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richardmurray

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  1. great tweet stream from @Thistleandverse for those writers who may feel the Shuster/Penguin merger is the christian rapture for publishing
    From #THistleandverse 
    I know a few small or independent presses so (for others who might be interested) I thought I'd share their names, their publishing focus, and some books I've enjoyed from them or books I'm excited to read from them (1/23)
    CLICK THE LINK TO VIEW MORE

     

     

  2. If you want more information, you can submit poetry/art/prose What if every member of AALBC submitted a poem? who is with me? https://aalbc.com/tc/profile/6477-richardmurray/?status=2038&type=status
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    CENTER FOR BLACK LITERATURE
    A CALL FOR SUBMISSIONS
    Killens Review of Arts & Letters
    Fall/Winter 2022
    Jubilee: A Celebration of Voices throughout the African Diaspora
    Founded in October 2002, the Center for Black Literature (CBL) has been committed to its mission 
    to broaden and enrich the public’s knowledge and aesthetic appreciation of the value of Black 
    literature. This year marks the 20th anniversary of the Center and as part of this commemorative 
    milestone, the next issue of the Killens Review of Arts & Letters will focus on “times for celebration.”
    Despite periods of despair during these past few years and the economic, social, political, and 
    racially charged challenges we have faced, we will focus on life’s jubilant experiences. We will 
    highlight moments of hopefulness and elevation for and of the global Black community.
    For the Fall/Winter 2022 issue of the Killens Review of Arts & Letters, we are seeking short stories, 
    essays, creative nonfiction, poetry, art, and photography. We are looking for content that reflects
    the ways Black creatives from all parts of the world celebrate our daily lives, our culture, and our 
    history in a contemporary world. Unless otherwise selected by the editors, we cannot publish work 
    that has previously appeared elsewhere in print or on the web. Prospective contributors are asked 
    to submit work that is aligned with the current theme (the themes are announced in advance).
    - SUBMISSIONS GUIDELINES -
    (DEADLINE: AUGUST 26, 2022, at 11:59 PM ET).
    Please submit to only one category: short stories, essays, creative nonfiction, poetry, art, 
    photography, and interviews. We will respond to your submission within one month.
    Notes for Submitting for the Fiction, Nonfiction, Essay, or Interview Category
    1. Please submit one piece at a time. We have no set or minimum length for prose 
    submissions. Average word count: 2,000–3,000 words.
    2. Please use Microsoft Word format, letter-sized page.
    3. Use one-inch margins on all sides. Line spaces should be double-spaced.
    4. Use a standard typeface (e.g., Times New Roman) and use the 12-point font size.
    5. Make sure the pages are numbered.
    6. Include your name, title of the work, and page numbers on your submission.
    7. Please do NOT submit book manuscripts.
    8. Please include a two- to three-sentence biography. If the submission is an academic essay 
    with references, please include a bibliography.
    2
    Notes on Submitting for the Poetry, Art, or Photography Category
    1. Poetry: Please send up to three poems only.
    2. Art and Photography: We welcome all types of visual and image submissions. Please 
    include a short note about the context of the visual or image and title and/or caption 
    information. Please include no more than six hi-res JPGs (at 300 dpi).
    3. Email material to writers@mec.cuny.edu and to Clarence V. Reynolds at 
    reynolds@centerforblackliterature.org.
    4. Please write “Killens Review Fall/Winter 2022” in the email message’s subject heading.
    5. Please include a brief introduction of yourself and of the work being submitted. On the first 
    page of your submission be sure to include:
     Your full name
     Telephone number
     Email address
    6. The Killens Review of Arts & Letters cannot be held responsible for unsolicited manuscripts, 
    photographs, or artwork that do not follow the guidelines.
    The material in this publication may not be reproduced in whole or in part without permission.
    Opinions expressed by contributors do not necessarily reflect the views of the CBL.
    CONTACT US
    Address: 1650 Bedford Avenue | Brooklyn, New York 11225
    Email: writers@mec.cuny.edu
    Phone: (718) 804-8883
    Website: www.centerforblackliterature.org
    ABOUT THE PUBLICATION AND ITS NAMESAKE
    The Center for Black Literature at Medgar Evers College, of the City 
    University of New York, publishes the Killens Review of Arts & Letters. It is 
    a peer-reviewed journal published twice a year that features short stories, 
    essays, nonfiction, poetry, art, photography, and interviews related to the 
    various experiences lived by writers and artists of the African Diaspora, as 
    well as the African continent. The aim is to provide accomplished and 
    emerging Black creatives with opportunities to expand the canon of 
    literature and art. The latest issue of the Killens Review is available for 
    purchase today. Click HERE.
    It is named for the late Georgia-born John Oliver Killens (pictured; 1916–1987). He was a renowned 
    African American novelist and essayist and was a writer-in-residence and professor at Medgar Evers 
    College from 1981 to 1987. Killens was also the founder of the National Black Writers Conference, a 
    major program of the Center.
    The Killens Review of Arts & Letters is supported by the am*zon Literary Partnership. For more 
    information, visit www.centerforblackliterature.org/killens-review-of-arts-letters/
    information 
    https://centerforblackliterature.org/wp-content/uploads/2022/08/Killens_FallWinter2022_CALLfinal.pdf

     

    1. richardmurray
    2. richardmurray

      richardmurray

      DEADLINE EXTENDED, I received a message from them that my poem will be reviewed:) 

       

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  4. Cover for Sleeping Swordsman Waking Buddha by Shawn Alleyne.jpg

    Title: Element for Cover Art to Sleeping Swordsman Waking Buddha
    Artist: shawn alleyne  < Pyroglyphics Studio > OR < https://www.deviantart.com/pyroglyphics1 >   
    INFO
    Shoutout to @damajurazen and Souls of the Arts for allowing me to draw the cover art for his epic new novel that's about to drop called Sleeping Swordsman Waking Buddha.
    It's a whole redemption story, nixed with some fantasy, mixed with some martial arts, mixed with some revenge, mixed with all kinds of goodness. 
    I'm not the greatest at shadow work, but I kinda like the final product. The second pic was my first pass at it but I wanted to push the black a little more. 
    To pre-order the novel go to his page and click the link or go to www.SoulsOfTheArts.com 
    www.PyroglyphicsStudio.com 
    FB: Pyroglyphics Studio 
    IG: @Pyroglyphics1
    T: @ShawnAlleyneArt
    B: www.ShawnAh-Lean.blogspot.com 

     

    Prior post
    https://aalbc.com/tc/profile/6477-richardmurray/?status=2026&type=status
    Shawn Alleyne post
    https://aalbc.com/tc/search/?q=shawn&quick=1&type=core_statuses_status&updated_after=any&sortby=newest

    Cover for Sleeping Swordsman Waking Buddha 02 by Shawn Alleyne.jpg

  5. New York City has added the children of illegal immigrants bused from texas into choice schools in the schools system of the city. New York City is giving the children of Ukranians all sorts of extracurricular activities in the city. 

    but NYC has so many children who are in shelters with the same education level than the bused kids while barring them from choice schools or they are not given extracurricular activities. 

    Ahhh 

  6. For writers, if you are interested in a discussion about the merger of Penguin House side Simon and Schuster or the prevention of said merger by the Federal government of the USA. Click the link for more information or to share your thoughts https://aalbc.com/tc/profile/6477-richardmurray/?status=2034&type=status
  7.  

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    Where do I begin, where do I begin... 
    In fiscal capitalism, in the USA,  all industries lean toward fewer and fewer participants. 
    Newspapers in the late 1800s early 1900s were in the thousands, now...
    Automotive manufacturers in the early 1900s were hundreds, now...
    Oil Producing firms were once a hundred, now...
    Music Record labels were in the hundreds, now.... 
    Movie Studioes in the hundreds, now...
    Video Game producers were once a hundred, now...
    No industry in the USA historically goes towards more participants, that is historical fact. 
    Is an industry being dominated by one firm problematic? yes. 
    WHy? If one firm controls an industry, then the external market can't influence the pricing or quality of goods. The key tenet of market fiscal capitalism is that the forces outside a firm, manipulate the firms actions thus a level of control is placed on any firm. 
    But I will argue that a very modern or recent activity in the USA has made the monopoly fear impotent. 
    That activity is, too big to fail? 
    Too big to fail has one great evil in market fiscal capitalism. It denies the markets ability to kill a firm. When a firm is to big to fail, then a firm will be propped up against what the market led it to be. 
    So when the banks or car companies in the USA mostly failed, I think ford was alright but all major banks or financial institutions had failed, denying the market's ability to kill those firms killed the fear of monopoly. 
    By making a firm or set of firms too big to fail, you make said firm or set of firms a monopoly. 

    enjoy the webinar hosted by Jane Friedman < https://www.linkedin.com/in/janefriedman >

    Register: https://us02web.zoom.us/webinar/register/WN_y3uQlH_LSEuOlh-F67ei1g

     

    Thanks Jane Friedman
    From her
    The US government is attempting to stop Penguin Random House (the biggest publisher in the US) from acquiring Simon & Schuster (the third biggest publisher in the US), on grounds that it would hurt authors by lowering advances due to reduced competition in the market.

    Will authors indeed be hurt if the acquisition goes as planned? Is a super-sized Penguin Random House bad for other reasons? How strong is the government's case? What have we learned from trial testimony about how publishing operates?

    Join me for a lively discussion with a panel of industry experts. If you can't make it live, the conversation will be recorded and available afterward on YouTube. Link to register in the comments (free).

    End her quote

     

    If you are interested in more of my thoughts
    https://www.kobo.com/us/en/search?query=Richard Murray's Pulpit&fcsearchfield=Series&seriesId=e03984d8-b93f-58eb-807c-66847982c48e

     

    1. richardmurray

      richardmurray

      Information on small scale publishers

       

  8. Metal Gear Art Gallery: Metal Gear Art Feature by Ry-Spirit on DeviantArt Title: I am like you I have no name Artist: marcwashere URL: I am like you. I have no name. by MarcWasHere on DeviantArt
  9. Pokemon twitch PokemonTCG - Twitch 2022 North American International Championships - TCG Day 2 https://www.twitch.tv/videos/1565326400 Pokemon world championship website 2022 Pokémon World Championships - How to Watch (pokemon.com)
  10. third replier interesting. my reply yeah, also, maybe the orcs need new tribes. In the USA the one historical fact, that I think many people in the USA continually deny, is that in every race in the USA, tribes exist, and usually they are not in positive concert. In Tolkien's world, the elves don't infight. The dwarves don't infight. Even the humans, for all of the stewards ways, do not really infight. The best infighting is from the orcs but even that is in my view, lacking honest friction between the tribes in a race. IN AMENDMENT Many fans of works like Tolkien may say it is against the grain but that is the USA. In the war of independence, some natives fought for the creation of the usa, some natives fought to stop it from being created. some blacks fought for the creation of the usa, some blacks fought to stop it from being created. some white fought for the creation of the usa. some whites fought to stop it from being created. I think many in the USA create a myth in their mind that, the USA was and is a dream everybody wants or desires. it wasn't and isn't. Maybe you don't need new races, but for all the orcs that fight for sauron and attack anyone living peacefully? Where are the orcs that do not? For all the dwarves that live the "drawf live" and have a pride where are those who do not? And in those that do not reside the others where appearance will probably change as well
  11. third replier My main issue is the races etc. using the standard dwarves, elves, hobbits, etc. just seems lazy. So working out new and unexpected races, govt, etc. I'm well on the way with all of it, it just takes time to do all the world building before doing the narrative side. .. I've been thinking about it for 30+ years. but just got serious recently My comment hmm well, I will be devil's advocate and say, maybe dwarves/elves/hobbits/ et cetera are not lazy. Maybe the old races need new and unexpected tribes. IN AMENDMENT We see this in the am*zon version of tolkien's work. While many will praise the vision as pan phenotypical or pan racial. One must ask, but why the one tribe. Why is the black elf queen so communally comfortable? Now some will say that is the point. But that misses that modern USA was made with most people in the Indigenous/Black descendent of enslaved/white descended of enslavers who were or are opposed to the miscegenist culture that the minorities in each community pushed for. But that goes back to the problem with the simple good or bad dichotomy .... and to all artist who may read this. Epiphany has no time limit.
  12. third replier Ever since I first read Tolkien and C.S. Lewis I've been considering the idea of an american fantasy world thing. just haven't worked it out yet to my own satisfaction. My Reply yeah, I have only thought about it in the last few months. I am willing to chat about your considerations. Tell me what is stumping you. What isn't meeting your satisfaction. Remember, Tolkien and CS lewis and Dianne wynn jones helped each other. Threw ideas at each other. I am willing to offer my ideas at where you may feel uncertai. IN AMENDMENT From my own scribbles I admit one reality. if anyone wants to mirror the USA in a fantasy world like the one's lewis or tolkien created, the good evil dichotomy has to be erased. It is too simple. The USA has always been to some mordor and to others Gondor. I think it is clear the media lords in the USA wants a soap opera/telenovela detailed fantasy world, aka high fantasy, that reflects the USA, but none really exist. From the comments I received it is clear one problem is the ancient old nature of most epic fantasy doesn't apply to the USA. The USA isn't the country from ancient times. It isn't a return to a great ancient country. The USA is similar to the roman empire in population multiraciality. But, It is a country that went from a white power country at its nascent to a country that welcomes the changes from the strangers as well as the people in it. but, wrapping that in a fantasy context as the good country is against the grain. To be blunt, using example, the USA as a fantasy country is not the country where the orcs die with sauron. it is where the orcs become part of gondor. but then the idea of the evil in orcs doesn't fit. The miscegenation of the USA doesn't allow the dichotomy of good side evil that tends to be placed on characters in telenovela fantasy.
  13. the second replier A friend suggests: "Manly Wade Wellman's 'Silver John' stories are set in the Appalachian backwoods and feature fantastic events based on the folklore of the region. Other 'Appalachian Fantasy' series include Alex Bledsoe's Tales of the Tufa, which focuses on The Fair Folk as Appalachians knew them, and D. J. Butler's Witchy War, an alternate Antebellum America with working folk magic." My reply thank you:) The USA was founded on its east coast by british colonies. Those colonialist ventured into appalachia before the creation of the USA. I think you... or your friend:) thank them please, have provided the first example by repliers to a story that is not circling the 1900s as a base setting. IN AMENDMENT The question to all the stories all the commentors have presented is, are these stories the USA. Dark Tower/Atlas Shrugged/Star Wars/ Indigenous tales/ are these fantasy worlds the USA or people in the USA. the third replier technically atlas shrugged is the past because of the setting with trains being a major industry. a lot of what is in the book would appear to be late 1800s to 1920s era My Reply excellent point. And to be blunt, the comments from here and there online prove united on the idea that the fantasy world that reflects the USA will have a nearness. The 1800s 1900s sense of industrialization will have to be present in any fantasy world that reflects the USA . IN AMENDMENT I am getting a clear picture from the comments. And it explains why modern media is trying to push USA into non -USA fantasy worlds. Because any USA fantasy world will not have the agrarian or ancient appeal that some of the most popular fantasy worlds do.
  14. The third replier again also, these are just the ones off the top of my head that I could think of without digging around. I'm sure that there are others that likely focus on indigenous people etc. They might not be high fantasy like LoTR etc. but they mystical nature surrounding various tribes and their connection to the land etc. certainly are in line with fantasy works mechanics. My reply Well, I admit my goal here is to inquire about a fantasy world that reflects the USA. In my mind I can speak of the Navajo myths or legends and bring fantasy from that. The gullah or geechee people of the carolinas have fantasy that can be built from their lore. But, Are those reflecting the USA or a people in the usa? I don't know. I don't think said question is straight forward either. I love the work from zora neale hurston, every tongue has to confess. The oldest straight from the horses mouth fable/fantasy/fiction from Black peoples who were enslaved or whose forebears were enslaved in the USA. but regardless of whether I can derive fantasy from that. which I can:) Is that fantasy the USA? I don't know. I will not say no or yes, but I think any answer is challengable. Thus my own agenda here I have relayed somewhat IN AMENDMENT Can a fantasy world reflecting a country like the USA be just from one community in it? That goes back to Wizard of OZ. I don't know. I think the USA has many peoples with fantasy from their community but the USA itself doesn't have so much.
  15. Third replier American Gods by gaiman, Dark Tower by Stephen King, Moonheart by Charles de Lint is in Canada, The Shannara series by terry brooks is set in a post nuclear war earth and certain descriptions match US landmarks. My reply thank you for your reply. you are the third replier and all three replies have suggested two things. One the fantasy world of the USA must include science fiction, which is in terms of the history of literature, a point. Two, a 1900s and after scenario setting. I will think . IN AMENDMENT Any one can argue that the history of the USA can challenge both of those points. but , regardless of historical assessment, the comments consistency speaks volumes to me. In my mind I thought someone might mention the wizard of oz, but no. I comprehend why not. The 1900s was the century in which the USA's influence outside itself grew to a much larger extent and I think that parallels a key theme in the fantasy of the USA. The wizard of oz is still when the USA is not merely a mostly white european christian but also a isolationist country. many people in the USA today don't realize that the usa's government historically is not into meddling outside the USA in a robust way. To be blunt, the monroe doctrine while clearly imperialist. ISn't like the marshall plan. The monroe doctrine didn't say the USA is the overlord of the american continent and will be responsible for all the people of the america's as a steward. It said the usa is the military overlord of the americas but the americas are simply not to be bothered by outsiders. In the way imperial japan related to korea is what the monroe doctrine is. And thus, why no Wizard of Oz. Even though it is telling Baum welcomed variations on his work as long as they were quality, so he comprehended the future fantasy worlds of the USA and how all fantasy worlds<including those not based in the USA > may have to work in media. Fourth replier Star Wars wars be a globally known fantasy world? MY REPLY hmm thank you for the reply. It is amazing how consistent the replies have been. IN AMENDMENT Again, another science fiction connection. hmmm I have to think. The force is magic , even though it is given science fiction explanations in later tales. And the multiracial composition of star wars, robots/satanic looking species are all citizens next to someone who looks like they are from kansas today. The third replier again dark tower really isn't sci-fi....neither are moonheart or shannara. Even though Shannara is set in a post apocalyptic world that is not part of the story...it is 100% magic not tech. American Gods is also supernatural and not sci-fi technically since the "gods" work magically My reply thank you for giving breadth to your position. I am unfamiliar to shannara series. but I have some familiarity to dark tower/american gods/moonheart. Your points hold truth to me IN AMENDMENT Its the boundary between science fiction side fantasy that must be addressed. The 1900s world of the USA is one where science, especially through technology, is ever present. So it doesn't undo magic, as the unexplained while doable science, but it makes it unanalogous to fantasy worlds based anywhere in humanity before the USA, including pre european invasion American continent.
  16. The first reply I received from somewhere online I think that the USA is still trying to define itself. We're a relatively young country, and we're in a constant state of change. My reply to the reply thank you for replying, you are the first reply, not viewing, but reply across various platforms. I like this question of mine:) ... If I may, your position is the following. The lack of a fantasy world that reflects the USA is built on the inability of the USA to define itself, supported by the age of the usa's govenrment, or the uncommon rate of internal heritage or culture change that exists in the USA? I will say this, if your three points are true: usa is not defined, usa is young, usa has a communal modulation unlike any other in the past. Then it explains the inability of a writer to create a fantasy world that reflects the USA. I will not say your three points are correct in my opinion. But I can say with 100% assuredness, if your points are correct, then it explains why no fantasy world. IN AMENDMENT: let me take apart the reply... from 1776 to 2022 that is 246 years. Now, I didn't include the english colonial period which to me should be included and I usually include in usa history. That would be 1607 to 2022 which is 515 years. But the most recent state in the union is hawaii at 1959. So, it can be argued that the current 50 state usa is only, 1959 to 2022 which is 63 years. so, depending on when you consider the heritage of the usa to start, it can range from 515 to 246 to 63 years. And with each range the idea of the USA being young or historically still in a nascent stage of development is supported or challenged by the history of various other countries in humanity. So in my view, the first two points in the reply: The USA is still trying to define itself plus, the USA is relatively young, are correct, but anyone saying their wrong is also correct. Specificity is mandatory in this situation. The third point about a constant of change is challengable. I have been to the deep south. I can tell you, many places in the deep south have not changed in over 150 years , since the end of the war between the states. I can also say that some places have changed. It becomes not a lie but not a truth. IT all requires specificity. So I argue that the USA has within itself a large enough populace with a clear or certain definition to the USA, is no longer a country that can be deemed nascent, and has enough inconstancy of change in its populace to deny the position by the replier. But then, the question is, if said point is true. Why no fantasy world? The only possible reason can be that, the certain identity of the USA, as a mature country,by a large enough percentage of its populace has already been written but didn't achieve popularity for its truth. The question now is to find the fantasy failures. hmmmm The second reply "Atlas Shrugged" My reply to the reply I didn't think such a book will be deemed fantasy next to lord of the rings. Thank you for your reply. I have to rethink fantasy now. IN AMENDMENT Let me take it apart. Atlas Shurgged is a future world book. It isn't the past, which is usual in fantasy worlds in common. It has more of a scientific, meaning knowledge feel than the unknown knowledge that is magic. But, let's say Atlas Shrugged is a fantasy book. Then, the issue is, the identity of fantasy has to change. Maybe the problem isn't that the USA doesn't have a fantasy world, but that the fantasy world of the USA is not a fantasy world to be placed commonly? I have to think on this. The second replier made another comment It definitely depends upon your definition of "fantasy". MY reply true, but I think it is important point you make. I admit I have a writing agenda IN AMENDMENT Maybe with the USA , going back to the first reply. Maybe science fiction can not be taken away from fantasy with the USA, based on that age of it, from a certain view at least.
  17. Luke Aikins skydiving from 25,000 Feet with No Parachute & landing in a net  

     

  18. The idea of MAKE A STORY is simple, nothing grand, or complicated. One starts a story with a paragraph 100 words maximum, and tags someone to continue. The person who starts keeps track in a post, like this. And, whomever is tagged, tags someone else to continue. The story is never ending. But, it will give everyone in this community a chance to do something positive or functional with everyone else. At the end , all the participants can debate a title:) Ok , I will start In the vastness of space, in a universe whose name is unknown, in a galaxy some of its inhabitants call Isi, orbiting a star system of three stars some call The Three Queens, is the world its inhabitants call Nok. The comet belt, a set of comets with a similar orbit, can be seen on the surface of Nok the entire year; it moves through the heavens, through the orbits of the other worlds around The Three Queens. Two twins look up, gazing at the brilliance of the belt in the night sky. I tag @Troy MAKE A STORY part list @richardmurray LINK @Troy LINK?
  19. ok @Troy I will elaborate on what I meant by a prompt. For example, best romantic sentence this past week. and people can put reply with the most romantic sentence they read this past week, name the book title and author of course. Little things. Nothing that requires grand tools or grand time. I have an idea I will put in the forums and see where it goes.
  20. The article below explains the complexity of immigration. I will say one historical truth. No community that freely immigrated to the USA, which includes all communities in the USA except the native american or descended of enslaved, have aided the communities in the places they come from positively. Nor does their community in the USA have an overall balance internal. 
    The reason being is simple. A peaceful positive community can not be built on individual rifts, and no matter where you run, where a group runs, the individual rifts will destroy the group/race/clan/tribe.

     

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    Photo by Adria Malcolm

    Muslim Killings in Albuquerque Stir Sectarian Ghosts
    An Afghan family struggled for a foothold in a new home in the U.S. Now one of them is charged with killing fellow Muslims.

    By Simon Romero, Miriam Jordan, Ava Sasani and Nicholas Bogel-Burroughs
    Aug. 15, 2022
    ALBUQUERQUE — Five years ago, Muhammad Syed was eyeing a new life with his family in a new land. They had fled war-torn Afghanistan and resettled as refugees into a small duplex near the airport in Albuquerque. Mr. Syed found work as a truck driver. But then the troubles began.

    Coming from a culture where women largely stayed at home, he grew enraged with his wife as she was learning how to drive, grabbing her hair and kicking her out of the car, according to one of several reports of domestic violence the police were called to investigate. A security camera showed him slashing the tires of another woman’s car outside Albuquerque’s largest mosque, and he was banned from coming back to their place of worship.

    When his daughter enrolled in college, he tried to force her to bring her brother to class as a chaperone. And when she became romantically involved with an Afghan man from a different branch of Islam — a Shiite, while Mr. Syed and his family were Sunni — he attacked the young man and threatened to kill him, the man later told the police.

    “Syed was explosive, violent, always seeking revenge,” said Sharif Ahmadi Hadi, an Afghan immigrant who, together with his brother, opened a halal market serving Albuquerque’s growing Muslim community and knew the Syed family. “We left Afghanistan to get away from people like him. But they followed us here.”

    Now Mr. Syed has been identified as the leading suspect in the harrowing string of murders of four men, including Mr. Hadi’s younger brother, three of them Shiite Muslims, and the authorities said on Monday that Mr. Syed’s son, Shaheen Syed, purchased weapons with his father and may have helped him surveil one of the victims before his death.

    One year after the chaotic withdrawal of American troops from Afghanistan, the killings, now connected by the authorities to a man who had prayed in the same mosque as the murder victims, have shaken the Muslim community in New Mexico with frightening echoes of the violence many of them had traveled half a world away to escape.

    In Albuquerque, which took in more than 300 evacuees from Afghanistan over the past year after the fall of Kabul to the Taliban, the possibility that a foundational dispute of Islam could have been a factor in the killings in recent weeks was shocking. Sunni and Shiite Muslims differ in their beliefs over who was the proper successor to the Prophet Muhammad when he died nearly 1,400 years ago. While the historic division has fueled strife in several countries, including Iraq, Lebanon and Afghanistan, it has been rare in the United States.

    Editors’ Picks

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    Mr. Syed was charged in two of the killings, those of Aftab Hussein and Muhammad Afzaal Hussain, based in part on bullet casings found at the scenes. The police said Mr. Syed was also the main suspect in two more killings, including that of Mr. Hadi’s brother.

    Shaheen Syed was charged last week with lying about his address when he purchased two guns in 2021. In a new court filing on Monday, federal prosecutors said he had lied to investigators about accompanying his father to gun stores when his father purchased weapons, including on Aug. 1, the day Muhammad Afzaal Hussain was killed.

    The prosecutors also said that on Aug. 5, when Naeem Hussain was killed hours after attending a funeral for two of the most recent victims, cellphone tower data indicated that Shaheen Syed’s phone was in the “general area” of the funeral around 3:39 p.m., but 20 minutes later had moved closer to the area where Mr. Hussain was killed in his car. The data also showed that Muhammad Syed’s phone was in the area of Mr. Hussain’s killing shortly after 4 p.m.

    The filing also noted that Shaheen Syed and one of his brothers, Adil Syed, were involved in a shooting at a Walmart in July 2021. During what Shaheen Syed had described as a road rage incident, Adil had fired a gun once at the car of a man who he and his brother said had also been armed. No one appeared to be charged in the incident.

    Muhammad Syed has told the police he had no involvement in the murders, and lawyers for both him and his son declined to discuss the cases. But the son’s lawyer, John C. Anderson, told the court on Monday that his client should not be detained based on “exceedingly thin and speculative allegations” about crimes that he had not been charged with. He said the cellphone tower data gave no indication of whether Shaheen Syed was 100 yards or five miles from the murder scene.

    The police said they were not sure whether the crimes could be considered either serial killings or hate crimes until they had done more investigating. Mr. Syed’s long trail of violence and interpersonal conflict since his arrival in Albuquerque seemed to defy easy categorization.

    A Friend Goes Missing
    For weeks as the killings unfolded, Albuquerque’s small Muslim community — no more than 10,000 people in a city of half a million — had been on edge. Some families were hunkering down in their homes; others were making plans to leave New Mexico altogether.

    But Naeem Hussain, a 25-year-old immigrant from Pakistan who had recently started his own trucking business, made a point of being back in Albuquerque on Aug. 5 to mourn the loss of two of the murdered men: a fellow Pakistani, Muhammad Afzaal Hussain, 27, a city planner who had moved to Albuquerque to attend the University of New Mexico, and an Afghan, Aftab Hussein, 41, who had worked at Flying Star, a well-known Albuquerque cafe.

    Naeem Hussain had donned a black T-shirt and blue trousers and headed to the funerals early that afternoon. Afterward, he and a few friends who were fellow truck drivers parted ways and agreed to meet at Naeem’s apartment a little later.

    When Naeem didn’t show up, his friends drove around to the Mahdavi Center, a Shiite mosque, for holiday services, at around 6 p.m. As Shiites, they were observing Muharram, to mark the martyrdom of Imam Hussain, grandson of the Prophet Muhammad.

    Naeem never arrived. Later that night, when he wasn’t answering his cellphone or texts, his friends grew nervous. They turned to Zenly, a transportation app that they often used to track one another on the road. It indicated Naeem’s car was parked near the intersection of Truman Street and Grand Avenue.

    At about 11:20 p.m., the men spotted Naeem’s white 2020 Toyota 4Runner in the parking lot of Lutheran Family Services, where he was once employed as a case worker helping refugees resettle in Albuquerque. As they approached, they noticed the S.U.V.’s lights were on, the engine still running.

    Naeem was slumped in the driver’s seat, his blood spread across the front seats. The police opened a fourth murder investigation.

    “My eyes were burning,” said I. Hussein, one of Naeem’s friends, one of several who feared giving their full names for fear that Shiites could continue to be targeted. “I couldn’t go to sleep, the whole thing was coming to my head.”

    He and other Shiite Muslims in the city contacted one another nervously, wondering whether the killer could be not only a fellow Muslim, but a Sunni targeting his victims to coincide with the Shiite holiday.

    The three victims killed in a 10-day span shared variations of the name Hussain, popular in the Shiite community because of its association to the prophet’s grandson. Two of the victims were Shiites, but the realization that the only Sunni victim, Muhammad Afzaal Hussain, also shared the name led many to wonder if the killer may have targeted him by mistake.

    Naeem’s friends left town in fear, driving to Virginia to stay with a friend.

    “We came all the way from that side of the world because of this whole situation,” said I. Hussain, referring to the discrimination they suffered at the hands of Sunnis in Afghanistan, “and now they are doing the same thing they were doing there.”

    The mystery of who had committed the crime may have been at least initially answered when the police announced that Naeem’s death was one of the four in which Mr. Syed was a primary suspect. The question of why remained unanswered.

    A Father’s Violent Discipline
    Though Mr. Syed claimed to have fought the Taliban in Afghanistan, no record of military service has emerged so far. After arriving in the United States in 2016, the family struggled to make ends meet, according to an Afghan friend who visited their home on numerous occasions. Mr. Syed, who had worked as a cook for a construction company in Afghanistan, eventually became a truck driver, though it was unclear how often he worked.

    Starting almost immediately, though, police records detail a trail of troubling altercations between Mr. Syed and those around him.

    His daughter, Lubna Syed, then 19 years old, reported to the police in May 2017 that her father had slapped her because she had made a phone call while he was talking to her. One of her brothers, perhaps covering for her father, told the police that she had “imagination issues,” and no one was charged.

    That July, she called the police again to report “ongoing verbal and physical disputes with her very conservative Muslim parents.”

    Ms. Syed told the officers that she had been arguing with her parents after they insisted that one of her brothers escort her to class at the University of New Mexico. Mr. Syed denied hitting his daughter, the officer wrote, but Ms. Syed appeared to have some redness on her arm and swelling around one eye.

    “Based on cultural differences and a statement from Lubna saying that she did not want her father arrested because it would only make their family dynamic worse, we decided to not make an arrest,” the officer wrote.

    But just five months later, the police charged Mr. Syed with battery after Iftikhar Amir, his daughter’s boyfriend at the time, said that Mr. Syed, along with Mr. Syed’s wife and one of his sons, had beaten him after finding him in a car with the daughter.

    Mr. Amir told the police that Ms. Syed’s family did not want her to date him, and he told police two months later that Mr. Syed had threatened to kill him. In both cases, he did not want to press charges.

    Later, he and Lubna Syed were married, friends said; they bought a house together in November 2021. Both declined to comment.

    The police were called back to the Syed home repeatedly: when Mr. Syed’s wife said Mr. Syed grabbed her by the hair and threw her to the floor; when his son said he hit him on the head with a spoon. Friends of Mr. Amir said he felt threatened by his father-in-law because he did not want his daughter associating with a Shiite.

    Mr. Amir had been a close friend of Aftab Hussein, the cafe worker who was fatally shot in late July. Aftab Hussein’s brother Altaf Hussain Samadi, 32, said Mr. Amir told him that he believed his marriage to Lubna Syed had prompted Mr. Syed’s fury. “He said, ‘He should do something back to me, not to others if he has a problem with me,’” Mr. Samadi recalled.

    ‘A Place We Could Feel at Home’
    The first death — one that Mr. Syed has not been charged with, though the police said he was the leading suspect — occurred in November, months before the other three shootings. Mohammad Zahir Ahmadi, the younger brother of the halal market’s owner, Mr. Hadi, was shot in the head while smoking a cigarette in the parking lot behind their business.

    The brothers had made Albuquerque their home after trying out Philadelphia and Tucson, Ariz. New Mexico’s largest city, with its dry climate, monsoon rains and large Hispanic population, “looks like Kabul,” Mr. Hadi said. “The people look like Afghan people. I knew this was a place we could feel at home.”

    With their business, Mr. Hadi said they got to know many people in the Muslim community, including the Syed family. One day when Mr. Ahmadi was working the cash register, his brother said, Mr. Syed came in with four bags of rice he had purchased days earlier using food stamps. Mr. Syed demanded a cash refund, but Mr. Ahmadi explained that doing so would constitute food stamp fraud.

    Mr. Syed was clearly angry, Mr. Hadi said, and came to the store in person to threaten the family on three separate occasions. Mr. Syed would call the brothers “kafir.” The word, intended to be derogatory, refers to nonbelievers who understand religion but opt to hide from it. Popularized in Saudi Arabia to denigrate Shiite Muslims, the term was later adopted by the Taliban in Afghanistan.

    “When we’d tell him to leave, he’d just go to his car and sit in the parking lot waiting for us for hours,” Mr. Hadi said. “We called the police but they never showed up.”

    The police said they had no record of any such calls for assistance. But in February 2020, surveillance images from the Islamic Center of New Mexico showed Mr. Syed slashing the tires of the car Mr. Hadi’s wife had parked outside the mosque there. Leaders of the mosque told Mr. Syed to stay away, and he did so for months.

    Mr. Syed now stands accused of murder in the killings of Aftab Hussein and Muhammad Afzaal Hussain, and the police said they were still compiling their cases on the other two killings. Leaders of the Afghan community have said they are relieved that a suspect has been identified, but some have been reluctant to ascribe the killings to sectarian violence; the reasons for murder, they learned after decades of war, are often too complicated to fit simple labels.

    Salim Anseri, a leader of the city’s Afghan community who knew Mr. Syed as well as all the victims, is one of those who is not ready to make a judgment. “Maybe he’s mentally ill, or had personal issues with the victims,” he said of Mr. Syed. “From what I can tell, it was personal issues.”

    For Mr. Hadi, such distinctions matter little. Between fits of tears, he said he still had trouble going back to the spot where his brother’s life ended so abruptly.

    “I still see him every day when I come to work,” Mr. Hadi said. “But he’s dead. Nothing is going to bring him back.”

    Susan C. Beachy and Kitty Bennett contributed research.

    Simon Romero is a national correspondent covering the Southwest. He has served as The Times’s Brazil bureau chief, Andean bureau chief and international energy correspondent. @viaSimonRomero

    Miriam Jordan reports from the grassroots perspective on immigrants and their impact on the demographics, society and economy of the United States. Before joining The Times, she covered immigration at the Wall Street Journal and was a correspondent in Brazil, India, Hong Kong and Israel. 

    Ava Sasani is a reporter for the National desk. @AvaSasani

    Nicholas Bogel-Burroughs reports on national news. He is from upstate New York and previously reported in Baltimore, Albany, and Isla Vista, Calif. @nickatnews

  21. Add something to engage a literary book club? maybe a prompt or some activity.
  22. Title: The Healer Artist/Photographer: Carrie Mae Weems https://aalbc.com/tc/profile/6477-richardmurray/?status=2028&type=status
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