38 Books Published by Seven Stories Press on AALBC — Book Cover Collage

The Wedding Portrait is an essential book for kids about standing up for what’s right. Here are stories of direct action from around the world that are bookended by the author’s wedding story. He and his bride led their wedding party to a  protest, and were captured in a photo by the local newspaper kissing in front of a line of police just before being arrested. "We usually follow the rules. But sometimes, if you see something is wrong—more wrong than breaking the rules and by breaking the rules you might stop it—you may need to break the rules." When indigenous people in Colombia block an oil company from destroying their environment—this is a blockade; when Florida farmworkers encourage people not to buy their tomatos because the farm owners won’t pay them for their hard work—this is called a boycott; and when Claudette Colvin takes a seat in the front of the bus to protest racism—this is called civil disobedience.  In brilliantly bright and inspiring illustrations we see ordinary people say No—to unfair treatment, to war, to destroying the environment. Innosanto Nagara has beautifully melded an act of love with crucial ideas of civil disobedience and direct action that will speak to young readers’ sense of right and wrong. There has never been a more important moment for Innosanto Nagara’s gentle message of firm resolve.

“In [Lazarre-White’s] world, mysticism and madness walk hand in hand with the waking reality of so many young Black men in America, a reality that by any rational measure is itself insane.” Susan L. Taylor

Passage tells the story of Warrior, a young black man navigating the snowy winter streets of Harlem and Brooklyn in 1993. Warrior is surrounded by deep family love and a sustaining connection to his history, bonds that arm him as he confronts the urban forces that surround him—both supernatural and human—including some that seek his very destruction.

For Warrior and his peers, the reminders that they, as black men, aren’t meant to be fully free, are everywhere. The high schools are filled with teachers who aren’t qualified and don’t care as much about their students’ welfare as that they pass the state exams. Getting from point A to point B usually means eluding violence, and possibly death, at the hands of the "blue soldiers" and your own brothers. Making it home means accepting that you may open the door to find that someone you love did not have the same good fortune.

Warrior isn’t even safe in his own mind. He’s haunted by the spirits of ancestors and of the demons of the system of oppression. Though the story told in Passage takes place in 1993, there is a striking parallel between Warrior’s experience and the experiences of black male youth today, since nothing has really changed. Every memory in the novel is the memory of thousands of black families. Every conversation is a message both to those still in their youth and those who left their youth behind long ago. Passage is a novel for then and now.

From the author/illustrator of the bestseller A is for Activist comes My Night in the Planetarium, a high-adventure, true story from his childhood in Indonesia. The thrill of spending the night in a museum is the capstone to a story ultimately about free speech, political progress, and artistic defiance. Featuring Inno’s gorgeous art style recognizable from A is for Activist, Counting on Community, and his joyous activism, My Night in the Planetarium cleverly and humorously combines history, geography, politics, and activism in an adventure story of childhood wonder, political resistance, and familial connection.

Seven year-old Innosanto’s father, a famous Indonesian playwright, is in trouble with the government for his newest play’s unfavorable portrayal of governmental power and corruption. After a rousing performance at a large theater complex which also houses the Jakarta Planetarium, Innosanto’s father manages to sneak out of town to avoid arrest while Innosanto and his mother spend an exciting night sleeping under the stars in the Jakarta Planetarium. 

A beautiful introduction to the history and culture of Indonesia, My Night at the Planetarium is an engaging, thought-provoking starting point for a discussion of colonialism, political corruption, and artistic resistance.

Counting on Community is Innosanto Nagara’s follow-up to his hit ABC book, A is for Activist. Counting up from one stuffed piñata to ten hefty hens—and always counting on each other—children are encouraged to recognize the value of their community, the joys inherent in healthy eco-friendly activities, and the agency they posses to make change. A broad and inspiring vision of diversity is told through stories in words and pictures. And of course, there is a duck to find on every page!

Selected testimonies to living history speeches letters poems songs offered by the people who make history happen but are often left out of history books women workers nonwhites Featuring introductions to the original texts by Howard Zinn New voices featured in this 10th Anniversary Edition include Chelsea Manning speaking after her 35 year prison sentence Naomi Klein speaking from the Occupy Wall Street encampment in Liberty Square a member of Dream Defenders a youth organization that confronts systemic racial inequality members of the Undocumented Youth movement who occupied marched and demonstrated in support of the DREAM Act a member of the Day Laborers movement Chicago Teachers Union strikers and several critics of the Obama administration including Glenn Greenwald on governmental secrecy Selected testimonies to living history speeches letters poems songs offered by the people who make history happen but are often left out of history books women workers nonwhites Featuring introductions to the original texts by Howard Zinn New voices featured in this 10th Anniversary Edition include Chelsea Manning speaking after her 35 year prison sentence Naomi Klein speaking from the Occupy Wall Street encampment in Liberty Square a member of Dream Defenders a youth organization that confronts systemic racial inequality members of the Undocumented Youth movement who occupied marched and demonstrated in support of the DREAM Act a member of the Day Laborers movement Chicago Teachers Union strikers and several critics of the Obama administration including Glenn Greenwald on governmental secrecy Selected testimonies to living history speeches letters poems songs left by the people who make history happen but are often left out of history books women workers nonwhites Introductions to the original texts by Zinn New voices being considered for this 10th Anniversary Edition include Chelsea Manning in the statement she

The long breath of Barbara Chase-Riboud’s poems recalls poets of the antique world we know only from fragments, like Sappho. And yet here is a disquieting and sumptuous contemporary voice that seems to gather up antiquity and modernity with equal fervor and scorn. These poems are sexually charged, possessed of a courtly disdain and a strange nobility that seems to well up from below to be self-creating and unlike the verse of any other poet writing today.

Certainly one secret to this work is that Chase-Riboud’s poems are informed by her epic, polished bronze sculptures, as her sculptures are informed by her narrative fiction, and her fiction by her poems. The idea of the Renaissance Man is almost a cliché, but how often do we get to see what it means for an artist to be a Renaissance Woman? Chase-Riboud has been a major in sculpture, fiction, and poetry for close to half a century: selling over a million copies of her path-breaking novel Sally Hemings in the late ’70s, winning the Carl Sandburg Award for her second collection of poems in the late ’80s, and now, nearly thirty years later, on the heels of a major retrospective of her sculpture at the Philadelphia Museum of Art and the Berkeley Art Museum, here is Everytime a Knot is Undone, a God is Released, her first new and collected volume of verse.

“Reading it is almost like reading Howard Zinn’s A People’s History of the United States, but for two-year olds—full of pictures and rhymes and a little cat to find on every page that will delight the curious toddler and parents alike.”—Occupy Wall Street


A is for Activist is an ABC board book written and illustrated for the next generation of progressives: families who want their kids to grow up in a space that is unapologetic about activism, environmental justice, civil rights, LGBTQ rights, and everything else that activists believe in and fight for. 

The alliteration, rhyming, and vibrant illustrations make the book exciting for children, while the issues it brings up resonate with their parents’ values of community, equality, and justice. This engaging little book carries huge messages as it inspires hope for the future, and calls children to action while teaching them a love for books.

NOW A NEW YORK TIMES BESTSELLER!

A close presidential election in November could well come down to contested states or even districts—an election decided by vote theft? It could happen this year. Based on Greg Palast and Robert F. Kennedy, Jr.’s investigative reporting for Rolling Stone and BBC television, Billionaires & Ballot Bandits: How to Steal an Election in 9 Easy Steps might be the most important book published this year—one that could save the election. Last week Billionaires & Ballot Bandits debuted on the NYT Bestseller list at #10 in paperback nonfiction.

Billionaires & Ballot Bandits names the filthy-rich sugar-daddies who are super-funding the Super-PACs of both parties—billionaires with nicknames like "The Ice Man," "The Vulture" and, of course, The Brothers Koch. Told with Palast’s no-holds-barred, reporter-on-the-beat style, the facts as he lays them out are staggering. What emerges in Billionaires & Ballot Bandits is the never-before-told-story of the epic battle being fought behind the scenes between the old money banking sector that still supports Obama, and the new hedge fund billionaires like Paul Singer who not only support Romney but also are among his key economic advisors. Although it has not been reported, Obama has shown some backbone in standing up to the financial excesses of the men behind Romney. Billionaires & Ballot Bandits exposes the previously unreported details on how operatives plan to use the hundreds of millions in Super-PAC money pouring into this election. We know the money is pouring in, but Palast shows us the convoluted ways the money will be used to suppress your vote.

The story of the billionaires and why they want to buy an election is matched with the nine ways they can steal the election. His story of the sophisticated new trickery will pick up on Palast’s giant New York Times bestseller, The Best Democracy Money Can Buy.

Howard Zinn began work on his first book for his friends at Seven Stories Press in 1996, a big volume collecting all his shorter writings organized by subject. The themes he chose reflected his lifelong concerns: war, history, law, class, means and ends, and race. Throughout his life Zinn had returned again and again to these subjects, continually probing and questioning yet rarely reversing his convictions or the vision that informed them. The result was The Zinn Reader. Five years later, starting with Howard Zinn on History, updated editions of sections of that mammoth tome were published in inexpensive stand-alone editions. This second edition of Howard Zinn on History brings together twenty-seven short writings on activism, electoral politics, the Holocaust, Marxism, the Iraq War, and the role of the historian, as well as portraits of Eugene Debs, John Reed, and Jack London, effectively showing how Zinn’s approach to history evolved over nearly half a century, and at the same time sharing his fundamental thinking that social movements—people getting together for peace and social justice—can change the course of history. That core belief never changed. Chosen by Zinn himself as the shorter writings on history he believed to have enduring value—originally appearing in newspapers like the Boston Globe or the New York Times; in magazines like Z, the New Left, the Progressive, or the Nation; or in his book Failure to Quit—these essays appear here as examples of the kind of passionate engagement he believed all historians, and indeed all citizens of whatever profession, need to have, standing in sharp contrast to the notion of "objective" or "neutral" history espoused by some. "It is time that we scholars begin to earn our keep in this world," he writes in "The Uses of Scholarship." And in "Freedom Schools," about his experiences teaching in Mississippi during the remarkable "Freedom Summer" of 1964, he adds: "Education can, and should, be dangerous."

Howard Zinn began work on his first book for his friends at Seven Stories Press in 1996, a big volume collecting all his shorter writings organized by subject. The themes he chose reflected his lifelong concerns: war, history, law, class, means and ends, and race. Throughout his life Zinn had returned again and again to these subjects, continually probing and questioning yet rarely reversing his convictions or the vision that informed them. The result was The Zinn Reader. Five years later, starting with Howard Zinn on History, updated editions of sections of that mammoth tome were published in inexpensive stand-alone editions. This second edition of Howard Zinn on War is a collection of twenty-six short writings chosen by the author to represent his thinking on a subject that concerned and fascinated him throughout his career. He reflects on the wars against Iraq, the war in Kosovo, the Vietnam War, World War II, and on the meaning of war generally in a world of nations that can’t seem to stop destroying each other. These readings appeared first in magazines and newspapers including the Progressive and the Boston Globe, as well as in Zinn’s books, Failure to Quit, Vietnam: The Logic of Withdrawal, The Politics of History, and Declarations of Independence. Here we see Zinn’s perspective as a World War II veteran and peace activist who lived through the most devastating wars of the twentieth century and questioned every one of them with his combination of integrity and historical acumen. In his essay, "Just and Unjust War," Zinn challenges us to fight for justice "with struggle, but without war." He writes in "After the War (2006) that while governments bring us into war, "their power is dependent on the obedience of the citizenry. When that is withdrawn, governments are helpless." In Howard Zinn on War, his message is clear: "The abolition of war has become not only desirable but absolutely necessary if the planet is to be saved. It is an idea whose time has come."

Howard Zinn on Race is Zinn’s choice of the shorter writings and speeches that best reflect his views on America’s most taboo topic. As chairman of the history department at all black women’s Spelman College, Zinn was an outspoken supporter of student activists in the nascent civil rights movement. In "The Southern Mystique," he tells of how he was asked to leave Spelman in 1963 after teaching there for seven years. "Behind every one of the national government’s moves toward racial equality," writes Zinn in one 1965 essay, "lies the sweat and effort of boycotts, picketing, beatings, sit-ins, and mass demonstrations." He firmly believed that bringing people of different races and nationalities together would create a more compassionate world, where equality is a given and not merely a dream. These writings, which span decades, express Zinn’s steadfast belief that the people have the power to change the status quo, if they only work together and embrace the nearly forgotten American tradition of civil disobedience and revolution. In clear, compassionate, and present prose, Zinn gives us his thoughts on the Abolitionists, the march from Selma to Montgomery, John F. Kennedy, picketing, sit-ins, and, finally, the message he wanted to send to New York University students about race in a speech he delivered during the last week of his life.

Whether Lee Stringer is describing "God’s corner" as he calls 42nd Street, or his friend Suzy, a hooker and "past due tourist" whose infant child he sometimes babysits, whether he is recounting his experiences at Street News, where he began hawking the newspaper for a living wage, then wrote articles, and served for a time as muckraking senior editor, whether it is his adventures in New York’s infamous Tombs jail, or performing community service, or sleeping in the tunnels below Grand Central Station by night and collecting cans by day, this is a book rich with small acts of kindness, humor and even heroism alongside the expected violence and desperation of life on the street. There is always room, Stringer writes, "amid the costume" jewel glitter…for one more diamond in the rough."
Two events rise over Grand Central Winter like sentinels: Stringer’s discovery of crack cocaine and his catching the writing bug. Between these two very different yet oddly similar activities, Lee’s life unwound itself, during the 1980s, and took the shape of an odyssey, an epic struggle to find meaning and happiness in arid times. He eventually beat the first addiction with help from a treatment program. The second addiction, writing, has hold of him still.
Among the many accomplishments of this book is that Stringer is able to convey something of the vitality and complexity of a down—and—out life. The reader walks away from it humming its melody, one that is more wise than despairing, less about the shame we feel when confronted with a picture of those less fortunate, and more about the joy we feel when we experience our shared humanity.

What does it mean to have, or to love, a black body? Taking on the challenge of interpreting the black body’s dramatic role in American culture are thirty black, white, and biracial contributors—award-winning actors, artists, writers, and comedians—including voices as varied as President Obama’s inaugural poet Elizabeth Alexander, actor and bestselling author Hill Harper, political strategist Kimball Stroud, television producer Joel Lipman, former Saturday Night Live writer Anne Beatts, and singer-songwriter Jason Luckett.
Ranging from deeply serious to playful, sometimes hilarious, musings, these essays explore myriad issues with wisdom and a deep sense of history. Meri Nana-Ama Danquah’s unprecedented collection illuminates the diversity of identities and individual experiences that define the black body in our culture.

A Young People’s History of the United States brings to US history the viewpoints of workers, slaves, immigrants, women, Native Americans, and others whose stories, and their impact, are rarely included in books for young people. A Young People’s History of the United States is also a companion volume to The People Speak, the film adapted from A People’s History of the United States and Voices of a People’s History of the United States.
Beginning with a look at Christopher Columbus’s arrival through the eyes of the Arawak Indians, then leading the reader through the struggles for workers’ rights, women’s rights, and civil rights during the nineteenth and twentieth centuries, and ending with the current protests against continued American imperialism, Zinn in the volumes of A Young People’s History of the United States presents a radical new way of understanding America’s history. In so doing, he reminds readers that America’s true greatness is shaped by our dissident voices, not our military generals.

Here, in the magisterial yet plain-spoken style of A People’s History of the United States, is historian Howard Zinn’s long-awaited telling of these last six years of United States history, a time when catastrophic machinations of war have dictated our foreign and domestic policy, and when voices of resistance have appeared in the unlikeliest places.
Perhaps more than any other American, Howard Zinn has helped us understand ourselves by deepening our understanding of our own history.

A Young People’s History of the United States brings to US history the viewpoints of workers, slaves, immigrants, women, Native Americans, and others whose stories, and their impact, are rarely included in books for young people. A Young People’s History of the United States is also a companion volume to The People Speak, the film adapted from A People’s History of the United States and Voices of a People’s History of the United States.
Beginning with a look at Christopher Columbus’s arrival through the eyes of the Arawak Indians, then leading the reader through the struggles for workers’ rights, women’s rights, and civil rights during the nineteenth and twentieth centuries, and ending with the current protests against continued American imperialism, Zinn in the volumes of A Young People’s History of the United States presents a radical new way of understanding America’s history. In so doing, he reminds readers that America’s true greatness is shaped by our dissident voices, not our military generals.

A Young People’s History of the United States brings to US history the viewpoints of workers, slaves, immigrants, women, Native Americans, and others whose stories, and their impact, are rarely included in books for young people. A Young People’s History of the United States is also a companion volume to The People Speak, the film adapted from A People’s History of the United States and Voices of a People’s History of the United States.
Beginning with a look at Christopher Columbus’s arrival through the eyes of the Arawak Indians, then leading the reader through the struggles for workers’ rights, women’s rights, and civil rights during the nineteenth and twentieth centuries, and ending with the current protests against continued American imperialism, Zinn in the volumes of A Young People’s History of the United States presents a radical new way of understanding America’s history. In so doing, he reminds readers that America’s true greatness is shaped by our dissident voices, not our military generals.

What if there were a fraud worse than Enron and no one did anything about it?
In United States v. George W. Bush et. al., former federal prosecutor Elizabeth de la Vega brings her twenty years of experience and her passion for justice to the most important case of her career. The defendants are George W Bush, Richard Cheney, Donald Rumsfeld, Condoleezza Rice, and Colin Powell. The crime is tricking the nation into war, or, in legal terms, conspiracy to defraud the United States.
Ms. de la Vega has reviewed the evidence, researched the law, drafted an indictment, and in this lively, accessible book, presented it to a grand jury. If the indictment and grand jury are both hypothetical, the facts are tragically real: Over half of all Americans believe the president misled the country into a war that has left 2,500 hundred American soldiers and countless Iraqis dead. The cost is $350 billion — and counting.
The legal question is: Did the president and his team use the same techniques as those used by Enron’s Ken Lay, Jeffrey Skilling, and fraudsters everywhere — false pretenses, half-truths, deliberate omissions — in order to deceive Congress and the American public?
Take advantage of this rare opportunity to "sit" with the grand jurors as de la Vega presents a case of prewar fraud that should persuade any fair-minded person who loves this country as much as she so obviously does. Faced with an ongoing crime of such magnitude, she argues, we can not simply shrug our shoulders and walk away.

This brilliantly argued and wonderfully written collection by twenty-two of the best political analysts in the US analyzes the extraordinary and unprecedented threat the White House and its allies present to civil liberties, civil rights, the Constitution, international law, and the future of the planet.
Impeach the President unearths the stories behind election fraud in 2000 and 2004, the overt lies used to justify pre-emptive war on Iraq, the extensive, ongoing commission of war crimes and torture, the tragic failures in the lead-up to and aftermath of Hurricane Katrina, and lesser-known but equally alarming offences of propaganda and disinformation, illegal spying, environmental destruction, and the violation of the separation of church and state. Loo and Phillips chillingly reveal the full threat behind the radical right-wing force that has taken over the world’s most powerful office.

In the tradition of James Baldwin’s Notes of a Native Son, Robeson’s A Black Way of Seeing melds history and analysis in a sweeping panorama of the present moment as we know it to be—scathing in its understanding of why Black empowerment has failed and prescient in its articulation of what it will take for Black Americans to be agents of change for the country as a whole.

A perfect introduction for new readers and a must-have for avid fans, this New York Times Notable Book includes "Bloodchild," winner of both the Hugo and the Nebula awards and "Speech Sounds," winner of the Hugo Award. Appearing in print for the first time, "Amnesty" is a story of a woman named Noah who works to negotiate the tense and co-dependent relationship between humans and a species of invaders. Also new to this collection is "The Book of Martha" which asks: What would you do if God granted you the ability—and responsibility—to save humanity from itself?
Like all of Octavia Butler’s best writing, these works of the imagination are parables of the contemporary world. She proves constant in her vigil, an unblinking pessimist hoping to be proven wrong, and one of contemporary literature’s strongest voices.

Fledgling, Octavia Butler’s last novel, is the story of an apparently young, amnesiac girl whose alarmingly un-human needs and abilities lead her to a startling conclusion: she is in fact a genetically modified, 53-year-old vampire. Forced to discover what she can about her stolen former life, she must at the same time learn who wanted—and still wants—to destroy her and those she cares for, and how she can save herself. Fledgling is a captivating novel that tests the limits of "otherness" and questions what it means to be truly human.

"Political power," says Howard Zinn, "is controlled by the corporate elite, and the arts are the locale for a kind of guerilla warfare in the sense that guerillas look for apertures and opportunities where they can have an effect." In Artists in Times of War, Zinn looks at the possibilities to create such apertures through art, film, activism, publishing and through our everyday lives. In this collection of four essays, the author of A People’s History of the United States writes about why "To criticize the government is the highest act of patriotism." Filled with quotes and examples from the likes of Bob Dylan, Mark Twain, e. e. cummings, Thomas Paine, Joseph Heller, and Emma Goldman, Zinn’s essays discuss America’s rich cultural counternarratives to war, so needed in these days of unchallenged U.S. militarism.

With her characteristic brilliance, grace and radical audacity, Angela Y. Davis has put the case for the latest abolition movement in American life: the abolition of the prison. As she quite correctly notes, American life is replete with abolition movements, and when they were engaged in these struggles, their chances of success seemed almost unthinkable. For generations of Americans, the abolition of slavery was sheerest illusion. Similarly, the entrenched system of racial segregation seemed to last forever, and generations lived in the midst of the practice, with few predicting its passage from custom. The brutal, exploitative (dare one say lucrative?) convict-lease system that succeeded formal slavery reaped millions to southern jurisdictions (and untold miseries for tens of thousands of men, and women). Few predicted its passing from the American penal landscape. Davis expertly argues how social movements transformed these social, political and cultural institutions, and made such practices untenable.
In Are Prisons Obsolete?, Professor Davis seeks to illustrate that the time for the prison is approaching an end. She argues forthrightly for decarceration, and argues for the transformation of the society as a whole.

When Harlem Nearly Killed King spins the tale of a little-known episode in the life of Dr. Martin Luther King, Jr. how, in 1958, King was stabbed by a deranged black woman in Harlem, and then saved by Harlem Hospital’s most acclaimed African-American surgeon, using a little known and difficult procedure.

Pearson recreates America at the dawn of the civil rights movement, and in so doing probes and examines the living body politic of the nation, black and white, and shows us how change really occurs: painfully, not in one grand gesture, but in a thousand small and contradictory ways.

As the story of When Harlem Nearly Killed King unfolds, it offers up surprising truths: how Harlem’s leading black bookseller was snubbed by King and his entourage in favor of a Jewish-owned department store; and how the acclaimed surgeon seems not to have been the doctor responsible for the surgery. As truths and apocrypha clash in these pages, what emerges is a powerful picture of change in race perspectives in America, and how such change really occurs — reminding us today that race in America is still unfinished business.

More than 75 essays—many freshly composed by Mumia with the cartridge of a ball-point pen, the only implement he is allowed in his death-row cell—embody the calm and powerful words of humanity spoken by a man on Death Row. Abu-Jamal writes on many different topics, including the ironies that abound within the U.S. prison system and the consequences of those ironies, and his own case. Mumia’s composure, humor, and connection to the living world around him represents an irrefutable victory over the "corrections" system that has for two decades sought to isolate and silence him.

The title, All Things Censored, refers to Mumia’s hiring as an on-air columnist by National Public Radio’s "All Things Considered," and subsequent banning from that venue under pressure from law and order groups.