richardmurray

Newsletter Edition 11 Excerpt, join the newsletter for more, send me your email in a private message Green Scripts- as some of you know, I have two scripts I am working on and I admit, that I will publish them through my kobo if not accepted when i offer them. I realize that reading scripts or plays for many people is not the norm and most importantly, does not go along the reading conventions people have, but I like reading scripts. JK Rowlings as a well known writer is finally bringing light to scripts as valuable, the shame is that it took a popular writer to break through this artistic philosophy. Don't we read plays? why are scripts negatively thought of? I wonder your thoughts. ... to some of you who want my newsletter to be a better multilog, the reality is, artistic debate online is not for every person and is not something I think the email newsletter recipients are ready for. So for now, i have to take your responses individually. ... Remember to take a gander to my earlier newsletters or email me a reply to read UKahk or what was last- If you are interested in two scripts I already wrote, enjoy the following links, the article concerning the topic is immediately after nyotenda- free https://www.kobo.com/us/en/ebook/the-nyotenda Janidogo https://www.kobo.com/us/en/ebook/the-janidogo Article https://www.theguardian.com/books/2018/nov/16/the-crimes-of-grindelwald-jk-rowling-fans-script The Minotaur- La Machine has done it again, if you never saw their carousel, shame on you, stop wasting time online talking about trump and start finding the beautiful things online that have value. TO that end, i introduce THE MINOTAUR!! https://www.youtube.com/watch?v=6U3yv9hUF5w&feature=youtu.be

Richard Murray Email Newsletter Edition 10 Excerpt fiyah- The following is the guidelines for the first submission period in 2019 for fiyah, give it a go- Issue #10: Hair | Window open January 1, 2019 - January 31, 2019 ; If there is any one part of the black body that is targeted for obsession the most; it is our hair. Natural. Weave. Dye. Fade. High top. Dreadlocks. You name a style and a black person somewhere, somehow pulls it off with magical ease. But for every style we rock, there’s someone telling us that it isn’t professional, doesn’t look good, is acquiescing to colonialism or some other no good nonsense. This challenge is prevalent throughout our history and to the modern day. Tignon laws restricting how black women could present their hair were rooted in the jealousy white women had towards black hair because of the perceived lust it caused in white men. In the 70s, we saw the afro flourish as a symbol of revolution and a reclamation of pride still actively trying to be denied us today. How many schoolchildren have been summarily rejected for their hair? How many employees fired for it? Our hair and the majesty of it presents a danger to those who don’t have it. Look to Medusa as the first example of that fear. The gods couldn’t resist her beauty and she was punished for it (her hair obviously being a symbol for dreads). Funny that even the gods fear us. But not all stories about our hair need to be rooted in that. Send us stories where hair is loved, where it’s accepted and where it’s even worshipped. There are entire myths built around the mystery of our hair. Tap into them and create something that is an expression of love. Or let it be an expression of rage. Anger at a global culture that doesn’t allow you to dictate how you present yourself to the world. No emotion is invalid when looking at the blank canvas of the paper.And we hope as you write, you embrace more fully the gift that is your hair. https://www.fiyahlitmag.com/submissions/ A dead djinn in cairo- Someone introduced me to this from the fiyah group. and I will share it here. I have not yet read it but I will later? if any of you take a gander, tell me your thoughts https://www.tor.com/2016/05/18/a-dead-djinn-in-cairo/

My excerpt on an episode from the show independent lens , the cleaners https://photos.app.goo.gl/6mbhJsukfXiJusCRA https://photos.app.goo.gl/6mbhJsukfXiJusCRA *Independent lens, excerpt from the episode the cleaners* People truly underestimate how much negativity exist through the internet and how the answer can not be telling fiscal firms what to do, but creating alternatives that are functional. now in global fiscal capitalism, this is not easy to do, but.... show webpage http://www.pbs.org/independentlens/films/the-cleaners/ trailer http://www.pbs.org/independentlens/videos/the-cleaners-trailer/

How Ann Gorman Became A Wife from the film Follow ME Quietly This film starts off with a woman standing in the rain, unknown reason. We discover she is a reporter, ambitious and has a lead on a story concerning a mass murderer. She is brushed off and then goes into the law enforcers home, hoping to regale him to give her the case. He accepts and then the next day when she tells him what she wrote he rejects it. She later meets him on the beat and then before she walks out of his like, he admits stronger feelings. Then she helps him in the case, and after talking the officer has a general locale. And then she is sitting in the diner side him, the case closed. All the while she has not actually done any reporting after confessing she need the money. And in the end, she is off to be married, to the rude cop. Dirty Harry Senior side Lois Lane the film stars Dorothy PAtrick/William Lundigan/JEff Corby lillie hayward wrote it robert de grasse photography The public video - I apologize for the bootleg camerawork style:) https://photos.app.goo.gl/yqnJu8x6QiRWWF137

My The MAgicians Submission is a monogram. A monogram is when letters are placed together in a shape. In my case, I did not use a strict european style and used a more arabesque style, not well defined like a tughra or as intricate as the Jeli Diwani, but having some aspect from the Jeli Diwani style. Can you interpret what the monogram say? Below I linked the submission , on deviantart, as well as a video to me creating a color pencil version, on google photos. I compared a colored pencil, graphite pencil, ink using felt tip pen and in the end, I chose the ink felt tip pen, which was nice, cause I wanted to do something ink based in October, for inktober, though to be fair, I have been primarily inking in submissions for a bit now. My scanner failed to create the result I liked, I needed quite a few adjustments to get it decent. But I will improve this process. I had fun. Submission https://www.deviantart.com/hddeviant/art/Margot-and-Eliot-Monogram-770738822 Video to me working on the colored pencil version- I could not video tape anymore while drawing. I will improve. https://photos.app.goo.gl/WpMPV2br839dvuTc8

My Email Newsletter Edition 5 came out, tell me your email and I will add you, here are some things from the recent edition , enjoy, create, have fun https://www.fiyahlitmag.com/voices-on-fiyah/ November’s not just for novels! FIYAH Literary Magazine is back with the Voices on Fiyah project for NaNoWriMo 2018. How it works: The Voices on Fiyah event is open to all short speculative fiction writers identifying as Black, Native/Indigenous/First Nation, or otherwise “Of Color.” Sign up to be part of FIYAH Literary Magazine’s team generating [at least] 50,000 words of speculative fiction together in the month of November. Last year our writers generated more than 370,000 words of short spec fic! Are you a flash fiction writer? Think you can write a 7k short in 30 days? How about a 15k novelette? Whatever your individual word count goals, we’ll keep you accountable for it, and post resources, prompts, and writers block-busters using the #voicesonfiyah hashtag on Twitter. https://www.deviantart.com/go/journal/The-Magicians-Fan-Art-Contest-765381920 I will draw something for this, like most deviant art competitions, I have no idea what this is:) but I will draw:)magicians fan art, ends october 31st Black Cinema? - What define Black Cinema, I offer two film I do not define as Black Cinema to offer a case. Both have interesting scenario in themselves. Both are edits, partial to larger film. Peola Edit video link Nonqonqo video link Vice Hiring- We're hiring for two weekend roles Weekend Editor, VICE.com https://boards.greenhouse.io/vice/jobs/1100361?utm_source=vicetwitterus Weekend VICE Social Editor https://boards.greenhouse.io/vice/jobs/1398062?utm_source=vicetwitterus Sorghum and spear - black art kickstarter- nichelle nichols executive producer voice over talent https://www.kickstarter.com/projects/greenecountycreative/sorghum-and-spear-fantasy-graphic-novel-and-animat?ref=project_link No Natives allowed- interesting thoughts on the great american read series in pbs , i gave away one point but it had many http://blog.leeandlow.com/2018/10/24/the-whiteness-of-pbss-great-american-read/ Thoughts?

Video of Concealed Carry Models, dominated by women from Vice https://photos.app.goo.gl/jbmupmx6H9SPE8rp6 to see more, view the following link, not free, must have a cable/stream subscription https://www.viceland.com/en_us/video/states-of-undress-packing-heat-in-heels/5925d4f08bd5c6e92027e5a1 ...while talking about trump 14-Year-Old Gulf of Mexico Oil Spill Among the Worst in U.S. History https://www.democracynow.org/2018/10/23/headlines/14_year_old_gulf_of_mexico_oil_spill_among_the_worst_in_us_history

Peola Edit - Immitation To Life 1934 video link https://photos.app.goo.gl/ygTE8oLvs651m3V86 From a easy glance Delilah can be deemed the prototypical Black Mamme. But, if you listen clear to Delilah ,while her manners toward white people is never not :congenial; happy; thankful or similar tone, she never suggest her motherhood to Peola is in adoration to her being "so light" or "high skin"; but her adoration is to her daughter whom she incubated. Throughout the Peola edit Delilah constantly opposes suggestions from Beatrice Pullman that Peola need to live in her fantasy or hide from truth; while she also never suggest her motherhood is erroneous in loving but did apologize for exposing her. Throughout the edit, Peola's inability to accept her background or contrast to her mom escalates: from childhood being called black or her passing failing, going to a high tone black folk negro school, to passing as a white female working in a store, to her passing ultimatum that crushed her mother heart; in the timeline, the relationship between blacks side whites is a constant unchanging factor, even though the story show no straight violence. Sequentially, Peola unaccepting stance has no communal or collective aid in a changing environment beyond herself or her mother; Delilah comprehend her only solution will be in herself, as she allude to peola father inability. In the end, the quantity from black people in Delilah funeral does not show a black woman who merely rejected owning 20% to a hit firm; but a black woman who clearly helped many more in the black community than suggested in any public way. I will say, the phrase from Peola, "I killed my own mother" , while common drama from the time is untrue. The environment killed your mother, through the death from peola father and then peola passing ultimatum. The environment in the u.s.a. made two people delilah love despise their person or feel unsettle constantly, leading to both killing themself in one way <father murdering himself through exhaustion or physical> or another <peopla rejecting her mother in public thus killing the existence to herself>. If anything the lesson in the Peola edit is how hopeful can a person be. Delilah hope/faith when alive was not enough to save her husband or her daughter. In death, her daughter had illumination or an epiphany. But how many will give their life to hope and simply not give up on hope like Delilah? your thoughts? Louise Beavers- Delilah <her last name is johnson but in the original credits no last name is given > Fredi Washington- Peola <age 19> Dorothy Black- Peola <age 9> Sebie Hendricks- Peola <age 4; she is not in the original credits> Claudette Colbert- Beatrice Pullman Rochelle Hudson- Jessie Pullman <age 18> Marilyn Knowlden- Jessie Pullman <age 8> Baby Jane- Jessie Pulman <age 3> Video Link https://photos.app.goo.gl/ygTE8oLvs651m3V86 youtube link https://youtu.be/5CBsR7GMp-M

Song: Nonqonqo (To Those We Love) link https://photos.app.goo.gl/dKeXz3NEExQRWbgq7 Singer: Letta Mbulu's side Choir Writer: Miriam Makeba. Film: A Warm December Film Score writer/conductor: Coleridge-Taylor Perkinson Thespian in scene: Esther Anderson side Sidney Poitier A Warm December is not a pure or honest Black Film, the writer was white. Like Black PAnther or Shaft, Black thespians or directors is not enough to be a true Black Film. Black people need to be producer/director/writer/thespians to make a true black film, sequentially many films do not fit that bill. But, in terms of interpretations to Black life in film, the loving between the lead couple in A Warm December is unique. First, it is not fornicatively raw. The film show passion but not lust, and that is rare in imaginations concerning black lovers in film. The reason is not unknown. Only a people can describe their existence best. The article linked immediately below list film the article author consider Black cinema. If Black Cinema is defined as Cinema where Black people are producers in essential/director(s) in majority/thespians in majority/writer(s) in majority what film in said list are valid? https://blackinmotionpictures.tumblr.com/post/175078478469/the-top-10-highest-grossing-films-in-black-cinema The answer is : Girls Trip, Get Out from the top ten in that list. I am not suggesting that Black thespians/writers/directors/producers are blockaded from working side non blacks, especially in modern USA. But, if a film is not dominated by any particular phenotypical group in creation then it is a statian film; no particular phenotypical label is warranted. ...Well, the lyrics to the song is below, enjoy and I hope if you have not seen the film you will. Song Lyrics: Bahleli bonke etilongweni Bahleli bonke kwaNongqongqo Bahleli bonke etilongweni Bahleli bonke kwaNongqongqo Hee hee hee halala Hee hee hee halala Nanku nanku nanku sobukwe Nanku nanku etilongweni Nanku nanku nanku sobukwe Nanku nanku etilongweni Yini baba Luthuli A uzotheni uzotheni Nanku nanku nanku Mandela Nanku nanku etilongweni Nanku nanku nanku Sisulu Nanku nanku etilongweni Yini we maAfrica A uzotheni uzotheni Yini we maAfrica A uzotheni uzotheni Bahleli bonke etilongweni Bahleli bonke kwaNongqongqo Bahleli bonke etilongweni Bahleli bonke kwaNongqongqo VIDEO link https://photos.app.goo.gl/dKeXz3NEExQRWbgq7 youtube link https://www.youtube.com/watch?v=e_VJGq7z6mk&amp;feature=youtu.be

The September Equinox 2018 will occur or did occurred September 23rd 1:54 in the morning, thus why I posted this earlier. May all in the northern hemisphere have a lovely harvest in autumn. May all in the southern hemisphere have a blossoming spring.

After reading the article defend integrated peaceful multiversity/multiculturalism as more successful in any government than monoverse or monocultural domination over other cultures? The article make a great point. Many people in the usa speak the idea that peaceful integrated multicultures is positive, advantageous... but provide examples. Let us be honest, Every government in the American continent <usa/mexico/haiti/brazil> all started based on one culture or community. Whites in the usa/blancos in brasil/negroes in haiti/mestizoes in mexico. In history, the romans, british empire, japanese empire all were monocultural in creation or expansion. Countries like China or Kemet <egypt> in composition utilized multiculturalism but it was through war, whether Narmer or the Mad Matyr. The Mongols were started or expanded monoculturally, but after Temujin died, the pieces to the empire reflected the culture each had in it which each mongol leader accepted. https://www.creators.com/read/pat-buchanan/09/18/the-unpardonable-heresy-of-tucker-carlson

If you like to craft or cosplay check out these links #makers job board https://jobs.makershare.com/ cosplayers https://makershare.com/missions/cosplay-mission

New Poetry by Indigenous Women CURATED BY NATALIE DIAZ work from Abigail Chabitnoy, Tria Blu Wakpa, Heather Cahoon, and Sara Marie Ortiz https://lithub.com/new-poetry-by-indigenous-women-3/

Introducing the, Der Tchrumpfs. I have more stories and some examples. For those in my reading group I invited your opinion and I know some said you wanted crisper detail. But, beside that no words on the plot or jokes thus I unchanged them. #DerTchrumpfs https://www.kobo.com/us/en/ebook/der-tchrumpfs Nederlandse versie https://www.kobo.com/nl/nl/ebook/der-tchrumpfs-1 Remember, my other short story collections, some more voluminous or polished than the Der Tchrumpfs is in other entries in my short story collection

exactly @Troy use the community for you

In ode to Aretha Franklin I wanted to focus on her song writing. Listed below is the songs she wrote or her a member from her sanguine wrote on her various albums excluding the mention of the first album. I think it is telling she started having a gospel album and in the end has an album that is entitled a brand new me. Taking a look at the covers to all her albums, like ella fitzgerald or sarah vaughan , or many other black songstresses whom white owned media did not and do not present youthfully. No shame exist in displaying one who has lived long beyond the common, but I find it too common in media to not show black female artists when young. Which song is your favorite from the Written/Sung by Aretha Franklin? There Is a Fountain Filled with Blood" (William Cowper) was the first song on her solo album Songs of Faith "Without the One You Love" (Aretha Franklin) 2:48 The Tender, the Moving, the Swinging Aretha Franklin 1962 "I Wonder (Where Are You Tonight)" (Aretha Franklin, Ted White) 3:16 Laughing on the Outside 1963 "Without The One You Love" (Aretha Franklin) (3:34) Yeah!!! 1965 "Take It Like You Give It" (Aretha Franklin) – 1:50 "Land of Dreams" (Aretha Franklin) – 2:12 Take It Like You Give It 1967 "Don't Let Me Lose This Dream" Aretha Franklin, Ted White "Baby Baby Baby" Aretha Franklin, Carolyn Franklin "Dr. Feelgood" Aretha Franklin, Ted White "Save Me" Aretha Franklin, Carolyn Franklin, King Curtis I Never Loved a Man the Way I Love You 1967 "I'll Keep On Smiling" (Aretha Franklin) "Take a Look" (Aretha Franklin) Take a Look 1967 "(Sweet Sweet Baby) Since You've Been Gone" (Aretha Franklin, Ted White) 2:25 "Good to Me As I Am to You" (Aretha Franklin, Ted White) 3:56 Lady Soul 1968 "Think" Aretha Franklin, Ted White Aretha Now 1968 "Don't Let Me Lose This Dream" (Franklin, Teddy White) "Dr. Feelgood (Love Is a Serious Business)" (Franklin, Teddy White) "(Sweet Sweet Baby) Since You've Been Gone" (Franklin, Teddy White) Aretha in Paris 1968 Note: first live album "Dr. Feelgood" (Franklin, Ted White) - 3:18 "(Sweet Sweet Baby) Since You've Been Gone" (Franklin, White) - 2:18 "Think" (Franklin, White) - 2:15 "Ain't No Way" (Carolyn Franklin, White) - 4:12 I added her sisters song Aretha's Gold 1969 greatest hits album "Call Me" (Aretha Franklin) - 3:57 This Girl's In Love With You 1970 "Pullin'" Carolyn Franklin, Jimmy Radcliffe <her sister> "You and Me" Aretha Franklin "Spirit in the Dark" Aretha Franklin "One Way Ticket" Aretha Franklin 2:52 "Try Matty's" Aretha Franklin 2:32 Spirit in the Dark 1970 "Dr. Feelgood" Aretha Franklin 7:06 "Spirit in the Dark" Aretha Franklin 5:33 "Spirit in the Dark" (Reprise with Ray Charles) Aretha Franklin 8:53 Aretha Live at Fillmore West 1971 "Dr. Feelgood" (Aretha Franklin, Ted White) - 3:18 "Call Me" (Aretha Franklin) - 3:18 Aretha's Greatest Hits 1971 "Day Dreaming" Aretha Franklin 4:00 "Rock Steady" Franklin 3:15 "All the King's Horses" Franklin 3:56 "First Snow in Kokomo" Franklin 4:04 Young, Gifted and Black 1972 "Hey Now Hey (The Other Side of the Sky)" (Aretha Franklin) "So Swell When You're Well" (James Booker, Aretha Franklin) "Angel" (Carolyn Franklin, Sonny Sanders) her sister "Sister from Texas" (Aretha Franklin) "Just Right Tonight" (Aretha Franklin, Avery Parrish, Buddy Feyne, Quincy Jones, Robert Bruce) "Master of Eyes (The Deepness of Your Eyes)" (Aretha Franklin, Bernice Hart) Hey Now Hey (The Other Side of the Sky) 1973 "Rock Steady" - 4:19 contains an alternate introduction exclusive to this compilation "Dr. Feelgood" - 3:18 "Day Dreaming" - 3:49 "Call Me" - 3:24 The Best of Aretha Franklin 1973 quadraphonic sound "Oh Baby" (Aretha Franklin) "If You Don't Think" (Aretha Franklin) Let Me in Your Life 1974 "Without Love" (Carolyn Franklin, Ivy Jo Hunter) her sister "With Everything I Feel in Me" (Aretha Franklin) "Sing It Again - Say It Again" (Carolyn Franklin) her sister With Everything I Feel in Me 1974 "Mr. D.J. (5 for the D.J.)" (Aretha Franklin) "As Long As You Are There" (Carolyn Franklin) her sister You 1975 "When I Think About You" (Aretha Franklin) 4:46 "A Tender Touch" (Aretha Franklin) 3:58 "Meadows of Springtime" (Aretha Franklin) 5:26 "Mumbles / I've Got the Music in Me" (Clark Terry, Aretha Franklin, Bias Boshell) 3:40 "Sweet Passion" (Aretha Franklin) 7:12 Sweet Passion 1977 "I'm Your Speed" (Aretha Franklin, Glynn Turman) 3:40 Almighty Fire 1978 second collaboration with curits mayfield, he wrote all other songs "Ladies Only" (Aretha Franklin) – 5:15 "Honey I Need Your Love" (Aretha Franklin) – 2:45 "I Was Made for You" (Clarence Franklin) – 4:03 her son or brother "Only Star" (Aretha Franklin) – 5:04 La Diva 1979 "Together Again" Franklin, Phil Perry, Chuck Jackson 3:34 "Love Me Forever" Franklin, Rev. Patrick Henderson, Kenny Moore 4:47 "School Days" Aretha Franklin 4:54 Aretha 1980 "Without the One You Love" (Aretha Franklin) - 3:36 "I Wonder Where Are You Tonight" (Aretha Franklin, Ted White) - 3:15 Aretha Sings the Blues 1980 "Whole Lot of Me*" Aretha Franklin 3:23 "Kind of Man*" Aretha Franklin 4:19 Love All the Hurt Away 1981 "I Wanna Make It Up to You" (Franklin) Jump to It 1982 "Giving In" (Clarence Franklin) – 4:38 her son or brother Get It Right 1983 "Who's Zoomin' Who" Aretha Franklin, Preston Glass, Walden 4:44 "Integrity" Franklin 5:38 Who's Zoomin' Who? 1985 "He'll Come Along" Aretha Franklin Aretha 1986 "He's the Boy" Aretha Franklin "Think (1989)[6]" Aretha FranklinTed White 3:39 Through the Storm 1989 "You Can't Take Me for Granted" (Aretha Franklin) "What Did You Give" (Aretha Franklin) What You See Is What You Sweat 1991 "The Woman" (Franklin) – 7:41 A Rose Is Still a Rose 1998 "So Damn Happy" (Aretha Franklin) - 4:29 "You Are My Joy" (Franklin) - 2:34 "You Are My Joy (Reprise)" (Franklin) - 2:33 So Damn Happy 2003 "The Lord Will Make A Way" (Traditional, Arranged by Aretha Franklin) – 5:43 This Christmas, Aretha 2008 ? I was unable to find out the writers to these songs Aretha: A Woman Falling Out of Love 2011 "Think" Aretha FranklinWhite "Angel" Carolyn FranklinSonny Saunders A Brand New Me 2017 It ends with Respect from Otis Redding, not accidental to me, she really liked Redding, Cooke and those Southern Balladeers. Also consider the Dinah Washington Album, I heard it, it is a true ode. Her Sparkle film soundtrack album is underrated for the timing of it side quality having all song written from curtis mayfield. Aretha Franklin Sings the Great Diva Classics 2014 is another gem, showing how much she listened to other singers honestly.

“Toni Morrison and Adaptation” A Special Issue of College Literature – Call for Proposals Edited by Stacie McCormick and Rhaisa Williams A Word from “College Literature: A Journal of Critical Literary Studies” : The year 2020 will mark the 50th anniversary of the publication of Toni Morrison’s inaugural novel, The Bluest Eye, a work that engages in innovative methods of adaptation by transforming the Dick and Jane primer into a powerful narrative charting the move from innocence to experience as inflected by blackness. In 2006, the novel was adapted into a stage play written by Lydia Diamond. Indeed, Morrison’s work both engages in the act of adaptation (modifying folktales, images, and song into narrative) and continues to be adapted in other formats (notable instances are Beloved, Jazz, and The Bluest Eye). The 50th anniversary of The Bluest Eye serves as an apt occasion to reflect on the transformational and intertextual character of Morrison’s work. For this special issue, we invite essays that analyze Morrison’s artistic and intellectual imprint on the stage, screen, and through lyric. We seek essays that theorize Morrison’s work in relation, but not limited to: Theories of adaptation Black artistic and cultural formalism Black feminist artistic practices Critical engagement with Morrison’s stage plays and/or operas (Margaret Garner; Desdemona; Dreaming Emmett; New Orleans, A Musical) Children’s Literature (The Tortoise or the Hare, co-authored with Slade Morrison) Film and stage adaptations of Morrison’s novels (Jazz, The Bluest Eye, Beloved) Music – How hip-hop, classical, jazz artists adapted Morrison’s work; How Morrison produced work in different formats such as “song cycles” or operettas Visual Art Recuperation of history and culture Forms of intimacy Regional theater communities Embodiment Multiple temporalities Commemoration Deadline for submissions is September 1, 2018. Please click here for more information on the publication and submission guidelines. http://centerforblackliterature.org/submit-toni-morrison-and-adaptation-a-special-issue-of-college-literature/

@Mel Hopkins not you think , you know or,at least, you are 100% correct . And, yes, I am not suggesting,100%, that making money must have criminality but I am telling that 99.9% does, not in alway straight but it does. Excellent example: Robert Johnson sold something worth more than any price long term and sold it for fiscal profit, and was glorified from like minded folk, black or non- black, after doing it. Many hip hop artists did likewise, betraying their youth or their home life for the imagined gangster rapper imagery, that white owned corporations preferred over social critiques or artistic mobilizers. The problem is simple, define morals. Morals are not set in stone. Second, more importantly, function. Said black folk are looking to reject or deny function to remain in some ruleset, morals, while making money. At the least, that does not serve the function of making money to the best ability or serving a communities needs.

Thoughts to AMP, do you use email? The three articles below discuss the basic structure or some other development points to the larger project. But, as a yahoo email user for a long time, I recall many including myself asking yahoo to focus on email in years past and they did not. When I look at instagram if this email push can grow, it will reinvigorate email cause email offers a privacy wall that the public bases simpyl do not. but the public bases allow for interactivity that email did and in modernity, usually do not. Thoughts https://venturebeat.com/2018/02/13/google-launches-amp-for-email-to-bring-web-like-actionable-content-to-gmail/ https://amphtml.wordpress.com/2018/02/13/amps-new-horizons/ https://www.emailonacid.com/blog/article/industry-news/amp-for-email-what-you-need-to-know-about-googles-new-interactive-email-eff/

true @Troy Just today @Mel Hopkins the mayor to new york city, blamed trumps election or racial biases publicity in the usa on rupert murdoch or fox news. He blames someone whose role is to make money through the media for placating how white people raise themselves in their community. It is not murdoch's fault that he saw a mob and played to it, to make money, in the usa, where making money is the way to anything. Again, merit does not matter. De blasio today suggest a certain philosophical merit must come before fiscal profiteering when the fiscal profiteering is the philosophical merit. One note, when chernobyl happened the soviet russian government had soldiers pick up the waste, all those soldiers died of radiation sickness. Over 10,000 have died from the world trade center wreckage, but if we all recall, mayor guiliani let those people ,fiscally poor people or municipal workers,pick up waste just like the soviet government did the military at chernobyl... ah welll

@Mel Hopkins Everyone,I repeat everyone, in the usa is in a mental conditioning program to suggest merit not making money is the key. My pleasure, but we all suffer from that. As someone who prefers efficient municipal structure, I do not know how many time I spoke truth to inefficiency in the usa /nys/nyc municipal structures when in truth i wasted and still waste my breath; cause said systems are not meant to be efficient but tools for those who have the most money to control. The true answer is always in the usa, very simple. Make money and do what you want. Crude, inefficient, non sustainable but that is the way in the usa. When DT first went bankrupt who saved him. new jersey and the banks led by goldman sachs who held his real estate transactions as well as alot of atlantic city property. If DT went bankrupt the first time, like many fiscally common folk <red/black/white/or other or any> Atlantic city would had plummeted in value and caused a severe depreciation in the banks. Whom we all learned later had too many DT -esque deals they were holding which is why the federal elected official class did to the banks what the banks side the elected officials class from the state of new jersey did to trump, made the later too big too fail. Sequentially, Donald trump did not strictly go bankrupt the first time and the last two were mere repetitions to the first. DT calls it the art of the deal when it is simply modern global fiscal capitalism. People who have money are deeply connected and will protect each other's finances to protect each other's finances. I don't know what they gave obama/clinton/emmanuel/et cetera for that blank check but they all paid when trump was elected as president. the party of lincoln party elders lost leadership to a man who has allegiance to nothing but his personal benefit. the party of andrew jackson was exposed as internally deeply dysfunctional. Returning, DT's fiscal condition is about protectionism from the fiscally wealthy and people do not admit it, though it was said enough to be common knowledge. We all know the truth behind DT yet we do not say it. We all know the truth behind the too big too fail but we do not admit it. Obama himself talked about the system falling down. that is a lie and we all knew. the banks falling down side all but one from the major usa car companies falling down would not had caused chaos. but it would had deleted many fiscally wealthy people's finances. And, those people used their money or power from money to maintain their fiscal wealth. Does it mean the banks or car companies are educated? how educated are the people in the banks in the center to the global empire when they have every advantage to make profit while be stable and failed? how educated are the people in the car companies when they are in the center of the global empire and yet fail to make a cost efficient technically superior automobile? How many people in the banks or car companies merited their job or were given their job? Many people allude to merit to everything else but having money and being cutthroat or coercive to keep it, no matter what.

Part to the end of this article is what I would had written otherwise, you wrote: "The reason, however, is this; Apple is run by people whose goal is to make money by any means. So, if you find you're in a place far different than you'd envisioned for yourself. Stop doing what you've always done. Lose the fear and do whatever it takes to allow you to live your dreams." I would had rewrote the last line:"Lose the fear and do whatever it takes to allow you to live your dreams." as "Lose the fear and make money whatever it takes to allow you to live your dreams." I know just one simple part. But, when you talked about apple's fiscal profiteering, your point is true. The USA or the european colonies that preceded it,financially, is a place for money makers. From those early whites, to the white murderers to red folk or enslavers to black, to later yellow or black folk in the fiscal illegal world, money making is the way it happens in the u.s.a.. Labels and rank don't have a value that you may find in parts to europe/africa/asia. I think sometimes people in the usa, do not speak bluntly enough to that. That is how donald trump went bankrupt three times but and came back financially from each.

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My Wellington Wells We happy few postcard entry is set. Do you know the references? The competition still has time to submit if you are interested. https://www.deviantart.com/hddeviant/art/Summer-Bank-Centennial-PostCard-Wellington-Wells-758711598?ga_submit_new=10%3A1533870702