to make writers aware that their characters can have individual protections. It is a concept that should be considered when licensing the work, in an option agreement for instance. I have seen requests from producers to option not just the work, but certain characters in the work. Writers need to consider how they want to deal with those requests when they come. You do not need a multi-million dollar franchise to start thinking about it. I will say one thing first, lawyers always reveal the most interesting legal battles in various subjects. I knew of none of these incidents. Thank you Ms/Mrs Goldman and as always thank you Jane Friedman for sharing. I admit I wanted to have my first fan fiction this year and I failed. I like to create something I never did before each year. But this article made me realize I made two errors. My first error was my inability to make a fan fiction. I am an original creator and every time I tried i kept making a world or characters that have no plot connection to the source fiction or characters. Imagine a story supposed to be set in the same world as harry potter but is primarily concerned with a magical detective agency in calcutta during the mughal era where the magicians don't use wands and the plot never goes to europe or the usa or mentions any spells in harry potter or any of the references of the movies or books. Is that fan fiction? or merely fiction that a writer has to say is based in the harry potter world? But after this article, I made a second. I didn't put enough thought into the whole activity of fan fiction, especially to work that is not in a public domain. I am glad I failed to continue the use of the world or characters in the material I wanted to make fan fiction for. I still will like to try it. but I will start with a better dialog with the author. that is first from Richard Murray Are Fictional Characters Protected Under Copyright Law? July 14, 2021 by Kathryn Goldman Today’s post is from intellectual property attorney Kathryn Goldman (@KathrynGoldman) of the Creative Law Center. Jack Ryan, the analytical, yet charming CIA analyst, made an appearance in federal court in Maryland earlier this year. The heirs to Tom Clancy’s literary legacy are fighting over him. Unlike in the movies, he’s not in a great position to fight back. It all started when Clancy signed the publishing deal for The Hunt for Red October where Jack Ryan made his debut in 1984. In a departure from common practice, Clancy transferred his copyright in Red October to the publisher. A few years later, Clancy realized his mistake and was able to negotiate return of the copyright for the book. He immediately transferred the reverted copyright to his company. Here’s the crux of the current court battle: When Clancy mistakenly transferred his copyright in the book Red October to the original publisher, did the copyright to the character Jack Ryan go with it? Or did Clancy retain the character copyright? In normal practice, the sale of the right to publish a copyrighted story does not stop the author from using its characters in future works. If Clancy retained the rights to the character when he signed the initial publishing contract, then the rights that reverted from the publisher would not have included the copyright for the character. The reverted rights Clancy turned around and transferred into his company would not have included the character rights. All of which means that the character, Jack Ryan, is part of Clancy’s estate and not controlled by the company he set up. Jack Ryan is a valuable character with his own copyright separate from the copyright in the book. Everybody concerned, the owners of the company and the heirs to the estate, wants a piece of him, or all of him. And it’s not clear where Mr. Ryan currently resides. Fictional characters are not listed in the copyright statute as a separate class of protectable work. There’s no application at the Copyright Office for them. But over the years, the law on character protection has evolved. Courts have held, in certain circumstances, that fictional characters are protectable in their own right. This is important because characters with independent copyright can be licensed separately from the stories in which they originally appeared. It’s another way for authors to divide their rights to create multiple income streams. That’s the beauty of copyright. It’s divisible. An author can keep some rights and license others. It’s what Clancy did and his company/estate is still doing with the Jack Ryan franchise. Not every character can be protected by copyright. Stock characters cannot be protected—a drunken old bum, a slippery snake oil salesman, a hooker with a heart of gold, a wicked stepmother, a gypsy fortune teller, and so on. They are essentially ideas for characters, vague and lightly sketched. Copyright does not give anyone a monopoly on ideas. Protecting stock characters would prevent as yet untold stories from being told. Depriving the world of new stories is exactly the opposite of what copyright is intended to promote—the creation of more stories, more art. A character must be well delineated to be protected. It must have consistent and identifiable character traits and attributes so it is recognizable wherever it appears. Think James Bond and his distinctive character traits: his cool demeanor; his overt sexuality; his love of martinis “shaken, not stirred”; his marksmanship; his “license to kill”; his physical strength; and his sophistication. Bond is protected by copyright. The Bond character is identifiable regardless of who depicts him. Defining the well-delineated character can be difficult. Characters that are central to a story tend to change. They evolve. They are built up throughout the book until they are fully formed in the mind of the reader. Without character transformation there is no hero’s journey, no story. Characters can become more delineated and more protectable over the course of a series of books. Bond developed over the course of 14 books written by Ian Fleming and continues to develop on film. Characters that are less developed are less likely to be protected. Those characters are less expression and more idea. There’s a gray area that needs to be navigated when balancing the protection for original characters but leaving character ideas in the public domain free for all to use. Public domain characters cannot be protected But new characters created from public domain works can be protected. Consider Enola Holmes, the younger sister of Sherlock. The Sherlock Holmes stories have been slipping into the public domain for years now, to the chagrin of the estate of Arthur Conan Doyle. The creative elements of Sherlock Holmes stories that are in the public domain can be used by others to build new stories. Enola Holmes was introduced to readers in a series of young adult books written by Nancy Springer. Enola does not exist in the Conan Doyle canon; she was created by Springer. She has distinctive traits (high intelligence, keen observational skills and insight, skills in archery, fencing, and martial arts, an independent thinker who defies Victorian norms for women) that combine to make her well delineated and protectable. Another wrinkle: “The story being told” test The “well delineated character” is the most widely accepted legal test used to decide whether a fictional character is protected by copyright, but it is not the only one. The other is “the story being told” test. Sam Spade is responsible for this test. Dashiell Hammett created Sam Spade when he wrote The Maltese Falcon. Hammett licensed the exclusive rights to use the book in movies, radio, and television to Warner Brothers. Hammett later wrote other stories with Sam Spade. Warner Bros. complained that it owned exclusive rights to the character and Hammett couldn’t write about him anymore. Ironically, the court protected Hammett’s right as the creator to use Sam Spade in future stories by deciding that the character was not protected by copyright. Sam Spade is just a vehicle for telling the story and is not the story itself. He is the chessman in the game of telling the story. It was the story that was licensed to Warner Bros., not the chessman. A character is protected under the “story being told” test when he dominates the story in a way that there would be no story without him. This test sets a high bar for character protection. To protect the character, the story would essentially have to be a character study. The Maltese Falcon is not a character study of Sam Spade. An example of character protection using the “story being told test” is the Rocky franchise. A screenwriter wrote a story on spec using the characters Rocky, Adrian, Apollo Creed, and Paulie. The work was considered to be an infringing use of the characters. The characters were protected because the movies focused on the characters and their relationships, not on intricate plot or story lines. The characters were the story being told. The writer could not avoid the infringement touchpoint of substantial similarity when he took the characters and used them in a new storyline. In summary Fictional characters can lead a new and independent life completely separate from the original work in which they appear. They are an additional creative asset in a writer’s intellectual property portfolio. There is no straight forward way to register for character protection with the Copyright Office other than as part of the larger work. Authors will be well served to think about protecting the rights in their characters when signing publishing contracts and licensing agreements. Kathryn Goldman Kathryn Goldman is an intellectual property attorney and Editor-in-Chief at the Creative Law Center. She represents, writes for, and teaches creatives and entrepreneurs about copyright and content protection, trademark basics and branding, and business building. She can be reached at Kathryn@creativelawcenter.com. ARTICLE LINK https://www.janefriedman.com/are-fictional-characters-protected-under-copyright-law/ COMMENT ON FACEBOOK POST Wiley Saichek Jane Friedman My client Chelsea Quinn Yarbro (we ran an excerpt from her book on writing a few years ago) is one of those writers who are extremely protective of her characters and does not grant anyone the usage of her characters in fan fiction, even in amateur publications, not for profit outlets. From her point of view and her lawyers at the times, distribution is a key factor, not whether the infringing fan writer makes any money off of it. My personal suggestion is if anyone wants to use a character they did not create, ask the copyright holder's permission and respect their decision. I.e. Quinn has written stories in the Holmes universe but got permission from the estate and had rules to follow. Quinn's most serious case of infringement happened in the 1990s, she wrote two essays about it in a SF publication in 1992. In her case she was asked and said no, and the fan writer wrote it anyway and it ran in a fanzine with a note acknowledging CQY declined permission but they were going to run it anyway and hope she will forgive them. I think they actually used three of her recurring characters. Many fans and writers disagree with how she handled it, but she has zero sense of humor about it. FACEBOOK Link https://www.facebook.com/jane.friedman/posts/10159604823112417?__cft__[0]=AZXv6tqLEho3qt9e6ECOp5g8Bm4JmEefiGUqUC07rvEpR6crPews6VYpt6oZ--49mda_yRlyZRU7ZZzwkjlNy5dcdppQGrPoVf3IqR2fe0CYcoVHMDkNisftkhyxdUO_YtU&__tn__=%2CO%2CP-R Original Post https://aalbc.com/tc/profile/6477-richardmurray/?status=1572&type=status

Wantagh's Cat 07/14/2021 Animal BFF Title: Wantagh's Cat I hear on the beach the following whisperings Asunal Oolihkmbuyal Asunal Wiipongweewal Wantagh Nzuksew I made a graphite drawing, developed a poem based on that drawing, and then an ink and then colored the ink. I wanted to use the indigenous language of NYC which is Muscee, of the original inhabitants of NYC, where we get the words Manhattan, Wantagh, Montauk from. I do not know Muscee and I can not confirm what I read is correct. But from what I comprehend of Muscee, I translated the following into Muscee The Waters are Blue The Rocks are Grey Wantagh is Black SUBMISSION https://www.deviantart.com/hddeviant/art/Animal-Best-Friend-Forever-Submission-885747866 ORIGINAL INK https://www.deviantart.com/hddeviant/art/Animal-Best-Friend-Forever-Original-INK-885748190 ORIGINAL GRAPHITE https://www.deviantart.com/hddeviant/art/Animal-Best-Friend-Forever-Source-Graphite-885748474 I learned the Muscee from the website the following webpage is a part of http://www.native-languages.org/munsee.htm Original Post https://aalbc.com/tc/profile/6477-richardmurray/?status=1571&type=status EMBED CODE

The Black Screenwriter Cometh 07/03/2021 In my experience, less than ten percent of the black writers I have talked to throughout my lifetime have read or written a screenplay. The question is why? I do not know exactly, I can not give a roadmap but I have ideas. I will go back... when I was a kid, multiple times my parents took me to see plays. August Wilson, Black theaters around harlem. They never took me to see a white play, defined as a play written by a white person. Sequentially, I saw black art not merely from one perspective. This parallels my constant rant on black fantasy, which sums up to , I was raised with black fantasy so I didn't see King Arthur or Beowulf or disney princesses or saturday morning cartoons as places that needed black fantasy cause I had it in the books in my home. I have the century cycle as part of my book collection. Why did I mention that? Many black people who say they love august wilson don't have his stageplays. August Wilson wrote the plays, in the same way Shakespeare wrote his and yes as a kid I thought of August wilson whenever we read shakespeare in class. My parents have two trains running and some others as singles, which i read during those early years. I have twilight zone scripts, which are,for me, invaluable in seeing technique for writing scripts/screenplays. Now my personal life means nothing to answer the initial question. I restate, why do less than ten percent of the black writers I talked to throughout my life, offline or online, not have read or written a screenplay? I know black writers offline who won awards for their work, made revenue from their work. I have made connections with black writers online who have varying levels of financial return or awards to their quality. I myself prefer writing poetry more than anything else. But, I have written screenplays, read them. Why have so few of my peers? While I ranted/provided background composing this I see two points that are undeniable. 1.Screenplays are not finished products and black people in the arts in the USA, don't like that. Ownership is a big cultural idea in the black community in the USA. It stems from centuries of enslavement and nearly to centuries of abuse after enslavement. when an artwork is not finished, it is not owned. And no screenplay is ever finished, it is merely the template, no matter how elegant, for the video recorded interpretation by humans, what is commonly called acting. 2.Screenplays structure is a thin lattice over anything goes sections. Meaning, outside some basics, the monolog or multilogs , the definition of scenes are open in their definition for screenplays. Education for black people in the USA after the war between the states, ending around ten years, was wholly funded by whites and mostly trade or skill based in definition. Why ? Cause white religious organizations funded the schools and wanted the bible to be the sole literary device for the black community. On the other side , in the same time period you had the reading schools were all age groups were allowed to learn to read. But, these schools were not interested in forming or creating a alphabet or literature for black people's various dialects of english. These schools were purposed to teach english as accepted by the white churches that funded most of them, who desired the british english. Remember, during that time most white people were still in a literary love affair with britain. Sequentially in the USA, the black communities first educated group, comprehend most black people did not go to school of any kind, had a very rigid sense of literature or writing. This was not , let the gullah/geehce/creole/delta communities create a literature to be the foundation for the future. This was, learn queen's english, read the bible. Rigidity was deeply set in how literature was learned in the black community. Tuskeegee or Howard are probably the most well known black colleges and the former was a trade school and the latter a seminary. NEither was a place where black literature or literature in itself was open to philosophical debate. Thus in modernity, the legacies of those educational cultures exist in the black community. When you hear a black say, as I have, that their parents didn't want them to be musicians or artists, or their parents wanted them to have a better work ethic. That philosophy to learning comes from the trade school, the religious school. Which is the founding place for all black fraternitieis or sororities. What does this have to do with the structure of a screenplay. LEarning for black people in the past 160 years, circa, is constrained. With poetry, whose forms all have rules, or prose, that has accepted structures, it is easy for the black educated populace to adhere to those rules. But, with a screenplay, you are not in error if you don't do it like another, and that simple truth, is uncomfortable for many black writers, who like to be right. If you are going to play the game, you have to know its rules and abide by them, but what happens when the rules are open for interpretation. Can you imagine, can you accept that? from Richard Murray Original Post https://aalbc.com/tc/profile/6477-richardmurray/?status=1565&type=status

Alligado 07/03/2021 IN Honor of Sharknado, what about Alligado? Yesterday, July 3rd, in 1843, an alligator was reported to have dropped from the sky after a storm picked it up. What about a prequel to Sharknado, Alligado!!! What say you? ARTICLE CHARLESTON, SC – According to the National Weather Service Charleston office, on July 2, 1843, there were reports of an alligator falling from the sky during a thunderstorm in downtown Charleston. A search for the event, turned up an old newspaper clipping from the Time-Picayune in New Orleans. The Time-Picayune republished an article which originally appeared in “The Charleston Mercury” a local paper founded by U.S. Representative Henry L. Pinckney. The article described a strong thunderstorm that developed on a very hot July Sunday. St. Paul’s Church was reportedly struck by lightning but not harmed. No one was reported dead following the storm, but an alligator appeared at the corner of Wentworth and Anson street in downtown Charleston after the storm had cleared. And while no one saw the alligator actually fall from the sky, the writer states that “and as he couldn’t have got there any other way, it was decided unanimously that he rained down.” That and the look of wonder and bewilderment on the alligator’s face led to idea that he had come from the sky. The working theory is the gator could have been picked up by a waterspout the formed over a near by river or creek and was dropped on Anson Street as the spout dissipated. But since no one saw the gator fall from the sky, it could also be he just got lost in the blinding rain. https://www.wbtw.com/news/alligator-rains-down-from-the-sky-according-to-1843-charleston-report/#:~:text=CHARLESTON%2C%20SC%20%E2%80%93%20According%20to%20the%20National%20Weather,newspaper%20clipping%20from%20the%20Time-Picayune%20in%20New%20Orleans. Original Post https://aalbc.com/tc/profile/6477-richardmurray/?status=1564&type=status

Sylessae 07/01/2021 My submission for the Sylessae draw in your style invitational on deviantart https://www.deviantart.com/hddeviant/art/Sylessae-Draw-THis-In-Your-Style-884297630 My version of Sylessae in my calligraphic art style- look at bottom HEre is the poem I title: Sylessae Moon Terran Companion Turning the solar gaze into embrace Luna L'etudiant de la vie d'existence Toujours, silencieuse aux secrets There is a fae, some name Sylessae born when the moon form, the Earth's her dorm Four verse to say, hope she wel and fray ... Frog trrip over, mushroom, plash plus slime Throat too gulp, sound like, a great big loom Frog trip over, mushroom, plash plus slime Hop to flee, tarsals, felt all boom The Shadow from Sylessae tell no lies hear Bacchae She kill in her month name may The Shadow from Sylessae say again hear Bacchae she kill in her month name may If you want to read more of my poetry , please utilize the following https://www.kobo.com/ebook/poetry-or-more-1 Original Post https://aalbc.com/tc/profile/6477-richardmurray/?status=1560&type=status

Der Tchrumpfs 08/24/2018 Der Tchrumpfs Nederlandse versie door Richard Murray Boek 5 - Richard Murray Short Story Collection Synopsis Een gigantische wereld in een klein stukje witte paddenstoelen. Geen van ons weet waar hij moet lokaliseren of vinden in onze kleurrijke wereld. Introductie, Der Tchrumpfs book page https://www.kobo.com/nl/nl/ebook/der-tchrumpfs-1 series page https://www.kobo.com/nl/nl/series/richard-murray-short-story-collection-1

Gospel of Joseph 06/11/2014 Gospel of Joseph literature from the tradition of the earliest people we now call christian by Richard Murray Synopsis The life of Jesus told through the words of a man unlike any other, Joseph, the man who raised him. Find inspiration in this traditional telling of the life of Jesus, from before Nicea or the Bible. book page https://www.kobo.com/ebook/gospel-of-joseph

The Visasiki- Complete version 12/21/2015 The Visasiki- Complete version Listen to work from Sunset Children Stories or Looking West and West by Richard Murray Narrated by Richard Murray Audiobook 2 - Visasiki Series Synopsis Selected Tales from Sunset Children Stories The Kungaser Babal's somewhat certain dream Why Aso made her stories and how one may have got to you Jean Britisse the Hustler Kidobinti or Lil Binti and the Blue Dog Little Eight or The Lies of Little Eight or How Eight didn't get to Eight Ms. Nyumngu's Freedom Selected Tales from Looking West and West The Wisdom of the Old Blade King Warthog Water Snaker Sister The Good Man book page https://www.kobo.com/us/en/audiobook/the-visasiki-complete-version series page https://www.kobo.com/us/en/series/visasiki-series

The Visasiki- Free version 05/23/2017 The Visasiki- Free version Listen to one work from The Visasiki complete by Richard Murray Narrated by Richard Murray Audiobook 1 - Visasiki Series Synopsis This audio book is free for you to get a taste to the content in The Visasiki; it include one story ,enjoy. book page https://www.kobo.com/audiobook/the-visasiki-free-version series page https://www.kobo.com/series/visasiki-series

Poetry or More 2017 Jul-Dec 12/22/2017 Poetry or More 2017 Jul-Dec monthly poetry aside the astrological seasons in 2017 july to december by Richard Murray Narrated by Richard Murray Audiobook 3 - Poetry or More Synopsis Poetry for the months or the seasonal beginnings , solstice or equinox or perihelion, made in the year 2017 between july and december. book page https://www.kobo.com/us/en/audiobook/poetry-or-more-2017-jul-dec series page https://www.kobo.com/us/en/series/poetry-or-more

Poetry or More 2017 Jan-Jun 12/22/2017 Poetry or More 2017 Jan-Jun monthly poetry aside the astrological seasons in 2017 january to june by Richard Murray Narrated by Richard Murray Audiobook 2 - Poetry or More Synopsis Poetry for the months or the seasonal beginnings , solstice or equinox or perihelion, made in the year 2017 between january and june. book page https://www.kobo.com/us/en/audiobook/poetry-or-more-2017-jan-jun series page https://www.kobo.com/us/en/series/poetry-or-more

Poetry or More 2015-2016 12/22/2017 Poetry or More 2015-2016 monthly poetry aside the astrological seasons in 2015 and 2016 by Richard Murray Narrated by Richard Murray Audiobook 1 - Poetry or More Synopsis Poetry for the months or the seasonal beginnings , solstice or equinox, made in the year 2015 or 2016, started in June 2015. book page https://www.kobo.com/us/en/audiobook/poetry-or-more-2015-2016 series page https://www.kobo.com/us/en/series/poetry-or-more

The Nyotenda 08/20/2014 The Nyotenda A continuation of an 80s adventure classic by Richard Murray Book 2 - JIHI Synopsis An adventure of Ethel, from an Ethiopian village a small distance from Addis Abeba barely known, starting with a simple old arcade game through dangers in space ending beyond the aspirations found in any game. Complete Screnplay plus complete storyboards are inside. A version to the story is written by Camille Wanliss Ortiz inside. book page https://www.kobo.com/us/en/ebook/the-nyotenda series page https://www.kobo.com/us/en/series/jihi If you enjoy my craft and would like to support me with $1 consider using my tipjar https://www.deviantart.com/hddeviant/tier/Tip-Jar-to-HDdeviant-902770076

The Janidogo 11/11/2013 The Janidogo the continued adventure from 'To Love and To Hold' by Richard Murray Book 1 - JIHI Synopsis Love is a beautiful thing, seen everywhere plus everywhere not seen. Sometimes, it has challenges. The biggest being the lies we tell ourselves or the truths that can't be changed. Eme and Henshaw dealt with this before, when Henshaw was nearly denied to marry because of a possibility in his past, and when Eme was nearly denied because of a possbility Henshaw didn't want to see. What if, two others, not so large of body, and far older in time, have a similar problem. "To Love and to Hold" was directed by Ndubuisi Okoh. It starred Kate Henshaw-Nuttal, Michael Okon, Fred Essien, Joke Silva, Mariatherese Rogers, Karian Abasimfon book page https://www.kobo.com/us/en/ebook/the-janidogo series page https://www.kobo.com/us/en/series/jihi

Concrete Fables 12/26/2020 Concrete Fables illustrated lessons from the urban jungle by Richard Murray Book 4 - Richard Murray Short Story Collection Synopsis Illustrations of moral lessons from the Urban Jungle. A contemporary set of fables as potent as Aesop's. A fun set of fantasies to read anywhere. book page https://www.kobo.com/us/en/ebook/concrete-fables series page https://www.kobo.com/us/en/series/richard-murray-short-story-collection

Der Tchrumpfs 08/24/2018 Der Tchrumpfs little people in orange, no humans can see by Richard Murray Book 6 - Richard Murray Short Story Collection Synopsis A massive world , four years old, in a little patch of white mushrooms, from little people in oragne. None of us know where to pinpoint or find them in humanity. Introducing, Der Tchrumpfs book page https://www.kobo.com/us/en/ebook/der-tchrumpfs series page https://www.kobo.com/us/en/series/richard-murray-short-story-collection

Poetry or more 12/22/2017 Poetry or more Poetry of the months or seasons , 2015 to 2017 text only by Richard Murray Book 3 - Richard Murray Short Story Collection Synopsis Seasonal or astrological poetry from Richard Murray < HDDeviant on Deviantart> between 2015 and 2017, each month, main astrological events, text only. book page https://www.kobo.com/us/en/ebook/poetry-or-more-1 series page https://www.kobo.com/us/en/series/richard-murray-short-story-collection

Looking West and West 12/21/2014 Looking West and West Fables you never heard of before, Riddles to tickle your eroticism by Richard Murray Book 2 - Richard Murray Short Story Collection Synopsis Fables inspired by Straparola, refering to the cultures of Africa, introductions to characters or worlds you never read before. book page https://www.kobo.com/us/en/ebook/looking-west-and-west series page https://www.kobo.com/us/en/series/richard-murray-short-story-collection

Sunset Children Stories 05/13/2013 Sunset Children Stories Modern versions of Tales from Africa, Asia, Americas, Europe or ancient Humanity by Richard Murray Book 1 - Richard Murray Short Story Collection Synopsis A Collection of Modernized Fables and Tales. The Tales are based on Black tales from the Americas, Asia, Africa or Europe. The Fables are based on Aesop. No one will enjoy every fable or tale in the collection, but everyone will fall in love with one. FABLES The Squirrel and the Credit Card The Boy who say Cop The Cat and the Mice The Ceiling and other parts of the Room Two Schoolboys and the Bully The Pigeon in Borrowed Feathers The Street Cat and the Stray Kitten The Pigeon in Hawk Feathers The Roach Family and the Mouse The Pigeon, the Dog, and the Cat The Sparrow and the Water Fountain The Spider and the Roach The Street Dog, the Rat, and the Squirrel The Two Cats The Parent and the Butterfly The Boy and the Bee The Plastic Bag and the Leaf The Boy and the Slice of Pizza The Street Cat and the Crow The Mouse and the Potato Chips The Cat and the Sick Dog The Cat and the Seagull The Pigeon and the Blue Jay The Sparrows who wanted a President The Golden Grass The Honest Hustler The Dog and the Kitten The Street Cat and the Butterfly The Eagle's share The Dog, the Cat, and the Mice The Proud Bully The Squirrel and it's nuts The Old Skyscraper The City Wind and the Sun The Bus Stop Sign and the Garbage Can The Cab Driver and the Homeless man The Fly and the Earthworm The Squirrel and the Seagulls The Pigeon and the Butterfly The Park Mouse and the Apartment Mouse The Trees and the Dandelion The Two Bottles The Two Dogs The Stone Wall Is that a statue of Adam? The Spider and the Butterfly The Dog and the Sparrow The Gambler and the Arctic Tern The Mice Election The Dog and the Homeless Man The Dog in the Community Park The Girl and the drowned Cellphone The Dog and the Cat The Bamboo and the Blackberry Tree The Young Crow and the Old Sparrow From the Computer to the Cell Phone The Young Girl and her candy book The Twins and the Video Game The Street Mouse and the Apartment Mouse The Old Man and the Squirrel The Bedbug and the Pigeon The Toilet and the Sink FABLES APPENDIXES Aesop Fable List Non Aesop Fable List Moral List TALES Obata and the Great Will Babal's somewhat certain dream The three evenings with Ogu Shango the Murderer The First Star in the Sky Why Aso made her stories and how one may have got to you The Ghedi ring or Mahongo's ring Kofi and the kindnesses or Marie-Claire's voice Jean Britisse the Hustler Jonas Caballo Renren's very drunk birthday present The John Henry's The Princess of Mashariki Nyota Kidobinti or Lil Binti and the Blue Dog Manuel's application The really Really late Jake and why it matters so Little J and Big J Willy's bicycle route If you just ask The Alley Little Eight or The Lies of Little Eight or How Eight didn't get to eight Little Girl and Brother Kitty The Loving Water Ms. Nyumngu's freedom The honesty of Nyeusi Ajabu and the Majimke book page https://www.kobo.com/us/en/ebook/sunset-children-stories series page https://www.kobo.com/us/en/series/richard-murray-short-story-collection

Calligraphy Mirror - Angelique Noire 09/08/2019 Calligraphy Mirror - Angelique Noire I placed the two images below but Here is my calligraphy https://www.deviantart.com/hddeviant/art/Calligraphy-Mirror-Angelique-Noire-812616098?ga_submit_new=10%3A1567983274 if you want your own , I do commissions https://www.deviantart.com/hddeviant/commission/Microcalligraphy-signatures-1487995 she is on instagram here https://www.instagram.com/the_angelique_noire/ her birthday is July 15th https://aalbc.com/tc/events/event/497-angelique-noire-birthday/ This is her original tumblr post https://thepinupnoire.tumblr.com/post/183195910761/lolita-part-3-littlebootysmatter-photo photograph from Alonza Photography https://thepinupnoire.tumblr.com/tagged/alonzaphotography mslala presents https://thepinupnoire.tumblr.com/tagged/misslalapresents Original Post in the creative tables https://aalbc.com/tc/blogs/entry/194-richard-murray-creative-table/page/6/?tab=comments#comment-678 EMBED CODE

Calligraphy Mirror- Kiss of a dagger 07/14/2019 Title: Calligraphy Mirror- Kiss of a dagger Artist: me Original Posting https://aalbc.com/tc/blogs/entry/194-richard-murray-creative-table/page/5/?tab=comments#comment-574 EMBED CODE

Summer Bank Centennial PostCard/Wellington Wells 08/10/2018 My Wellington Wells We happy few postcard entry is set. Do you know the references? The competition still has time to submit if you are interested. https://www.deviantart.com/hddeviant/art/Summer-Bank-Centennial-PostCard-Wellington-Wells-758711598?ga_submit_new=10%3A1533870702 Original Posting https://aalbc.com/tc/blogs/entry/194-richard-murray-creative-table/page/4/?tab=comments#comment-441 EMBED CODE