12 Books Published by University of Virginia Press on Our Site — Book Cover Mosaic

Click for more detail about Goodness and the Literary Imagination: Harvard’s 95th Ingersoll Lecture with Essays on Morrison’s Moral and Religious Vision by Toni Morrison Goodness and the Literary Imagination: Harvard’s 95th Ingersoll Lecture with Essays on Morrison’s Moral and Religious Vision

by Toni Morrison
University of Virginia Press (Oct 15, 2019)
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"The publication of this extraordinary book could not have arrived at a more propitious moment. At a time when the country as a whole seems tormented by the corrosive presence of a new kind of evil that is trying to banish any memory, much less evidence, of its opposite, Goodness and the Literary Imagination reminds readers of evil’s opposite, but in forms that Morrison’s fiction renders again strange. Its publication should be treated as a major event; its contribution to American literary and religious studies is absolutely assured."

——Giles Gunn, University of California, Santa Barbara, Emeritus, author of The Pragmatist Turn: Religion, the Enlightenment, and the Formation of American Literature


Click for more detail about Aunt Résia and the Spirits and Other Stories by Yanick Lahens Aunt Résia and the Spirits and Other Stories

by Yanick Lahens
University of Virginia Press (Feb 04, 2010)
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The Haiti of Yanick Lahens's path-breaking short fiction is a country demanding our compassion as it reveals to us its horrors. For decades among the forefront of Haitian writers, Lahens has embarked on a renewal of the genre of short stories that she inherited from Caribbean―and especially Haitian―traditions. Through her elliptical and sharp style she succeeds in conveying the authenticity of her people's tragic fight for survival within the scope of our shared human experience. Here is day-to-day life, packed with its myriad emotions, desires, and contradictions, against a backdrop of extraordinary circumstances.

The men and women glimpsed in Lahens's stories are confronted with the overwhelming task of simply staying alive. "The Survivors" unfolds under the Duvalier dictatorship. The story, centered on a group of men who dream of somehow striking out against the regime, shows how fear is passed down from generation to generation. Life is no simpler in the post-Duvalier world of the title story, in which a young man is caught between a mother who lives a devout life filled with self-imposed restrictions and an aunt who religiously serves the spirits of Vodou but makes no apologies for working in the black market. The twelve-year-old girl who narrates "Madness Had Come with the Rain" finds herself swept up in a violent riot following the death of a modern Robin Hood. Lahens’s women, although they may act as the poto mitan (or "central pole") in family life and society, experience a particularly grim fate. In the eviction tale "And All This Unease" a beautiful girl reminisces about her happy childhood in the country in order to forget her current life as a prostitute.

Yanick Lahens presents testimonies, opens intimacies, sometimes offers hope, but always returns to the despair afflicting Haiti, because lying within it is the key to her country. The first collection of Lahens's unforgettable short stories available in English, this volume will bring one of the most important voices in contemporary literature to the wider audience it deserves.


Click for more detail about Best New Poets 2007: 50 Poems from Emerging Writers by Natasha Trethewey Best New Poets 2007: 50 Poems from Emerging Writers

by Natasha Trethewey
University of Virginia Press (Nov 29, 2007)
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Praise for earlier editions:"Unlike novelists and bad-boy memoirists, emerging poets are unlikely to sprawl on Oprah’s couch, date starlets, or rouse bidding wars. With an alert ear for new voices, this anthology offers a different kind of validation: that of being well heard. The result is a vibrant smorgasbord…. [Best New Poets] bears evidence of the insistent inquiries of self and the world that drive poetry."—Foreword "[One] comes to realize that the adjectives ‘new’ and ‘emerging’ are mere technicalities in this instance. Although none of the poets included here have published a full-length book of poetry, many are MFA students or graduates, and chapbook authors, and most have already seen some of their poems published in the most renowned and exclusive journals in North America…. The result is a remarkably diverse mix of poems."—BookPleasures"It’s a nervy thing for an anthology to label itself Best New Poets, but once again this collection lives up to its name. It’s a rich and readable selection, reflecting no party-line aesthetic, and attesting to the formidable promise of the emerging generation."—David WojahnIn just three years Best New Poets has established itself as a crucial venue for rising poets and a valuable resource for poetry lovers. The only publication of its kind, this annual anthology is made up exclusively of work by writers who have not yet published a full-length book. The poems included in this eclectic sampling represent the best from the many that have been nominated by the country’s top literary magazines and writing programs, as well as some two thousand additional poems submitted through an open online competition. The work of the fifty writers represented here provides the best perspective available on the continuing vitality of poetry as it’s being practiced today.


Click for more detail about Furious Flower: African-American Poetry from the Black Arts Movement to the Present by Joanne V. Gabbin Furious Flower: African-American Poetry from the Black Arts Movement to the Present

by Joanne V. Gabbin
University of Virginia Press (Feb 13, 2004)
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The Furious Flower Conference of 1994 represented the largest gathering of African American writers at one event in nearly thirty years. In that crucial span of time, African American poetry had evolved into an art less overtly political and more introspective; it had also shown dramatic growth—both in the number of its readers and its practitioners.

As a second Furious Flower Conference prepares to convene, Joanne Gabbin has assembled a remarkable selection of works by the Furious Flower participants. The forty-three poets cover three generations, ranging from such established voices as Michael Harper, Nikki Giovanni, and the late Gwendolyn Brooks, in whose honor the conference was organized, to a host of rising young writers who are reimagining America in the language of a hip-hop nation.

Furious Flower provides a fascinating collective portrait of African American poetry at the close of the twentieth century—as well as an indication of where it may be headed as we enter the twenty-first. The book includes biographies of the contributors and a dynamic collection of performance photographs by C. B. Claiborne featuring many of the Furious Flower participants as they appeared at the original 1994 conference.

Contributors

Published in association with the Center for American Places


Click for more detail about The Book of Numbers (The Virginia Bookshelf) by Robert Deane Pharr The Book of Numbers (The Virginia Bookshelf)

by Robert Deane Pharr
University of Virginia Press (May 29, 2001)
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In the hardboiled tradition of Chester Himes and Walter Mosely, Robert Deane Pharr’s novel tells the tale of two black men, Dave and Blueboy, traveling waiters who establish themselves as numbers runners in a fictionalized Richmond of the 1930s. Published to great acclaim in 1969, The Book of Numbers centers on powerful themes of truth and illusion, myth and legend, and vividly conveys a sense of African American life on the periphery of white society. The new Virginia edition complements Pharr’s text with an Afterword by Washington Post editor Jabari Asim.


Click for more detail about Talk Yuh Talk: Interviews With Anglophone Caribbean Poets by Kwame Dawes Talk Yuh Talk: Interviews With Anglophone Caribbean Poets

by Kwame Dawes
University of Virginia Press (Dec 29, 2000)
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Before the Caribbean-inflected spoken-word poetry of the 1990s, epitomized by poetry slams at the Nuyorican Poets Café in Manhattan, there was reggae. In the past thirty years, most Caribbean poetry written in English has come to the shores of the United States on waves of music, in the lyrics of Bob Marley, Peter Tosh, and Burning Spear. Kwame Dawes, himself a musician and poet, is not surprised by this phenomenon. The region’s political and cultural awakening of the 1970s was fueled by a growing African consciousness, often in competition with the multiple traditions?European, Indian, Chinese?that have permeated many Caribbean nations for centuries. The influence of reggae has produced a poetry that is quite different from earlier work from the Caribbean, but this is only one more chapter in a tradition characterized by continuing tension with a diverse heritage.The interviews in Talk Yuh Talk reflect a range of Caribbean voices from several generations, from those poets influenced by a dynamic interplay between the popular culture of reggae, calypso, folk music, and "yard" theater to those whose work is closer to classical forms of literature and oral narrative. Kwame Dawes talks with many of the most important poets to have emerged from the Caribbean who are still writing today. The poets discuss their techniques, their situations as poets, and the challenges they face in the profession and in their craft. Well-known figures like Lorna Goodison, Grace Nichols, Kamau Brathwaite, Fred D’Aguiar, and Martin Carter share space with such lesser-known but equally important poets as Mervyn Morris and Kendel Hippolyte.In a specific introduction to each poet, Dawes offers a sense of what is important or meaningful about the poet’s work. He explores detachment with Mervyn Morris, intellectual rigor with David Dabydeen, the struggles of obscurity with Cyril Dabydeen, the poetics of surprise and the erotic with Grace Nichols, the reggae escape motif with Lillian Allen, ambivalence about Africa with James Berry, and more, talking with eighteen poets in all. By allowing them to speak in their own voices and by directing the questions along the lines of creative process and aesthetics, Dawes makes a compelling case for the strength of Caribbean poetry while offering a lively source of inspiration and information for practicing poets as well as critics.


Click for more detail about "Harlem Gallery" and Other Poems of Melvin B. Tolson

by Melvin Tolson
University of Virginia Press (Aug 01, 1999)
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The poet Melvin B. Tolson (1898-1966) was once recognized as one of black America’s most important modernist voices. Playful, fluent, and intellectually sophisticated, his poems stirred up significant praise, and some lively criticism, during his lifetime but have been out of print for decades and essentially left out of the literary canon. With the publication of this first complete collection of his work, Tolson can finally be given his proper place in American poetry.This volume brings together Tolson’s three books of poetry—Rendezvous with America (1944), Libretto for the Republic of Liberia (1953) and Harlem Gallery (1965)—as well as fugitive poems after 1944. His work has at times been controversial because of his historical, intellectual subject matter, and his commitment to the priorities of art rather than the imperatives of politics. However a fresh reading of his challenging masterpiece, Harlem Gallery, a poem in 24 cantos, reveals an urgent meditation on the plight of the black artist in a white society and a concern with social justice that locates Tolson in the mainstream of African American writing. Such powerful themes, as well as his range of tone and mesmerizing imagery, have won Tolson a growing number of enthusiastic admirers, who place him alongside such legendary black poets as Langston Hughes, Gwendolyn Brooks, and Robert Hayden.While his peers Hughes and Countee Cullen were part of the Harlem Renaissance, Melvin B. Tolson was not identified with any particular movement, and his legacy in American literature has been elusive. This book, enhanced by a moving introduction by Rita Dove and useful notes by editor Raymond Nelson, provides the text for a renewed appreciation of one of the great talents in AfricanAmerican poetry.


Click for more detail about The Other America: Caribbean Literature in a New World Context by J. Michael Dash The Other America: Caribbean Literature in a New World Context

by J. Michael Dash
University of Virginia Press (May 29, 1998)
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In this thoroughly researched new book, J. Michael Dash examines the question of self-definition in the Caribbean. Beginning in nineteenth-century Haiti and ending in today’s Martinique, Dash analyzes he achievements and shortcomings of some of the most important literary efforts in their attempts to come to terms with the region’s characteristics- plantation origins, unfinished modernity, sociocultural heterogeneity, liminality, and archipelagic instability.

—Antonio Benitez-Rojo, Amherst College


Click for more detail about Thomas Jefferson And Sally Hemings: An American Controversy by Annette Gordon-Reed Thomas Jefferson And Sally Hemings: An American Controversy

by Annette Gordon-Reed
University of Virginia Press (Mar 29, 1998)
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When Annette Gordon-Reed’s groundbreaking study was first published, rumors of Thomas Jefferson’s sexual involvement with his slave Sally Hemings had circulated for two centuries. Among all aspects of Jefferson’s renowned life, it was perhaps the most hotly contested topic. The publication of Thomas Jefferson and Sally Hemings intensified this debate by identifying glaring inconsistencies in many noted scholars’ evaluations of the existing evidence. In this study, Gordon-Reed assembles a fascinating and convincing argument: not that the alleged thirty-eight-year liaison necessarily took place but rather that the evidence for its taking place has been denied a fair hearing.Friends of Jefferson sought to debunk the Hemings story as early as 1800, and most subsequent historians and biographers followed suit, finding the affair unthinkable based upon their view of Jefferson’s life, character, and beliefs. Gordon-Reed responds to these critics by pointing out numerous errors and prejudices in their writings, ranging from inaccurate citations, to impossible time lines, to virtual exclusions of evidence?especially evidence concerning the Hemings family. She demonstrates how these scholars may have been misguided by their own biases and may even have tailored evidence to serve and preserve their opinions of Jefferson. This updated edition of the book also includes an afterword in which the author comments on the DNA study that provided further evidence of a Jefferson and Hemings liaison.Possessing both a layperson’s unfettered curiosity and a lawyer’s logical mind, Annette Gordon-Reed writes with a style and compassion that are irresistible. Each chapter revolves around a key figure in the Hemings drama, and the resulting portraits are engrossing and very personal. Gordon-Reed also brings a keen intuitive sense of the psychological complexities of human relationships?relationships that, in the real world, often develop regardless of status or race. The most compelling element of all, however, is her extensive and careful research, which often allows the evidence to speak for itself. Thomas Jefferson and Sally Hemings: An American Controversy is the definitive look at a centuries-old question that should fascinate general readers and historians alike.


Click for more detail about Sterling A. Brown: Building the Black Aesthetic Tradition by Joanne V. Gabbin Sterling A. Brown: Building the Black Aesthetic Tradition

by Joanne V. Gabbin
University of Virginia Press (Jul 29, 1994)
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Sterling A. Brown’s achievement and influence in the field of American literature and culture are unquestionably significant. His poetry has been translated into Spanish, French, German, and Russian and has been read in literary circles throughout the world. He is also one of the principal architects of black criticism. His critical essays and books are seminal works that give an insider’s perspective of literature by and about blacks. Leopold Sedar Senghor, who became familiar with Brown’s poetry and criticism in the 1920s and 1930s, called him "an original militant of Negritude, a precursor of our movement." Yet Joanne V. Gabbin’s book, originally published in 1985, remains the only study of Brown’s work and influence. Gabbin sketches Brown’s life, drawing on personal interviews and viewing his achievements as a poet, critic, and cultural griot. She analyzes in depth the formal and thematic qualities of his poetry, revealing his subtle adaptation of song forms, especially the blues. To articulate the aesthetic principles Brown recognized in the writings of black authors, Gabbin explores his identification of the various elements that have come together to create American culture.


Click for more detail about The Collected Poetry by Léopold Sédar Senghor The Collected Poetry

by Léopold Sédar Senghor
University of Virginia Press (Nov 20, 1991)
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Leopold Sedar Senghor was not only president of the Republic of Senegal from 1960 to 1981, he is also Africa’s most famous poet. A cofounder of the Negritude cultural movement, he is recognized as one of the most significant figures in African literature. This bilingual edition of Senghor’s complete poems made his work available for the first time to English-speaking audiences. His poetry, alive with sensual imagery, contrasts the lushness and wonder of Africa’s past with the alienation and loss associated with assimilation into European culture. Translator Melvin Dixon places Senghor’s writing in historical persepctive by relating it to both his political involvement and his intellectual development.


Click for more detail about Lyric and Dramatic Poetry, 1946-82 (CARAF Books: Caribbean and African Literature translated from the French) by Aimé Césaire Lyric and Dramatic Poetry, 1946-82 (CARAF Books: Caribbean and African Literature translated from the French)

by Aimé Césaire
University of Virginia Press (Sep 03, 1990)
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Aime Cesaire has been described by the Times Literary Supplement as likely to "figure alongside the Eliot-Pound-Yeats triumvirate that has dominated official poetic culture for more than fifty years." He was a cofounder and exponent of the concept of negritude and is a major spiritual, political, and literary figure.Cesaire has been read politically as a poet of revolutionary zeal since the 1960s. This collection, the only one in existence in any language to give a truly comprehensive retrospective of Cesaire’s poetic production, demonstrates the narrowness of earlier readings that grew out of the climate of Black Power influenced by the essays of Frantz Fanon, another Martinican, who was largely responsible for the ambient view of Csaire a generation ago. It is the first collection to translate And the Dogs Were Silent and i, laminaria…Lyric and Dramatic Poetry, 1946-82 goes beyond anything else in print (in French or in English) in that it locates the issues of Cesaire’s struggle with an emerging postmodern vision. It will place Cesaire in a strategic position in the current debate in the U.S. over emergent literature and will show him to be a major figure in the conflict between tradition and contemporary cultural identity.




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