Jump to content

Search the Community

Showing results for 'movies that move we'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Enjoy, Join or Start the Conversation
    • Black Literature
    • The Black Excellence Showcase
    • Culture, Race & Economy
    • The Poetree
    • Post Your Press Release Here
    • Bloggers Helping Bloggers
    • AALBC Newsletters
  • Admin Stuff, AALBC.com Questions & Messages from Troy (AALBC.com's founder & webmaster)
    • The "Legacy" Discussion Boards
    • Website Feedback
    • Discussion Board Legal Disclaimer
  • #readingblack's Strategies
  • #readingblack's Ways to Share
  • #readingblack's Amazon ☹
  • #readingblack's Milestones
  • #readingblack's Black-Owned Bookstores
  • #readingblack's Articles
  • #readingblack's WritingBlack
  • #readingblack's Technology
  • The Coffee Will Make You Black Book Club's Monthly Discussions
  • The Coffee Will Make You Black Book Club's About Our Club
  • Black Speculative Fiction Book Club's Topics
  • Word Lovers Book & Literary Club Reading List's Word Lovers Reading List for 2019
  • BlackGamesElite's BGE Forum
  • African American Christian Creative Writing's Iron Sharpens Iron
  • African American Christian Creative Writing's Introduction

Blogs

  • Troy's Blog
  • CoParenting101.org
  • CARRY ME HOME
  • D T Pollard (Hen81) Blog
  • Dorothy's Journal
  • tierra_allen's Blog
  • Nubian Writer's Blog
  • Poor Richard's Son Blog
  • kunski's Blog
  • Nataisha Hill
  • Rodney's Blog
  • Good2go Publishing's Blog
  • London's Secret... Revealed
  • What Type of Writer Are You? Blog
  • Journal of a Creator
  • AuthorSourayaChristine's Blog
  • T. L. Curtis
  • DC Brownlow's Blog
  • Icomeinpeace1's Blog
  • Richard Murray Hearth
  • Alvin Hayes
  • Plan. Write. Publish!
  • C.L.Swayzer's Blog
  • Jada's World
  • Southern Fried
  • zaji's space
  • Are You Confused About Tithing? A Blog By Frank Chase Jr
  • Richard Murray Interviews
  • Check these smart study tactics that actually works to ease stress
  • TELL THE TRUTH
  • MAFOOMBAY
  • My Reality Is Technical and Tactic
  • Anne Bailey http://www.annecbailey.blogspot.com
  • MARKETING IS A 4-LETTER WORD
  • Afro This: The Leader in Black LIberation
  • My blog
  • Connecticut Black News Inc
  • PERSPECTIVES ON GLOBAL MODERNIZATION RISKS: THE AMERICAN DREAM REDEFINED
  • Writer
  • Job
  • My First Blog
  • Paying It Forward
  • NAKED...
  • Kween Yakini
  • Blog about writing
  • Offingapp Mobile app development company blog
  • 5 Star Reviews from Readers Favorite for the EVO Universe!
  • The Switch (from The Switch II: Clockwork)
  • Floyd Collins
  • Gambling Books
  • Kenneth R. Jenkins
  • From Art to Author the Evolution of the Pearl.
  • Amin Parker
  • 1964&US!!!
  • Race and Beyond
  • SportsBurstFans
  • BlackGamesElite's BGE Journal
  • BlackGamesElite's BGE Arcade
  • BlackGamesElite's Game Builder Garage
  • DOS earliest literature's Work List
  • DOS earliest literature's RM Captions
  • The True Perspective of Jesus Christ's Introduction to the Light of understanding

Calendars

  • AALBC.com's Literary Events Calendar
  • BlackGamesElite's BGE Calendar
  • DOS earliest literature's Recent News
  • AALBC MEMBER CALENDAR's CALENDAR
  • AALBC MEMBER CALENDAR's Black Artist Calendar

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


AIM


MSN


Website URL


ICQ


Yahoo


Jabber


Skype


Location


Interests

  1. Surely. We could stop consuming i.e. turn it off and that would be one solution. Again, when it comes to artistic content and freedom of expression, there is plenty room for all types good or bad or neutral. Balance is the key. Many adult males listen to gangsta rap and/or watch violent movies without feeling the need to kill a n8gga. Likewise, a woman can spit a fire filthy verse or rock a pair of clear-heeled shoes and still represent herself as a lady. IMO, the *problem* is that negative images are more accessible and out-number positive images in music, TV and film. It is by design for the media to show the most dysfunctional sh8t going on in Black communities from the hood to the strip club to a fight in the street. Anti-Black sentiment is very real. The media hardly ever tours HBCUs and other colleges and universities to show the young, beautiful brothas and sistas seeking higher education. We hardly ever see profiles in success showcasing ordinary Black folks who are doing wonderful things. We are bombarded with images of athletes, entertainers, actors/actresses and people doing dysfunctional sh8t. We need to do a better job of owning and controlling the narratives that pertain to us.
  2. There. Is. Talk. And. A. Documentary. About. 50. Years. Of. Hip Hop ,,Rap. Music. .,1979 ,Rappers. Delight ,,Then. Run D. M. C ,,Kurtis Blow ..Hip. Hop. Rap. Becoming. Apart. Of. Culture. In. Fashion. ,In,,Literature. ,Black. Athletes ,Tv. Shows. And. Movies... Male And,Female. Rappers. Hip. Hop. Groups. Then. There. Is. The. Crime.. Murders. Of. Two. Of. The. Greats. Biggie. And Tupac . On,,YouTube. There. Is. Talk. Puffy. P. Diddy. Combs. Was. Involved,In. The. Murders. ,And. Shug Knight. The. Gestapo ,White ,Police. Are. Watching. Puffy. Combs. Saw. On. Youtube. There. Is,,Talk. On. YouTube. Some. More. Greats. Were. Murdered. ,,.Some,Believe. Heavy. D. ,Aailiyah ,Whitney. Houston. Was. Murdered .........Kanye. West. Wearing. White. Lives. Tee. Shirt ,,Supporting. Trump. Was. Alright. ,Say. Something. About. The. ,Jewish. ,,He. Is. Hated. ,Loses. Money. .....Frances. Cress. Welsing ,,Said. We. Are. The. Only. Race. That. Is. Taught. To. Hate. Ourselves,,,Call. Each Other. Vile. Names. .......Rap. Music,,Calling,Black. Women. The. B. Word. Hoes ,,Glamourizeing ,,,Gangs ,Crack. ,Cocaine. ....Lot. Of. Positive. Rappers. Hip hop ,Singers. Including. Chuck. D. Public. Enemy. Sister. Souljah .....The,,Hitler. Police. Do. Not. Care. About. Tupac . Or. His. Murder...Kanye. West. ,Puffy. Combs. ,Jay. Z. Wealthy. Black. Men ,...Racist White. Society. ,Sports. Owners. Want. To. Control. The,Black. Wealthy. ,Kyrie. Irving. ,Black. Football. Players. ,,Knee!ing. Down. ..Who. Is. Over. Hip. Hop. Rap. Music. .Kanye West. ,Say. The Jewish ?.?
  3. now02.png
    Preserving Our Memories
    for the Future


    A Webinar with the South Side Home Movie Project
    + Orientation to New Online Tagging Tools


    Hosted by the Chicago Public Library
    6:30pm, Wednesday, March 29, 2023

    Register here before 3pm for the Zoom link
     
    Home movies capture a range of details about everyday neighborhood life in Chicago, from fashion to food to how people walk down the street. During moments of social change, they also show historic events from a unique perspective, revealing what it was like to watch Myrlie Evers receive a posthumous award for her husband Medgar in Grant Park in 1963, or to visit the Wall of Respect in Grand Boulevard in 1968.

    The South Side Home Movie Project has been collecting and preserving home movies from Chicago’s South Side neighborhoods since 2005, and now holds over 700 of these rare glimpses of South Side life in their local film archive. For Women’s History Month, join the SSHMP team in partnership with Chicago Public Library for a virtual guided tour of the project, featuring home movies with women both behind and in front of the camera, from the 1920s-1980s.

    SPECIAL NOTE: This session will also debut SSHMP’s new Community Tagging Tools, which let you add your own memories to the home movie database and identify the people, places and events you recognize. For the first time, Chicagoans from across the city are invited to try out this custom crowd-sourcing interface so that your stories become part of SSHMP’s virtual archive. Join us for a live demonstration and hands-on orientation to this new way to contribute your memories to Chicago’s history. 

    How to Attend
    This event takes place on Zoom; click here to register by 3:00 pm Weds, 3/29/23. Only one registration per household is needed. You’ll receive an email link to the secure Zoom link before the event. Automatic transcription is included in all CPL events using Zoom.

    Image: Dr. Helen Nash filming at Niagara Falls, 1959, from the Dr. Helen Nash Collection
    .
     
    BLACKWOOD POST
     
  4. The Intruder 1962

     

    Directed by Roger Corman

    Written by Charles Beaumont

    Starring William Shatner

     

     

     

    The Beautiful People

    By Charles Beaumont

     

    Cover

    Preface Illustration
    Principal Characters

    Mary was a misfit.
    She didn't want to be beautiful. And she wasted time doing mad things—like eating and sleeping.


    The Beautiful People

    By Charles Beaumont

    MARY sat quietly and watched the handsome man's legs blown off; watched further as the great ship began to crumple and break into small pieces in the middle of the blazing night. She fidgeted slightly as the men and the parts of the men came floating dreamily through the wreckage out into the awful silence. And when the meteorite shower came upon the men, gouging holes through everything, tearing flesh and ripping bones, Mary closed her eyes.

    "Mother."

    Mrs. Cuberle glanced up from her magazine.

    "Hmm?"

    "Do we have to wait much longer?"

    "I don't think so. Why?"

    Mary said nothing but looked at the moving wall.

    "Oh, that." Mrs. Cuberle laughed[6] and shook her head. "That tired old thing. Read a magazine, Mary, like I'm doing. We've all seen that a million times."

    "Does it have to be on, Mother?"

    "Well, nobody seems to be watching. I don't think the doctor would mind if I switched it off."

    Mrs. Cuberle rose from the couch and walked to the wall. She depressed a little button and the life went from the wall, flickering and glowing.

    Mary opened her eyes.

    "Honestly," Mrs. Cuberle said to a woman sitting beside her, "you'd think they'd try to get something else. We might as well go to the museum and watch the first landing on Mars. The Mayoraka Disaster—really!"

    The woman replied without distracting her eyes from the magazine page. "It's the doctor's idea. Psychological."

    Mrs. Cuberle opened her mouth and moved her head up and down knowingly.

    "Ohhh. I should have known there was some reason. Still, who watches it?"

    "The children do. Makes them think, makes them grateful or something."

    "Ohhh."

    "Psychological."

    Mary picked up a magazine and leafed through the pages. All photographs, of women and men. Women like Mother and like the others in the room; slender, tanned, shapely, beautiful women; and men with large muscles and shiny hair. Women and men, all looking alike, all perfect and beautiful. She folded the magazine and wondered how to answer the questions that would be asked.

    "Mother—"

    "Gracious, what is it now! Can't you sit still for a minute?"

    "But we've been here three hours."

    Mrs. Cuberle sniffed.

    "Do—do I really have to?"

    "Now don't be silly, Mary. After those terrible things you told me, of course you do."

    An olive-skinned woman in a transparent white uniform came into the reception room.

    "Cuberle. Mrs. Zena Cuberle?"

    "Yes."

    "Doctor will see you now."

    Mrs. Cuberle took Mary's hand and they walked behind the nurse down a long corridor.

    A man who seemed in his middle twenties looked up from a desk. He smiled and gestured toward two adjoining chairs.

    "Well—well."

    "Doctor Hortel, I—"


    THE doctor snapped his fingers.

    "Of course, I know. Your daughter. Ha ha, I certainly do know your trouble. Get so many of them nowadays—takes up most of my time."

    "You do?" asked Mrs. Cuberle. "Frankly, it had begun to upset me."

    "Upset? Hmm. Not good. Not good at all. Ah, but then—if people did not get upset, we psychiatrists would be out of a job, eh? Go the way of the early M. D. But, I assure you, I need hear no more." He turned his handsome face to Mary.[7] "Little girl, how old are you?"

    "Eighteen, sir."

    "Oh, a real bit of impatience. It's just about time, of course. What might your name be?"

    "Mary."

    "Charming! And so unusual. Well now, Mary, may I say that I understand your problem—understand it thoroughly?"

    Mrs. Cuberle smiled and smoothed the sequins on her blouse.

    "Madam, you have no idea how many there are these days. Sometimes it preys on their minds so that it affects them physically, even mentally. Makes them act strange, say peculiar, unexpected things. One little girl I recall was so distraught she did nothing but brood all day long. Can you imagine!"

    "That's what Mary does. When she finally told me, doctor, I thought she had gone—you know."

    "That bad, eh? Afraid we'll have to start a re-education program, very soon, or they'll all be like this. I believe I'll suggest it to the senator day after tomorrow."

    "I don't quite understand, doctor."

    "Simply, Mrs. Cuberle, that the children have got to be thoroughly instructed. Thoroughly. Too much is taken for granted and childish minds somehow refuse to accept things without definite reason. Children have become far too intellectual, which, as I trust I needn't remind you, is a dangerous thing."

    "Yes, but what has this to do with—"

    "With Mary? Everything, of course. Mary, like half the sixteen, seventeen and eighteen year olds today, has begun to feel acutely self-conscious. She feels that her body has developed sufficiently for the Transformation—which of course it has not, not quite yet—and she cannot understand the complex reasons that compel her to wait until some future date. Mary looks at you, at the women all about her, at the pictures, and then she looks into a mirror. From pure perfection of body, face, limbs, pigmentation, carriage, stance, from simon-pure perfection, if I may be allowed the expression, she sees herself and is horrified. Isn't that so, my dear child? Of course—of course. She asks herself, why must I be hideous, unbalanced, oversize, undersize, full of revolting skin eruptions, badly schemed organically? In short, Mary is tired of being a monster and is overly anxious to achieve what almost everyone else has already achieved."

    "But—" said Mrs. Cuberle.

    "This much you understand, doubtless. Now, Mary, what you object to is that our society offers you, and the others like you, no convincing logic on the side of waiting until age nineteen. It is all taken for granted, and you want to know why! It is that simple. A non-technical explanation will not suffice—mercy no! The modern child wants facts, solid technical data, to satisfy her every question. And that, as you can both see, will take a good deal of reorganizing."

    "But—" said Mary.

    "The child is upset, nervous, tense; she acts strange, peculiar, odd, worries you and makes herself ill because it is beyond our meagre powers to put it across. I tell you, what we need is a whole new basis for learning. And, that will take[8] doing. It will take doing, Mrs. Cuberle. Now, don't you worry about Mary, and don't you worry, child. I'll prescribe some pills and—"

    "No, no, doctor! You're all mixed up," cried Mrs. Cuberle.

    "I beg your pardon, Madam?"

    "What I mean is, you've got it wrong. Tell him, Mary, tell the doctor what you told me."

    Mary shifted uneasily in the chair.

    "It's that—I don't want it."

    The doctor's well-proportioned jaw dropped.

    "Would you please repeat that?"

    "I said, I don't want the Transformation."

    "D—Don't want it?"

    "You see? She told me. That's why I came to you."

    The doctor looked at Mary suspiciously.

    "But that's impossible! I have never heard of such a thing. Little girl, you are playing a joke!"

    Mary nodded negatively.

    "See, doctor. What can it be?" Mrs. Cuberle rose and began to pace.


    THE DOCTOR clucked his tongue and took from a small cupboard a black box covered with buttons and dials and wire.

    "Oh no, you don't think—I mean, could it?"

    "We shall soon see." The doctor revolved a number of dials and studied the single bulb in the center of the box. It did not flicker. He removed handles from Mary's head.

    "Dear me," the doctor said, "dear me. Your daughter is perfectly sane, Mrs. Cuberle."

    "Well, then what is it?"

    "Perhaps she is lying. We haven't completely eliminated that factor as yet; it slips into certain organisms."

    More tests. More machines and more negative results.

    Mary pushed her foot in a circle on the floor. When the doctor put his hands to her shoulders, she looked up pleasantly.

    "Little girl," said the handsome man, "do you actually mean to tell us that you prefer that body?"

    "Yes sir."

    "May I ask why."

    "I like it. It's—hard to explain, but it's me and that's what I like. Not the looks, maybe, but the me."

    "You can look in the mirror and see yourself, then look at—well, at your mother and be content?"

    "Yes, sir." Mary thought of her reasons; fuzzy, vague, but very definitely there. Maybe she had said the reason. No. Only a part of it.

    "Mrs. Cuberle," the doctor said, "I suggest that your husband have a long talk with Mary."

    "My husband is dead. That affair near Ganymede, I believe. Something like that."

    "Oh, splendid. Rocket man, eh? Very interesting organisms. Something always seems to happen to rocket men, in one way or another. But—I suppose we should do something." The doctor scratched his jaw. "When did she first start talking this way," he asked.

    "Oh, for quite some time. I used to think it was because she was such a baby. But lately, the time getting so close and all, I thought I'd better see you."

    "Of course, yes, very wise. Er—does she also do odd things?"[9]

    "Well, I found her on the second level one night. She was lying on the floor and when I asked her what she was doing, she said she was trying to sleep."

    Mary flinched. She was sorry, in a way, that Mother had found that out.

    "To—did you say 'sleep'?"

    "That's right."

    "Now where could she have picked that up?"

    "No idea."

    "Mary, don't you know that nobody sleeps anymore? That we have an infinitely greater life-span than our poor ancestors now that the wasteful state of unconsciousness has been conquered? Child, have you actually slept? No one knows how anymore."

    "No sir, but I almost did."

    The doctor sighed. "But, it's unheard of! How could you begin to try to do something people have forgotten entirely about?"

    "The way it was described in the book, it sounded nice, that's all." Mary was feeling very uncomfortable now. Home and no talking man in a foolish white gown....

    "Book, book? Are there books at your Unit, Madam?"

    "There could be—I haven't cleaned up in a while."

    "That is certainly peculiar. I haven't seen a book for years. Not since '17."

    Mary began to fidget and stare nervously about.

    "But with the tapes, why should you try and read books—where did you get them?"

    "Daddy did. He got them from his father and so did Grandpa. He said they're better than the tapes and he was right."

    Mrs. Cuberle flushed.

    "My husband was a little strange, Doctor Hortel. He kept those things despite everything I said.

    "Dear me, I—excuse me."

    The muscular, black-haired doctor walked to another cabinet and selected from the shelf a bottle. From the bottle he took two large pills and swallowed them.

    "Sleep—books—doesn't want the Transformation—Mrs. Cuberle, my dear good woman, this is grave. Doesn't want the Transformation. I would appreciate it if you would change psychiatrists: I am very busy and, uh, this is somewhat specialized. I suggest Centraldome. Many fine doctors there. Goodbye."

    The doctor turned and sat down in a large chair and folded his hands. Mary watched him and wondered why the simple statements should have so changed things. But the doctor did not move from the chair.

    "Well!" said Mrs. Cuberle and walked quickly from the room.

    The man's legs were being blown off again as they left the reception room.


    MARY considered the reflection in the mirrored wall. She sat on the floor and looked at different angles of herself: profile, full-face, full length, naked, clothed. Then she took up the magazine and studied it. She sighed.

    "Mirror, mirror on the wall—" The words came haltingly to her mind and from her lips. She hadn't read them, she recalled. Daddy had said them, quoted them as he put it.[10] But they too were lines from a book—"who is the fairest of—"

    A picture of Mother sat upon the dresser and Mary considered this now. Looked for a long time at the slender, feminine neck. The golden skin, smooth and without blemish, without wrinkles and without age. The dark brown eyes and the thin tapers of eyebrows, the long black lashes, set evenly, so that each half of the face corresponded precisely. The half-parted-mouth, a violet tint against the gold, the white, white teeth, even, sparkling.

    Mother. Beautiful, Transformed Mother. And back again to the mirror.

    "—of them all...."

    The image of a rather chubby girl, without lines of rhythm or grace, without perfection. Splotchy skin full of little holes, puffs in the cheeks, red eruptions on the forehead. Perspiration, shapeless hair flowing onto shapeless shoulders down a shapeless body. Like all of them, before the Transformation.

    Did they all look like this, before? Did Mother, even?

    Mary thought hard, trying to remember exactly what Daddy and Grandpa had said, why they said the Transformation was a bad thing, and why she believed and agreed with them so strongly. It made little sense, but they were right. They were right! And one day, she would understand completely.

    Mrs. Cuberle slammed the door angrily and Mary jumped to her feet. She hadn't forgotten about it. "The way you upset Dr. Hortel. He won't even see me anymore, and these traumas are getting horrible. I'll have to get that awful Dr. Wagoner."

    "Sorry—"

    Mrs. Cuberle sat on the couch and crossed her legs carefully.

    "What in the world were you doing on the floor?"

    "Trying to sleep."

    "Now, I won't hear of it! You've got to stop it! You know you're not insane. Why should you want to do such a silly thing?"

    "The books. And Daddy told me about it."

    "And you mustn't read those terrible things."

    "Why—is there a law against them?"

    "Well, no, but people tired of books when the tapes came in. You know that. The house is full of tapes; anything you want."

    Mary stuck out her lower lip.

    "They're no fun. All about the Wars and the colonizations."

    "And I suppose books are fun?"

    "Yes. They are."

    "And that's where you got this idiotic notion that you don't want the Transformation, isn't it? Of course it is. Well, we'll see to that!"


    MRS. CUBERLE rose quickly and took the books from the corner and from the closet and filled her arms with them. She looked everywhere in the room and gathered the old rotten volumes.

    These she carried from the room and threw into the elevator. A button guided the doors shut.

    "I thought you'd do that," Mary said. "That's why I hid most of the good ones. Where you'll never find them."

    Mrs. Cuberle put a satin handkerchief[11] to her eyes and began to weep.

    "Just look at you. Look. I don't know what I ever did to deserve this!"

    "Deserve what, Mother? What am I doing that's so wrong?" Mary's mind rippled in a confused stream.

    "What!" Mrs. Cuberle screamed, "What! Do you think I want people to point to you and say I'm the mother of an idiot? That's what they'll say, you'll see. Or," she looked up hopefully, "have you changed your mind?"

    "No." The vague reasons, longing to be put into words.

    "It doesn't hurt. They just take off a little skin and put some on and give you pills and electronic treatments and things like that. It doesn't take more than a week."

    "No." The reason.

    "Don't you want to be beautiful, like other people—like me? Look at your friend Shala, she's getting her Transformation next month. And she's almost pretty now."

    "Mother, I don't care—"

    "If it's the bones you're worried about, well, that doesn't hurt. They give you a shot and when you wake up, everything's moulded right. Everything, to suit the personality."

    "I don't care, I don't care."

    "But why?"

    "I like me the way I am." Almost—almost exactly. But not quite. Part of it, however. Part of what Daddy and Grandpa meant.

    "But you're so ugly, dear! Like Dr. Hortel said. And Mr. Willmes, at the factory. He told some people he thought you were the ugliest girl he'd ever seen. Says he'll be thankful when you have your Transformation. And what if he hears of all this, what'll happen then?"

    "Daddy said I was beautiful."

    "Well really, dear. You do have eyes."

    "Daddy said that real beauty is only skin deep. He said a lot of things like that and when I read the books I felt the same way. I guess I don't want to look like everybody else, that's all." No, that's not it. Not at all it.

    "That man had too much to do with you. You'll notice that he had his Transformation, though!"

    "But he was sorry. He told me that if he had it to do over again, he'd never do it. He said for me to be stronger than he was."

    "Well, I won't have it. You're not going to get away with this, young lady. After all, I am your mother."

    A bulb flickered in the bathroom and Mrs. Cuberle walked uncertainly to the cabinet. She took out a little cardboard box.

    "Time for lunch."

    Mary nodded. That was another thing the books talked about, which the tapes did not. Lunch seemed to be something special long ago, or at least different. The books talked of strange ways of putting a load of things into the mouth and chewing these things. Enjoying them. Strange and somehow wonderful.

    "And you'd better get ready for work."

    "Yes, Mother."


    THE office was quiet and without shadows. The walls gave off a steady luminescence, distributed the light evenly upon all the desks and[12] tables. And it was neither hot nor cold.

    Mary held the ruler firmly and allowed the pen to travel down the metal edge effortlessly. The new black lines were small and accurate. She tipped her head, compared the notes beside her to the plan she was working on. She noticed the beautiful people looking at her more furtively than before, and she wondered about this as she made her lines.

    A tall man rose from his desk in the rear of the office and walked down the aisle to Mary's table. He surveyed her work, allowing his eyes to travel cautiously from her face to the draft.

    Mary looked around.

    "Nice job," said the man.

    "Thank you, Mr. Willmes."

    "Dralich shouldn't have anything to complain about. That crane should hold the whole damn city."

    "It's very good alloy, sir."

    "Yeah. Say, kid, you got a minute?"

    "Yes sir."

    "Let's go into Mullinson's office."

    The big handsome man led the way into a small cubby-hole of a room. He motioned to a chair and sat on the edge of one desk.

    "Kid, I never was one to beat around the bush. Somebody called in little while ago, gave me some crazy story about you not wanting the Transformation."

    Mary said "Oh." Daddy had said it would have to happen, some day. This must be what he meant.

    "I would've told them they were way off the beam, but I wanted to talk to you first, get it straight."

    "Well, sir, it's true. I don't. I want to stay this way."

    The man looked at Mary and then coughed, embarrassedly.

    "What the hell—excuse me, kid, but—I don't exactly get it. You, uh, you saw the psychiatrist?"

    "Yes sir. I'm not insane. Dr. Hortel can tell you."

    "I didn't mean anything like that. Well—" the man laughed nervously. "I don't know what to say. You're still a cub, but you do swell work. Lot of good results, lots of comments from the stations. But, Mr. Poole won't like it."

    "I know. I know what you mean, Mr. Willmes. But nothing can change my mind. I want to stay this way and that's all there is to it."

    "But—you'll get old before you're half through life."

    Yes, she would. Old, like the Elders, wrinkled and brittle, unable to move right. Old. "It's hard to make you understand. But I don't see why it should make any difference."

    "Don't go getting me wrong, now. It's not me, but, you know, I don't own Interplan. I just work here. Mr. Poole likes things running smooth and it's my job to carry it out. And soon as everybody finds out, things wouldn't run smooth. There'll be a big stink. The dames will start asking questions and talk."

    "Will you accept my resignation, then, Mr. Willmes?"

    "Sure you won't change your mind?"

    "No sir. I decided that a long time ago. And I'm sorry now that I told Mother or anyone else. No sir, I won't change my mind."

    "Well, I'm sorry, Mary. You been doing awful swell work. Couple of[13] years you could be centralled on one of the asteroids, the way you been working. But if you should change your mind, there'll always be a job for you here."

    "Thank you, sir."

    "No hard feelings?"

    "No hard feelings."

    "Okay then. You've got till March. And between you and me, I hope by then you've decided the other way."

    Mary walked back down the aisle, past the rows of desks. Past the men and women. The handsome, model men and the beautiful, perfect women, perfect, all perfect, all looking alike. Looking exactly alike.

    She sat down again and took up her ruler and pen.


    MARY stepped into the elevator and descended several hundred feet. At the Second Level she pressed a button and the elevator stopped. The doors opened with another button and the doors to her Unit with still another.

    Mrs. Cuberle sat on the floor by the T-V, disconsolate and red-eyed. Her blond hair had come slightly askew and a few strands hung over her forehead. "You don't need to tell me. No one will hire you."

    Mary sat beside her mother. "If you only hadn't told Mr. Willmes in the first place—"

    "Well, I thought he could beat a little sense into you."

    The sounds from the T-V grew louder. Mrs. Cuberle changed channels and finally turned it off.

    "What did you do today, Mother?" Mary smiled.

    "Do? What can I do, now? Nobody will even come over! I told you what would happen."

    "Mother!"

    "They say you should be in the Circuses."

    Mary went into another room. Mrs. Cuberle followed. "How are we going to live? Where does the money come from now? Just because you're stubborn on this crazy idea. Crazy crazy crazy! Can I support both of us? They'll be firing me, next!"

    "Why is this happening?"

    "Because of you, that's why. Nobody else on this planet has ever refused the Transformation. But you turn it down. You want to be ugly!"

    Mary put her arms about her mother's shoulders. "I wish I could explain, I've tried so hard to. It isn't that I want to bother anyone, or that Daddy wanted me to. I just don't want the Transformation."

    Mrs. Cuberle reached into the pockets of her blouse and got a purple pill. She swallowed the pill. When the letter dropped from the chute, Mrs. Cuberle ran to snatch it up. She read it once, silently, then smiled.

    "Oh, I was afraid they wouldn't answer. But we'll see about this now!"

    She gave the letter to Mary.

     

    Mrs. Zena Cuberle
    Unit 451 D
    Levels II & III
    City
    Dear Madam:

     

    In re your letter of Dec 3 36. We have carefully examined your complaint and consider that it requires stringent measures. Quite frankly, [14]the possibility of such a complaint has never occurred to this Dept. and we therefore cannot make positive directives at the moment.

    However, due to the unusual qualities of the matter, we have arranged an audience at Centraldome, Eighth Level, Sixteenth Unit, Jan 3 37, 23 sharp. Dr. Elph Hortel has been instructed to attend. You will bring the subject in question.

    Yrs,
    DEPT F

     

    Mary let the paper flutter to the floor. She walked quietly to the elevator and set it for Level III. When the elevator stopped, she ran from it, crying, into her room.

    She thought and remembered and tried to sort out and put together. Daddy had said it, Grandpa had, the books did. Yes, the books did.

    She read until her eyes burned and her eyes burned until she could read no more. Then Mary went to sleep, softly and without realizing it, for the first time.

    But the sleep was not peaceful.


    "LADIES and gentlemen," said the young-looking, well groomed man, "this problem does not resolve easily. Dr. Hortel here, testifies that Mary Cuberle is definitely not insane. Drs. Monagh, Prinn and Fedders all verify this judgment. Dr. Prinn asserts that the human organism is no longer so constructed as to create and sustain such an attitude through deliberate falsehood. Further, there is positively nothing in the structure of Mary Cuberle which might suggest difficulties in Transformation. There is evidence for all these statements. And yet we are faced with this refusal. What, may I ask, is to be done?"

    Mary looked at a metal table.

    "We have been in session far too long, holding up far too many other pressing contingencies. The trouble on Mercury, for example. We'll have to straighten that out, somehow."

    Throughout the rows of beautiful people, the mumbling increased. Mrs. Cuberle sat nervously, tapping her shoe and running a comb through her hair.

    "Mary Cuberle, you have been given innumerable chances to reconsider, you know."

    Mary said, "I know. But I don't want to."

    The beautiful people looked at Mary and laughed. Some shook their heads.

    The man threw up his hands. "Little girl, can you realize what an issue you have caused? The unrest, the wasted time? Do you fully understand what you have done? Intergalactic questions hang fire while you sit there saying the same thing over and over. Doesn't the happiness of your Mother mean anything to you?"

    A slender, supple woman in a back row cried, "We want action. Do something!"

    The man in the high stool raised his hand. "None of that, now. We must conform, even though the question is out of the ordinary." He leafed through a number of papers on his desk, leaned down and whispered into the ear of a strong blond man. Then he turned to Mary[15] again. "Child, for the last time. Do you reconsider? Will you accept the Transformation?"

    "No."

    The man shrugged his shoulders. "Very well, then. I have here a petition, signed by two thousand individuals and representing all the Stations of Earth. They have been made aware of all the facts and have submitted the petition voluntarily. It's all so unusual and I'd hoped we wouldn't have to—but the petition urges drastic measures."

    The mumbling rose.

    "The petition urges that you shall, upon final refusal, be forced by law to accept the Transformation. And that an act of legislature shall make this universal and binding in the future."

    Mary's eyes were open, wide. She stood and paused before speaking.

    "Why?" she asked, loudly.

    The man passed a hand through his hair.

    Another voice from the crowd, "Seems to be a lot of questions unanswered here."

    And another, "Sign the petition, Senator!"

    All the voices, "Sign it, sign it!"

    "But why?" Mary began to cry. The voices stilled for a moment.

    "Because—Because—"

    "If you'd only tell me that. Tell me!"

    "Why, it simply isn't being done, that's all. The greatest gift of all, and what if others should get the same idea? What would happen to us then, little girl? We'd be right back to the ugly, thin, fat, unhealthy-looking race we were ages ago! There can't be any exceptions."

    "Maybe they didn't consider themselves so ugly."

    The mumbling began anew.

    "That isn't the point," cried the man. "You must conform!"

    And the voices cried "Yes" loudly until the man took up a pen and signed the papers on his desk.

    Cheers, applause, shouts.

    Mrs. Cuberle patted Mary on the top of her head.

    "There, now!" she said, happily, "Everything will be all right now. You'll see, Mary."


    THE Transformation Parlor Covered the entire Level, sprawling with its departments. It was always filled and there was nothing to sign and no money to pay and people were always waiting in line.

    But today the people stood aside. And there were still more, looking in through doors, TV cameras placed throughout the tape machines in every corner. It was filled, but not bustling as usual.

    Mary walked past the people, Mother and the men in back of her, following. She looked at the people. The people were beautiful, perfect, without a single flaw.

    All the beautiful people. All the ugly people, staring out from bodies that were not theirs. Walking on legs that had been made for them, laughing with manufactured voices, gesturing with shaped and fashioned arms.

    Mary walked slowly, despite the prodding. In her eyes, in her eyes, was a mounting confusion; a wide, wide wonderment.

    The reason was becoming less vague; the fuzzed edges were falling[16] away now. Through all the horrible months and all the horrible moments, the edges fell away. Now it was almost clear.

    She looked down at her own body, then at the walls which reflected it. Flesh of her flesh, bone of her bone, all hers, made by no one, built by herself or someone she did not know. Uneven kneecaps, making two grinning cherubs when they bent, and the old familiar rubbing together of fat inner thighs. Fat, unshapely, unsystematic Mary. But Mary.

    Of course. Of course! This was what Daddy meant, what Grandpa and the books meant. What they would know if they would read the books or hear the words, the good, reasonable words, the words that signified more, much more, than any of this.

    The understanding heaped up with each step.

    "Where are these people?" Mary asked half to herself. "What has happened to them and don't they miss themselves, these manufactured things?"

    She stopped, suddenly.

    "Yes! That is the reason. They have all forgotten themselves!"

    A curvacious woman stepped forward and took Mary's hand. The woman's skin was tinted dark. Chipped and sculptured bone into slender rhythmic lines, electrically created carriage, stance, made, turned out.

    "All right, young lady. We will begin."

    They guided Mary to a large, curved leather seat.

    From the top of a long silver pole a machine lowered itself. Tiny bulbs glowed to life and cells began to click. The people stared. Slowly a picture formed upon the screen in the machine. Bulbs directed at Mary, then redirected into the machine. Wheels turning, buttons ticking.

    The picture was completed.

    "Would you like to see it?"

    Mary closed her eyes, tight.

    "It's really very nice." The woman turned to the crowd. "Oh yes, there's a great deal to be salvaged; you'd be surprised. A great deal. We'll keep the nose and I don't believe the elbows will have to be altered at all."

    Mrs. Cuberle looked at Mary and smiled. "Now, it isn't so bad as you thought, is it?" she said.

    The beautiful people looked. Cameras turned, tapes wound.

    "You'll have to excuse us now. Only the machines allowed."

    Only the machines.

    The people filed out.

    Mary saw the rooms in the mirror. Saw things in the rooms, the faces and bodies that had been left; the woman and the machines and the old young men standing about, adjusting, readying.

    Then she looked at the picture in the screen.

    And screamed.

    A woman of medium height stared back at her. A woman with a curved body and thin legs; silver hair, pompadoured, cut short; full sensuous lips, small breasts, flat stomach, unblemished skin.

    A strange, strange woman no one had ever seen before.

    The nurse began to take Mary's clothes off.

    "Geoff," the woman said, "come[17] look at this, will you. Not one so bad in years. Amazing that we can keep anything at all."

    The handsome man put his hands in his pockets.

    "Pretty bad, all right."

    "Be still, child, stop making those noises. You know perfectly well nothing is going to hurt."

    "But—what will you do with me?"

    "That was all explained to you."

    "No, no, with me, me!"

    "Oh, you mean the castoffs. The usual. I don't know exactly. Somebody takes care of it."

    "I want me!" Mary cried. "Not that!" She pointed at the screen.


    HER chair was wheeled into a semi-dark room. She was naked now, and the men lifted her to a table. The surface was like glass, black, filmed. A big machine hung above.

    Straps. Clamps pulling, stretching limbs apart. The screen with the picture brought in. The men and the woman, more women now. Dr. Hortel in a corner, sitting with his legs crossed, shaking his head.

    Mary began to cry above the hum of the mechanical things.

    "Shhh. My gracious, such a racket! Just think about your job waiting for you, and all the friends you'll have and how nice everything will be. No more trouble now."

    The big machine hurtling downward.

    "Where will I find me?" Mary screamed, "when it's all over?"

    A long needle slid into rough flesh and the beautiful people gathered around the table.

    They turned on the big machine.


    THE END

    URL

    https://www.gutenberg.org/cache/epub/36258/pg36258-images.html

    1. richardmurray

      richardmurray

      William Shatner side Roger Corman discussing the film

      TRANSCRIPT

       

      0:00

      foreign I remember this film in pieces it's been

      0:06

      so many years since uh we've worked on it that uh I remember the telephone call

      0:14

      I think it must have been from you saying you'd like me to be in the film and I was flushed From Success on

      0:21

      Broadway and and some major motion picture and this was a small picture this was uh not a large budgeted picture

      0:28

      and the thinking is you don't do that sort of thing if the promise of the of

      0:35

      the big films are there and I read the script and I think I may have told you in the

      0:42

      intervening years but you didn't know it then that I would have paid you money I wish you told me right I held it

      0:51

      but it was such a marvelous script from a wonderful book by Charlie Boy Charles Beaumont that you had to do one had to

      1:00

      do this film I believed in the picture very much I had had a string of successes at that

      1:06

      time I did something like 17 or 18 consecutive successes like the director I'd never had a failure and every idea I

      1:15

      gave to any production company was accepted this was the first script I

      1:21

      paid Chuck Beaumont for the book and he wrote the script and it was turned down by every company that had accepted all

      1:30

      of my other pictures for goodness so my brother and I pooled our funds and together with you we made the picture

      1:36

      yes but when you say pool your funds uh now that we're starting to talk about this I I recall that you more than

      1:43

      pooled your funds you you uh took loans on your houses yes we did as a matter of

      1:48

      fact I got a second mortgage on my house and and uh so there was a great deal

      1:55

      personally at stake for you uh not only financially but emotionally

      2:00

      emotionally the picture turned out very well it went to a number of film festivals including the Venice Festival

      2:07

      I won a couple of Awards as best director you won more Awards as best

      2:12

      actor the reviews were incredible I still remember one review in the New York Times

      2:19

      it started off by saying this motion picture is a major credit to the entire

      2:24

      American film industry it was the first film I ever made that lost money and

      2:31

      however luckily it didn't lose much it just lost a little bit so at least we didn't lose our houses yeah right that

      2:38

      second mortgage has been paid off indeed by the 16 or 17 successes that you had

      2:45

      um of course I guess success is defined by if it makes it makes it profit yes an

      2:51

      economic success an economic success uh but this film uh had a meaning and and a

      2:59

      sense to it that so many of of the films that I have made in the past hence uh before that and and and

      3:07

      after that did not have and I presume the same applies to you yes I believed

      3:12

      very deeply in the subject which was about racial integration in the South I

      3:18

      know you did and I think everybody connected with the film and that's one of the reasons why it's gone on to stay

      3:26

      alive so many years people remember it as an honest document for its time you

      3:32

      might say I'm in Social world I've come to do what I can for the time the integration problem Oh that but

      3:40

      that's all over I mean they've got 10 enrolled already in the schools and they're starting Monday yes I know

      3:48

      do you think it's right no well sure don't neither does nobody but it's the

      3:54

      law who's law to me as a Canadian coming down to the

      4:00

      United States uh I I was not aware of uh what was what the

      4:07

      turmoil was in in in in in in in in terms of the conflict black and white it

      4:15

      had no direct meaning to me because in Canada that that didn't exist

      4:22

      so I was I'm I read the newspapers and I would see the people and I would see

      4:28

      what was happening but I didn't insightfully intrinsically understand

      4:34

      what was going on to get into and live in behind somebody

      4:40

      who was being afflicted I did not get

      4:45

      into their heads until this picture until the intruder and it was only in

      4:51

      the Intruder did I did I was I forced to take a look at separate but equal

      4:58

      and integration and feeling of of uh of a partners because you're treated

      5:07

      differently you're an American citizen but you're not and I began to see what was taking place

      5:14

      and the ferment that was also taking place in a desire to change all that

      5:22

      uh this picture was an epiphany for me uh and working on it

      5:30

      it changed my life coming from California I was aware of

      5:35

      the difference between the races the uh problems of segregation but it was never

      5:41

      as strong obviously in the north this is in the South but it was there there was still uh a slight feeling of segregation

      5:50

      either even in a western or Northern State I had traveled a little bit in the

      5:55

      South and was amazed that in my own country this could be going on we read

      6:03

      about it we experienced a little bit of it in California but I remember the first time I was I think taking a bus

      6:10

      somewhere in New Orleans and I realized that all the blacks really were at the

      6:17

      back of the bus if you went to a theater the blacks were I think in the balcony

      6:24

      and the whites could be downstairs in the preferential seats and I realized

      6:30

      that this was institutionalized this was so built into their way of life that at

      6:37

      least for a period of time the whites accepted it as their natural right and

      6:42

      many blacks felt nothing could be done and I think it was although the great Revolution was to come later in the 60s

      6:49

      it was already starting I think coming out of World War II when blacks and whites had fought equally or

      6:56

      semi-equally in World War II and had come back to a society for which uh

      7:03

      blacks and Asian Americans as a matter of fact had fought and died for and had come back to find a society not equal

      7:10

      and they determined to do something about it right and and uh and when

      7:15

      you're not faced with it if you're in your own little white community and you

      7:20

      don't see the the trouble you tend to ignore it because it's

      7:28

      easier not to face it it's when you're looking at it through the eyes

      7:33

      of uh somebody who's been segregated do you understand the forces at work or

      7:41

      begin to understand and it's interesting to me that many people take the advances

      7:46

      of the last 30 40 years for granted my sons are both basketball players and

      7:51

      they play on fully integrated basketball teams and all that we've not yet reached Perfection we've made great strides I

      8:00

      tell them a little bit about what it was like and it's very hard for them to understand just in this short period of

      8:06

      History we've come so far well sir you see I represent the Patrick

      8:12

      Henry Society and what we'd like to know is just this how you stand with your four integration or against it that's a stupid question

      8:18

      young man I'm a southerner Sudan sedan thank you yeah I was born and raised in these parts so were my

      8:25

      folks that is you're against it of course I'm against it what's the matter

      8:30

      with you I don't remember exactly how I found the book The Intruder but as I recall a friend of mine had read it and

      8:39

      it simply recommended it to me as a good book because he knew that I was very

      8:44

      much interested in contemporary novels and I read the book and contacted Chuck

      8:49

      Bowman and luckily he lived in Los Angeles if he lived in Albuquerque he might never have made the film and I

      8:56

      talked to him and uh we worked out an arrangement and he wrote the script and again from inception it was something

      9:03

      that he believed in and I believed in I remember the first time I saw you we had not met you had done Marlo's play

      9:11

      Timberland which I thought was brilliant and I always remembered that performance

      9:16

      and uh so when I came to cast the picture I've been told you to come out to Hollywood and I remember it was the

      9:23

      simple thing at that point I gave the script to your age and who gave it to you we met and there it was yeah that's

      9:29

      interesting how one thing leads to another I think another element that makes the picture live

      9:36

      uh in the way it does it continues to live the way it does is the

      9:42

      emotions that are invested in the film not only prior to as we're talking now

      9:49

      I'm writing the script and getting the locations but in the actual filming we it was not

      9:56

      uh without its danger yes and that I think whether the audience

      10:03

      realizes it or not is reflected in some of the performances I mean there's genuine fear and Terror on some

      10:12

      locations where we were in Jeopardy particularly the Ku Klux Klan

      10:17

      drive-through scene which was the last scene we shot in the picture and at the

      10:23

      end of it because as you remember we were getting phone calls and threatening letters we shot that scene after having

      10:29

      checked out of our motel and at the conclusion of it we just stayed in the

      10:34

      cars and kept driving to St Louis I remember that and did you know do you remember that there was an actual

      10:40

      stabbing in the uh among the people lining the street somebody had been knifed yes I do remember that yeah so

      10:48

      the the danger was not uh was not in our own minds there were

      10:54

      if I remember uh there was a white gang it was a Black Gang both of whom were

      11:00

      dangerous but the most dangerous gang of all was a gang of ex-criminals who were

      11:06

      black and white yes so uh the vicious criminal element did not uh have its

      11:13

      roots in black or white they were just guys who wanted to get some money and uh and to hurt

      11:21

      somebody I could almost make up some sort of a moral there crime nose no racial

      11:27

      boundaries but that's true and in this case it's it's it's evident

      11:33

      um there was a guy that um I met huge man

      11:40

      tough and he was a source of irritant to the crew I

      11:46

      remember he was on the sidelines the whole time and

      11:52

      and he was Railing at us and jeering us and he was a real anime and he was

      11:59

      considered Dangerous by the by the police and by the by the crew

      12:05

      and I re forget now exactly how I met him whether he was brought in as a crew

      12:13

      member because he could take two stands I remember do you have a record of who

      12:18

      I'm talking about you know it does come back to me I think we did have him working because he was so strong because he was so strong and so potentially

      12:24

      dangerous so I talked to him and I found out that he had a great

      12:32

      quarter horse and I was interested in horses that he had his lucky chaps with which

      12:37

      he'd want I I forgotten probably cutting competitions

      12:42

      and he had the fastest car in the tri-state area of

      12:48

      and he had gone to Daytona with this uh Pontiac this jazzed up Pontiac and it

      12:55

      won some stuff and as I befriended him in the true manner of Southern generosity

      13:02

      he said anytime you want to ride my horse anytime you want to drive my car

      13:09

      I want you to do it well we were somewhere and Cairo Illinois was a

      13:15

      little further away and there was somebody there I forgotten now who I wanted to see and what it was I wanted

      13:20

      to see but I one day I asked him can I borrow your car and he said sure he said I want to show

      13:27

      you a couple of things he went to the trunk and inside that he opened the trunk and inside the trunk were his lucky chaps he says these are my lucky

      13:34

      chaps uh they brought me great luck in competition I they're right here don't

      13:40

      don't don't do you know just be sure that you don't open the trunk because these are very important to me

      13:46

      then he went to the truck the hood and Jack put the hood up and he said now

      13:53

      I want you to be careful you can see there are no air cleaners here that's because the raw air is sucked in

      14:00

      through the carburetor and and I've got four carbs here and it's the fastest car

      14:07

      in the tri-state area I won this is my great car this is a car it's one of a kind I love this car I love this car

      14:13

      very much so now I want you to be careful because the open mouth carburetor allows gasoline to be thrown

      14:20

      backwards as well so every so often it catches fire now come over here and behind the seat yeah that extinguisher

      14:29

      and he said here if ever you smell smoke

      14:34

      trip the hood get that off and just all you have to do is extinguish the fire

      14:39

      and it's fine I do that all the time so I said okay great the the fire extinguisher there had the hood

      14:46

      there and I had the trunk there and I drive to Cairo Illinois and I'm parked doing something on the curb I've

      14:51

      forgotten and somebody drives up alongside you say Hey sir your car is on fire

      14:58

      so I rushed to the trunk and I see Flames coming out of the trunk and now I

      15:05

      forget about the fire extinguisher I need something to put this fire on no I tripped the hood I tripped the trunk and

      15:11

      I run to the trunk and I grabbed some rags in the truck and I started beating out the fire and I'm beating out the fire and I'm beating out on it finally I

      15:17

      get the fire out and the engine is melted and I realized that the rags in my hands

      15:24

      are his lucky chips and this is one of the most dangerous

      15:29

      men we've ever met I had a tough time telling him what did he do what did he

      15:35

      do when you you told him I think he killed me yeah yes and we made a movie of that I remember a little different in

      15:42

      the later Seasons we had to resurrect me it was I I think

      15:47

      he was gracious about it actually I think he said oh I know something about it but it was it was

      15:53

      Dire and wonderful at the same time now he told me a very similar story but he said you know I'm getting a little tired

      16:00

      of this car and I've got it heavily insured and I've got this idiot that I'm gonna get to take the car

      16:07

      that's good but I remember some other tough uh

      16:12

      scenes do you remember the end of the picture where you uh and Leo Gordon and

      16:18

      Charlie Barnes the local uh black kid we had playing uh in the in the excuse me

      16:25

      which reminds me of the fact we only had four or five professional actors I think

      16:30

      it was you Leo Gordon uh Gene burnson and one other and all the

      16:38

      rest of them were local people and uh anyway in the final scene where which

      16:44

      takes place outside the school and Charlie is being swung back and forth in

      16:50

      the swing that was one of the roughest things we ever had we shot it in two days and the first day everything was

      16:57

      fine we got all our long shots all our establishing shots and when we went back for the second and concluding day and

      17:04

      this was the climax of the picture the sheriff of East Prairie Missouri

      17:11

      stopped us at the borders of the town and said you can't come into the town we had nothing else to do and I

      17:18

      remembered no place to shoot and I remembered that there were some swings in the public park in Sikeston so we

      17:25

      drove back to the public park and we shot during the morning shooting in

      17:30

      tight so you wouldn't see the uh the school on the public park swings and the

      17:37

      police of Sikeston came by to throw us out and you and I were working on the

      17:43

      set and my brother was doing a greater not a greater an equal job of acting talking to the police because he knew I

      17:50

      needed a little time to finish the scene and saying well I don't understand officers can you explain exactly what

      17:55

      your attitude is just double talking we kept shooting until it was time to break for lunch and I gave the sign to my

      18:02

      brother and my brother said okay we'll understand we understand we'll leave we'll leave town Gene your brother Gene

      18:10

      has not changed at all he double talks no matter what indeed and we still had

      18:17

      half a day of shooting to do and during lunch while everybody was breaking for lunch I had remembered another school

      18:22

      that we had scouted and rejected because it was out in the country and I drove to that school and uh

      18:29

      it was summer vacation and there was nobody there so we went to the school without any permits or anything we

      18:36

      didn't pull from that sort of thing and we shot the concluding part of the scene on the swings there and nobody has ever

      18:44

      noticed the fact that the final scene was shot in three different locations and the swings were of different heights

      18:51

      and it seen plays and I think it's partially the way we shot it and partially your performance was so strong

      18:58

      they were looking at you this town I'm talking about texting yeah

      19:04

      [Applause] people

      19:09

      something happened today 10 Negroes went into the caxton high school and sat

      19:16

      with the white children there nobody stopped them nobody turn them off

      19:24

      and you know what they're saying that means they're safe

      19:29

      as you all don't give a darn whether the whites mixed with the blacks because he didn't fight against it the

      19:35

      um the denuma of that film was uh also uh

      19:40

      Vivid still vividly lives in my mind um you had chosen as a location a a

      19:47

      courthouse an exterior of a courthouse uh and steps that went up and and now

      19:53

      the character I was playing was about to Harang the mob to rise up and and

      20:00

      pillage um so that the integration would not take place and

      20:06

      for several days before that final scene uh which was I believe at the end of the

      20:13

      week we had done a lot of yelling and jumping and screaming and running both from the

      20:19

      police from the gangs and uh and also on camera my voice was was shot and I had

      20:27

      the day before off so if it was a Friday night that we were going to shoot I had Thursday night off and I'd gone to the

      20:34

      doctor in the local Town who said you've got laryngitis which is fatigue and

      20:40

      overuse of the muscle The Voice you need to rest and you may be able to speak I could I

      20:45

      could not speak like that and I had this long several pages of speech to make

      20:52

      so I said can you give me some sleeping pills I don't work tomorrow night can you give me some sleeping pills and put

      20:59

      me to sleep for 24 hours which is what I did I took sleeping

      21:05

      pills and actually I remember waking up and thinking it was 12 hours later but

      21:10

      it was only a couple of hours later so I popped a couple more and finally I drugged myself out to be out of it for

      21:18

      24 hours during which if I had to speak like get something to eat I wrote it out

      21:24

      I never used my voice and I didn't use my voice when we went to location I did

      21:29

      not speak I wrote out the notes and you set up

      21:35

      over my shoulder onto the crowd first and then when you finished all your coverage facing away from me or over my

      21:43

      back onto the crowd and I didn't speak to the crowd even on their reactions you had it read by somebody either yourself

      21:49

      or people already read but what we wrote was not totally innocuous that's exactly

      21:55

      right you wrote innocuous things that's right it was you know buy at the sacks

      22:00

      you know Macy's window or whatever drink uh Perry

      22:06

      no I think I've got enough uh product placement in there yes um and work with Priceline

      22:12

      and buyers tickets uh and all of which was meaningless to the audience and then

      22:18

      you reverse and you went way away from me I still didn't speak and finally you were on me for the medium and close

      22:23

      shots by that time it was after midnight and the crowd realized the truth that

      22:30

      everybody who's not connected with the movie ultimately realizes that is making a movie like watching a horse show is

      22:37

      boring unless you're intimately connected with the details of of what it is you're doing so they had long since

      22:43

      left there were 10 people left in the out of the hundreds that had turned up and I began my speech and spoke the

      22:50

      speech for the first time with great gratitude that my voice was working but nobody was there and the following day I

      22:58

      think it was you and I were walking along the Main Street and the guy from the newspaper

      23:04

      called us over and he said do you realize that where you were last night that tree that was uh in the courtyard

      23:12

      was a tree that was used for lynching that people in the audience that you had last night would have remembered

      23:20

      uh uh the the terrible tragic events that that uh that

      23:27

      took place there and that had I spoken these fiery words that Charles Beaumont

      23:35

      had written they might we might have had a different ending on our hands very fast ended well

      23:44

      as a matter of fact I do remember that and I remember also the fact that people

      23:49

      did not totally know exactly the details of what you were doing the script we

      23:54

      gave handed out was a little bit different than the script we actually shot and I remember you had a group of

      24:01

      followers that I had chosen or there were sort of the guys who sat around the town square whittling and spitting and

      24:06

      talking they had great faces and they were loyal followers and well you were

      24:13

      saying these various inflammatory uh anti-integration as sentiments they were

      24:19

      yelling and applauding they were with you all the way and they thought you were a good guy and they were really

      24:26

      disappointed when they found out at the end of the picture that you were a bad guy they agreed with you all the way and

      24:31

      that the school's integrated yes you mean that's the way it is

      24:36

      and I'm willing to give my life if that'd be necessary to see that my country stays free

      24:44

      White and American [Applause]

      25:03

      everybody

      25:11

      so making the film uh was a a risk to

      25:17

      you as a personally financially and and I'm sure artistically uh and to you and

      25:26

      the rest of us it was a risk uh physically uh to make the film there was a lot at stake there was a lot of stake

      25:33

      and uh although it was not at that time of Commercial Success eventually because it's hung on so long it has finally

      25:40

      broke the black but emotionally I still remember it uh as one of the best

      25:46

      pictures of one of the films I remember most fondly and I'm most proud of and I

      25:52

      think your performance was brilliant the number of awards you won with that performance was amazing it was it was a

      25:58

      wonderful opportunity the Intruder was named several things as it went through its it was it started as

      26:05

      the Intruder and it was not a commercial success so uh a sort of an exploitation

      26:12

      distributed from the south that I knew said he could make this picture uh

      26:18

      commercially successful and I said fine and he put some wild title on it and it

      26:24

      did a little bit better but I don't even remember what the title was I have blocked it out of my mind the garbage man yes whatever and it's gone back to

      26:31

      being the Intruder and it's had a very strange life and keeps going for

      26:37

      instance the British Film Institute asked me if they could release it I was not aware that they did this in England

      26:44

      as part of some sort of a series of socially committed films this was two

      26:50

      years ago and it was a big success in England and of the films in that series

      26:55

      that they put in a series of art theaters it was the highest grossing uh and it got wonderful reviews so the and

      27:04

      I think what it is and I've always believed this if the people making the film the writer

      27:12

      director producer actors even the crew and so forth really believe in a film

      27:18

      and make it honestly and truthfully the film itself is permeated with that I

      27:24

      agree but I think it uh as they say a fish in this case uh the the vehicle uh

      27:32

      the the the the the the Cinematic vehicle is being led by the

      27:38

      head the the fish tanks at the head I think the the uh the uh the film is led

      27:45

      by the director and the passions and the and the uh

      27:50

      first force of creativity is the directors and it was you Roger that took

      27:57

      us uh there and was you your courage and your your commitment to your picture and

      28:04

      um and one doesn't that doesn't come to mind

      28:09

      uh when you think of a Roger Corman film you think of a Roger Corman film you

      28:14

      think of the wonderful talents that were started that you you spotted early on that you made for a price you taught a

      28:21

      lot of people in this industry to make films clean and uh and with no fat on

      28:28

      them at all uh and and put every penny that you spend put it up on the screen and not in a craft service table

      28:36

      uh it's a lesson I learned uh and am applying even as we speak You're

      28:42

      directing a film now I'm directing a film now and I'm searching for it's not

      28:48

      a controversial film but it's difficult to make a film

      28:54

      cheaply anymore uh people have gotten sophisticated

      28:59

      about asking for money for locations and and for performing performing is I'm it's all it's quite different and yet

      29:07

      it's not because the need if you have a limited amount of money and you want to make a film The need to put the money on

      29:14

      the screen is the same yes and you laid down some fine ground work there that

      29:22

      we're all still trying to follow but I've always believed is what ultimately

      29:27

      counts is what is on the screen not how many people as you say the craft service table although you can have pretty good

      29:33

      food on the craft service table not what's behind the camera ultimately what

      29:38

      is there and uh I think on the Intruder the fact that we shot it on the actual

      29:44

      locations with primarily non-actors who possibly their lack of ability showed

      29:50

      but the realism of what they did showed and talking about costs and so forth

      29:55

      that I remember we shot it in three weeks on a budget of around 70 or 80 000

      30:00

      which was would be impossible today but was pretty tough then and I think back

      30:07

      of it uh back on it as uh a kind of a milestone for me and uh a brilliant

      30:15

      performance for you are we both gone on we've had good careers you've had a great career and I think we can look

      30:21

      back at this film with pride and I do

      English (auto-generated)

       

       

  5. Well, I think Vlady Putin just provided a textbook example of how to deal with traitors and disloyalty. On the 2nd month anniversary of Yevgeny Prigozhin's halted March to Moscow, he along with 9 other members of his team were cooked. The gangster move was that Putin talked to Prigozhin and may have even met with him after the halted march. Putin buttered Prigozhin up to think it was a misunderstanding and that he could go back to shaking down African countries. Most of us already knew Prigozhin was a dead man walking. Just wondered how Vlady would carry it. Now we know. Kaboom.
  6. Smart move. Just take your time. Wouldn't be too trigger happy on this one. Social media is a perpetual rough ride without a saddle. Sometimes, managing it properly requires extreme patience because everything that seems to devolve is usually experienced by those who are easily offended. Troy, you're doing a good job as it is.
  7. KWL Live Q&A – Accessibility Tips for Authors with Wendy Reid started at noon

     

     

    MY THOUGHTS AS  I LISTENED

    12:02 what does accessibility mean?
    The main focus on the needs and requirements for people with disabilities

    12:03 How did you get involved?
    She did work for the world wide web technical standards. She mostly work on epub and digital publishing. She got a lot of insight from people in disability community cause they,epub and similar,  are so important for people with disabilities.

    12:05 The exercise to using the audio on her phone to navigating to her phone by audio was a challenge.
    Most tools are not accessible but the disability community members have figured out workarounds
    if you want to know more about accessiblity in kobo email the following
    < kobo-accessibility@rakuten.com >

    12:08 What is your day to day at Kobo
    A lot of meetings. A lot of time researching trying to find the best way to do things. Accessibility on a tech company with a lot of different interfaces is busy. 
    Another interview side wendy 
    < https://www.kobo.com/blog/learn-how-kobo-makes-reading-more-accessible

    12:12 What will you say to an author who ask with accessibility?
    We all deal with accessibility or disability  issues  in life. You are planning for your future self and being inclusive of your audience.
    Captions are designed for people who are hard to hear but they are a huge accessibility option 

    12:15 do you know about accessibility options that authors need to be aware of, top complaints?
    Image descriptions. If you are using a screen reader, and an image isn't described it is frustrating to the reader. Around NAvigation, have a really good table of contents. Name your chapters, or subsections.  Table your headings. That structure will help those who have a hard time seeing.  

    12:18 How will an author know if their file is as accessible as can be?
    if you are not creating the epub yourself, you can mark themself up in word. they all have accessibility checkers in them. Make sure headings are headings. Describe all images. 
    Question to ask platform you distributing to, are you using that information to make epub. Are you making sure the heading 1 in word is heading 1 in epub. 
    Alot of companies put disabled users to the side but one in five worldwide have a disability.

    12:22 how detailed should alt text should be
    There is no one way to make alt text. <She gives a great example of describing a cat> How to present a science fiction map, may be really long. The author has to decide which is best.

    12:25 Epub files
    It is better to make a bigger book be split into multiple files.

    <one thing you guys can do is allow people to have the choice of retaining old interfaces. Some people feel better accessibility with older interfaces>

    12:28 Accessibility Checker
    Kobo will add it. 

    12:31 How do you handle alt text in covers?
    We don't have that information cause and can't do it at scale but inside your book, describe your cover. 

    12:32 Can they work on fonts on covers?
    Make covers readable. She has seen covers that is barely visible in small image form. Be mindful of how busy an image is. Make text stand out more. She gets complaints, try testing covers in greyscale and it is hard to see. Her father's love sending screen shots in ereader. 

    Book on history of audiobook
    < https://www.kobo.com/us/en/ebook/the-untold-story-of-the-talking-book-3
    < https://www.kobo.com/us/en/audiobook/the-untold-story-of-the-talking-book-2 >

    12:35 what about accessibility in audio books?
    Underexplored area. Audiobooks were developed to be accessibile. Soldiers from world war 1 who lost their vision to be able to read. Two essential things: If you have images in book, describe in audio. Audiobook structure, she likes to know chapters in table of contents, not tracks.
    She uses a book that came out two months ago and it had track 1 track 2 not chapters.

    Audiobook format in Kobo
    < https://kobowritinglife.zendesk.com/hc/en-us/articles/360059385511-How-to-Upload-Your-Audiobook-Directly-on-Kobo >  

    12:40 What can authors do now in terms of metadata?
    Can include in description. The summary is the best place to do that. DRM is not really accessible. Kobo is looking at implementing more accessibility formats in DRM. But DRM isn't great for accessibility. 

    12:42 Is anything authors should be aware of for external links?
    Put in link text. Recommend don't using link text that uses vague things. Use the alt text. 

    12:44 How to make websites more accessible?
    Describe all images. Describe all links. Wix or squarespace have accessibility options. You can do yourself. Ask about color palette. No highlighter color on black. Try to avoid putting text on top of book covers. Highly recommend using simple fonts, dyslexia or visually processing issues, and the most readable fonts are times new roman, helvitica, georgia, callibri. Describe book covers. 

    12:48 any newsletter or email practices?
    Same issues for the websites or books. Alot of design fundamentals cross into accessibility fundamentals. 

    12:52 what about accessibility in social media?
     Alt text are needed for every image. Highly recommend. If a platform doesn't have it, use the caption. Alot of tiktokers use captions in videos. Apply captions for video post. Higly recommend reviewing captions for automated captions. Use the most simple captions , it is best for accessibility. They need to detect whether you have your own captions cause you get double captions at times. Youtube provide audio descriptions, consider that. 

    12:57 about emoji's?
    Use emoji's carefully. Every emoji has a name. use simplest, and don't open with emoji's. 

    1:00 What do you think the publishing industry need to be more accessible ? 
    The publshing industry in some countries, canada included, the biggest problem is funding, and going through backlist and making them more accessible.  Alt text is hard for very old books. Publishers try to figure that out. How do we make text that are visually complex , more accessible.

     

    List of her links in comments
    https://kobowritinglife.com/2023/08/03/kwl-live-qa-accessibility-tips-for-authors-with-wendy-reid/ 

    Ace by DAISY – accessibility checker for EPUB < https://daisy.org/activities/software/ace/ >  
    DAISY Knowledge Base, everything you need to know about coding accessible EPUBs < http://kb.daisy.org/publishing/docs/epub/
    Accessible Publishing Learning Network – lots of excellent resources! < https://apln.ca/
    WAVE Web Accessibility Evaluation Tool < https://wave.webaim.org/
    Colour Contrast, an easy to use colour contrast checker < https://colourcontrast.cc/
    Accessible Social, a resource for creating accessible social media content < https://www.accessible-social.com/
    Social Visual Alt Text, fun web extension for viewing alternative text on social media < https://chrome.google.com/webstore/detail/social-visual-alt-text/bkpbmomfemcjdeekdffmbohifpndodm
    WordToEPUB < https://daisy.org/activities/software/wordtoepub/


    MY CLOSING THOUGHTS

    I thought about accessibility. If accessibility was considered from the beginning of most processes it would undo alot of the schemes/scams/ aspects of entertainment/social media/wesbites or other. 
    For example, I like the mandolorian show from Disney. If someone is blind and they can't see the Mandolorian maybe they have an audio read version available. So they can hear each episode absent commercials. But imagine if you are listening to an on demand film, like Godzilla,  like from TNT of the warner bros group in Discovery. Imagine you hear:"this thing killed my wife!, have you ever had bad bowels, Well try..." The commercial break is by default a terrible element. For someone who can only hear they are bound to hear a commercial where those with sight can mute and move on and come back. 
    Accessibility if engineered optimally will delete many methods of commercialization in entertainment or media through electronic means. 
     

  8. Absolutely. Black folks need to do a better job of recognizing and embracing our natural abilities and talent to produce. More importantly, Black folks have to own and control their intellectual properties instead of selling ownership to outsiders. We need codification. For example, Hip-Hop just turned 50 years old. The culture has generated a lot of money. Many Black folks have been able to eat very well from it. Imagine if Black folks owned every aspect of Hip-Hop. The NFL and NBA are two sports Black folks dominate. We bring every ounce of talent, flair and flavor to the games. Yet, we don't own a team. Working for someone else provides capital. Ownership produces wealth. We need to move away from gross consumerism and become more productive in providing and owning goods and services folks need/want. Asians make 97% of their money in Black communities. They don't sell anything speculative. Every product and service sells itself. Black folks need to do better in terms of entrepreneurship before they are replaced by immigrants and AI in the labor force.
  9. Michelle Yeoh and opportunity

    Silicon Valley Bank and risk in fiscal capitalism

    Tiktok and the war over who owns the internet

    Maternity Deaths in the usa

    Londonium, the roman name for london

    The live streaming former elected official in japan

     

    now10.png

    Michelle Yeoh with her historic trophy. She has roles lined up but no starring ones.Credit...Sinna Nasseri for The New York Times

     

    After Her Oscar Win, Will Michelle Yeoh Get to Lead Again?
    The historic victory should mean opportunities to star again, but too often after such milestones, Hollywood doesn’t find central roles for women of color.

    By Kyle Buchanan
    Published March 15, 2023
    Updated March 17, 2023

    We’re conditioned to think of an Oscar win as the endpoint to a journey. For some actors, holding that trophy is the realization of a dream held since childhood. For others, it’s the culmination of a well-deserved comeback.

    But what happens after that win? In our eagerness to treat Oscar victories as career capstones, do we pay too little attention to the opportunities that are supposed to come afterward, yet often don’t?

    I’ve been mulling that over since Sunday night, when Michelle Yeoh took the best actress Oscar for “Everything Everywhere All at Once.” It happened at the 95th edition of the Academy Awards, the kind of big, tantalizing milestone that prods you to contemplate what has come before, and Yeoh’s win proved especially historic: The first Asian star to win best actress, she was greeted onstage by Halle Berry, the first Black woman to have pulled off that feat.

    Asking Berry to announce the winner with Jessica Chastain (the previous year’s winner) was a gamble twice over. If Yeoh had lost to one of her four competitors — all of whom were white women — the ensuing photo op would have served as a stark example of a best-actress category that has been hostile to women of color for 95 years. And though Berry has returned to the Oscars several times since her 2002 win for “Monster’s Ball,” it has always been as a presenter and never as a nominee. To see her there is to be reminded that an Oscar win carries no guarantees when an actress is already liable to receive fewer scripts and career opportunities than her white counterparts.

    So though Yeoh’s triumph was a long time coming, and I teared up as she addressed “all the little boys and girls who look like me watching tonight,” I also found myself worrying that it won’t be enough. The people in the Dolby Theater looked awfully proud of themselves after Yeoh’s win, but if they really want to do right by her, they have to keep writing lead roles for 60-year-old Asian actresses; otherwise, it’s just empty back-patting.

    That, after all, was the real breakthrough of “Everything Everywhere,” Yeoh told me in October. We were at an awards event where, flanked by the “Everything Everywhere” directors Daniel Kwan and Daniel Scheinert, she reminisced about a Hollywood career that had mostly been filled with supporting parts.

    “Look, I’ve been very blessed — I’ve continuously worked, and I’ve worked with great directors,” she said. “But for the first time, I’m No. 1 on the call sheet, thanks to these guys. I do meaningful roles, like in ‘Crazy Rich Asians’ and ‘Shang-Chi,’ but it was not my movie.”

    Yeoh said she hoped that “Everything Everywhere” would not be a one-off, but more than a year after the film’s release, it’s unclear when, or if, she will have another lead film role. Coming projects — including the big-screen musical “Wicked,” the third “Avatar” movie, and the ensemble mystery “A Haunting in Venice” — all consign her to supporting parts. Though she is a headline-making superstar who led the hip studio A24 to its biggest ever worldwide hit, Yeoh is still too often treated as additional casting rather than the main event.

    “Even you, Michelle Yeoh — on the top of the world — has struggled to find the right roles,” Kwan told her when we met in October. “I think that has taken a lot of people by surprise.”

    Yeoh laughed ruefully. “I read scripts and it’s the guy who goes off on some big adventure — and he’s going off with my daughter!” she said. “I’m like, no, no.”

    Few Hollywood movies are conceived with a woman over 50 as the central character, and the ones that are greenlit tend to offer those leads to a triumvirate of white women: Meryl if she’s older, Cate if she’s younger and Tilda if she’s weirder. To ensure that Yeoh can be first on the call sheet again, filmmakers must think more creatively, as Kwan and Scheinert did when they revamped “Everything Everywhere” for Yeoh after conceiving the film as a Jackie Chan vehicle. (And while they’re at it, can they find something juicy for last year’s best supporting actor, Troy Kotsur, similarly a boundary breaker — with “CODA,” he became the first deaf man to win an acting Oscar — who has been seen in little since?)

    As momentum in the best-actress race swung from the “Tár” star Cate Blanchett to Yeoh over the last few weeks of awards season, I kept hearing a common refrain from voters: While Blanchett already had two Oscars and would surely be nominated again — she has eight nominations overall — this could be Yeoh’s only chance at gold. Though I understand the practicality of that argument, I hope those voters understand that their job isn’t done simply because of how they marked their ballot. Yeoh’s Sunday-night win is a big one, but the real victory will come when the lead roles that had long eluded her grasp start to become commonplace. If Hollywood can make that so, then instead of an endpoint, Yeoh’s historic Oscar will serve as a long-needed new beginning.

    Kyle Buchanan is a pop culture reporter and serves as The Projectionist, the awards season columnist for The Times. He is the author of “Blood, Sweat & Chrome: The Wild and True Story of Mad Max: Fury Road.” @kylebuchanan

    ARTICLE
    https://www.nytimes.com/2023/03/15/movies/michelle-yeoh-oscars-next.html

     

    now09.png

    A bank official trying to reassure worried depositors in 1933. Credit...Associated Press


    The Silicon Valley Bank Rescue Just Changed Capitalism
    March 15, 2023


    By Roger Lowenstein

    Mr. Lowenstein is a financial journalist and author of “When Genius Failed: The Rise and Fall of Long-Term Capital Management.”

    After a career of writing about bank failures, I wound up in the middle of one when my bank, Silicon Valley Bank, was seized by the Federal Deposit Insurance Corporation. On Saturday, when I tried to pay a bill online, I was greeted by this not very reassuring missive:

    “This page will be unavailable throughout the weekend, but will resume next week in accordance with the guidance provided by the F.D.I.C.” I wasn’t truly worried; small depositors like me had long ago internalized the rule that it made no sense to worry about your bank’s condition, since the risks of failure were borne by the F.D.I.C.

    Federal deposit insurance was introduced 90 years ago during the heart of the Great Depression. Ever since then, small depositors within the F.D.I.C. limit of coverage have slept soundly. Now, in light of the bank failures of the last few days and the F.D.I.C.’s extension of coverage, why will any depositor worry about risk? Having bailed out depositors of two banks in full, how will the government refuse others?

    Established as part of the landmark Glass-Steagall Act of 1933, the Federal Deposit Insurance Corporation initially provided deposit insurance up to $2,500, supported by premiums from member banks. The act was written by two Democrats, Senator Carter Glass of Virginia and Representative Henry Steagall of Alabama. Steagall wanted to protect rural banks, which had many small depositors, from contagious panics.

    In that era, banking “progressives” were centered in the heartland. During the 1920s, low farm prices led to waves of bank failures. Various states adopted insurance, but the statewide systems failed. Scores of bills for federal insurance were also introduced.

    The idea was controversial. The president of the American Bankers Association protested that insuring deposits was “unsound, unscientific and dangerous.” It was opposed by President Franklin D. Roosevelt and by his Treasury secretary, William H. Woodin. Roosevelt opposed insurance because he thought it would be costly and also encourage bad behavior. If there was no need to mollify depositors, then banks would be free to take all sorts of risks. Today we call this “moral hazard.”

    In 1933, an estimated 4,000 banks failed. Roosevelt took office in March, and declared a national bank holiday to prevent more failures. After a pointed debate, in June Roosevelt signed the Glass-Steagall Act.

    The F.D.I.C. definitely prevented panics. From its creation until America’s entry into World War II, banks failed at a rate of close to 50 per year, not bad considering the economic depression in most of that period. And most of the banks that failed were small.

    By the postwar period, deposit insurance seemed to have been created for an era that no longer existed. Bankers schooled in the 1930s tended toward prudence, and the industry was risk averse. The failure rate was exceptionally low. That all changed in the 1970s and ’80s. A combination of financial deregulation, revived animal spirits on Wall Street, and rising inflation led to financial instability and swings in interest rates. Voilà — bank failures returned.

    In recent days, many have been reminded of 2008 and ’09 (165 banks failed in those two years alone). But for the most part, that crisis was not the result of depositors pulling funds. Bear Stearns, Lehman and others failed or sought bailouts because overnight funding from professional investors disappeared. It dried up for two good reasons: Banks like Lehman had too much leverage, and they were overexposed to a very weak and widely held asset, mortgage securities.

    That was not the case with S.V.B.

    This panic was a classic bank run, and it bears an echo to a different historical episode. In the 1980s, lenders known as savings and loans had invested their funds in long-term mortgages paying a fixed rate of interest. When the Federal Reserve, under pressure of rising inflation, began to jack up rates, S.&L.s had to pay higher rates to attract deposits.

    The mismatch between the cost of their money and the (lower) rate that their mortgages earned sank the industry. Many switched to riskier assets to juice their returns, but as these investments soured, their problems worsened. Roughly a third, or about 1,000, S.&L.s failed. The F.D.I.C. was not (luckily for it) involved, because the S.&L.s were covered by a separate federal insurer. This agency, known as F.S.L.I.C., became insolvent, and the subsequent bailout was estimated to have cost taxpayers more than $100 billion.

    Silicon Valley Bank’s failure looks a bit like an S.&L. crisis in miniature. Like its 1980s counterparts, S.V.B. grew extremely rapidly, had many assets parked in fixed, long-term bonds, and was done in when inflation caused the Fed to raise interest rates, raising the cost of keeping deposits.

    Like the S.&L.s, Silicon Valley Bank was heavily concentrated. It catered to start-ups for whom an S.V.B. account was a matter of status. One tech savant who had recently changed jobs (aren’t they always switching jobs?) told me that in his experience, roughly two thirds of start-ups banked with S.V.B. (the bank claimed that nearly half the country’s venture capital-backed technology and life science companies were customers).

    These crises provoked a widening of the federal safety net. Until the 1970s, the F.D.I.C. limit on deposit coverage increased only slowly. But in 1980, as banks came under pressure from soaring inflation, Congress raised the cap to $100,000, over the objections of the F.D.I.C. itself. In the 2008 crisis, the limit was raised to $250,000. And after the failure of IndyMac in 2008, the F.D.I.C., when possible, quietly protected uninsured depositors.

    In the rescue of S.V.B. on Friday and of Signature Bank in New York two days later, the F.D.I.C. overtly ignored the cap and rescued all depositors, irrespective of size. This is a breathtaking leap.

    Rescued seven-figure depositors were primarily venture companies steeped in the ideology of investing. The first plank of capitalism is that it entails risk. You cannot sensibly invest without assessing the chance for loss. If venture firms relied on groupthink rather than financial due diligence, that was their doing. In the case of Signature, which was exposed to the crypto industry, the rescue probably bailed out gamblers on speculative assets.

    Federal officials have seized on a technicality to claim that it is not a bailout: Any required rescue payments will come from a special assessment on (private) banks, not the public. Prudent banks, which hedged their exposure to interest rates and suffered a competitive cost for doing so, will be hit with the added expense. Most likely, banks will pass along the rescue costs in the form of higher fees to consumers.

    Strictly speaking, President Biden’s assurance that taxpayers are not on the line was accurate. However, in the sense that banking customers are a pretty big group, the “public” will be affected.

    Moreover, the hazardous effect on behavior will be the same.

    The regulators clearly failed to monitor S.V.B.’s unhealthy mismatch of assets and liabilities. Their job will be more difficult in the future, as risk taking on deposits has effectively become socialized. What if a bank opts to attract more funds by raising its interest rate on deposits? Can the regulators permit it? Wait a second, this is what all banks do.

    Once you take risk out of a part of a bank’s operations, it is hard to let market principles govern the rest. We should expect, at a minimum, tougher standards on bank capital (as now exists at the biggest banks), more regulation and higher costs. As this newspaper’s DealBook newsletter has predicted, more loans will move away from F.D.I.C.-member institutions to so-called shadow banks such as hedge funds, outside the purview of regulators.

    In past bank failures, uninsured depositors did not lose all — 10 to 15 percent was typical. And in this episode, there wasn’t any systemically bad asset à la mortgages in 2008. Given that the risk was contained, and that the Federal Reserve provides liquidity to banks facing runs (and provided emergency liquidity this week), allowing uninsured depositors of banks that fail to suffer a haircut might have been healthier for the system in the long run.

    And the bailout does nothing to address the condition that fostered financial instability: inflation. It may even exacerbate it. This is not what Henry Steagall had in mind.

    Roger Lowenstein is a financial journalist and the author of “Buffett” and, most recently, “Ways and Means:Lincoln and His Cabinet and the Financing of the Civil War.”

    The Times is committed to publishing a diversity of letters to the editor. We’d like to hear what you think about this or any of our articles. Here are some tips. And here’s our email: letters@nytimes.com.


    ARTICLE
    https://www.nytimes.com/2023/03/15/opinion/silicon-valley-bank-rescue-glass-steagall-act.html

     

    now08.png

    TikTok’s chief executive, Shou Zi Chew, in the ByteDance offices in Singapore. The White House is hardening its stance toward the Chinese-owned video app.Credit...Ore Huiying for The New York Times


    U.S. Pushes for TikTok Sale to Resolve National Security Concerns
    The demand hardens the White House’s stance toward the popular video app, which is owned by the Chinese internet company ByteDance.

    By David McCabe and Cecilia Kang
    March 15, 2023
    阅读简体中文版閱讀繁體中文版
    WASHINGTON — The Biden administration wants TikTok’s Chinese ownership to sell the app or face a possible ban, TikTok said on Wednesday, as the White House hardens its stance toward resolving national security concerns about the popular video service.

    The new demand to sell the app was delivered to TikTok in recent weeks, two people with knowledge of the matter said. TikTok is owned by the Chinese internet company ByteDance.

    The move is a significant shift in the Biden administration’s position toward TikTok, which has been under scrutiny over fears that Beijing could request Americans’ data from the app. The White House had been trying to negotiate an agreement with TikTok that would apply new safeguards to its data and eliminate a need for ByteDance to sell its shares in the app.

    But the demand for a sale — coupled with the White House’s support for legislation that would allow it to ban TikTok in the United States — hardens the administration’s approach. It harks back to the position of former President Donald J. Trump, who threatened to ban TikTok unless it was sold to an American company.

    TikTok said it was weighing its options and was disappointed by the decision. The company said its security proposal, which involves storing Americans’ data in the United States, offered the best protection for users.

    “If protecting national security is the objective, divestment doesn’t solve the problem: A change in ownership would not impose any new restrictions on data flows or access,” Maureen Shanahan, a spokeswoman for TikTok, said in a statement.

    TikTok’s chief executive, Shou Zi Chew, is scheduled to testify before the House Energy and Commerce Committee next week. He is expected to face questions about the app’s ties to China, as well as concerns that it delivers harmful content to young people.

    A White House spokeswoman declined to comment, as did a spokeswoman for the Treasury Department, which has led the negotiations with TikTok. The Justice Department also declined to comment. The demand for a sale was reported earlier by The Wall Street Journal.

    TikTok, with 100 million U.S. users, is at the center of a battle between the Biden administration and the Chinese government over tech and economic leadership, as well as national security. President Biden has waged a broad campaign against China with enormous funding programs to increase domestic production of semiconductors, electric vehicles and lithium batteries. The administration has also banned Chinese telecommunications equipment and restricted U.S. exports of chip-manufacturing equipment to China.

    The fight over TikTok began in 2020 when Mr. Trump said he would ban the app unless ByteDance sold its stake to an American company, a move recommended by a group of federal agencies known as the Committee on Foreign Investment in the United States, or CFIUS.

    The Trump administration eventually appeared to reach a deal for ByteDance to sell part of TikTok to Oracle, the U.S. cloud computing company, and Walmart. But the potential transaction never came to fruition.

    CFIUS staff and TikTok continued to negotiate a deal that would allow the app to operate in America. TikTok submitted a major draft of an agreement — which TikTok has called Project Texas — in August. Under the proposal, the company said it would store data belonging to U.S. users on server computers run by Oracle inside the United States.

    TikTok officials have not heard back from CFIUS officials since they submitted their proposal, the company said.

    In that vacuum, concerns about the app have intensified. States, schools and Congress have enacted bans on TikTok. Last year, a company investigation found that Chinese-based employees of ByteDance had access to the data of U.S. TikTok users, including reporters.

    Brendan Carr, a Republican on the Federal Communications Commission, said the administration’s new demand was a “good sign” that the White House was taking a harder line.

    “There is bipartisan consensus that we can’t compromise on U.S. national security when it comes to TikTok, and so I hope the CFIUS review now quickly concludes in a manner that safeguards U.S. interests,” Mr. Carr said.

    The White House last week backed a bipartisan Senate bill that would give it more power to deal with TikTok, including by banning the app. If it passed, the legislation would give the administration more leverage in its negotiations with the app and potentially allow it to force a sale.

    Any effort to ban the app or force its sale could face a legal challenge. Federal courts ultimately ruled against Mr. Trump’s attempt to block the app from appearing in Apple’s and Google’s app stores. And the American Civil Liberties Union recently condemned legislation to ban the app, saying it raises concerns under the First Amendment.

    David McCabe covers tech policy. He joined The Times from Axios in 2019. 

    Cecilia Kang covers technology and regulation and joined The Times in 2015. She is a co-author, along with Sheera Frenkel of The Times, of “An Ugly Truth: Inside Facebook's Battle for Domination.” @ceciliakang

    ARTICLE
    https://www.nytimes.com/2023/03/15/technology/tiktok-biden-pushes-sale.html

     

    now07.png
    Tammy Cunningham with her son, Calum. She gave birth while hospitalized with severe Covid-19.Credit...Kaiti Sullivan for The New York Times

     

    Covid Worsened a Health Crisis Among Pregnant Women
    In 2021, deaths of pregnant women soared by 40 percent in the United States, according to new government figures. Here’s how one family coped after the virus threatened a pregnant mother.

    By Roni Caryn Rabin
    March 16, 2023
    KOKOMO, Ind. — Tammy Cunningham doesn’t remember the birth of her son. She was not quite seven months pregnant when she became acutely ill with Covid-19 in May 2021. By the time she was taken by helicopter to an Indianapolis hospital, she was coughing and gasping for breath.

    The baby was not due for another 11 weeks, but Ms. Cunningham’s lungs were failing. The medical team, worried that neither she nor the fetus would survive so long as she was pregnant, asked her fiancé to authorize an emergency C-section.

    “I asked, ‘Are they both going to make it?’” recalled Matt Cunningham. “And they said they couldn’t answer that.”

    New government data suggest that scenes like this played out with shocking frequency in 2021, the second year of the pandemic.

    The National Center for Health Statistics reported on Thursday that 1,205 pregnant women died in 2021, representing a 40 percent increase in maternal deaths compared with 2020, when there were 861 deaths, and a 60 percent increase compared with 2019, when there were 754.

    The count includes deaths of women who were pregnant or had been pregnant within the last 42 days, from any cause related to or aggravated by the pregnancy. A separate report by the Government Accountability Office has cited Covid as a contributing factor in at least 400 maternal deaths in 2021, accounting for much of the increase.

    Even before the pandemic, the United States had the highest maternal mortality rate of any industrialized nation. The coronavirus worsened an already dire situation, pushing the rate to 32.9 per 100,000 births in 2021 from 20.1 per 100,000 live births in 2019.

    The racial disparities have been particularly acute. The maternal mortality rate among Black women rose to 69.9 deaths per 100,000 live births in 2021, 2.6 times the rate among white women. From 2020 to 2021, mortality rates doubled among Native American and Alaska Native women who were pregnant or had given birth within the previous year, according to a study published on Thursday in Obstetrics & Gynecology.

    The deaths tell only part of the story. For each woman who died of a pregnancy-related complication, there were many others, like Ms. Cunningham, who experienced the kind of severe illness that leads to premature birth and can compromise the long-term health of both mother and child. Lost wages, medical bills and psychological trauma add to the strain.

    Pregnancy leaves women uniquely vulnerable to infectious diseases like Covid. The heart, lungs and kidneys are all working harder during pregnancy. The immune system, while not exactly depressed, is retuned to accommodate the fetus.

    Abdominal pressure reduces excess lung capacity. Blood clots more easily, a tendency amplified by Covid, raising the risk of dangerous blockages. The infection also appears to damage the placenta, which delivers oxygen and nutrients to the fetus, and may increase the risk of a dangerous complication of pregnancy called pre-eclampsia.

    Pregnant women with Covid face a sevenfold risk of dying compared with uninfected pregnant women, according to one large meta-analysis tracking unvaccinated people. The infection also makes it more likely that a woman will give birth prematurely and that the baby will require neonatal intensive care.

    Fortunately, the current Omicron variant appears to be less virulent than the Delta variant, which surfaced in the summer of 2021, and more people have acquired immunity to the coronavirus by now. Preliminary figures suggest maternal deaths dropped to roughly prepandemic levels in 2022.

    But pregnancy continues to be a factor that makes even young women uniquely vulnerable to severe illness. Ms. Cunningham, now 39, who was slightly overweight when she became pregnant, had just been diagnosed with gestational diabetes when she got sick.

    “It’s something I talk to all my patients about,” said Dr. Torri Metz, a maternal fetal medicine specialist at the University of Utah. “If they have some of these underlying medical conditions and they’re pregnant, both of which are high-risk categories, they have to be especially careful about putting themselves at risk of exposure to any kind of respiratory virus, because we know that pregnant people get sicker from those viruses.”

    Lagging Vaccination
    In the summer of 2021, scientists were somewhat unsure of the safety of mRNA vaccines during pregnancy; pregnant women had been excluded from the clinical trials, as they often are. It was not until August 2021 that the Centers for Disease Control and Prevention came out with unambiguous guidance supporting vaccination for pregnant women.

    Most of the pregnant women who died of Covid had not been vaccinated. These days, more than 70 percent of pregnant women have gotten Covid vaccines, but only about 20 percent have received the bivalent boosters.

    “We know definitively that vaccination prevents severe disease and hospitalization and prevents poor maternal and infant outcomes,” said Dr. Dana Meaney-Delman, chief of the C.D.C.’s infant outcomes monitoring, research and prevention branch. “We have to keep emphasizing that point.”

    Ms. Cunningham’s obstetrician had encouraged her to get the shots, but she vacillated. She was “almost there” when she suddenly started having unusually heavy nosebleeds that produced blood clots “the size of golf balls,” she said.

    Ms. Cunningham was also feeling short of breath, but she ascribed that to the advancing pregnancy. (Many Covid symptoms can be missed because they resemble those normally occurring in pregnancy.)

    A Covid test came back negative, and Ms. Cunningham was happy to return to her job. She had already lost wages after earlier pandemic furloughs at the auto parts plant where she worked. On May 3, 2021, shortly after clocking in, she turned to a friend at the plant and said, “I can’t breathe.”

    By the time she arrived at IU Health Methodist Hospital in Indianapolis, she was in acute respiratory distress. Doctors diagnosed pneumonia and found patchy shadows in her lungs.

    Her oxygen levels continued falling even after she was put on undiluted oxygen, and even after the baby was delivered.

    “It was clear her lungs were extremely damaged and unable to work on their own,” said Dr. Omar Rahman, a critical care physician who treated Ms. Cunningham. Already on a ventilator, Ms. Cunningham was connected to a specialized heart-lung bypass machine.

    Jennifer McGregor, a friend who visited Ms. Cunningham in the hospital, was shocked at how quickly her condition had deteriorated. “I can’t tell you how many bags were hanging there, and how many tubes were going into her body,” she said.

    But over the next 10 days, Ms. Cunningham started to recover. Once she was weaned off the heart-lung machine, she discovered she had missed a major life event while under sedation: She had a son.

    He was born 29 weeks and two days into the pregnancy, weighing three pounds.

    Premature births declined slightly during the first year of the pandemic. But they rose sharply in 2021, the year of the Delta surge, reaching the highest rate since 2007.

    Some 10.5 percent of all births were preterm that year, up from 10.1 percent in 2020, and from 10.2 percent in 2019, the year before the pandemic.

    Though the Cunninghams’ baby, Calum, never tested positive for Covid, he was hospitalized in the neonatal intensive care unit at Riley Hospital for Children in Indianapolis. He was on a breathing tube, and occasionally stopped breathing for seconds at a time.

    Doctors worried that he was not gaining weight quickly enough — “failure to thrive,” they wrote in his chart. They worried about possible vision and hearing loss.

    But after 66 days in the NICU, the Cunninghams were able to take Calum home. They learned how to use his feeding tube by practicing on a mannequin, and they prepared for the worst.

    “From everything they told us, he was going to have developmental delays and be really behind,” Mr. Cunningham said.

    After her discharge from the hospital, Ms. Cunningham was under strict orders to have a caretaker with her at all times and to rest. She didn’t return to work for seven months, after she finally secured her doctors’ approval.

    Ms. Cunningham has three teenage daughters, and Mr. Cunningham has another daughter from a previous relationship. Money was tight. Friends dropped off groceries, and the landlord accepted late payments. But the Cunninghams received no government aid: They were even turned down for food stamps.

    “We had never asked for assistance in our lives,” Ms. Cunningham said. “We were workers. We used to work seven days a week, eight-hour days, sometimes 12. But when the whole world shut down in 2020, we used up a lot of our savings, and then I got sick. We never got caught up.”

    Though she is back to work at the plant, Ms. Cunningham has lingering symptoms, including migraines and short-term memory problems. She forgets doctor’s appointments and what she went to the store for. Recently she left her card in an A.T.M.

    Many patients are so traumatized by their stays in intensive care units that they develop so-called post-intensive care syndrome. Ms. Cunningham has flashbacks and nightmares about being back in the hospital.

    “I wake up feeling like I’m being smothered at the hospital, or that they’re killing my whole family,” she said. Recently she was diagnosed with post-traumatic stress disorder.

    Calum, however, has surprised everyone. Within months of coming home from the hospital, he was reaching developmental milestones on time. He started walking soon after his first birthday, and likes to chime in with “What’s up?” and “Uh-oh!”

    He has been back to the hospital for viral infections, but his vocabulary and comprehension are superb, his father said. “If you ask if he wants a bath, he’ll take off all his clothes and meet you at the bath,” he said.

    Louann Gross, who owns the day care that Calum attends, said he has a hearty appetite — often asking for “thirds” — and more than keeps up with his peers. She added, “I nicknamed him our ‘Superbaby.’”

    ARTICLE
    https://www.nytimes.com/2023/03/16/health/covid-pregnancy-death.html

     

    now06.png
    Two skeletons that were found last year as part of an archaeological dig in northern England.Credit...West Yorkshire Joint Services


    A 1,600-Year-Old Coffin May Shed Light on Roman Britain
    A lead-lined coffin that was discovered in northern England could offer clues about the area’s transition from the Roman Empire to its Anglo-Saxon period.

    By Jenny Gross
    Published March 15, 2023
    Updated March 16, 2023
    LONDON — British archaeologists have uncovered an ancient coffin in a 1,600-year-old cemetery in northern England, a discovery, they said, that could shed light on the end of Roman Britain and the establishment of Anglo-Saxon kingdoms.

    Discovered during an archaeological dig in Leeds, the lead-lined coffin contained the remains of an aristocratic woman who most likely lived in the fourth century.

    Archaeologists also found the remains of more than 60 people who lived in the area more than a thousand years ago. Some bodies were buried on their backs with their legs straight out, in accordance with late-Roman customs. Others adhered to the Anglo-Saxon tradition, within which burials often included items such as clothes fasteners and knives.

    The archaeological dig was part of a consultation process for a company applying for permission to build on the site. Archaeologists had previously uncovered late-Roman stone buildings and a number of structures in the Anglo-Saxon architectural style in the area.

    “Very quickly, we started finding burials,” said David Hunter, the principal archaeologist of the West Yorkshire Archaeology Advisory Service, which works with the West Yorkshire planning authorities. “The potential is there to give us much better information on how this transition from the Roman population to Anglo-Saxon England happened.”

    Mr. Hunter said that the presence of both late-Roman and early-Anglo Saxon people on the same burial site was unusual. Whether the use of the graveyard had overlapped between the two eras would determine the significance of the find, he added.

    The Roman occupation of Britain, from 43 A.D. to around 410, transformed the culture, as settlers from Europe, the Middle East and Africa arrived. Around the third century, market towns and villages were established, and Roman objects became more common even in poor, rural areas, according to English Heritage, which manages prehistoric sites, medieval castles and Roman forts in England.

    After the Romans retreated from Britain, society became much more insular and parochial, Mr. Hunter said. A lot is unknown about the period, including how the area transitioned from being part of the Roman Empire in the early fifth century to part of the English nation in the 10th.

    “Different people have different theories as to how this could have happened: It could’ve happened by cooperation, it could’ve happened by aggression,” he said.

    These findings may add to knowledge about an era that is largely undocumented, Mr. Hunter said. Radiocarbon dating could help determine exactly when the remains were buried. Chemical tests could reveal the diets and ancestry of the people.

    Researchers would also like to understand why there were a number of instances in which two or three people were buried in the same grave, as well as why there were multiple burial styles in the same cemetery.

    Mr. Hunter said that the two different burial styles could be for reasons of practicality; Since the area was already recognized as a burial place by Roman Britons, it would have been easier for subsequent groups of people to have used the same site.

    While the discovery was made in February 2022, the findings were only announced on Monday, in order to keep the site safe and conduct tests on some of the findings, the Leeds City Council said in a statement. The discovery of a lead-lined coffin is rare, with only a few hundred having been discovered in Britain, said Kylie Buxton, on-site supervisor for the excavations.

    The council has not released the exact location of the dig. After the analysis is completed, the lead coffin may be displayed at the Leeds City Museum, in an exhibition on death and burial customs, officials said.

    A correction was made on March 16, 2023: An earlier version of this article referred imprecisely to English Heritage. The organization manages prehistoric sites, medieval castles and Roman forts in England, not in the rest of Britain. (Other groups manage such sites in Northern Ireland, Scotland and Wales.)
    When we learn of a mistake, we acknowledge it with a correction. If you spot an error, please let us know at nytnews@nytimes.com.Learn more

    Jenny Gross is a general assignment reporter. Before joining The Times, she covered British politics for The Wall Street Journal. @jggross

    ARTICLE
    https://www.nytimes.com/2023/03/15/world/europe/uk-roman-burial-leeds.html#:~:text=By Jenny Gross March 15%2C 2023 LONDON —,Roman Britain and the establishment of Anglo-Saxon kingdoms.

     

    now05.png

    Mr. Higashitani, seen on a computer monitor, celebrating after winning his election to a seat in the House of Councillors in July 2022.Credit...Kyodo News, via Getty Images

     

    How to Get Kicked Out of Parliament: Livestream Instead of Legislating
    The upper house of Japan’s Parliament almost unanimously voted to expel an eccentric YouTuber who won a seat last year. The reason: He never showed up for work.


    By Tiffany May and Hisako Ueno
    March 15, 2023
    Since he was elected to Japan’s Parliament in July, Yoshikazu Higashitani has spread celebrity gossip on his YouTube channel, explored the sights of Dubai and handed out snacks to children displaced by an earthquake in Turkey.

    One thing he has not done is show up for work.

    On Wednesday, he was expelled from Japan’s upper house of Parliament, the House of Councillors, making him the first elected lawmaker in the country to be removed from office in more than seven decades.

    Before his short-lived career as a lawmaker, Mr. Higashitani, 51, was well-known for his lengthy livestreams during which he dished out salacious celebrity gossip under the alias “GaaSyy.” He ran for Parliament from Dubai, claiming that he could not return to Japan because the police were investigating him for fraud. While in self-imposed exile, he campaigned and promised to expose dozens of celebrity scandals.

    To the surprise of many, he won — running as the candidate of the single-issue NHK Party, which is dedicated to making changes to how Japan’s national broadcaster is funded. But he has missed every session in the House of Councillors since then.

    In the meantime, he has maintained diverse interests, balancing his lengthy rants about celebrities with breezy posts about touring La Sagrada Familia in Spain and playing water sports in Thailand, using the hashtag “#endlesssummer.”  Last week, he said he traveled to Turkey, and in videos posted online was seen distributing snacks to children in areas devastated by a February earthquake, in front of a camera crew.

    The founder of the NHK Party, Takashi Tachibana, told reporters in January that the police had asked Mr. Higashitani, a fellow party member, to cooperate with investigations related to accusations of defamatory comments and threats he had made in his videos, and that the YouTuber would return to the country in March. (The police declined to comment.)

    In February, the House of Councillors demanded that Mr. Higashitani apologize in an open session, a disciplinary act second only to expulsion. He had agreed to do so, only to backtrack on that decision last week, saying that he did not feel safe enough to return, despite having immunity from arrest as a lawmaker.

    Mr. Tachibana said last Wednesday that he would step down as head of the party. “As party leader, I will take responsibility for GaaSyy’s failure to keep his promise that he would come back to the upper house to make an apology,” Mr. Tachibana said at a news conference.

    He added that the party would be renamed “Seijika Joshi 48 To,” which translates to Politician Girls 48 Party, and that the actress Ayaka Otsu would replace him. Mr. Tachibana said that the party would broaden its goals and would also recruit only female candidates to run for upcoming local elections.

    Koichi Nakano, a professor of comparative politics at Sophia University in Tokyo, said that the party’s rebranding was a response to a movement to increase the number of female candidates in elections.

    “NHK Party must have thought that they can poke fun at that in a right-wing, misogynist way, by treating female candidates as if they were teen pop idols like AKB48,” Professor Nakano wrote in an email, referring to a popular female pop group.

    He added that Mr. Higashitani’s notoriety and what he characterized as the populist appeal of his party got him elected. “It’s unusual, to a degree, but Japan has had its own share of media-celebrities who are complete amateurs of politics, including comedians, actors and pop singers, though none was as unserious as GaaSyy,” Professor Nakano added.

    Jeff Kingston, a professor of Asian studies at Temple University’s Japan campus, wrote in an email: “The NHK party, despite rebranding, has achieved little except to register discontent with the establishment and unhappiness with the mandatory fees every household has to pay, even if they don’t watch NHK.”

    Muneo Suzuki, who heads a key disciplinary committee in Parliament, told reporters on Tuesday that Mr. Higashitani had already been given ample time to correct his behavior, but that he had ultimately undermined the electoral process. “GaaSyy doesn’t understand what democracy means in principle,” he said.

    Dozens of protesters, mostly members of the Seijika Joshi 48 Party, rallied in front of the legislature before lawmakers cast votes over whether to expel Mr. Higashitani. Among the 236 lawmakers who attended the session, all but one voted in favor of his ouster.

    Mr. Higashitani could not be immediately reached for comment, but in a statement read on the House floor by Satoshi Hamada, a fellow lawmaker, Mr. Higashitani said that his removal was unjust.

    “There will continue to be people like me running for office. If you do not want the world you have made to be destroyed, please exclude those people from candidacy from the very beginning,” he wrote in the statement. “I wish the same punishment upon lawmakers who leave their seats immediately after propping up their nameplates and ones who are asleep and don’t show up like myself.”

    Tiffany May covers news from Asia. She joined The Times in 2017. @nytmay

    Hisako Ueno has been reporting on Japanese politics, business, gender, labor and culture for The Times since 2012. She previously worked for the Tokyo bureau of The Los Angeles Times from 1999 to 2009. @hudidi1

    Article
    https://www.nytimes.com/2023/03/15/world/asia/japan-parliament-youtuber-expelled.html
     

     

  10. IMO, none of what you've said makes any discernable sense. "Now, were you telling me the truth" makes even less sense. BTW, a perspective is simply the way a person sees, views, interprets or understands something, and nothing more. Perhaps it's just time to move on.
  11. We should be mindful of what we consume whether it's information or food or entertainment. Most adults have the ability to separate fact from fiction in order to enjoy books and movies and music accordingly. Same goes for the folks with whom we choose to associate. Surround yourself with good people i.e. love.
  12. Black Couples & Conflict Resolution I think that some of these skits on social media can be more helpful then spending a lot of money going to a therapist sometimes. Due to technology and this type of media explosion, some of these skits published by talented Black people seems to me to be common issues that many of us have had to deal with in our cultures. This first skit reminds me of my own relationship with my boyfriend many years ago, and of whom is now my husband. He threw every trick in the book to try and not commit and this skit just cracks me up and reminds me of this time. I refused to move in to his apartment. I gathered up my things and left... Uhh, then he decided to commit. The second #Short clip was just funny and so I thought it would be cool to share. I DON'T WANT A RELATIONSHIP How to END an Argument Respectfully
  13. Actually I’m trying to do just that @richardmurray. Ideally the same login for customers, forums, and a login to the site. The login would already be vetted before they could use it here. i could grant access to exclusive content. It is one of the things I was thinking about in an effort to move away from a ad based model. I’m at least a year away from that.
  14. The dysfunctionality existed before Hiphop....true...however Gangsta Rap EMBOLDENED it. They PROMOTED it and SPREAD it. Gangs like the Crips and even the Bloods existed in the L.A. area as far back as the early 70s.....but few people outside of the L.A. area knew about them UNTIL the late 80s when movies like Colors and Gangsta rappers like NWA popularized them. Then different branches of them began popping up around the nation, along with low riders and cars on hydraulics trying to emulate them. It's the same with many of the Blaxploitation films of the 70s. Prostitution and pimping existed in the ghetto since before the 20s.....but you didn't hear about boys growing up wanting to be pimps and "macking on hoes" until AFTER Superfly and The Mack. These devils know what they're doing when they push this garbage on our youth. My question is...... If ONE PERSON's life could be saved from losing it to some disturbed fool who was negatively influenced by a Gangsta rap song....would that be enough to pull it from the market?
  15. zeke1234 I'm sorry, what was your official answer to the two questions I asked concerning whether or not it would be wrong to try and save the people not on the Ark or the Egyptians??? Arguing with rednecks, throws fuel on the fire. 'Brother man' knew what he was doing, and where he was doing it, and who his audience was. I would have called the police (da' po po), after asking them to move their boat twice, rather than arguing with them. A couple of things: 1. He didn't get the OPTION to call the police. After he told them the second time, they ATTACKED him. At that point his only option was to SURVIVE the attack. 2. For all intents and purposes, he WAS the "police". This wasn't just some average citizen with a complaint, he was the SECURITY OFFICER for that dock so he was authorized to make them move the boat. Calling the cops shouldn't have been necessary. He should have had a gat and cuffs to arrest them along with other security as back up.....IMO. ProfD The last time po-po was called on the rednecks for stealing a golf cart, the Captain was encouraged to drop the charges. Good point. Sometimes it's better for Black folks to just go ahead and take of things ourselves rather than "expect" White folks in authority to do the right thing. Just like it's better to police YOUR OWN neighborhoods to keep the peace and ensure that criminals are punished and detered, rather than expecting White cops to do it....only for them to ignore the crime and "work with" the criminals instead of punishing them. As we see can see from the viral nature of the video and memes, most folks approve of the beatdown our people administered. It was a breath of fresh air, and inspiration. After seeing so many videos of Black men getting beat up and killed and LOSING....it felt great to see us WINNING. It was a bonafide CATHARSIS.
  16. Blacks folks were doing dysfunctional sh8t way before somebody looped a beat and rapped about it. Hip-Hop music isn't responsible for prostitution, drug epidemic or the murder rate. Interestingly, nobody complains about Hollywood glamorizing and glorifying negative themes and images. Seems there is a white vigilante movie every 2-3 years. John Wick has killed hundreds of people over 4 movies. Black artists and musicians found an entertaining way to capitalize on the negativity within our communities and turned it into a multibillion dollar industry. Unfortunately, Black folks do not control the power and resources behind that industry. They have zero say in how the dominant society pushes the music and narratives. Once white folks have extracted as much money as they want out of Black folks, they either destroy or throw them away. There's no shortage of Black folks who are complicit in our own demise for loose change. Black folks have to get on code and do a better job of controlling our intellectual property and our narratives. At some point, Black folks have to stop selling out to the dominant society. Otherwise, music, TV and film fall under the category of entertainment. It should filtered and consumed accordingly.
  17. Two situations where many theologians would say God's 'election' of Noah and his family is on display, as well as his 'election' of the Hebrew people during the days of Abraham. 'Him alone have I chosen', according to Genesis. You can't go against God's 'elect', and try to mix in 'bad apples/ characters' with the 'alledgedly' elect. Even in life and death situations, the 'bad' have already been judged by God. Noah was 'elected', because he 'walked with God', was obedient to the OT Mosaic convenant. No 'bad' apples on that ark, except unclean four legged creatures. Christ in the NT pushes away from the Jews being God's 'elect', and consigns them to Hell, ie, 'how can you escape the damnation of Hell'. Paul reinstates the 'electedness' of Israel, say 'all Israel shall be saved'. History itself has already spoken on this matter, the Inquisition (forced conversion of Jews to Christianity or else), the fall of Jerusalem 70 AD to a Cesaer wanna be, WW II alledged holocaust. The 'elected'. These Bible situations are no where analogous to the Alabama dock situation. Everybody on that dock are still working out their eternal salvation, with God's final judgment apparently nowhere on the horizon. . You don't know what set those five white 'crackers' off against the wanna be 'Negro' boat co-captain. Arguing with rednecks, throws fuel on the fire. 'Brother man' knew what he was doing, and where he was doing it, and who his audience was. I would have called the police (da' po po), after asking them to move their boat twice, rather than arguing with them.
  18. I had a chance to see the Alabama dock 'brawl' twice on CNN today for the first time. FOX NEWS showed a different angle, with a big Black guy trying to break up the fight. Six White guys on top of the first Black guy, who told them to move their boat. There was no time for diplomacy. Because the White guys attacked the first Black guy, suddenly, who worked on the pier, or on the other boat. 'Stand your ground', or the Lord makes exceptions in the time of need, like throughout the Old Testament, to protect yourself. King Saul trying to take David's life, and David always outfoxing Saul. Someone pulls a gun, and a fist fight becomes a murder. I was in a fist fight with my White roommate at a Big 10 school in the 1970s. I went downstairs to get some Blacks to help me. The 'other' Whites came out of their dorm rooms with guns and knives. Cooler heads prevailed. I have seen too many Black on Black, and Black versus White street fights in my life. If we would only all turn to Christ.
  19. ProfD Ofcourse other groups steal our style. They steal our food, our music, our dress, our slang, etc. And when people doubt or question this, all I have to do is tell them to look at the particular nation an immigrant comes from and ask yourself are they dressing or eating or talking like that OVER THERE? If not....then they obviously copied it from somebody here....lol. Mexicans aren't wearing long white t-shirts and ball caps with baggy short on back in Mexico. They're wearing them HERE. Where did they get THAT style from? Chinese aren't eating fried shrimp back in China. They didn't start eating them until they moved HERE. Who did they get the recipe from? Like you said, we don't codify our inventions. I hear you on first providing enough jobs and housing for OURSELVES before providing them for other people. I assumed that was a GIVEN though, lol. Surely we aren't going to go around building housing if most of OUR people are homeless or facing eviction. Surely we aren't going to send out notices to Asia and Africa recruiting immigrants for work projects here while half of Black men in the U.S. are unemployed. .....but at the same time we can't waste time trying to resurrect zombies either. Once we get on the right track....at some point this train is going to have to start MOVING. Ain't got time to sit still for another 200 years waiting on some nicca high off of fake weed or half drunk off Hennessey with a chewed up straw hanging from his mouth and a greasy face he ain't washed in a week to come staggering out of the woods like a zombie hoping HE'LL get on board before the train takes off. "But I'm sayin' doe......where yall tryna go? Why should I get on the train? Fa' what doe? Naw....I'm straight dog. If I can't have my weed......I ain't going" Now we gotta sit there and argue with THAT nicca about why he should put the weed down and get on the train so we can move towards progress. No sir. We can't save ALL Black folks, so at some point when we get a critical mass....we have to get going and move towards progress. So I say, when we have provided good paying jobs to all AfroAmericans who WANT to work.....then we can start hiring outside of our community to help us build our businesses and projects. Some of these clowns don't want to work. They want to stand on the street corner with wholey-clothes on and some white crust formed on the corners of their mouths begging for just enough money to let them into the fake weed dispensary. When we have made sure that all AfroAmericans who WANT decent housing has it.....then we can start making money by providing housing for those outside of our community. Some of these niccaz DON'T WANT a place to stay in. They're happy just to find a tree to crawl up under and eat a can of vienna sausages to go with their can of Schlizt Malt Liquor We can't wait on them. That's how we build ties and strengthen alliances around the planet.
  20. Yeah, he's the main character too. He's of African descent but I think he was born and raised in England. Kind of like the dude who played the Black man in "Get Out". Not sure what to say about it. I like the fact that Black actors.....especially dark skinned brothers who actually look Black....are getting some shine. I can't complain too much about whether they come from the U.S. or Africa. So many Black men here in the U.S. are fucked up one way or the other, they CAN'T star in movies. They are too busy smoking dope, involved in nefarious activity, running from police, and trying to get their lives together. So now LESS DYSFUNCTIONAL Black folks from overseas have to come here and take up the slack for some of these niccaz. It's a shame.
  21. I haven't seen the Little Mermaid but I've heard about it. Is it true that the movies is basically about this Black mermaid who chases around a White boy and seeks her love and approval?
  22. @ProfDyes:) and no we only disagree on assessment of the past and the only reason why it matters is cause if the black community anywhere will act unified in the most positive manner when most in a black community comprehend the past somewhat similarly so that most in the group is influenced to act to the future similarly. We both know firmly the past can not be changed and to learn from it. We also both know that one of the great causes of dysunity is how black people assess our past and i can prove it anywhere. Look at south africa, the whole schism between winnie mandela side nelson mandela came because nelson mandela suggested that the movement was about reaching some synergy with whites and winnie mandela correctly said that wasn't true. Yes, the black people in south africa during and pre apartheid never were trying to kill all the whites so to speak , but the idea was never to become something with the whites which most whites themselves don't even want. At the end of the day, mandela took the desire of two minorities, a minority of whites plus a minority of blacks and put the whole populace of south africa , under that tiny populace's vision, which has proved disastrous. I argue only those two minoriites have benefited from it and sequentially mandela was wrong but to this day, that minority of whites plus minority of blacks stand on a hill and try to make it seem their assessment of the past that mandela spearheaded it correct. It goes back to why Frederick Douglass was booed by a black crowd speaking the composite nation speech. Douglas embraced the move from the south. He liked the phenotypical ranged groups mixing. He was convinced that would lead to something positive. Your words Profd are similar to his. But my point is Douglass and you are wrong. I am not suggesting the black people who stayed in the south were correct, they were wrong too. I am suggesting what few are maybe willing to say, that both choices were wrong. The exodus out of the south and the determined to say in the south were both wrong. Yes, cheap retrospect, but both were wrong and I think many black people , adults/parents/guardians/mentors are as I type preaching a terrible lie about some coming together and the potentials of the exodus to black youth, who are living life and making choices based on these lies.
  23. @Troy I made an ass out of myself. you didn't write anything that I viewed anyway that opposed my position straightly. I assumed you wouldn't see the timeline for black people in the usa after the first exodus as inevitable. ok, I figured in a book about history one will approach it temporally. I assumed incorrectly by chapter four he is out of the 1800s. yes but the 1900s was inevitable for me. And I am one who praises those high moments in said century but if I am most blunt in assessing the black community in the usa, then the problems stemming from the 1800s were massive and couldn't be undone with the strategies or movements in the 1900s. the word we:) well yes, usa fiscal capitalism has always been based on the model of slavery that the usa instituted. Where the enslaved has no legal route out or .... poor person has no legal way out. Where the wealthy are public abusers of the law while publicly act above the law which the usa didn't invent but when you have inescapable slavery which the usa instituted which is uncommon, you create an abrasive situation financially. And yes, when the white wealthy fight in the usa, it is for all the marbles. The Native American community has been in a come if blacks get pneumonia. The amsterdam news can be used. The amsterdam news was once wholesale black owned, harlem based, had an online page for years. What it says is that absent money ala the arabs using oil money to manipulate systems it will take great ingenuity which is honestly not common. Yes , the question is when will more black people in the usa realize the first splintering made all the rest inevitable. To me, most black people in the usa know we are splintered but too many black people in the usa think the other splinterings past the first could had been prevented or should had not happened and disagree. I think that is black people in the usa trying to turn a bad gamble, the first leaving of the south into a good strategy. I comprehend why black people did the first exodus out the south but it was a bad move in cheap but clear retrospect. Black leaders pushed for our community to splinter from the brick we were in the southern states, thinking with less density we could thrive in small sections in multiple places but that is a flawed strategy to me. It puts too much weight on smaller black populaces in very hostile and sometimes more hostile places in the usa, ala the black community in nyc. These are in depth questions. I want to say that. Each one is a long essay. I will start and say each membership organization has to be looked at individually first. Second, the simplest answer is both. All membership organizations that have rules for membership are by default unifiers side splinters. why? by default their membership nature excludes while includes. This includes nation of islam, the black church as well. Again it is cheap retrospect but I argue the biggest tent black organization for descended of enslaved was and is the garveyites. Cause being a garveyite doesn't require you be employed or owning a business or been enrolled in a college or taken a pledge to a private club or speak english/spanish, all being a garveyite requires was black descended of enslaved which is the entire DOS populace in the american continent <canada to brazil > and the desire to find a true home, and the ability to work side other black people to get it, preferably in africa but Garvey wasn't that limited. The fiscal poorest black person can be a garveyite. Third, the two organizations you mention have examples of unifying black people in various places or parts positively so i am not suggesting a black hate with my prose. Fourth , overall the problem is the black person who has no money, never went to college, never owned a business, never had employment is barred from most of said organizations and thus a splintering:)
  24. Wow! A true renaissance man! I remember the first time I heard Go-Go like it was yesterday, the fall of 1980. A football player, from the DMV was blasting this music in the locker room. I was like dude what is that?! They were jamming! He said "it is Go-Go cous" I was like what? what did you say? I was like damn how could I know have heard this music before. See I was from Harlem and we thought we were really the center of the universe. People would ask me where I was from and I'd say "the city." Until someone pointed out to me that there were other cities besides New York In college I discovered, Go-Go, Jazz, Classic Rock, Bob Marley. I realized I did not know anything about music. DC was one of the cities I wanted to move to, but just never did it. I still may one day, but I'm not feeling the traffic or the weather (DC can't handle snow at all). I visited Sankofa Books (NW) a few weeks ago, and road a scooter to Bus Boys & Poets, the one off U street. I like the city, but it is clearly gentrifying. I'll post an interesting chapter form a book I started reading. @Pioneer1 yeah I lived in a townhouse in Harlem it is not as bad as the picture you shared but yeah you step out you place and you are almost in the street. Plus we put are trash right on the street in garbage bags! That seems perfectly normal until you live someone else
×
×
  • Create New...