richardmurray

Thoughts as I read after the ellipsis. Anything I suggest is just that, a suggestion. And you say, Fuck off if you read my thoughts. I totally agree:) I enjoyed the chapter, thanks for sharing. 

....
Look at Luke Cage's language, so modern. "It's cool cap" good

Good question by Jake the reporter, he would ask that. I don't know about the timing. 
The sentence before. I don't know if you need it. I know you want to display the length of eating time. maybe a different tact. Something like, everybody ate until the gumbo was done. Since Cage mentioned it was hot twice, the manners of the federation folk will settle into that. Maybe you can say, Jake noticed Cage was sitting back , whiping his mouth , satisfied with the gumbo and Jake couldn't resist the question burning in his mind for his readers about the stars.

Why did you have Cage say "WOW" after Jake's question? you don't have to tell me anything. You can say fuck off. but, I wonder. Cause would Cage be wow-ed by such a question? In my mind, at this point, I am not certain.

I don't think Cage would say "It's ok cap, it's a good question". I think he would be more simpler in phrase.  Just "It's ok cap"

Question: Who said "I get it" after Cage explained to Jake how he dealt with the past. In my head I think it is sisqo but you don't state who. No problem, just change it.

Like how you used Cage to reemphasize the father son of jake sisqo and benjamin sisqo.

I like the modulation to the next phase. but instead of the word "soon", perhaps, The bedtime arrived. The word soon gives off the impression of speed, but you started with the evening went on, which gives off slowness.

Kasidy and Benjamin is excellent. 

Holodeck time!! RETRACTION NO I made a mistake as a reader. I assumed it had to be the holodeck, when you said three weeks time. Shame on me. Well done. 

Nice intro to it. RETRACTION Still nice intro and Earth in deep space nine time has that wierd in the past feel to it. Like picards farm, it is odd to modernity. People have all this technology but live in a very comfortable way. They don't aspire to live beyond how they want to live. oh star trek.

I can hear Brock Peters lovely voice:) Note. This is when I realized this wasn't the holodeck, but that was my mistake, not yours.

haha! wise decision.. yes:)

I think Jake would say "We all get it" Benjamin/Joseph comprehend too. Jake would emit that collective comprehension I think

ohh, the ending, you, well done:) 

The chapter goal was for Luke Cage to feel at home to feel he has loving ones, family, in this time. Goal achieved. 

Well done.  

 SOURCE OF FAN FICTION
https://www.fanfiction.net/s/13028411/4/LUKE-CAGE-ON-DEEP-SPACE-NINE

A free screenplay
https://www.kobo.com/ebook/the-nyotenda

Did the error from am*zon start when they were not willing to simply spend money on a fantasy world not made before in film or television? I think a greater lesson to all firms exist. Stop trying to use fictional words that have a ready made fanbase. yes, if you get it correct, the growth can be fast and revenue return can be excellent throughout. But, the potential pitfalls are mighty.

One, you have handicapped the directors/thespians/set designers side others in the project with the weight of prior interpretations of the fictional world. The woman playing galadriel in rings of power has to deal with being what the fanbase expects to be kate blanchett's galadriel younger.  The director didn't have the same detail with costume or sets but fans are expecting the scale model lands and crafted armor and pieces that peter jackson set up for lord of the rings. The highest quality the fans are used to in the past becomes the standard in the present. That is a handicap. Since am*zon couldn't get the complete rights they also add another handicap in their limitation to using certain elements of the story. 

Using an unused fantasy world deletes all the handicaps I mentioned.

AMENDMENT: I Argue now, the Tolkien estate , saw this calamity happening and took the money knowing am*zon would fail like this.

Two. fantasy worlds tend to be expensive. The average film is financially a loser, historically. Thus, any venture into a fantasy world will usually be a loser financially. By using a world already represented, the ability to recover from a failed season is harder. Cause the non fans are not along and the fans have left and the weight of the prior interpretations is still on the production.

AMENDMENT: I wonder the accounting assessments to these shows. I want to know how the accountants make the worst case scenario for these better than the worst case for an unvisualized fantasy world? 

A COMPLETE DISASTER, Rings of Power Season 1 OVERVIEW

Movies That Move We review US 2019

My THoughts
like the montage of reviews
2:10 so many black female writers enjoy PEele's style. I do to but many black female writers tend to start off saying that.
5:40 exactly, I wonder if a 1960s hippie's old plan written on home made paper somewhere wasn't what hands across america stemmed from
7:50 spider grandmother https://en.wikipedia.org/wiki/Spider_Grandmother
11:36 yes, anansi, the story teller, remember anansi has a caribbean version , same name, different stories
13:09 random thought, was the homeless guy taken to a hospital carrying the sign some sort of guard for the doppels/tethers?

Questions how we respond to those who have less than us? What would you do if you came face to face with your darker side?

Your questions are strong. Collective reply as opposed to individual reply. In the film US, the tether abigail answers the question to individual reply by exchanging places. but the originally untethered abigail, replied to her individual revenge with a collective reply, leading all the tethers. and oddly enough, in the end, both abigails got what they wanted, in the end, the collective reply of the originally untethered abigal with hands across america happened with her side her household all killed while the tethered got her replacement life with only her male son, the "mulatto" knowing the truth about her. and her whole household lives. The power of nature here is underrated. I even argue an element of "The man who fell to earth" is used very well in this film's premise. In a man who fell to earth, the government keeps the "alien" man in a base but over time the base is forgotten. How isn't fully explained but whatever happened, the people in government who knew about this or kept it organized died or forgot or moved on, so the installation ran on autopilot, and became decrepit. like the tether's world, its sitting there. Whomever in government was supposed to manage them, stopped or moved on or died or something, where they still get electricity, but their existence is uncared for. And I like that theme of whatever the government was planning couldn't survive nature. But to your first question, to whether people have more or less, whether we want freedom or revenge, we can respond as part of a group or individually. But nature does have influence over things, At the end the tricked abigail was still naive when she was originally tricked and the tethered abigal is still dangerous when she originally forced a switch. Their varying sense of individualism or community didn't change. The tricked abigal, felt the tethered abigail in the first place, she was always communal. the tethered abigail was always an individual, never once interested in helping another tethered escape. So no matter how you respond to another, you will always be yourself eventually.

Well, I will answer, what will I do if I come into contact with one of my infinite other sides? There is a version of me that is more positive than me. and thus, I am the more negative to that version. to answer the question. I don't know. Good question. the engineer in me wants to ask, how did we even meet in the first place. Nature has rules. how are we meeting is my first question, not necessarily how we will get along. But I will say this. The key to coexisting side another interpretation of you, is to be anti christian. I will explain. If you look at zoarasters-ancient kemet-aztec mythology-taoism, most spiritual belief systems accept that nature is not good or bad but all things. But the christian belief system is starkly variant. the christian tradition says god is good, thus that which is not good is not of the essence of life. If you see a version of you doing negative things that you wouldn't do, if you have in your mind the idea that to do negative things is against nature, then you will imply that the other you is unnatural and thus communication problems, coexistence problems.

Thistle and Verse

Live Discussion

Kat Blaque

Logan Paul is WRONG about NOPE

Thistle and Verse

Trivia Night

Recommendations Gender Bender

Recommendations Author You've Never Read Before

Recommendations Rocks and Gems

Post-Ignyte Award Thoughts- Doesn't she look pretty

Title: Haitian Goddess 2
Artist: Chevelin Pierre
https://www.deviantart.com/chevelinpierre/art/Haitian-goddess-2-932906268

Watch the work made! magic!!

How to draw a fantasy merchant lady, in european terms a centaur, but I can see a woman with a fish tail

What say you to Chevelin? 

Read a South Carolinian mermaid tale

https://aalbc.com/tc/profile/6477-richardmurray/?status=1614&type=status

An example of some of Chevelin's full colored illustrations, lovely work

@chevelin_illustration

Drawing by @chevelin

♬ Stuck In The Middle - Tai Verdes

WARNING: If you have a problem with nudity, do not look or play the following video. Otherwise, enjoy Danto
 

P.S.

We don't Talk About Gabriella?
https://aalbc.com/tc/profile/6477-richardmurray/?status=2086&type=status

#NY1 great interview with  @bcuza #ny1politics @insidecityhall  Albert fox 
MTS safety has not increased, it is perceptions of negativity that have increased. New Yorkers, wake up

Albert Fox Cahn talks about MTA’s new plans
By Deanna Garcia New York City
PUBLISHED 9:20 PM ET Sep. 29, 2022
MTA will install two surveillance cameras inside every subway car over the next three years and begin phasing out MetroCards early next year. 

Albert Fox Cahn, executive director of the Surveillance Technology Oversight Project, a civil rights and privacy group, joined Bobby Cuza on “Inside City Hall” Thursday to talk more about MTA’s new plans. 

“The problem is, people don’t feel safer even when they are safer. But the camera’s aren’t going to solve that,” he said. Cameras are not helpful for investigations and are “terrible” at deterring crime, he said. 

“So what you’re going to see is subways where people feel even more at risk because you have even more images of crimes that take place, even as crime rates continue to go down,” Cahn said.
Article with Video
https://www.ny1.com/nyc/all-boroughs/inside-city-hall/2022/09/30/albert-fox-cahn-talks-about-mta-s-new-plans

The view to incarceration is similar to those who few public transit a hazard.  

Illinois To END Cash Bail, Critics Say 'SAFE-T Act' Will Cause More Crime: Olayemi & Robby Debate
video 

A new Yorker who is honest and exposes the truth. Like many issues, when the goal for some is 100% and every negative instance becomes the standard, you get a false narrative.
NYC has over ten million people. The public transit system is safe for over 95% of these people every day for 365 days. 5% or less deal with incidents and the media to sensationalize plus people who want zero negative incidents cause they have been hurt and feel fear or feel their safety demands no incidents proclaim terror throughout the city.
https://twitter.com/errollouis/status/1579626913496461313

Going home on the violent NYC subways. Riders paralyzed with fright. pic.twitter.com/icOvJ4MDV9

— Errol Louis (@errollouis) October 11, 2022

the problem is a large percentage of people in NYC itself, not the majority, for various reasons will accept nothing but 0% incidents to admit they are safe or comfortable and that is impossible in a city of over nine million people, so inevitable cries of fear

People in the USA talk about justice or the rule of law alot, talk about financial honesty a lot and yet the fiscal truth or legal truth of the usa is always the consistency of the powerful to maintain control and benefit with no penalty side a media presentation of acceptance

How $600 billion was stolen from the American people
By James Bovard
“COVID fraud” is at this point a redundant phrase. Congress appropriated more than $5 trillion for COVID relief but almost $600 billion may have been lost to fraud — an astounding 12%. Washington’s pandemic pratfalls are the greatest federal boondoggle of this century.

Prosecutors are having a turkey shoot nailing COVID crooks: More than 1,500 have been indicted and almost 500 have been convicted. On September 14, the Justice Department announced the creation of three COVID-19 fraud strike force teams.

When President Biden recently signed a law to extend the time to prosecute COVID fraud, he declared, “My message to those cheats out there is this: You can’t hide. We’re going to find you.” But the sheer amount of fraud makes it unlikely that the vast majority of thieves will be charged.

Policymakers acted as if waiving standard federal fraud protections would somehow thwart the COVID virus. On September 22, the Labor Department inspector general estimated that COVID-19 unemployment fraud amounted to $45 billion and could exceed $163 billion. “Overseas organized crime groups flooded state unemployment systems with bogus online claims, overwhelming antiquated computer software benefits in blunt-force attacks that siphoned out millions of dollars,” NBC News reported.

Prison inmates, drug gangs and Nigerian racketeers easily plundered the program. One swindler collected unemployment benefits from 29 different states. In the first year of the pandemic, Maryland detected more than 1.3 million fraudulent unemployment claims — equal to 20% of the state’s population.

Beginning in June 2020, the feds distributed $813 billion in Paycheck Protection Program loans to businesses. President Donald Trump’s Treasury Secretary Steven Mnuchin boasted that PPP is “supporting an estimated 50 million jobs.” But many of those jobs existed solely in the imagination of political appointees.

The Small Business Administration (SBA), which administered the program, effectively told people, “Apply and sign and tell us that you’re really entitled to the money,” according to Justice Department Inspector General Michael Horowitz. The SBA camouflaged its “don’t ask, don’t tell” loan standard by claiming to perform economic miracles. The SBA ludicrously boasted that PPP loans saved more jobs than the total number of employees in at least 15 industries.

Yet CBS News found that PPP loans had gone to more than a thousand “ghost businesses” in Markham, Illinois — indicative of a nationwide problem of deluging non-existent companies with federal cash. The feds gave “loans to 342 people who said their name was ‘N/A,’” the New York Times reported.

Fraud permeated relief programs of practically every federal agency that gushered money. On September 20, the feds charged 47 people in Minnesota with looting $250 million from the federal child nutrition programs’ COVID aid. Prosecutors denounced the “brazen scheme of staggering proportions” but federal and state bureaucrats should have stopped the pilfering from the start. “Feeding Our Future,” a nonprofit organization, pocketed $300,000 in subsidies in 2018 and a windfall of almost $200 million in 2021. Fraud snowballed because the US Department of Agriculture issued waivers to “suspend all on-site monitoring of providers” of children’s meals.

Instead of feeding hungry kids, tax dollars were pilfered using a list of phony recipients generated by the website listofrandomnames.com. (No wonder Feeding Our Future wasn’t invited to attend Biden’s White House Summit on Hunger last week.) When the state of Minnesota sought to cut off funding, Feeding Our Future sued, claiming the action “discriminated against a nonprofit that worked with racial minorities,” the Minneapolis Star Tribune reported. Leftist firebrand Rep. Ilhan Omar (D-Minn.) received thousands of dollars in donations from individuals indicted in the scandal.

Fighting fraud is tricky for federal investigators when some politicians openly used COVID stimulus money to bribe voters. In the January 2021 Georgia runoff race for US Senate, the campaign of Democratic candidate Raphael Warnock distributed fliers declaring, “Want a $2,000 Check? Vote Warnock.” That promise helped Warnock win, sealing Democratic control of the Senate and opening the floodgates for trillions of dollars of additional Biden administration spending.

.@KLoeffler isn't in D.C. fighting for a $2,000 relief check. She's on the campaign trail, trying desperately to save her own job.

She’s fighting for herself. I’ll fight for you. pic.twitter.com/uS5lx4on9B

— Reverend Raphael Warnock (@ReverendWarnock) January 1, 2021
The single biggest COVID fraud will never show up in triumphal press releases issued by federal prosecutors. On August 24, Biden invoked the COVID-19 emergency to justify canceling $400 billion in student loans. A few weeks ago, Biden told “60 Minutes” that the pandemic was over — thus invalidating his justification for loan forgiveness.

But Team Biden signaled that it was entitled to spend hundreds of billions of tax dollars to purchase Democratic votes in the midterm congressional elections regardless of the president’s admission.

Plenty of scoundrels will be convicted in the coming months for stealing COVID money. But it was the politicians of both parties who unleashed the reckless spending that left us with a soaring national debt, roaring inflation, and a fading mirage of prosperity.

Americans should never permit politicians to absolve themselves by uncorking geysers of tax dollars.

Article

https://nypost.com/2022/10/02/how-600-billion-was-stolen-from-the-american-people/

Would you want this?

Their Loved Ones Died. Preserved Tattoos Offer a Way to Keep Them Close.
Laws in most states allow mourners to remove and preserve tattoos as memorial works of art. An Ohio company, Save My Ink Forever, is the pioneer.

Kyle Sherwood, left, and his father, Mike Sherwood, started Save My Ink Forever, which helps families preserve the tattoos of loved ones who have died.Credit...Daniel Lozada for The New York Times

By McKenna Oxenden
Published Oct. 8, 2022
Updated Oct. 12, 2022, 3:15 p.m. ET
Jonathan Gil knew he would never forget the details of the day his 24-year-old twin brother died in a boating accident on Lake Hopatcong in northern New Jersey — the frantic phone call from a friend, the dire search by rescuers and the dread of breaking the grim news to his mother.

But Mr. Gil worried that as the months and years wore on, the memories he held of Jason beyond that tragic day would begin to fade. His family’s solution: Preserve a part of his brother.

Now, anytime he seeks a quick reminder of his twin, Mr. Gil glances past a collage of photos to a shelf next to his desk that acts as an altar, where the tattoo of a black and white skull and three roses, lifted and preserved on skin from Jason’s left shoulder, sits protected in a frame.

“We have his ashes, but with that you don’t see a physical part of him,” said Mr. Gil, 27. “But with the tattoo, you can. It’s nice to have a little piece of him, like you’re holding him close in one way or another and keeping him around.”

The preserved tattoo is the work of the company Save My Ink Forever, started in 2016 in Northfield, Ohio, by Kyle Sherwood, a third-generation mortician, and his father, Mike.

While limited attempts to preserve tattoos stretch back for decades, few other companies globally are doing the same work as Mr. Sherwood, who started his business at the nexus of two growing trends: More Americans are getting inked, and the idea of turning loved ones’ remains into keepsakes is surging in popularity. Some mourners are having cremated remains made into jewelry or infused into glass-blown sculptures — all in the name of keeping a loved one close.

More mourners are also asking funeral homes about this service, according to the National Funeral Directors Association. Walker Posey, a funeral home director and spokesman for the association, said more than half of his roughly 400 clients inquire each year about the keepsakes. That is a sharp increase from five years ago, when clients seldom made such requests. Funeral laws in 49 states — the exception is Washington — allow the tattoo preservation practice.

And a record three in 10 Americans have at least one tattoo, according to a 2019 Ipsos poll, with the popularity of permanent ink continuing to grow among young people.

The idea of keeping a beloved relative’s tattooed skin and hanging it on a wall may be hard for some to imagine. But families who have worked with the Sherwoods say it brings comfort and emphasized that a person’s tattoos often carry great meaning.

Margie Gatehouse, of Salt Lake City, said that as her husband was dying of cirrhosis this past spring, her daughters approached her with the idea of preserving his tattoo. She was stunned at the suggestion.

“I thought it was morbid and thought that it wasn’t even possible,” Ms. Gatehouse, 52, said. “How could you cut something off someone?”

Her daughters, Courtney and Nichole, explained to their mother that their father was on board and that they had found Save My Ink Forever. They asked her to imagine how special it would be to have the black-and-white skull tattoo that has a ribbon with their names on it framed and preserved for years to come. She reluctantly agreed.

Now, Ms. Gatehouse says she couldn’t be more grateful that she listened to her daughters as the frame, which hangs in her living room, continues to connect her to her husband.

“I’m glad that I didn’t miss the opportunity,” she said.

Historians trace the rise of tattoo preservation to the mid-to-late 19th century. Fukushi Masaichi, a Japanese physician, is credited as one of the pioneers in the field, said Karly Etz, a postdoctoral associate at the Rochester Institute of Technology who studies tattoo art history.

While the concept of saving loved ones’ tattoos had been around in fits and starts, Mr. Sherwood sought a way to perfect the preservation process while treating the tattoo as a work of art, ironing out the details for two years.

When Save My Ink Forever receives a request to preserve a tattoo, the company sends a package of materials to the funeral home for the tattoo to be excised. Morticians are directed through an instructional video to remove only the necessary amount of skin needed to preserve the tattoo. The process is “really hard to screw up,” Mr. Sherwood said. If something does go awry, he said, his team can usually fix it.

The mortician places the tattoo into a preservative. It then is shipped to Ohio for the team of about five people to clean, trim excess skin and fix any blemishes.

Sometimes, the skin is damaged. Or in the case of the waterlogged skin of Mr. Gil’s twin, extra care is required to bring the tattoo back to its original glory.

“It’s sort of like cleaning a dirty window,” Mr. Sherwood said, emphasizing that his team does not alter the tattoo in any way. He declined to divulge further details of the process, which takes about three to four months per tattoo.

Finally, the tattoo gets a frame. Families pick the type of frame and matting and then a professional framer gets started. Each tattoo is sewn to the canvas and the frame is pumped with nitrogen to help keep it pristinely preserved as museum-grade UV blocking glass is inserted into place.

In order to have the materials to perfect the science, Mr. Sherwood came up with the idea to pay for people’s tummy tuck procedures, which remove excess skin and fat, in exchange for being able to practice on that discarded skin.

The cost can range from about $1,700 for a small, 5 inch by 5 inch tattoo, to more than $120,000 to preserve an entire body suit.

Mr. Sherwood said while some people may find his business outlandish, he takes pride in being able to give people a long-lasting physical memory of their loved one.

The mortician recalled the case of one man who had a tattoo with both of his daughters’ names in a heart. The family contemplated whether to save the tattoo, but Mr. Sherwood suggested cutting it in half in the style of a friendship necklace, so each daughter would have a piece of their father with them.

In another instance, he helped a grieving mother keep her son’s memory alive after he was murdered. The tattoo had “Papa Eddie” written in a scroll with a fishing rod, in honor of his grandfather, and had been inked by the man’s uncle, who had also died. By preserving the tattoo, Mr. Sherwood said it represented not only her son, but also “three generations of families.”

“The gratification people have and that connection I’m able to make, you can’t explain it,” Mr. Sherwood said. “It’s very humbling and powering to have that impact on someone.”

Tattoo preservation isn’t just for people who have died.

Save My Ink Forever has preserved a handful of tattoos for amputees and recently received a new request from Asher J. Heart, who wants to preserve a tattoo after undergoing gender confirmation surgery next year. Mr. Heart, 30, from Muskegon, Mich., said the ink on his chest no longer felt right, but would serve as a tangible piece of the person he used to be.

“For me, it will not be erasing my past but erasing the pain of it,” Mr. Heart said.

For Mr. Gil, in addition to keeping his twin brother’s tattoo in a prominent viewing spot, he decided to honor him by getting two more tattoos — a portrait of Jason’s face and a replica of a glowing lantern tattoo that Jason had.

Mr. Gil said he hoped those tattoos, too, survived longer than he did.

“I hope someone else does it for me,” Mr. Gil said. “I don’t need this while I’m gone. Once you die, you die. You don’t take anything with you.”

Article
https://www.nytimes.com/2022/10/08/arts/save-my-ink-forever-tattoo-preservation.html

Title->> CD: The Moon Lullaby
Artist->> HaraaJubilee
URL ->> https://www.deviantart.com/haraajubilee/art/CD-The-Moon-Lullaby-931241765

The artist made this work for her sister, and was inspired by a lullaby from Kemet, commonly called egypt in humanity.

    Go to sleep little one
    Let us rest on this straw mat
    Go to sleep while it is yet dark
    Soon the clouds will disappear
    And reveal a great light to light up the neighborhood

    Tomorrow your father will return home
    With money from the lemons he sold
    He will bring you clothes and a scarf
    To keep you warm in December
    My beautiful one, with the lovely handpicked black hair
    Whomever does not love you or kiss you
    Knows not what they are missing

Title->> Nami Nami - Traditional lullaby from Egypt - ODO Ensemble نامي نامي ، تهليل
Poster->> ODO Ensemble - World Music for Soul and Peace

I did a little more research and I found the complete lyrics and also the potential writer of the lullaby

Title->>"NAMI NAMI" (Arabic Lullaby)
Artist->>Azam Ali and Niyaz

I am not sure, but it seems the lullaby was written by a lebanese artists
Title->>Marcel Khalife Nami Nami ya sgery
Poster-->M4U

Coincidentally, youtube's search engine knows my search habits and presented the following... an interpretation of a love song from Kemet on an interpretation of a Kemetian instrument, commonly referred to as a djedjet. Remember, the language or culture of Kemet is not known. It has functionally died. All that modernity has is interpretations to it, not confirmed knowledge.

Title->>ANCIENT EGYPTIAN LOVE SONG
Artist->>Peter Pringle 

This is the transcription of the song- again, remember, this is all interpretation, so it can not be insult. 

Sister!
Sister without rival!
Beautiful!
Most beautiful of all
She is like the star, Sothis, when it rises
Like the star, Sothis, when it rises
At the beginning of a fine new year
Perfect and bright and shining is her skin
And where she looks, she seduces with her eyes
Her lips are sweet when she speaks
And there is never a word too many 

Sister! 
Sister without rival!
Beautiful!
Most beautiful of all!
Slender neck and shining body
Her hair is like true lapis
Her arms outshine the finest gold
Her fingers are like the petals of the lotus flower
Ample hips and slender waist
Her thighs extend her beauty
When she walks gracefully upon the earth 

Sister!
Sister without rival!

Beautiful!
Most Beautiful of all
She has stolen my heart with her kisses
She has stolen my heart with her kisses
She has made the necks of all men
Turn around at the mere sight of her
He who embraces her is a happy man
He is the most fortunate among lovers
For he has seen her in her glory
And known her as the goddess

Sister!
Sister without rival!

Beautiful!
Most beautiful of all!
 

NOTES from the WHite artist 

Here is something that should really set the world on fire! It is a 3000-year-old song, sung in a dead language that no one speaks or understands, accompanied on an instrument called the "djedjet" that hasn't existed in several millennia!  

The words for this song are from an ancient Egyptian papyrus scroll, written in a formalized version of the language of the New Kingdom (roughly 1500 B.C.). This was the era of some of Egypt's most famous pharaohs, including Tutankhamun, Queen Hatshepsut and the notorious "heretic king" Akenaten and his wife Queen Nefertiti.

The song itself is written in several parts as a dialog between a young man and the girl he loves. This is the first part of it sung by the young man.  Although he refers to the girl as "sister", she is not his actual sister. It was common for people in those days, as it is in some places today, to refer to one another as "brother" and "sister" when they belonged to the same community.

The language of ancient Egypt died out long ago, and no one is certain exactly how it was pronounced because only consonants were written - no vowels. The song itself is surprisingly explicit and erotic. After I made the video, I decided I had better add subtitles with a translation because without that nothing made any sense.

The instrument I am using to accompany myself is a reproduction of a 22 string Egyptian New Kingdom arched ('C' - shaped) harp called a "djedjet". It is made entirely of cedar and animal skin, without nails or screws of any kind. It has a rich, deep tone and I placed a microphone at the bottom of the instrument to pick up the sound. There is nothing except harp and voice in this recording.

Ancient Egyptians wrote out many of the words to their songs but they did not write down the music, so we have no idea what their songs or instrumental music sounded like. I have tuned the harp in this video to what is called a "double harmonic major scale". This does not correspond to any of the "modes" of western musical theory. Did ancient Egyptians use this scale? No one knows, but it is possible. I believe that the ancient harpists tuned their instruments to suit the piece of music they were playing. 

Many biblical scholars have suggested that this song was the inspiration for the SONG OF SONGS, or "Song Of Solomon" from the Old Testament of the Bible because the parallels between them are striking. The Song Of Solomon would have been written down long after the period of the Egyptian New Kingdom.

P.S. the image from haraaJubilee is clancute 

Title: Spaceketball
Artist: GDbee < https://gdbee.store/ > 
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GDBee Post
https://aalbc.com/tc/search/?&q=gdbee&type=core_statuses_status&quick=1&author=richardmurray&search_and_or=or&sortby=newest

Title: Piercing
Artist: GDBee < https://gdbee.store/ > 
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