Troy

Nope why should be adopt their junk science? Well I don't believe in Satan. so I care as much about what he supposedly says as I do the Santa Claus. No, it does not. They are using sloppy language. The of "race" to describe group of people is dumb and obscures reality. The health disparities have nothing to do with so called race. That is simply the reverse of the nonsense people were spouting claiming that Black people were immune to Covid. The adverse out comes are a function being poor, in underserved communities, age, having poorly treated preexisting conditions, and other factors. An old poor white person with asthma and diabetes is more susceptible to succumbing Covid-19 than a wealthy young Black person. Does that make sense?

It's time again for Writer Beware's annual look back at the schemes, scams, and assorted crazy shit we encountered in 2020 (and I'm not even talking about the pandemic). https://accrispin.blogspot.com/2021/01/writer-beware-2020-in-review-not-that.html?m=1

Yes, but it is just factually inaccurate.

I think the paperwork we all fill out to classify our so-called racial differences is a waste of time. It also reinforces the notion phenoypical differences are enough to explain differences in human characteristics. Wouldn't it be better to use ethnicity nationality or even religion to explain differences in people? We have ample evidence to prove that trying to categorize people into different racial categories based upon their physical characteristics is impossible. We also know there is no genetic test to determine one's race because it is a purely subjective and artificial construct not based on genetics. @Pioneer1, for example claims he has all this proof of scientific evidence for race but he cannot produce any evidence of any test that one can administer to determine one's race. This is of course because there is only one race! We've been going over this very simple concept for years. it's mind-boggling that you all are so stubborn and unwilling to accept a simple fact.

Thinking is not for everyone.

Really? Johnson is a magnificent physical speciman. I'm not surprised women would find him attractive. Imagine the grief that a white woman must have risked dealing with him. How would you describe Jack Johnson hopefully is not using the lens of your eurocentric masters. Does he strike you as brutish, a thug, what?

So then you do understand that the so-called concept of race is purely a social construct. Do you reject Brazil's designation of Pele's race?

From a scientific perspective that is false. From a cultural perspective sure. Why you guys fail to make the distinction and insist on conflating the two is perplexing, particularly in a culture in which those phenotypical differences are used to suggest one so-called race is superior than the other. This is exact flawed logic which justifies the reasoning of white supremacists.

Well @Pioneer1 neither man claimed to have the answers. One was probing with questions and the other was giving his thoughts. I mentioned one concept that Carr mentioned that I found interesting. I even watched a second video in which he elaborated a bit more on the idea. Are you implying because of they're whiteness that they can't have interesting ideas, or are unworthy of listening to? Did you not find the point I thought interesting, interesting? Did you even watch the video?

AALBC celebrated Tyson in life. Subscribers to my newsletter know this. May she rest in peace.

Well it kind of is our award too... The youth media awards includes The Coretta Scott King awards, which is given to the best black writers illustrators of children's books for the year https://aalbc.com/books/csk-award-winning-books.php There are black people on these awards committees. My observations of the youth media awards this year is not a harsh critique just an observation. another observation is that none of the book award winners were black men. Again this is an observation and I'm not going to beat them up on it too much because in 2019 black men won a disproportionate number of the awards. But I agree with you in the sense that writers should not write to seek awards. Awards can help with Book sales and for those writers who are not purely concerned with profit those awards can help them build a platform to advance their art and our collective freedom.

@Tazarah I, indeed no one here, is disputing that the Egyptians were what we have come to call Black people. That is an entirely different conversation regarding then the one regarding. Oxford, based upon your quote acknowledges, that race is a cultural construct not a scientific one. There is only one human race. Some of us have dark skin and nappy hair. Some of us have straight hair and pale skin. That does not make us different races nor doesn't make the pale skin one superior to the darkest skin ones, despite that being asserted over the last few hundred centuries.

That should be pretty easy, Try this link: https://aalbc.com/books/category.php?name=Fiction / Christian / General Or try the site's search engine: https://aalbc.com/search.php

"...hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now, can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine some real grounds for hope. We’ll need writers who can remember freedom poets, visionaries the realists of a larger reality. Right now, we need writers who know the difference between production of a market commodity and the practice of an art. --applause-- Developing written material to suit sales strategies in order to maximize corporate profit and advertising revenue is not the same thing as responsible book publishing or authorship.--applause--thank you brave applauded Yet I see sales departments given control over editorial. I see my own publishers, in a silly panic of ignorance and greed, charging public libraries for an e-book six or seven times more than they charge customers. We just saw a profiteer try to punish a publisher for disobedience, and writers threatened by corporate fatwa. And I see a lot of us, the producers, who write the books and make the books, accepting this—letting commodity profiteers sell us like deodorant, and tell us what to publish, what to write. Books are not just commodities; the profit motive is often in conflict with the aims of art. We live in capitalism, its power seems inescapable—but then, so did the divine right of kings. --applause-- Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words. I’ve had a long career as a writer, and a good one, in good company and here at the end of it, I don’t want to watch American literature get sold down the river. We who live by writing and publishing want and should demand our fair share of the proceeds; but the name of our beautiful reward isn’t profit. Its name is freedom." --Ursula K. Le Guin's 2014 excerpt acceptance speech for the National Book Award ------ I actually covered the 2014 National Book Awards: https://aalbc.com/content.php?title=Coverage+of+the+2014+National+Book+Awards

I watched the video last night as well as another one featuring Carr. One interesting point he made was saying that he viewed the physical world the quantum world, spirituality, and the mental world all on the spectrum. That is an interesting thought to ponder.

Hey Jacquitta and @daniellegfny Interestingly not a single title listed above was recognized the American Library Association Youth Media Awards yesterday -- not one!

I found Black discussion forum actually it is a full blown Black Social Media Platform. I have a profile: https://blkem.com/@aalbc I don't have very many friends yet, but it will be interesting to see how engagement differs from the the social platform run the white boys. I ran into @zaji over there 🙂 Blkem is The Black Social Network for the Black community. Blkem empowers the Black community to do for self by detaching from other social platforms that silence our voices. Blkem also empowers the community to create opportunities, support, and build for our own. To MAKE a change, we have to BE the change.

In my January 26th newsletter, I highlight some of the Black writers and illustrators who have been recognized by the awards below. ------------------------------------- For Immediate Release Mon, 01/25/2021 Contact: Macey Morales Deputy Director Communications and Marketing Office American Library Association (312) 280-4393 mmorales@ala.org CHICAGO - The American Library Association (ALA) today announced the top books, digital media, video and audio books for children and young adults – including the Caldecott, Coretta Scott King, Newbery and Printz awards – at its Midwinter Meeting & Exhibits taking place virtually from Chicago. A list of all the 2021 award winners follows: John Newbery Medal for the most outstanding contribution to children's literature: “When You Trap a Tiger,” written by Tae Keller, is the 2021 Newbery Medal winner. The book is published by Random House Children’s Books, a division of Penguin Random House. Five Newbery Honor Books also were named: “All Thirteen: The Incredible Cave Rescue of the Thai Boys’ Soccer Team,” written by Christina Soontornvat and published by Candlewick Press; “BOX: Henry Brown Mails Himself to Freedom,” written by Carole Boston Weatherford, illustrated by Michele Wood and published by Candlewick Press; “Fighting Words,” written by Kimberly Brubaker Bradley and published by Dial Books for Young Readers, an imprint of Penguin Random House; “We Dream of Space,” written by Erin Entrada Kelly, illustrated by Erin Entrada Kelly and Celia Krampien and published by Greenwillow Books, an imprint of HarperCollins Publishers; and “A Wish in the Dark,” written by Christina Soontornvat and published by Candlewick Press. Randolph Caldecott Medal for the most distinguished American picture book for children: “We Are Water Protectors,” illustrated by Michaela Goade is the 2021 Caldecott Medal winner. The book was written by Carole Lindstrom and published by Roaring Brook Press, a division of Holtzbrinck Publishing Holdings. Four Caldecott Honor Books also were named: “A Place Inside of Me: A Poem to Heal the Heart,” illustrated by Noa Denmon, written by Zetta Elliott and published by Farrar Straus Giroux Books for Young Readers, an imprint of Macmillan Publishing Group; “The Cat Man of Aleppo,” illustrated by Yuko Shimizu, written by Irene Latham & Karim Shamsi-Basha and published by G.P. Putnam's Sons, an imprint of Penguin Random House; “Me & Mama,” illustrated and written by Cozbi A. Cabrera and published by Denene Millner Books/Simon & Schuster Books for Young Readers; and “Outside In,” illustrated by Cindy Derby, written by Deborah Underwood and published by Houghton Mifflin Harcourt. Coretta Scott King Book Awards recognizing an African American author and illustrator of outstanding books for children and young adults: Coretta Scott King (Author) Book Award: “Before the Ever After,” written by Jacqueline Woodson, is the King Author Book winner. The book is published by Nancy Paulsen Books, an imprint of Penguin Random House LLC. Three King Author Honor Books were selected: “All the Days Past, All the Days to Come,” written by Mildred D. Taylor, published by Viking, an imprint of Penguin Random House LLC; “King and the Dragonflies,” written by Kacen Callender, published by Scholastic Press, an imprint of Scholastic Inc.; and “Lifting as We Climb: Black Women’s Battle for the Ballot Box,” written by Evette Dionne, published by Viking, an imprint of Penguin Random House LLC. Coretta Scott King (Illustrator) Book Award: “R-E-S-P-E-C-T: Aretha Franklin, the Queen of Soul,” illustrated by Frank Morrison, is the Coretta Scott King Illustrator Book winner. The book is written by Carole Boston Weatherford and published by Atheneum Books for Young Readers, an imprint of Simon and Schuster Children’s Publishing Division. Three King Illustrator Honor Books were selected: “Magnificent Homespun Brown: A Celebration,” illustrated by Kaylani Juanita, written by Samara Cole Doyon and published by Tilbury House Publishers; “Exquisite: The Poetry and Life of Gwendolyn Brooks,” illustrated by Cozbi A. Cabrera, written by Suzanne Slade and published by Abrams Books for Young Readers, an imprint of ABRAMS; and “Me & Mama,” illustrated and written by Cozbi A. Cabrera and published by Denene Millner Books/Simon & Schuster Books for Young Readers. Coretta Scott King/John Steptoe New Talent Author Award: “Legendborn,” written by Tracy Deonn, is the Steptoe author award winner. The book is published by Margaret K. McElderry Books, an imprint of Simon & Schuster Children’s Publishing Division. Coretta Scott King – Virginia Hamilton Award for Lifetime Achievement: Dorothy L. Guthrie is the winner of the Coretta Scott King – Virginia Hamilton Award for Lifetime Achievement. The award pays tribute to the quality and magnitude of beloved children’s author Virginia Hamilton. Dorothy L. Guthrie is an award-winning retired librarian, district administrator, author and school board member. A respected children’s literature advocate, Guthrie promotes and affirms the rich perspectives of African Americans. Her work, “Integrating African American Literature in the Library and Classroom,” inspires educators with African American literature. Guthrie founded the first African American museum in her home, Gaston County, North Carolina. Michael L. Printz Award for excellence in literature written for young adults: “Everything Sad Is Untrue (a true story),” by Daniel Nayeri, is the 2021 Printz Award winner. The book is published by Arthur A. Levine, an imprint of Levine Querido. Four Printz Honor Books also were named: “Apple (Skin to the Core),” by Eric Gansworth and published by Arthur A. Levine, an imprint of Levine Querido; “Dragon Hoops,” created by Gene Luen Yang, color by Lark Pien and published by First Second Books, an imprint of Macmillan Children's Publishing Group; “Every Body Looking,” by Candice Iloh and published by Dutton Books for Young Readers, an imprint of Penguin Young Readers, a division of Penguin Random House; and “We Are Not Free,” by Traci Chee and published by Houghton Mifflin Harcourt. Schneider Family Book Award for books that embody an artistic expression of the disability experience: “I Talk Like a River,” written by Jordan Scott, illustrated by Sydney Smith and published by Neal Porter Books/Holiday House, wins the award for young children (ages 0 to 10). Two honor books for young children were selected: “All the Way to the Top: How One Girl’s Fight for Americans with Disabilities Changed Everything,” written by Annette Bay Pimentel, illustrated by Nabi H. Ali and published by Sourcebooks eXplore, an imprint of Sourcebook Kids, and “Itzhak: A Boy who Loved the Violin,” written by Tracy Newman, illustrated by Abigail Halpin and published by Abrams Books for Young Readers, an imprint of Abrams. “Show Me a Sign,” written by Ann Clare LeZotte and published by Scholastic Press, an imprint of Scholastic Inc., is the winner for middle grades (ages 11-13). Two honor books for middle grades were selected: “Get a Grip, Vivy Cohen!,” written by Sarah Kapit and published by Dial Books for Young Readers, an imprint of Penguin Young Readers, a division of Penguin Random House LLC, and “When Stars Are Scattered,” written by Victoria Jamieson and Omar Mohamed, illustrated by Victoria Jamieson, color by Iman Geddy and published by Dial Books for Young Readers, an imprint of Penguin Young Readers, a division of Penguin Random House LLC. “This Is My Brain in Love,” written by I.W. Gregorio and published by Little Brown and Company, a division of Hachette Book Group, is the winner for teens (ages 13-18). No honor book for teens was selected. Alex Awards for the 10 best adult books that appeal to teen audiences: “Black Sun,” by Rebecca Roanhorse, published by Saga Press/Gallery Books, an imprint of Simon & Schuster “The House in the Cerulean Sea,” by TJ Klune, published by Tor Books, an imprint of Tom Doherty Associates, a division of Macmillan “The Impossible First: From Fire to Ice - Crossing Antarctica Alone,” by Colin O’Brady, published by Scribner, an imprint of Simon & Schuster “Kent State: Four Dead in Ohio,” by Derf Backderf, published by Abrams Comicarts “The Kids Are Gonna Ask,” by Gretchen Anthony, published by Park Row Books, an imprint of Harlequin, a division of HarperCollins Publishers “The Only Good Indians,” by Stephen Graham Jones, published by Saga Press/Gallery Books, an imprint of Simon & Schuster “Plain Bad Heroines,” by emily m. danforth, published by William Morrow, an imprint of HarperCollins “Riot Baby,” by Tochi Onyebuchi, published by Tordotcom, an imprint of Tom Doherty Associates, a division of Macmillan “Solutions and Other Problems,” by Allie Brosh, published by Gallery Books, an imprint of Simon & Schuster “We Ride Upon Sticks: A Novel,” by Quan Barry, published by Pantheon Books, a division of Penguin Random House Children’s Literature Legacy Award honors an author or illustrator whose books, published in the United States, have made, over a period of years, a substantial and lasting contribution to literature for children through books that demonstrate integrity and respect for all children’s lives and experiences. The 2021 winner is Mildred D. Taylor, whose award-winning works include "Roll of Thunder, Hear My Cry,” the 1977 Newbery Medal winner and a Coretta Scott King (CSK) Author honor; "The Land," the 2002 CSK Author Award winner; "The Road to Memphis," the 1991 CSK Author Award winner; “All the Days Past, All the Days to Come”; and “The Gold Cadillac,” among other titles. Margaret A. Edwards Award for lifetime achievement in writing for young adults: The 2021 winner is Kekla Magoon. Her books include: “X: A Novel,” co-written by Ilyasah Shabazz and published by Candlewick Press; “How It Went Down,” published by Henry Holt and Co. Books for Young Readers, an imprint of Macmillan Children's Publishing Group; “The Rock and the River” and “Fire in the Streets,” both published by Aladdin, an imprint of Simon & Schuster Children’s Publishing. Mildred L. Batchelder Award for an outstanding children’s book originally published in a language other than English in a country other than the United States, and subsequently translated into English for publication in the United States: “Telephone Tales” is the 2021 Batchelder Award winner. Originally published in Italian as “Favole al telefono,” the book was written by Gianni Rodari, illustrated by Valerio Vidali, translated by Antony Shugaar and published by Enchanted Lion Books. One Honor Book also was selected: “Catherine’s War,” published by HarperAlley, an imprint of HarperCollins Publishers, written by Julia Billet, illustrated by Claire Fauvel and translated from French by Ivanka Hahnenberger. Odyssey Award for best audiobook produced for children and/or young adults, available in English in the United States: “Kent State,” produced by Paul R. Gagne for Scholastic Audio, is the 2021 Odyssey Award winner. The book is written by Deborah Wiles and narrated by Christopher Gebauer, Lauren Ezzo, Christina DeLaine, Johnny Heller, Roger Wayne, Korey Jackson, and David de Vries. Four Odyssey Honor Audiobooks also were selected: “Clap When You Land,” produced by Caitlin Garing for HarperAudio, a division of HarperCollins Publishers, written by Elizabeth Acevedo and narrated by Elizabeth Acevedo and Melania-Luisa Marte; “Fighting Words,” produced by Karen Dziekonski for Listening Library, an imprint of Penguin Random House Audio, written by Kimberly Brubaker Bradley and narrated by Bahni Turpin; “Stamped: Racism, Antiracism, and You,” produced by Robert Van Kolken for Hachette Audio, written by Jason Reynolds and Ibram X. Kendi and narrated by Jason Reynolds with an introduction by Ibram X. Kendi; and “When Stars Are Scattered,” produced by Kelly Gildea & Julie Wilson for Listening Library, an imprint of Penguin Random House Audio, written by Victoria Jamieson and Omar Mohamed and narrated by Faysal Ahmed, Barkhad Abdi and a full cast. Pura Belpré Awards honoring a Latinx writer and illustrator whose children's books best portray, affirm and celebrate the Latino cultural experience: “¡Vamos! Let’s Go Eat,” illustrated and written by Raúl Gonzalez, is the Belpré Illustrator Award winner. The book was published by Versify, an imprint of Houghton Mifflin Harcourt. One Belpré Illustrator Honor Book was named: “Sharuko: El Arqueólogo Peruano/Peruvian Archaeologist Julio C. Tello,” illustrated by Elisa Chavarri, written by Monica Brown and published by Children’s Book Press, an imprint of Lee & Low Books, Inc. "Efrén Divided,” written by Ernesto Cisneros, is the Pura Belpré Children’s Author Award winner. The book is published by Harper, an imprint of HarperCollins Publishers. Two Belpré Children’s Author Honor Books were named: "The Total Eclipse of Nestor Lopez," written by Adrianna Cuevas and published by Farrar Straus Giroux Books for Young Readers, an imprint of Macmillan Publishing Group, and "Lupe Wong Won’t Dance," written by Donna Barba Higuera and published by Levine Querido. "Furia,” written by Yamile Saied Méndez, is the Pura Belpré Young Adult Author Award winner. The book is published by Algonquin Young Readers, an imprint of Algonquin Books of Chapel Hill. Two Belpré Young Adult Author Honor Books were named: "Never Look Back," written by Lilliam Rivera and published by Bloomsbury YA, and "We Are Not from Here," written by Jenny Torres Sanchez and published by Philomel Books, an imprint of Penguin Random House. Robert F. Sibert Informational Book Award for most distinguished informational book for children: “Honeybee: The Busy Life of Apis Mellifera,” written by Candace Fleming and illustrated by Eric Rohmann, is the Sibert Award winner. The book is published by Neal Porter Books/Holiday House. Three Sibert Honor Books were named: “How We Got to the Moon: The People, Technology, and Daring Feats of Science Behind Humanity’s Greatest Adventure,” written and illustrated by John Rocco, published by Crown Books for Young Readers, an imprint of Random House Children’s Books, a division of Penguin Random House; “Exquisite: The Poetry and Life of Gwendolyn Brooks,” written by Suzanne Slade, illustrated by Cozbi A. Cabrera, published by Abrams Books for Young Readers, an imprint of ABRAMS; and “All Thirteen: The Incredible Cave Rescue of the Thai Boys’ Soccer Team,” written by Christina Soontornvat, published by Candlewick Press. The Excellence in Early Learning Digital Media Award is given to a digital media producer that has created distinguished digital media for an early learning audience. The 2021 Excellence in Early Learning Digital Media Award winner is “The Imagine Neighborhood,” produced by Committee for Children. One honor title was named: “Sesame Street Family Play: Caring for Each Other,” produced by Sesame Workshop. Stonewall Book Award - Mike Morgan & Larry Romans Children’s & Young Adult Literature Award given annually to English-language children’s and young adult books of exceptional merit relating to the gay, lesbian, bisexual and transgender experience: “We Are Little Feminists: Families,” written by Archaa Shrivastav, designed by Lindsey Blakely and published by Little Feminist, is the 2021 recipient of the Stonewall Book Awards – Mike Morgan & Larry Romans Children’s & Young Adult Literature Award. Four Honor Books were selected: “Beetle & The Hollowbones,” illustrated and written by Aliza Layne and published by Atheneum Books for Young Readers, an imprint of Simon & Schuster Children’s Publishing Division; “Darius the Great Deserves Better,” written by Adib Khorram and published by Dial Books, an imprint of Penguin Random House LLC; “Felix Ever After,” written by Kacen Callender and published by Balzer + Bray, an imprint of HarperCollins Publishers; and “You Should See Me in a Crown,” written by Leah Johnson and published by Scholastic Press, an imprint of Scholastic Inc. Theodor Seuss Geisel Award for the most distinguished beginning reader book is “See the Cat: Three Stories About a Dog,” written by David LaRochelle, illustrated by Mike Wohnoutka and published by Candlewick Press. Four Geisel Honor Books were named: “The Bear in My Family,” written and illustrated by Maya Tatsukawa and published by Dial Books for Young Readers, an imprint of Penguin Young Readers, a division of Penguin Random House; “Ty’s Travels: Zip, Zoom!” written by Kelly Starling Lyons, illustrated by Nina Mata and published by HarperCollins Children’s Books, a division of HarperCollins Publishers; “"What About Worms!?” written and illustrated by Ryan T. Higgins and published by Hyperion Books for Children, an imprint of Disney Book Group; and “Where’s Baby?” written and illustrated by Anne Hunter and published by Tundra Books of Northern New York, an imprint of Penguin Random House Canada Young Readers, a Penguin Random House Company. William C. Morris Award for a debut book published by a first-time author writing for teens: “If These Wings Could Fly,” written by Kyrie McCauley, is the 2021 Morris Award winner. The book is published by Katherine Tegen Books, an imprint of HarperCollins. Four other books were finalists for the award: “Black Girl Unlimited: The Remarkable Story of a Teenage Wizard,” written by Echo Brown and published by Christy Ottaviano Books/Henry Holt and Co. Books for Young Readers, an imprint of Macmillan Children's Publishing Group; “The Black Kids,” written by Christina Hammonds Reed and published by Simon & Schuster Books for Young Readers, an imprint of Simon & Schuster Children's Publishing; “It Sounded Better in My Head,” written by Nina Kenwood and published by Flatiron Books, Macmillan Publishers; and “Woven in Moonlight,” written by Isabel Ibañez and published by Page Street Publishing. YALSA Award for Excellence in Nonfiction for Young Adults: “The Rise and Fall of Charles Lindbergh,” written by Candace Fleming, is the 2021 Excellence winner. The book is published by Schwartz and Wade, an imprint of Random House Children’s Books, a division of Penguin Random House. Four other books were finalis ts for the award: “All Thirteen: The Incredible Cave Rescue of the Thai Boys' Soccer Team,” written by Christina Soontornvat and published by Candlewick Press; “The Cat I Never Named: A True Story of Love, War, and Survival,” written by Amra Sabic-El-Rayess with Laura L. Sullivan and published by Bloomsbury YA; “How We Got to the Moon: The People, Technology, and Daring Feats of Science Behind Humanity's Greatest Adventure,” written and illustrated by John Rocco and published by Crown Books for Young Readers, an imprint of Random House Children’s Books, a division of Penguin Random House; and “You Call This Democracy?: How to Fix Our Democracy and Deliver Power to the People,” written by Elizabeth Rusch and published by Houghton Mifflin Harcourt Books for Young Readers, a division of Houghton Mifflin Harcourt. Asian/Pacific American Award for Literature. The award promotes Asian/Pacific American culture and heritage and is awarded based on literary and artistic merit. The award offers three youth categories including Picture Book, Children’s Literature and Youth Literature. The award is administered by the Asian Pacific American Librarians Association (APALA), an affiliate of the American Library Association. This year’s winners include: The Picture Book winner is “Paper Son: The Inspiring Story of Tyrus Wong, Immigrant and Artist,” written by Julie Leung, illustrated by Chris Sasaki and published by Schwartz & Wade, an imprint of Random House Children’s Books, a division of Penguin Random House. The committee selected one Picture Book honor title: “Danbi Leads the School Parade,” written and illustrated by Anna Kim and published by Viking Children's Books, an imprint of Penguin Random House LLC. The Children’s Literature winner is “When You Trap a Tiger,” written by Tae Keller and published by Random House Children’s Books, a division of Penguin Random House. The committee selected one children’s literature honor title: “Prairie Lotus,” written by Linda Sue Park and published by Clarion Books, an imprint of Houghton Mifflin Harcourt Books for Young Readers, a division of Houghton Mifflin Harcourt. The Youth Literature winner is “This Light Between Us,” written by Andrew Fukuda and published by Tor Teen. The committee selected one Youth Literature honor title: “Displacement,” written by Kiku Hughes and published by First Second, an imprint of Macmillan Children's Publishing Group. The Sydney Taylor Book Award is presented annually to outstanding books for children and teens that authentically portray the Jewish experience. Presented since 1968 by the Association of Jewish Libraries, an affiliate of the American Library Association, the award encourages the publication and widespread use of quality Judaic literature. This year’s Gold Medalists include: in the Picture Book category, “Welcoming Elijah: A Passover Tale with a Tail,” by Lesléa Newman, illustrated by Susan Gal and published by Charlesbridge; in the Middle Grades category, “Turtle Boy,” by M. Evan Wolkenstein and published by Delacorte Books for Young Readers, an imprint of Random House Children’s Books, a division of Penguin Random House LLC; and in the Young Adult category, “Dancing at the Pity Party,” written and illustrated by Tyler Feder and published by Dial Books, an imprint of Penguin Random House LLC. Sydney Taylor Book Award Silver Medalists include: in the Picture Book category, “I Am the Tree of Life: My Jewish Yoga Book,” by Mychal Copeland, illustrated by André Ceolin and published by Apples and Honey Press, an imprint of Behrman House, and “Miriam at the River,” by Jane Yolen, illustrated by Khoa Le and published by Kar-Ben Publishing, a division of Lerner Publishing Group; in the Middle Grades category, “No Vacancy,” by Tziporah Cohen and published by Groundwood Books; “Anya and the Nightingale,” by Sofiya Pasternack and published by Versify, an imprint of Houghton Mifflin Harcourt; and “The Blackbird Girls,” by Anne Blankman and published by Viking Books for Young Readers, an imprint of Random House LLC; and in the Young Adult category, “They Went Left,” by Monica Hesse and published by Little, Brown Books for Young Readers, an imprint of Hachette Book Group. Recognized worldwide for the high quality they represent, ALA awards guide parents, educators, librarians and others in selecting the best materials for youth. Selected by judging committees of librarians and other literature and media experts, the awards encourage original and creative work. For more information on the ALA youth media awards and notables, please visit www.ala.org/yma. ###

Yeah I don't know how Jack managed to live so long... He was no joke!

It was both. O Mag ignored my emails explaining what they were doing and what the impact had. Still, I was disappointed they decided not to link to a Black booksellers. I get that linking to Bookshop.org pays affiliate commissions. I would have done the same. I've had a couple of conversations with the ABA on this issue, they are sympathetic, but won't doing anything, as they have a financial investment in Bookshop. The investment in Bookshop was not revealed to me. I read about it in Publishers Weekly. Bookshop offered to discuss the issue with me, to their credit, but I saw no path and declined the conversation (in hindsight that may have been a mistake, but I'm human). Yeah Paul, realizes he is an elder now and that these efforts need to be lead by younger people. But I'm not interested in leading in organizing I can help but I don't want to run the show -- but it has to be done, or we will continue to marginalized into obscurity. Paul also have more "clout" in the business he can get booksellers to do things that I can not do. But again, we must pick up the reigns at some point...

Dude you have not posted a single article, from a reputable source, stating that: It is possible that I missed it; I'm human and capable of making a mistake. So please, share just one now. Thanks.

Forget Harlem and the gentrified northern cities, and come south man you see plenty of darker skinned people. Plus kids don't play outside like they used to. Also I'm thinking globally; Nigeria probably has more Black people than the U.S. has white. There are probably more black people in brazil than europe's most populous country.

The people in my office definitely are not contracting covid-19 coming in the office to deliberately infect me, the only negro there. Indeed I'm not aware of anybody with a brain in their head that would feel that way. You realize that whole idea is ludicrous right?

In a word, yes. You realize the people you understand as being part of the "African Race" are in such a numerical majority that there is no real risk of meaningful relative decline.