richardmurray

Question and answers before viewing
What did you think of this film when you saw it for the first time? How do you think this movie impacts the culture today?
https://www.facebook.com/photo/?fbid=10159558094682857&set=gm.628627405328361&idorvanity=162792258578547
I remember when I saw this movie for the first time well for many reasons. I will convey that I saw this after New Jack City which came out in a similar time frame, and I disliked New Jack City and seeing this lifted my spirits. Now I admit, I am a music fan and so the music was nice for me. I liked the storytelling and acting. I saw this film in modern words as a musical fantasy. In the end it was a summing up of 1950s-1960s-1970s black musical bands in the usa historically,wrapped up in a mythical band that had all the problems, joys, and found itself in modernity alive and among friends or family. 

To modernity, I don't think Five Heartbeats impacts largely. It isn't a disliked movie in the black community. But, I paraphrase Macy Gray who spoke on Michael Jackson plus The Artist Formerly Known As Prince relating to the common Black folk, a growing segment of the financially common black folk from the 1980s onward saw and see themselves through interpretations of Black people in media that are baggy clothes wearing, warm around fires in cars in urban environments, gold chain wearing, acting in a violent street setting with illegal financial activity, whether any of it is true or not.To restate, said black folk can see themselves in the low level rapper more quickly than michael jackson. In parallel, New JAck City impacts today much larger than The Five Heartbeats in the financially common black community in the usa, in my opinion at least. 

Thoughts as I listened
https://www.youtube.com/watch?v=sQIAlmB180E
1:50 You have to find that after school special robert townsend filmed at your elementary school
3:36 oh mamma mia! yes, it wasn't so detailed laden, your daughter's point remind me of your thoughts to aretha franklin's biopic. I wonder if townsend didn't want to telenovela and maybe wanted to go more myth than drama.
6:27 Kacie Lemmons, thanks for shouting her out. 
8:25 Flash, I wonder who the dells or Townsend was thinking of its  with him
9:50 good shout out, I want someone to ask Shug Night, did he see the five heartbeats. If he says yes...:)
12:27 did Townsend think on Daughters of the Dust and the memory perception. What we are seeing is a memory, not the whole truth or a detailed account, but thoughts, a temporally. 
the end is out of the dream.
15:37 yes, the purest joke in the film, good one. 
16:47 Nike you and your daughter, like the daytime drama elements in biopics. 
I wonder when the film about Nike's life will occur, how many reveals will we get:)
19:33 good point, Five Heartbeats influenced later musical biopics. 
20:52 yes it is the Harlem Nights of Black Music films, more than coming to america, yes , well done by your daughter Nike
 

I.S.D. cup for the I.R.C.L. Tour of Earth.

 Il Sol Depth cup for the champion of the Interplanetary Recycle Craft League Tour of Earth.

This is the I.S.D. cup or Il Sol Depth cup for champions of the twenty third Interplanetary Recycle Craft League Tour of Earth.

Each element represents something. The base represents the Interstellar Medium, the space outside the Sun's gravitational power. 
The golden-esque cup looking like dust/gas is the Heliosphere, yes the sphere of the sun, created by the sun which the solar system we live in exist in. I chose the color for the effect. 
The greyish spirals above is an interpretation of the Heliospheric current, which is shaped like an archemides spiral but after hours and hours and some lost attempts:) I just went for spiral rings. One day I may upload the sketches. 
In the center is the sun and the planets from mercury to Jupiter are present at top. 
And yes, it can be used as a sipping cup. 
At the bottom is a small indentation representing the milkyway.  The eye where our sun resides. 

Sketchfab URL: https://skfb.ly/oGJuE

Still image : https://www.deviantart.com/hddeviant/art/I-S-D-cup-for-the-I-R-C-L-Tour-of-Earth-960470478

The trophy was made for @arcencieldigitalart 3D art contest
https://www.deviantart.com/arcencieldigitalart/journal/Contest-3D-Art-in-all-it-s-forms-956559237

The story the trophy is for is the following
https://www.deviantart.com/hddeviant/art/The-Final-Distance-Of-The-Twenty-Third-I-R-C-L-To-947551245

The story was made for the promoting positivity challenge from @rtnightmare
https://www.deviantart.com/rtnightmare/journal/Promoting-Positivity-December-Challenge-937526879

It was because of @moonbeam13 I learned of the contest so consider following her folks
https://www.deviantart.com/moonbeam13/status-update/ArcencielDigitalArt-is-hosting-a-new-956762859

image aided in use
https://en.wikipedia.org/wiki/Heliosphere#/media/File:PIA22835-VoyagerProgram&Heliosphere-Chart-20181210.png

https://en.wikipedia.org/wiki/Milky_Way#/media/File:UGC_12158.jpg

I used Figuro to create
https://figuro.io/Designer
and Sketchfab to display
https://sketchfab.com/richardmurray3d
 

Commission
The Aevemor from TheBootesArtVoid
Black and white
https://www.deviantart.com/hddeviant/art/Commission-TheBootesArtsVoid-04-26-2023-b-w-960001249

Colored version
https://www.deviantart.com/hddeviant/art/Commission-TheBootesArtsVoid-04-26-2023-color-960000846

If you like the work, commissions are open

microcalligraphy
https://www.deviantart.com/hddeviant/commission/Microcalligraphy-signatures-1487995

Phillipe Saddletear, my imaginary spirit animal
coloring page
https://www.deviantart.com/hddeviant/art/Imaginary-friend-black-and-white-2023-959899481

in color
https://www.deviantart.com/hddeviant/art/Imaginary-friend-color-2023-959899729

Half of NYC households face cost of living crisis

Half of working-age households in New York City do not make enough money to cover basic needs, according to a new report.

That marks a significant jump from the group's 2021 study, when it found that 36% of households were struggling.

It said the surge was driven by the sharp rise in prices in recent years - especially for housing and childcare.

It comes as families around the world are facing rising living costs.

In 2023, a family of four would need to make more than $100,000 (£80,000) to match costs anywhere in New York City.

That is significantly higher than the roughly $70,000 median household income in the city reported by the US census.

The report was commissioned by the Fund for the City of New York, which is backed by the Ford Foundation, and the charity, United Way of New York City. A similar study has been conducted periodically since 2000.

The analysis examines the "true cost of living", a measure that reflects local costs and housing size.  

It is more comprehensive metric than the official poverty measure in the US, which was developed in the 1960s. By that measure, just 16% of households in New York City are living in poverty."There are many more people in New York City who struggle to meet their basic needs than the government's official poverty statistics capture," the authors of the report write.

"We find that New York City families struggling to make ends meet are neither a small nor a marginal group, but rather represent a substantial proportion of households in the state."

The report found that single mothers, people of colour and foreign-born were disproportionately likely to be struggling, but the problem also affected those with jobs and higher education.

Among households with at least one person working, 40% could not cover basic costs, it found, while more than half of those who did not make enough to cover the cost of living had at least some college education.

The report comes as many countries are struggling to rein in rapidly rising prices, which were once thought to reflect temporary shocks stemming from the pandemic and war in Ukraine but have proven stubbornly persistent.

Inflation, the rate at which prices rise, is expected to be 7% globally this year, according to the IMF's most recent outlook.

In the UK, inflation is at 10.1%, close to a 40 year high.

ARTICLE
https://www.bbc.com/news/business-65394860

FULL REPORT
https://1drv.ms/b/s!ArspJ5yABJDqg8EsiSlQIdYn0kDlcA?e=LnBJgs

Polaroid Week

LINK

I didn't even know Polaroid was still around. I was considering buying one and went to the polaroid site. but they want 100 dollars for the cheapest. Funny how Polaroid went bankrupt but was reborn with their technology absent their wage or debts or et cetera. The lesson is in how bankruptcy is used to evacuate financial liability in firms that can then reboot with their technology in a new labor structure. 

115 Euros for a starter set:)

https://www.polaroid.com/products/polaroid-go-starter-set

Below are some favorites from the series linked above

Photographer: Juliana LongiottiFollow
Title: Winter Roses

LINK

The problem with the film industry in the USA and Kemet

OPENING THOUGHTS

Historical fact versus Film industry goals. 

A film, with chadwick boseman before the black panther called, Gods of egypt , had only one Black god of egypt. Thoth. But, all the gods of Kemet, which the hellens< the romans called the hellens greeks, the greeks called kemet egypt> took over through the macedonian rule of hellens, are Black, all of them. So all the gods of egypt should had been Black. 

In parallel, Cleopatra is white. I didn't say she wasn't Egyptian. She spoke the native tongue. In the same way the Mamluks , who are from eastern europe, are not native to Kemet but lived most of their lives in Kemet, they called egypt, while being muslim. So, the problem is the film industry in the USA has a goal with many projects. The goal is simple. Unbind all characters from racial definition, a key to araciality. The problem is, history isn't a false thing, history is fact. Cleopatra was not black, just like the Mamluks. But this doesn't mean most people in Kemet or Egypt are white. 

But i wanted to do research and find out, who is the lawyer that filed the complaint because as always, the internet story linked to me has no citation. 

I found the following and I will end with lcosing thoughts

ARTICLES

TITLE
Egyptians complain over Netflix depiction of Cleopatra as black

CONTENT
by David Gritten
BBC News
A Netflix docudrama series that depicts Queen Cleopatra VII as a black African has sparked controversy in Egypt.

A lawyer has filed a complaint that accuses African Queens: Queen Cleopatra of violating media laws and aiming to "erase the Egyptian identity".

A top archaeologist insisted Cleopatra was "light-skinned, not black".

But the producer said "her heritage is highly debated" and the actress playing her told critics: "If you don't like the casting, don't watch the show."

Adele James made the comment in a Twitter post featuring screengrabs of abusive comments that included racist slurs.

Cleopatra was born in the Egyptian city of Alexandria in 69 BC and became the last queen of a Greek-speaking dynasty founded by Alexander the Great's Macedonian general Ptolemy.

She succeeded her father Ptolemy XII in 51 BC and ruled until her death in 30 BC. Afterwards, Egypt fell under Roman domination.

The identity of Cleopatra's mother is not known, and historians say it is possible that she, or any other female ancestor, was an indigenous Egyptian or from elsewhere in Africa.

Netflix's companion website Tudum reported in February that the choice to cast Adele James, a British actress who is of mixed race, as Cleopatra in its new documentary series was "a nod to the centuries-long conversation about the ruler's race".

Jada Pinkett Smith, the American actress who was executive producer and narrator, was meanwhile quoted as saying: "We don't often get to see or hear stories about black queens, and that was really important for me, as well as for my daughter, and just for my community to be able to know those stories because there are tons of them!"

But when the trailer was released last week many Egyptians condemned the depiction of Cleopatra.

Zahi Hawass, a prominent Egyptologist and former antiquities minister, told the al-Masry al-Youm newspaper: "This is completely fake. Cleopatra was Greek, meaning that she was light-skinned, not black."

Mr Hawass said the only rulers of Egypt known to have been black were the Kushite kings of the 25th Dynasty (747-656 BC).

"Netflix is trying to provoke confusion by spreading false and deceptive facts that the origin of the Egyptian civilisation is black," he added and called on Egyptians to take a stand against the streaming giant.

On Sunday, lawyer Mahmoud al-Semary filed a complaint with the public prosecutor demanding that he take "the necessary legal measures" and block access to Netflix's services in Egypt.

He alleged that the series included visual material and content that violated Egypt's media laws and accused Netflix of trying to "promote the Afrocentric thinking... which includes slogans and writings aimed at distorting and erasing the Egyptian identity".

Three years ago, plans for a movie about Cleopatra starring the Israeli actress Gal Gadot triggered a heated debate on social media, with some people insisting that the role should instead go to an Arab or African actress.

Gadot subsequently defended the casting decision, saying: "We were looking for a Macedonian actress that could fit Cleopatra. She wasn't there, and I was very passionate about Cleopatra."
 

URL

https://www.bbc.com/news/world-middle-east-65322821

<Rough translation of the arabic to english from google translate>
TITLE
"Falsification of facts and Cleopatra was not black." Zahi Hawass comments on Netflix's latest movie

CONTENT
Zahi Hawass, former Minister of Antiquities and archaeologist, commented on the film "Cleopatra", which was revealed by Netflix yesterday, and drew criticism from public opinion in Egypt for portraying the "black" Ptolemaic queen, considering it a falsification of history.
Hawass commented in an exclusive statement to «Al-Masry Al-Youm» on the film, saying: «That is a falsification completely, Cleopatra was Greek, in the sense that she was blonde and not black», and considered that the film «falsification of facts and an attempt to attract illustrious historical names such as Queen Cleopatra, with the aim of promoting that the Egyptian civilization is black».
Hawass pointed out that there is a trend in the world in recent years led by American blacks and blacks in South America, to claim that the Egyptian civilization is originally black, stressing that «this talk has no basis at all».

The archaeologist pointed out that the black civilization has no connection with the Egyptian civilization, pointing out that the black civilization did not rule Egypt except in the twenty-fifth dynasty during the era of the Kingdom of Kush, that is, at the end of civilization. (The number of families of the Egyptian civilization is 30 families).

Hawass proved that the Egyptian civilization is different from other African civilizations, pointing out that the Egyptian temples have drawings of Egyptian kings, and the Egyptian king is depicted beating his enemies, explaining that the temples depict his enemies either «African, Nubian, Libyan or Asian, and all of them have a different shape».

Hawass continued that «Netflix is trying to create confusion to spread false and false information that the origin of the Egyptian civilization is black», and called on Hawass to take a stand against the Netflix platform.

Netflix launched a promotional advertisement for a documentary about Queen Cleopatra, directed by Jada Ninket Smith, wife of the famous American star Will Smith, and will be shown on the platform on May 10, and actress Adele James was chosen to play the role of the Ptolemaic queen.
Queen Cleopatra, the last ruler of the Ptolemaic dynasty, was born in 69 BC and died in 30 BC in Alexandria.
 

URL

https://www.almasryalyoum.com/news/details/2864818

<Rough translation of the arabic to english from google translate>
TITLE
After the crisis of the movie Cleopater the brunette. Public prosecutor's complaint against Netflix demanding that the platform be banned

CONTENT
Lawyer Mahmoud Al-Samri submitted a report to the Public Prosecutor to close the Netflix platform, after the announcement of the documentary film Cleopater Al-Samra, and to take all legal measures against those in charge of this work, and against the management of the platform for its participation in this crime, and to investigate them and block its broadcast in Egypt and address all concerned authorities, especially the National Media Authority, to achieve this.
The complaint filed against Netflix stated: It was recently noted that the Netflix platform broadcasts some visual materials and content that violate the controls of media content, which we are accustomed to in Arab and Eastern societies in all countries of the Arab and Islamic region, as most of what is presented by this platform contradicts Islamic and societal values and principles, especially Egyptian.
As stated in the communication after the crisis of Cleopater's black film: The platform's management reached them to display advertising and attractive ads seen by millions in the world, and spread on their official pages documented via Facebook, recently, an invitation to watch a documentary film about Queen Cleopatra, who was of Greek origin that she is black and all the pharaohs at the time have black skin, unlike Egyptian history and civilization, to promote the thought of Afrocentric spread widely on social media, which have slogans and writings aimed at distorting and obliterating the Egyptian identity In a crude and worrying way for us as Egyptians we have a historical civilization that nations talk about over time and the issue of these owners of this thought is largely supported by large external parties to falsify the facts of the Egyptians.

The communication against Netflix continued on the Black Cleopatra Declaration: From the standpoint of preserving the Egyptian national and cultural identity among Egyptians all over the world and taking pride in it, and consolidating the spirit of belonging to the homeland, and accordingly, we ask and request you to take the necessary legal measures against this platform, and to stop displaying every work whose purpose is to obliterate and distort the Egyptian identity, by playing in the minds with attractive advertisements and films aimed at falsifying and distorting history in Egypt, and also accusing those in charge of forgery of this work jointly And assistance from the management of the platform.

At the end of his communication, Al-Samri called for taking all legal measures against those responsible for this work and against the platform's management for its participation in this crime.

URL

https://www.cairo24.com/1783644

CLOSING THOUGHTS

My first thought in closing is a question. Did Zahi Hawass or  Mohamed-El-Sayed-El-Semary file a lawsuit against gods of Egypt. Because don't tell me that the gods of Egypt were nordic ? How is that not a falsification? 

And even though, and I quote

... the world of Gods of Egypt never really existed. It is inspired by Egyptian mythology, but it makes no attempt at historical accuracy because that would be pointless — none of the events in the movie ever really happened. It is about as reality-based as Star Wars — which is not real at all ... Maybe one day if I get to make further chapters I will reveal the context of the when and where of the story. But one thing is for sure — it is not set in Ancient Egypt at all.

—Director Alex Proyas, December 2015

if Gods of Egypt can be forgiven for that then the African Queens series by Jada Pinkett Smith can be forgiven. These films are meant to make Black women of African descent feel good about themselves. These films are not meant to be documentaries. 

Now Adele James who portrays Cleopatra said, if you don't like the casting don't watch the show.  And to be fair, the lawsuit, though gaining global attention isn't for a global ban, it is for a ban in Kemet itself. Which is not unusual in film. Many governments ban films involving the history. China banned Seven Years In Tibet. This is not uncommon. 

But Hawass and James and Jada Pinkett for me, offer an interesting question about the series and casting and identity. 

The first thing I thought was, why didn't they chose Nefertiti ? 

They could had chosen Hatshepsut but she is to dominant. Hatshepsut goes into other arguments about women's role in general and Jada Pinkett probably wanted to step away from that. But Nefertiti is legendary and she has a bust that is preserved. I want you to take a look at the show poster and then Nefertiti bust.

Adele James as Cleopatra

The bust of Neferitti

Doesn't ADele James look like Nefertiti? 

Why not Nefertiti?  Why did Jada Pinkett SMith have to use Cleopatra, whom I have said countless times in AALBC is a white woman. I didn't say she wasn't egyptian and I didn't say she didn't have black blood. 

Take a look at the following image of an actor named Ty Burrell. A white man.

Said actor, Ty Burrell has an ancestor, as Black as the night. And, in his own words <you search the "finding your roots" episode, he admitted that people in his community growing up stated that in whispers about his clan>

So Cleopatra being white doesn't mean she doesn't have Black ancestors. It doesn't mean she can't claim Kemet. Charlize Theron says she is south african. She isn't XHosa or Zulu. 

The point is Cleopatra is a white woman. But being in the phenotypical ranges commonly labeled white or black doesn't define one's background or how one defines themselves. Look at the following of Fredi Washington, who played the first Peola in the first film version of Imitation of Life 

She look more like Betty Davis than Lena Horne and Lena Horne is extremely Yella. And Fredi Washington never called herself anything but Black. Hawass would call Fredi Washington light skinned. 

So I see three points, in any order. 

Phenotype in modern USA based media, film in particular but even outside ala Hamilton the play with all the white or blanco historical figures being played by negros/mullatoes/mestizoes, likes to suggest an araciality to historical figures. Anyone can play anybody is the message, in my mind at least. So, The Dagda of the Tuatha de danaan  can be played by a male or female person, kid or elder, with blue black skin and a large black afro. While... Ogun of the Yoruba Orishas can be played by a male or female person, kid or elder, with long blonde hair and snow white skin. Now the question is why? well, the USA has a problem. It's population is the most multiracial or multicultural or multiheritaged in modern humanity and is only growing more multi every day. But, alot of negativity or hatred or dislike is between the parts of the people. The USA populace doesn't have enough love  in its populace to become a family, a set of loving ones. But maybe it can be engineered to be a clan <ala the country of immigrants claim which is false to the native american or partial to enslaved black people as they were unwilling>, perhaps even better a creed<ala the shared belief in individual rights, government of elected officilals through voting, a set of laws that need to be abided and respected absent the use of arms>. Various individuals or groups of people in the USA across all racial spectrums are trying to make the USA into a clan or creed and in the arts, this has led to hamilton or this film of Cleopatra. I see two goals, the first is to deracialize historical figures to support the idea that one can be a racial stranger in a community, the usa, and be part of it instantaneously if they abide by the rules of the clan or creed. The second is to support the idea that one can idolize, be proud of, adopt someone who isn't of their race as part of their essence.   Do I artistically like this? no. I prefer historical truth. But that is only a matter of taste, it doesn't warrant a large multilog for me. Any artist knows, no work makes everybody happy, and it shouldn't. 

Phenotype outside the USA, race, is simpler but when applied to the USA media's portrayals of race, become very complicated. I have been to africa. I can tell you, many women <not most> of North Africa, today, are white women. Now, they are african. They are muslim. And they are not nordic in appearance. Many Northern African women do share the mediterranean look with Southern European women, ala why in Europe, many northern europeans would call southern europeans dark. But they are white women. But they don't see themselves as Europeans. and this is the problem with race outside the usa in comparison to in the USA. In the USA race in general is usually reduced, made simpler, rightly or wrongly. But in BRasil you have Pardo, you have the brown skinned. In African there is no one drop rule, being black doesn't equate to african in africa.  In India, people who look like my mother's father, will argue they are not black because in asia, black equates to african. In asia, the word dark is used for people who in the usa will be deemed black. So outside the USA phenotype, appearance, has other rules and when you apply the goals , the phenotypical goals,  in USA media to places outside the USA it is dysfunctional. But, part of the dysfunction doesn't merely stem from the combination of two unequals or the attempting to find a multiracial center in the USA end, but also the old rigidities of race in many places outside the USA. I live in New York City and anyone who knows latin americans knows that in their homes, the dark or black or negra members of the familia are not treated like in the disney film encanto. Rosie Perez said it best herself, that in the latin community a colorism exist deeply. So when latin americans talk about latin unity, I scoff at that because I know fully well that in their homes, in their community that unity dissolves into a rulership by whites or light skins or alveno's or blancos over everybody else, negra, zambo, indios, et cetera. And it is the same in an India or in Egypt or other North African governments. The communities under said governments have rigid inequal racial categories that are accepted as part of their essential identity. Thus El Semary talks about national Identity even though most people in Egypt if they were in Mississippi in the 1960s would be called nigger on a daily basis. while most of the wealthy in Egypt if in the same Mississippi would be deemed the White elite. Which in Egypt is how the whites treat the blacks, as an elite. 

The importance of media. Hawass is correct. Video media in modernity are the books of yore. The video is how many or most learn, rightly or wrongly. Sequentially, any historical lies in video will be treated as truth or history by many. The question is, it is dangerous. I argue it isn't. But I will explain why. Growing up as a kid my parents provided me with nonfiction or fiction by black people that allowed my perceptions of black people to exist without need of white people. I didn't need public school. I didn't need colleges or universities. I didn't need the television or some video media. Sadly , many people in modernity need an external because their parents are ignorant, they don't know. In the black community in the USA, many black people like to say that the black community doesn't know enough about itself, but the truth is, that is all communities in humanity. The reason why is simple, most communities in humanity are recovering from being completely dominated by another community in humanity and that recovery tends to be a crude or complicated thing. Rarely as smooth as in the fiction books, Sequentially, media serves a huge role, like the images on the early european christian church walls to the illiterate in europe. It doesn't convey the truth, but it conveys a message easier. 

Preproduction in the arts, is an underrated thing. What I know on the outer rim boundaries of the entertainment industry in the usa is how often arts are produced absent a lot of quality preproduction. I am not suggesting a system exist to evade negative criticism. But, I wonder about Jada Pinkett's series. Why go from Nzinga to Cleopatra. In my mind, Jada Pinkett wanted to show being African is not equal to being african. While that is the truth I would had advised her to use another.  I can see why Nefertiti was not used based on the phenotypical range. Nefertiti is black, looks black, regardless to people like Hawass saying otherwise. But, I think the one of the Kandake's, like Shanakdakhete or Amanirenas<one of my personal favorites>, or other queens of Nubia or Kush and its descendants to Sudan or Aksum, like Gudit<who I learned of doing research for this post>,  and its descendants to modern ethiopia. Hawass is correct. Cleopatra is not black. But he is incorrect in one key way. The problem with Kemet and Egypt is that the Upper Nile, the south of the land because in the nilotic world the north is where the Nile flows from which is south if you base north on the pole nearest Europe which is what most in modern humanity do, has always been in a cohabitation with the peoples south of it, whether Nubia or Kush or Aksum. In the same token, the Lower Nile, which is the one that border the modern day mediterranean, has always been in connection to Hellens/the larger Europe or Asia. So, when Hawass talks about the non Blackness of Egypt I argue the Kandake's are to the upper nile what cleopatra is to the lower nile. Female rulers representing the external communities to either half of kemet. And that kind of interpretation is needed in preproduction. It doesn't mean it will happen. But in preproduction it is rarer than people think. 

The power of negative media. The first season involved Nzinga of congo and the second involved Cleopatra. Now considering the slap from her husband to chris rock happened nearly a month after the first season with Nzinga started, it proves the power of negative media. The show from Jada Pinkett wasn't mentioned alongside the slap. The slap was mentioned as the central issue of Jada Pinkett, Will Smith, plus Chris Rock. Her series was barely mentioned if at all. The movie, Emancipation, starring Will SMith was prejudged through people's view to the actor, and Chris Rock's standup was expected and eventually did rotate around this issue, one negative moment dominated all three of their recent time. 

I conclude with a simple point. All EL Semary wants is the show banned in egypt itself. Not an issue. And neither is the depiction of Cleopatra. I already spoke of Hamilton. None of the key points advertised in the media are important.

The location of Mohamed El Sayed El Semary 

https://yellowpages.com.eg/en/profile/Mohamed-El-Sayed-El-Semary/315467

IN AMENDMENT

I finally found evidence to answer my question about gods of egypt in the post above, I didn't find a page and quit on it as I have other things to do but after @Troy asked the same question. I tried again, and read the following

https://www.boxofficemojo.com/release/rl3847128833/weekend/

Mar 2-6    -    $39,360    -    1    -    $39,360    $39,360    1
Mar 9-13    -    $14,958    -62%    1    -    $14,958    $60,950    2
Mar 16-20    -    $13,675    -8.6%    1    -    $13,675    $77,216    3

So, Gods of Egypt wasn't banned, wasn't called to be banned in Egypt. People saw it in egypt. So, this invalidates the desire of the few in Egypt to pan the cleopatra film by Jada Pinkett Smith. And what does it prove. It proves that, the issue here isn't  that the Cleopatra film in question isn't phenotypically or other racially correct, it is that, it is produced by Jada Pinkett SMith, a Black woman of the USA in the NEtflix zone, which is going to be mostly seen online in streaming. This is the true issue. Black produced and mostly on streaming not in theaters. Hawass and  EL Semary realize that most of the young in egypt, like most poor people in the usa , get film through streaming, not theaters, they are afraid of said Cleopatra's visions being displayed amongst the youth, which will get some youth to question the Europhilic-whitephilic aspects of egyptian culture that have been peddled or enforced by those in power in egypt.

REFERRING COMMENT

https://aalbc.com/tc/topic/10236-the-problem-with-the-film-industry-in-the-usa-and-kemet/?do=findComment&comment=60302