HELLO, CHRYSTALFLANDERS. THANKS FOR COMMENTING. IT'S EXTREMELY IMPORTANT TO SUPPORT NEW AND SELF-PUBLISHED AUTHORS, AS WELL AS THOSE PUBLISHED AT INDEPENDENT COMPANIES. THEY'RE CONSIDERED THE UNDERDOGS TO THE WELL-KNOWN WRITERS WHO USUALLY GAIN MORE RECOGNITION THAN SAID MENTIONED. YET, I'M VERY AGGRESSIVE IN MY APPROACH TO ADVERTISING, MARKETING AND PROMOTION, SO I ALWAYS FIND A WAY TO GET NOTICED, TASTEFULLY: HENCE NO PUBLICIST SINCE I STEPPED ON THE SCENE IN 2003. WHEN I'M EDITING (I EDIT ALL TITLES I PUBLISH) OR CREATING URBAN AND/OR STREET-LIT WORKS (THERE IS A DIFFERENCE BETWEEN THE TWO), I MAKE SURE TO USE SLANG, AND EBONICS, AS YOU WANT THE CHARACTER'S VOICE AND PERSONA TO BE AUTHENTIC AND TRUE TO NATURE. THE NARRATION WILL BE IN PROPER ENGLISH, BUT IF THE CHARACTER IS HARDCORE, THEN IT SHOULD TRULY REFLECT. EDITING ACTUALLY EXHAUSTS ME, AS I NOT ONLY BECOME EVERY CHARACTER WITHIN THE STORYLINE, I EMERGE SO DEEPLY WITHIN IT THAT I BECOME EVERY ASPECT OF THE TALE, DOWN TO EVERY DETAIL AND DESCRIPTION. IT DRAINS ME, BUT I ALWAYS LOVE THE END RESULT. MOST THINK EDITING IS SOLELY ABOUT CORRECTING THE GRAMMAR, BUT IT'S BEYOND THAT: YOU HAVE TO BUILD THE STORY AND CHARACTERS, WAY BEFORE MAKING GRAMMATICAL CORRECTIONS. THIS IS THE PART I LOVE THE MOST, ENHANCING STORYLINES AND GIVING LIFE TO CHARACTERS, AND MAKING THE VISION OF THE AUTHOR'S WORK, BIGGER AND BETTER. IT'S A GUILTY PLEASURE OF MINE....