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Everything posted by Mel Hopkins
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#blackhistory
According to " Why Do We Take Pride in Working for a Paycheck?" by Livia Gershon,
The early American Labor movement didn't include black men or black women.Around 150 years ago, it was allegedly beneath white society to sell their time for wages thus bringing the term, wage slavery into the American lexicon when referring to corporate jobs.
It's reported that in an effort to entice white workers including white working class women, whom worked the farms for their husbands, wages and working conditions were made more palatable. This fight came from an organized labor union "Knights of Labor" however their advances didn't include black people.
Today, black women only earn .68 cents on a dollar earned by a white man. -
12-year-old Activist Lands Book Publishing Deal
Marley Dias, Pictured
Photo credit: Andrea Cipriani Mecchi
Tired of the school's reading list filled with white boy and dog protagonist, Marley Dias kicked off her own hashtag #1000BlackGirlBooks, last January, which featured Black girls as stars of their stories. She achieved her goal of collecting and donating books with black girls as the protagonist.
Today Scholastic announced Dias will pen her own story about social activism.
“Marley is using her voice to advocate for social justice, a commitment reflected by her ambitious life goals: she dreams of becoming an editor of her very own magazine and plans to use media to spread positive messages and to perpetuate more socially conscious pop culture”
Scholastic, Inc. reports the book will be released in the Spring of 2018 .
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Why White Folks Love Hidden Figures by BAR editor and columnist Dr. Marsha Adebayo
“It’s a feel good movie that demonstrates that even during one of the vilest and most racist periods of American history white saviors rose to the occasion.”
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Ain't that truth
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SoulJourn: "Celebrating Black Women Filmmakers"
"On the occasion of the recent restoration and re-release of Julie Dash’s 1991 masterpiece Daughters of the Dust, BAMcinématek celebrates the black women directors who blazed the trail for that landmark film. The filmmakers represented in this series all worked far outside the mainstream, often with limited resources, overcoming a historically hostile system in order to tell their stories on screen. Taken together, their work represents a rich history of long-undervalued independent filmmaking.
“One Way or Another” is co-programmed by BAMcinématek’s Nellie Killian and Michelle Materre; founder, host-producer, Creatively Speaking Film Series; Associate Professor of Media Studies and Film at The New School."
Source: 'One Way or Another: Black Women's Cinema, 1970–1991'
BAMcinématek
February 3–23, 2017 -
SoulJourn: "Not all Blacks in America were enslaved
but laws enacted against their freedom haven't changed since colonial times.
Source: The Black North: A Social Study by William Edward Burghardt Du Bois November 17, 1901
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SoulJourn: "Deciding to work where you're not welcomed"
Marlyn Thomas English Instructor Alabama A&M University talks about the hypocrisy black female artists face when going against the grain of popular opinion.
In the book, Hidden Figures by Margot Lee Shetterly
"Black females working at West Computing in Hampton, Virginia worked on a government job that provided them neither the transportation or public area rights as white counterparts; however, they continued to work and eventually began to see where they could win battles one at a time."
Many have stated the film “Hidden Figures” and the actions of those black women featured were inspiring. However, when Chrissette Michelle decided to perform at Trump’s presidential inauguration, she faced black twitter backlash and was all but black-listed among “progressive” Blacks.
So, what’s the difference? Thomas states it goes back to the Madonna and Whore archetypes and the policing of black women’s movement must be checked and stopped. Source: "The hypocritical attacks on black female artists that perform for Trump"
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SoulJourn : A Portrait in Community Artivism
REGEN PROJECTS, contemporary art gallery, presents Theaster Gates' exhibit "But To Be A Poor Race"
January 14- February 25, 2017
6750 Santa Monica Blvd Los Angeles, CA 90038 Tel 1 310 276 5424 Fax 1 310 276 7430
Theaster Gates, Urban Planner & Conceptual Artist whose $2 million Chicago Southside project The Arts Incubator in partnership with the University of Chicago was profiled in The New Yorker (01/20/2014), presents an interpretative display of paintings and pieces based on content from Jet Magazines and WEB DuBois' hand drawn info-graphic charts depicting the economic contributions in "Exhibit of American Negroes displayed at the 1900 World's Fair in France.
According to Gates, this is his protest. He says in the LA Times article,
“The show says, I am going to continue to go to work. I’m going to continue to make art. I’m going to continue to sing. I’m going to keep working as a protest.”
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This morning before dawn, I had a dream of a talking rat who was exposing what was supposed to be hidden. Not sure of the context but I remembered Chinese New Year. (01/28/17) - Welcome the Year of the Rooster!
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Too cute!
Let me see, my Chinese themed book would be..."The Enchanted Paddy Field" that would tell the story of the importance of cultivating one's talents.
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yes it is, very positive
the enchanted paddy field, good title:) yes, cultivate self like you cultivate the land
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What a wonderful exercise - Thank you for the inspiration!
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We as individuals may not be able to heal the world; we can share out talents to help one another.
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Status: Default
Project: Communication Plan
Thought of the day: "Fast and Wrong... Is still wrong."
Song of the Day: SOS Band: "Take your time"
Currently Writing: "A Promise Broken", A fictionalized Romance Memoir
Currently Reading: "Severed" by VL Towler
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Professor, Author and Feminist Roxane Gay took a stand and told her agent to pull her upcoming project "How to be Heard" from Simon and Schuster. Reports indicate she refuses to use a platform that would also give voice and $250k to an alleged white supremacist...
Could you leave a book deal behind to take a stand?