This is picking up on the Roots conversation started by Harry which segued into a conversation about Race.
I still don't think remaking Roots was necessary given, as we've discussed the great many other stories which have yet to make it to the screen.
It is curious The Atlantic failed to mention the fact the Alex's story was largely fictional, as if this does not matter. When Roots broadcast it was presented as truth. (@Sara, do you think Haley would have paid over $500,000, in an out of court settlement, for plagiarizing a single paragraph?)
The Atlantic did mention Nate Parker’s record-breaking Birth of a Nation. I heard something about a film being made sometime ago, but I have heard nothing about a finished film until now.
I own the original Roots novel and DVD. Over the years I've tried to get my own 20 something daughters the watch the Roots miniseries, but they have no interest in seeing it. I have not spoken to them at all about this new version.
I will watch it. i will try to keep an open mind and manage my expectations.
Why the Roots Remake Is So Important by STEPHANE DUNN The Atlantic, May 29, 2016
In an age of remakes and reboots, it’s no surprise that A&E announced that it was “reimagining” the epic drama in an effort to appeal to a new generation of viewers. The four-part miniseries, which begins airing Monday, is executive produced by Mark Wolper, whose father David Wolper helped create the original Roots with Haley. While it may be easy to question the worth of a remake given the original’s masterpiece status, A&E’s Roots has the kind of high production values that can better translate the visual power of its predecessor to younger audiences. But more importantly, the new series brings new light to the misperception that popular culture has done a good job telling stories about slavery and black history in the decades since Roots first gripped the U.S.
To date, America’s most defining chapter, slavery—with all of its complexity, contradictions, and endless fictional and true narrative possibilities—has been under-treated by Hollywood. The recent visibility of films such as the Oscar-winning 12 Years a Slave, Nate Parker’s record-breaking Birth of a Nation, the intriguing, savvy WGN series Underground, and Django Unchained, Tarantino’s fantastical slave era-cowboy hero flick—might make it appear otherwise. (BET’s unusual but laudable 2015 effort, The Book of Negroes miniseries, failed to widely engage American viewers.) read the full article
Why America Forgot About ‘Roots’ By MATTHEW F. DELMONT The New York Times, May 27, 2016
But “Roots” fell out of favor almost as quickly as it rose, in part because Haley’s story started to unravel as soon as it was in print. He relied heavily on an editor to finish the book and later paid over half a million dollars to settle a plagiarism suit. Other people were upset with the way ABC, Haley and Doubleday, his publisher, seemed to be wringing money from the history of slavery.
It was also hard for people to pin down “Roots.” Was it fact or fiction? Haley, who died in 1992, said it was a bit of both, a mix of archives, oral traditions and imagination in a composite narrative he called “faction.” The television version complicated matters further, insisting that the production was based on a true story while billing the series as an “ABC novel for television.”
If “Roots” was too fictional for most historians, its version of historical fiction was not literary enough for English departments. “Roots” is notably absent from The Norton Anthology of African American Literature, which runs to nearly 3,000 pages. The literary critic Arnold Rampersad described “Roots” as being “so innocent of fictive ingenuity that it seldom surpasses the standards of the most popular of historical romances.” read the full article